<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-20710455</id><updated>2012-01-06T14:38:48.606-05:00</updated><title type='text'>POPSURFING.COM</title><subtitle type='html'>Surfing the waves of popular culture&lt;br&gt;
By Michael Giltz</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default?start-index=101&amp;max-results=100'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3344</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-20710455.post-4917254597743486018</id><published>2012-01-01T14:53:00.001-05:00</published><updated>2012-01-01T14:55:43.159-05:00</updated><title type='text'>The Movies, Books, Theaters, Concerts, CDs Etc I've Seen/Read So Far in 2012</title><content type='html'>Updated January 1, 2012&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MOVIES  MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES  MOVIES&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Taste Of Cherry (1997) *** 1/2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BOOKS BOOKS BOOKS BOOKS  BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;THEATER CONCERTS  THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS  CDS CDS&lt;/span&gt; (Only the CDs I've listened to thoroughly and with a  strong emphasis on the ones I like, so don't think I love everything I  listen to -- I just don't bother really listening to the ones I don't  like more than once and don't think it's fair to rate on a cursory  listen)&lt;br /&gt;&lt;br /&gt;1. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Updated January 1, 2012&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-4917254597743486018?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/4917254597743486018/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=4917254597743486018' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4917254597743486018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4917254597743486018'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2012/01/movies-books-theaters-concerts-cds-etc.html' title='The Movies, Books, Theaters, Concerts, CDs Etc I&apos;ve Seen/Read So Far in 2012'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-5822842075910364773</id><published>2011-12-31T23:59:00.002-05:00</published><updated>2012-01-06T14:38:48.809-05:00</updated><title type='text'>The Movies, Books, Theaters, Concerts, CDs Etc I Saw/Read In 2011</title><content type='html'>Updated December 31, 2011&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MOVIES  MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES  MOVIES&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Secret Sunshine ***&lt;br /&gt;2. The Strange Case Of Angelica * 1/2&lt;br /&gt;3. Welcome ***&lt;br /&gt;4. Shoah ****&lt;br /&gt;5. Downton Abbey (TV series) ***&lt;br /&gt;6. The Red Riding Trilogy: 1980 ***/&lt;br /&gt;7. The Red Riding Trilogy: 1983 ***&lt;br /&gt;8. White Material (good Tindersticks score) ** 1/2&lt;br /&gt;9. Everyone Else *** 1/2&lt;br /&gt;10. Long Ride Home ***&lt;br /&gt;11. Country Strong **&lt;br /&gt;12. Howl * 1/2&lt;br /&gt;13. Judge Hardy and Son (1939) * 1/2 (but good prayer scene for Mickey Rooney)&lt;br /&gt;14. Bluebeard *** 1/2&lt;br /&gt;15. Animal Kingdom ***&lt;br /&gt;16. Inspector Bellamy *&lt;br /&gt;17. Nowhere Boy ** 1/2&lt;br /&gt;18. Cold Weather **&lt;br /&gt;19. Oscar Animated Shorts * 1/2&lt;br /&gt;         Madagascar, A Journey Diary ***&lt;br /&gt;         Let's Pollute **&lt;br /&gt;         The Gruffalo *&lt;br /&gt;         The Lost Thing * 1/2&lt;br /&gt;         Day &amp;amp; Night ***&lt;br /&gt;20. Oscar Live Action Shorts *** 1/2&lt;br /&gt;         The Confession ** 1/2&lt;br /&gt;         Wish 143 ***/&lt;br /&gt;         Na Wewe *&lt;br /&gt;         The Crush ***/&lt;br /&gt;         God Of Love *** 1/2&lt;br /&gt;21. Potemkin at Film Forum ****&lt;br /&gt;22. Sapphire (1959) ** 1/2&lt;br /&gt;23. Elsewhere ** 1/2&lt;br /&gt;24. Robinson Crusoe On Mars (1964) **&lt;br /&gt;25. Bambi on BluRay (1942) ****&lt;br /&gt;26. Morning Glory **&lt;br /&gt;27. Unstoppable ***&lt;br /&gt;28. Eyes On The Prize ****&lt;br /&gt;29. Dexter Season One ****&lt;br /&gt;30. Dexter Season Two ** 1/2&lt;br /&gt;31. Dexter Season Three ***&lt;br /&gt;32. Dexter Season Four ***&lt;br /&gt;33. Songs Of America (Simon &amp;amp; Garfunkel TV special) ** 1/2&lt;br /&gt;34. The Harmony Game: The Making Of Bridge Over Troubled Water) ****&lt;br /&gt;35. The Killer Inside Me ** 1/2&lt;br /&gt;36. Pioneers Of Television: Westerns **&lt;br /&gt;37. Pioneers Of Television: Science Fiction *&lt;br /&gt;38. Hereafter * 1/2&lt;br /&gt;39. How Do You Know? * 1/2&lt;br /&gt;40. The Tourist *&lt;br /&gt;41. Terribly Happy ** 1/2&lt;br /&gt;42. Dancing Co-Ed (1939) * 1/2&lt;br /&gt;43. The Black Power Mixtape ***&lt;br /&gt;44. Rejoice &amp;amp; Shout ***&lt;br /&gt;45. Allegheny Uprising (1939) ***&lt;br /&gt;46. Treme Season One ** 1/2 (very frustrating series)&lt;br /&gt;47. Source Code **&lt;br /&gt;48. Honolulu (1939) * 1/2&lt;br /&gt;49. State Of The Union (1948) *** 1/2&lt;br /&gt;50. The Frozen Limits (1939) * 1/2&lt;br /&gt;51. I Walked With A Zombie (1943) ***&lt;br /&gt;52. Sansho The Bailiff (1954) ***&lt;br /&gt;53. Forbidden Games (1952) *** 1/2&lt;br /&gt;54. The Big Heat (1953) *** 1/2 (great Glenn Ford)&lt;br /&gt;55. Out Of The Past (1947) ****&lt;br /&gt;56. The Reckless Moment (1949) ** 1/2&lt;br /&gt;57. Out Of The Fog (1941) ***&lt;br /&gt;58. Mr. Moto's Last Warning (1939) **&lt;br /&gt;59. Mr. Moto in Danger Island (1939) * 1/2&lt;br /&gt;60. Mr. Moto Takes A Vacation (1939) * 1/2&lt;br /&gt;61. Abbott &amp; Costello Meet Frankenstein (1948) * 1/2&lt;br /&gt;62. Everything Happens At Night (1939 w Sonja Henie) *&lt;br /&gt;63. Out Of The Fog (1941) ***&lt;br /&gt;64. Thor **&lt;br /&gt;&lt;br /&gt;Cannes Film Festival 2011&lt;br /&gt;&lt;br /&gt;65. Midnight In Paris **&lt;br /&gt;66. Sleeping Beauty (2011) * 1/2&lt;br /&gt;67. We Need To Talk About Kevin ** 1/2&lt;br /&gt;68. Restless * 1/2&lt;br /&gt;69. Polisse ** 1/2&lt;br /&gt;70. The Fairy ** 1/2&lt;br /&gt;71. The Slut **&lt;br /&gt;72. Habemus Papam/We Have A Pope ***&lt;br /&gt;73. Michel Petrucciani ** 1/2&lt;br /&gt;74. Arirang zero stars&lt;br /&gt;75. Jeane Captive/The Silence Of Joan ** 1/2&lt;br /&gt;76. Hearat Shulayam/The Footnote *** 1/2&lt;br /&gt;77. Wu Xia aka Swordsmen aka Dragon ** 1/2&lt;br /&gt;78. Michael *** or maybe *** 1/2&lt;br /&gt;79. 17 Filles/17 Girls **&lt;br /&gt;80. La Fin Du Silence/The End Of Silence **&lt;br /&gt;81. The Kid With A Bike/La Gamin Du Velo *** 1/2&lt;br /&gt;82. The Artist *** 1/2&lt;br /&gt;83. Take Shelter ***&lt;br /&gt;84. Martha Marcy May Marlene ***&lt;br /&gt;85. House Of Tolerance/L'Apolloniade * 1/2&lt;br /&gt;86. The Tree Of Life ****&lt;br /&gt;87. Hors Satan/Outside Satan **&lt;br /&gt;88. Snowtown **&lt;br /&gt;89. Le Havre ***&lt;br /&gt;90. Skoonheid/Beauty **&lt;br /&gt;91. Bonsai **&lt;br /&gt;92. Hanezu No Tsuki *&lt;br /&gt;93. Melancholia **&lt;br /&gt;94. The Conquest/La Conquete ** 1/2&lt;br /&gt;95. Oslo, 31 August **&lt;br /&gt;96. Ichimei aka Hara-Kiri: Death Of A Samurai **&lt;br /&gt;97. The Skin We Live In/La Piel Que Habito **&lt;br /&gt;98. L'Exercice de L'etat/The Minister ** 1/2&lt;br /&gt;99. Drive **&lt;br /&gt;100. This Must Be The Place ***&lt;br /&gt;101. Play ***&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;End Of Cannes Film Festival&lt;br /&gt;&lt;br /&gt;102. X-Men: First Class **&lt;br /&gt;103. Battle: Los Angeles ** 1/2&lt;br /&gt;104. Chains (1949) ***&lt;br /&gt;105. The Eagle * 1/2&lt;br /&gt;106. Went The Day Well (1942 at Film Forum) ***&lt;br /&gt;107. Way To The Stars (1945) ***&lt;br /&gt;108. Let Us Live (1939) * 1/2&lt;br /&gt;109. Follow Me Quietly (1949) **&lt;br /&gt;110. The Spiral Staircase (1946) ** 1/2&lt;br /&gt;111. Grand Central Murder (1942) ** 1/2&lt;br /&gt;112. Gambling Lady (1934) ***&lt;br /&gt;113. Pale Flower (1964) *** 1/2&lt;br /&gt;114. Transformers 3: Dark Of The Moon *&lt;br /&gt;115. Torchwood: Children Of Earth TV miniseries *** 1/2&lt;br /&gt;116. Knight Without Armor (1937) **&lt;br /&gt;117. Q Planes aka Clouds Over Europe (1939) ***&lt;br /&gt;118. Home On The Prairie (Gene Autry)(1939) *&lt;br /&gt;119. Las Acacias (Cannes film truck driver giving mom and baby lift) ***&lt;br /&gt;120. Captain America: The First Avenger ** 1/2&lt;br /&gt;121. Harlem Rides The Range (1939) no stars&lt;br /&gt;122. Rise Of The Planet Of The Apes ***&lt;br /&gt;123. Metropolis (restored version 2010 w Alloy Orchestra live) ****&lt;br /&gt;124. The Murder Man w Spencer Tracy ** 1/2&lt;br /&gt;125. Trouble In Paradise at FF (1932) ****&lt;br /&gt;126. Jewel Robbery at FF (1932) ***&lt;br /&gt;127. The Immortal Battalion aka The Way Ahead dir by Carol Reed edited US version 91m (1944) ***&lt;br /&gt;128. Girls Night Out at FF (1931) ***&lt;br /&gt;129. Heat Lightning at FF (1934) ** 1/2&lt;br /&gt;130. Union Depot at FF (1932) ** 1/2&lt;br /&gt;131. Harry Potter and The Deathly Hallows Part 2 in 3-D ***&lt;br /&gt;132. They Made Me A Criminal (1939 John Garfield) * 1/2&lt;br /&gt;133. Jane Eyre (2011 w Michael Fassbender) ***&lt;br /&gt;134. Conan The Barbarian (2011) no stars&lt;br /&gt;135. Rally Round The Flag, Boys (1958) *&lt;br /&gt;136. King Of The Underworld (1939) **&lt;br /&gt;137. Fallen Angel (1945) *** 1/2&lt;br /&gt;138. Brute Force (grim prison movie) (1947) *** 1/2 &lt;br /&gt;139. Spy In Black (1939) **&lt;br /&gt;140. Mysteries Of Lisbon ** 1/2&lt;br /&gt;141. Intimidation (1960) ** 1/2 &lt;br /&gt;142. Smiles Of A Summer Night (1955) *** 1/2&lt;br /&gt;143. Life Begins For Andy Hardy (1941) ***&lt;br /&gt;144. A Man's Castle (1933) ** 1/2&lt;br /&gt;145. The Long Voyage Home (1940) ***&lt;br /&gt;146. Harper (1966) **&lt;br /&gt;147. We Can't Go Home Again (Nicholas Ray) *&lt;br /&gt;148. Music According To Tom Jobim ** 1/2&lt;br /&gt;149. Patience (After Sebald) **&lt;br /&gt;150. Tahrir **&lt;br /&gt;151. Dreileben: Beats Being Dead ***&lt;br /&gt;152. Dreileben: One Minute Of Darkness ***&lt;br /&gt;153. Dreileben: Don't Follow Me Around **&lt;br /&gt;154. Society Lawyer (1939) * 1/2&lt;br /&gt;155. Moneyball **&lt;br /&gt;156. Stronger Than Desire (1939) * 1/2&lt;br /&gt;157. Carnage (film version of God Of Carnage) ** 1/2&lt;br /&gt;158. The Bishop Misbehaves (1935) **&lt;br /&gt;159. Dexter Season Five *** 1/2&lt;br /&gt;160. The Penguin Pool Murder (1932) * 1/2&lt;br /&gt;161. All Creatures Great And Small Season One *** 1/2&lt;br /&gt;162. All Creatures Great And Small Season Two ***&lt;br /&gt;163. All Creatures Great And Small Season Three *** 1/2&lt;br /&gt;164. Shanghai Express (1932) ***&lt;br /&gt;165. Four Daughters (1938) ***&lt;br /&gt;166. One Third Of A Nation (1939) **&lt;br /&gt;167. Circo ***&lt;br /&gt;168. They Were Expendable (1945) ***&lt;br /&gt;169. The Magnificent Ambersons (1942) ****&lt;br /&gt;170. The Four Feathers (1939) ***&lt;br /&gt;171. Koyaanasqatsi (1982) (live at Lincoln Center w orchestra and Glass Ensemble) ****&lt;br /&gt;172. The Great Flood w Bill Frisell at Carnegie Hall ***&lt;br /&gt;173. The Life And Death Of Colonel Blimp (1943) *** 1/2&lt;br /&gt;174. The Earrings Of Madame De... (1953) *** 1/2&lt;br /&gt;175. The Crowd at Film Forum w live piano (1928) ****&lt;br /&gt;176. Hugo * 1/2&lt;br /&gt;177. The Wind (1928 w Lillian Gish) ***&lt;br /&gt;178. Pariah ***&lt;br /&gt;179. Courageous Daughters (1939) **&lt;br /&gt;180. Weekend ***&lt;br /&gt;181. Arthur Christmas *** 1/2&lt;br /&gt;182. The Muppets ***&lt;br /&gt;183. Sherlock Holmes: Game Of Shadows **&lt;br /&gt;184. Mission Impossible: Ghost Protocol ***&lt;br /&gt;185. The Adventures Of Tintin: Secret Of The Unicorn **&lt;br /&gt;186. The Bishop's Wife (1947) *&lt;br /&gt;187. They Drive By Night (1940) ***&lt;br /&gt;188. Tokyo Drifter (1966) *** 1/2&lt;br /&gt;189. Ali: Fear Eats The Soul (1974) *** 1/2&lt;br /&gt;190. Diary Of A Country Priest (1951) *** 1/2&lt;br /&gt;191. Danton (1983) ****&lt;br /&gt;192. High and Low (1963) *** 1/2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BOOKS BOOKS BOOKS BOOKS  BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. The Lord of the Rings: The Two Towers by JRR Tolkein ****&lt;br /&gt;2. The Lord of the Rings: The Return Of The King by JRR Tolkein ****&lt;br /&gt;3. Unbroken by Laura Hillenbrand *** 1/2&lt;br /&gt;4. The Songlines by Bruce Chatwin ****&lt;br /&gt;5. Two Adolescents by Alberto Moravia *** 1/2&lt;br /&gt;6. King Solomon's Mines by H. Rider Haggard ** 1/2&lt;br /&gt;7. Cart &amp; Cwidder by Diana Wynne Jones ** 1/2&lt;br /&gt;8. A Game Of Thrones by George R.R. Martin ****&lt;br /&gt;9. A Clash Of Kings by George R.R. Martin ***1/2&lt;br /&gt;10. Just A Dream by Chris Van Allsburg * 1/2&lt;br /&gt;11. Dodsworth in Rome by Tim Egan ***&lt;br /&gt;12. Prince Valiant Vol. 1: 1937-1938 by Hal Foster ***&lt;br /&gt;13. Prince Valiant Vol. 2: 1939-1940 by Hal Foster ***&lt;br /&gt;14. Prince Valiant Vol. 3: 1941-1942 by Hal Foster *** 1/2&lt;br /&gt;15. A Storm Of Swords by George R.R. Martin *** 1/2&lt;br /&gt;16. Queen Of The Falls by Chris Van Allsburg ** 1/2&lt;br /&gt;17. A Feast For Crows by George R.R. Martin *** 1/2&lt;br /&gt;18. The Greater Journey: Americans In Paris by David McCullough ***&lt;br /&gt;19. The Great Night by Chris Adrian ** 1/2&lt;br /&gt;20. Empire State Of Mind by Zack O'Malley Greenburg&lt;br /&gt;21. The Little Red Pen by Janet Stevens &amp;amp; Susan Stevens Crummel * 1/2&lt;br /&gt;22. 21: The Story Of Roberto Clemente by Wilfred Santiago ** 1/2&lt;br /&gt;23. The Siege Of Washington by John Lockwood &amp; Charles Lockwood ***&lt;br /&gt;24. Malcolm X; A Life Of Reinvention by Manning Marable ****&lt;br /&gt;25. Dawn, Dusk or Night by Yasmina Reza ** 1/2&lt;br /&gt;26. Unforgivable by Phillipe Djian **&lt;br /&gt;27. On Being: A Scientist's Exploration Of The Great Questions Of Existence by Peter Atkins **&lt;br /&gt;28. Mygale by Thierry Jonquet **&lt;br /&gt;29. Berlin, 1961: Kennedy, Kruschev And The Most Dangerous Place On Earth by Frederick Kempe *** 1/2&lt;br /&gt;30. High Strung: Bjorn Borg, John McEnroe and the Untold Story Of Tennis's Fiercest Rivalry by Stephen Tignor ** 1/2&lt;br /&gt;31. Death At La Fenice by Donna Leon ** 1/2&lt;br /&gt;32. Death In A Strange Country by Donna Leon ***&lt;br /&gt;33. My Friend Flicka by Mary O'Hara ***&lt;br /&gt;34. Drive by James Sallis **&lt;br /&gt;35. The Magicians by Lev Grossman ***&lt;br /&gt;36. The Magician King by Lev Grossman ***&lt;br /&gt;37. The Buddha In The Attic by Julie Otsuka ****&lt;br /&gt;38. Fly By Night by Frances Hardinage ***&lt;br /&gt;39. Thunderhead by Mary O'Hara *** 1/2&lt;br /&gt;40. The Hypnotist by Lars Kepler ** 1/2&lt;br /&gt;41. Cocktail Hour Under The Tree Of Forgetfulness by Alexandra Fuller *** 1/2&lt;br /&gt;42. East Of The West by Miroslav Penkov ***&lt;br /&gt;43. Sum: Forty Tales From The Afterlives by David Eagleman ***&lt;br /&gt;44. Green Grass Of Wyoming by Mary O'Hara ***&lt;br /&gt;45. A Dance With Dragons by George R.R. Martin *** 1/2&lt;br /&gt;46. Willie &amp; Joe Back Home by Bill Mauldin ***&lt;br /&gt;47. The Cut By George Pelecanos ** 1/2&lt;br /&gt;48. Grand Pursuit by Sylvia Nasar ***/&lt;br /&gt;49. A Matter For Men: War Of the Chtorrs by David Gerrold **&lt;br /&gt;50. A Rage For Revenge: War Of The Chtorrs by David Gerrold * 1/2&lt;br /&gt;51. The Shootist by Glendon Swarthout ***&lt;br /&gt;52. Sea Of Poppies by Amitav Ghosh *** 1/2&lt;br /&gt;53. River Of Smoke by Amitav Ghosh *** 1/2&lt;br /&gt;54. When The Emnperor Was Divine by Julie Otsuka *** 1/2&lt;br /&gt;55. The Sun Also Rises by Eernest Hemingway *** 1/2&lt;br /&gt;56. Winesburg, Ohio by Sherwood Anderson *** 1/2&lt;br /&gt;57. Cousins: A Memoir by Athol Fugard **&lt;br /&gt;58. The Art Of Fielding by Chad Harbach *** 1/2&lt;br /&gt;59. The Rings Of Saturn by W.G. Sebald ****&lt;br /&gt;60. Siddhartha by Herman Hesse * 1/2&lt;br /&gt;61. John Henry Days by Colson Whitehead ***&lt;br /&gt;62. Civilization: The West and the Rest by Niall Ferguson ** 1/2&lt;br /&gt;63. Charles Dickens: A Life by Claire Tomalin ***&lt;br /&gt;64. The Marriage Plot by Jeffrey Eugenides ** 1/2&lt;br /&gt;65. Prince Valiant Vol. 4 1943-1944 by Hal Foster *** 1/2&lt;br /&gt;66. David Copperfield by Charles Dickens ****&lt;br /&gt;67. Habibi by Craig Thompson *** 1/2&lt;br /&gt;68. The Vicar Of Wakefield by Oliver Goldsmith ** 1/2&lt;br /&gt;69. The House Of Silk by Anthony Horowitz ** 1/2&lt;br /&gt;70. George F. Kennan by John Lewis Gaddis ***&lt;br /&gt;71. The Things They Carried by Tim O'Brien ****&lt;br /&gt;72. Cloud Atlas by David Mitchell ****&lt;br /&gt;73. The Invention Of Hugo Cabret by Brian Selznick ***&lt;br /&gt;74. The Leviathan by Joseph Roth (trans by Michael Hofmann) *** 1/2&lt;br /&gt;75. Five Chiefs: A Supreme Court Memoir by John Paul Stevens * 1/2&lt;br /&gt;76. Train Dreams by Denis Johnson ***&lt;br /&gt;77. Where The Red Fern Grows by Wilson Rawls **&lt;br /&gt;78. Pogo: Through The Wild Blue Yonder -- The Complete Syndicated Comic Strips Vol. 1 by Walt Kelly ****&lt;br /&gt;79. Don Quixote by Miguel Cervantes (trans by Edith Grossman) *** 1/2&lt;br /&gt;80. The Cricket In Times Square by George Selden ***&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;THEATER CONCERTS  THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. The Importance of Being Earnest (w Brian Bedford) ** 1/2&lt;br /&gt;2. The Interminable Suicide of Gregory Church (Daniel Kitson show) *** 1/2&lt;br /&gt;3. Other Desert Cities (Jon Robin Baitz w Stockard Channing, Stacey Keach) **&lt;br /&gt;4. John Gabriel Borkman (Alan Rickman, Fiona Shaw, Lindsay Duncan) * 1/2&lt;br /&gt;5. Mavis Staples at Bell House in Brooklyn ***&lt;br /&gt;6. Fitz and the Tantrums at Bowery Ballroom ***&lt;br /&gt;7. The New York Idea **&lt;br /&gt;8. Blood From A Stone with Ethan Hawke ** 1/2&lt;br /&gt;9. Gruesome Playground Injuries ***&lt;br /&gt;10. The Milk Train Doesn't Stop Here Anymore with Olympia Dukakis *&lt;br /&gt;11. The Road To Qatar *&lt;br /&gt;12. Nixon In China at the Met *** 1/2&lt;br /&gt;13. The Whipping Man w Andre Braugher **&lt;br /&gt;14. The Hallway Trilogy: Rose ***&lt;br /&gt;15. The Hallway Trilogy: Paraffin ***&lt;br /&gt;16. The Hallway Trilogy: Nursing **&lt;br /&gt;17. Small Craft Warnings Tennessee Williams revival zero stars&lt;br /&gt;18. The Diary Of A Madman with Geoffrey Rush at BAM ***&lt;br /&gt;19. Timon Of Athens with Richard Thomas at the Public ***&lt;br /&gt;20. The Broadway Musicals Of 1921 at Town Hall w Bobby Steggert ***&lt;br /&gt;21. Nightingale at BAM dir Robert Lepage ***&lt;br /&gt;22. Good People (w Frances McDormand) **&lt;br /&gt;23. Beautiful Burnout (Frantic Assembly at St. Ann's) **&lt;br /&gt;24. The Civilians at Joe's Pub w work-in-progress Let Me Ascertain You ***&lt;br /&gt;25. Three Sisters (w Maggie Gyllenhaal, Peter Sarsgaard) *** 1/2&lt;br /&gt;26. Orchestral Manoeuvres In The Dark at Terminal 5 ***&lt;br /&gt;27. The Pogues at Terminal 5 ** 1/2&lt;br /&gt;28. Room (Virgina Woolf piece at Women's Project) ***&lt;br /&gt;29. Priscilla, Queen Of The Desert -- The Musical * 1/2&lt;br /&gt;30. Ghetto Klown (John Leguizamo show) ** 1/2&lt;br /&gt;31. Cactus Flower (revival with Maxwell Caulfield) *&lt;br /&gt;32. Teddy Thompson at City Winery *** 1/2&lt;br /&gt;33. The Dream Of The Burning Boy ** 1/2&lt;br /&gt;34. Double Flasehood (Shakespeare play) **&lt;br /&gt;35. Macbeth (with John Douglas Thompson) **&lt;br /&gt;36. Between Worlds/Entre Mundos (w Siudy) * 1/2&lt;br /&gt;37. Arcadia (revival with Billy Crudup) *** 1/2&lt;br /&gt;38. Mike Birbiglia's My Girlfriend's Boyfriend ***&lt;br /&gt;39. Ron Sexsmith at Highline ** 1/2 (voice shaky that night; he's great)&lt;br /&gt;40. How To Succeed In Business Without Really Trying (w Daniel Radcliffe) ***&lt;br /&gt;41. Bengal Tiger At The Baghdad Zoo (w Robin Williams) **&lt;br /&gt;42. Amadou &amp; Mariam at Cooper Square Hotel ** 1/2 (bad acoustics, hard to see them)&lt;br /&gt;43. Anything Goes (w Sutton Foster) ** 1/2&lt;br /&gt;44. The Divine Sister (w Charles Busch) *** 1/2&lt;br /&gt;45. War Horse (at Lincoln Center) ***&lt;br /&gt;46. Catch Me If You Can (w Aaron Tveit) *** 1/2 production of ** 1/2 musical&lt;br /&gt;47. Sleep No More (PunchDrunk's immersive Macbeth at  McKittrick Hotel) *** 1/2&lt;br /&gt;48. Peter and the Starcatcher (dir by Roger Rees) *** 1/2&lt;br /&gt;49. Evans Haile at Etc. Etc. ***&lt;br /&gt;50. The Motherf**ker With The Hat (w Chris Rock) ***&lt;br /&gt;51. Being Harold Pinter at La MaMa ** 1/2&lt;br /&gt;52. kd lang at Le Poisson Rouge *** (would have been **** if she had played a full concert)&lt;br /&gt;53. Wonderland *&lt;br /&gt;54. Jerusalem w Mark Rylance ***&lt;br /&gt;55. Alexandria reading ***&lt;br /&gt;56. Young Jean Lee's We're Gonna Die ***&lt;br /&gt;57. Baby It's You *&lt;br /&gt;58. Die Walkure at the Met w Deborah Voigt ***&lt;br /&gt;59. Born Yesterday revival w Jim Belushi ***&lt;br /&gt;60. The Normal Heart w Joe Mantello ***&lt;br /&gt;61. The House Of Blue Leaves * 1/2&lt;br /&gt;62. Sister Act * 1/2&lt;br /&gt;63. The School For Lies (w Mamie Gummer) *** 1/2&lt;br /&gt;64. Carson McCullers Talks About Love (w Suzanne Vega) * 1/2&lt;br /&gt;65. The People In The Picture (w Donna Murphy) *&lt;br /&gt;66. King Lear at BAM (w Derek Jacobi) ***&lt;br /&gt;67. Pygmalion w Rupert Everett in UK **&lt;br /&gt;68. Lord Of The Flies (Open Air) * 1/2&lt;br /&gt;69. Operation Greenfield (UK Christian rock band) ** 1/2&lt;br /&gt;70. Much Ado About Nothing (UK Globe) ** 1/2&lt;br /&gt;71. All's Well That Ends Well (UK Globe) ****&lt;br /&gt;72. One Man, Two Guvnors (UK) ***&lt;br /&gt;73. Much Ado About Nothing (UK West End w David Tennant) ** 1/2&lt;br /&gt;74. Ladysmith Black Mambazo (UK) *** 1/2&lt;br /&gt;75. The Cherry Orchard (w Zoe Wannamker) ** 1/2&lt;br /&gt;76. The Book Of Mormon *** 1/2&lt;br /&gt;77. Lysistrata Jones * 1/2&lt;br /&gt;78. The Intelligent Homosexual's Guide To Capitalism and Socialism with a Key To The Scriptures ***&lt;br /&gt;79. The Illusion (Tony Kushner at Signature) *&lt;br /&gt;80. One Arm (Tennessee Williams screenplay) ***&lt;br /&gt;81. Spiderman: Turn Off The Dark * 1/2&lt;br /&gt;82. Broadway By The Year: 1996 (at Town Hall) ** 1/2&lt;br /&gt;83. All's Well That Ends Well/Shakespeare In The Park ** 1/2&lt;br /&gt;84. Unnatural Acts (at CSC) ***&lt;br /&gt;85. Zarkana/Cirque Du Soleil at Radio City Music Hall **&lt;br /&gt;86. Measure For Measure/Shakespeare In The Park ***&lt;br /&gt;87. Rickie Lee Jones at City Winery ** 1/2&lt;br /&gt;88. Master Class (w Tyne Daly) ***&lt;br /&gt;89. Silence! The Musical **&lt;br /&gt;90. Hair (revival on Broadway) ***&lt;br /&gt;91. Olive and the Bitter Herbs ** 1/2&lt;br /&gt;92. The Bardy Bunch (FringeFest) **&lt;br /&gt;93. 2 Burn (FF) * 1/2&lt;br /&gt;94. Parker &amp; Dizzy's Fabulous Journey To The End Of The Rainbow (FF) ** 1/2&lt;br /&gt;95. Civilian (FF) **&lt;br /&gt;96. Rachel Calof (FF) ** 1/2&lt;br /&gt;97. Walls And Bridges (FF) **&lt;br /&gt;98. What The Sparrow Said (FF) ** 1/2&lt;br /&gt;99. Hard Travelin' With Woody (FF)  ***&lt;br /&gt;100. Romeo &amp; Juliet: Choose Your Own Ending (FF) **&lt;br /&gt;101. Books On Tape (FF) ** 1/2&lt;br /&gt;102. Paper Cut (FF) ***&lt;br /&gt;103. Leonard Cohen Koans (FF) *** 1/2&lt;br /&gt;104. Yeast Nation (FF) ***&lt;br /&gt;105. Hero: The Musical * 1/2&lt;br /&gt;106. Cymbeline at Barrow St. Theatre ***&lt;br /&gt;107. The Select (The Sun Also Rises) ERS at NYTW ** 1/2&lt;br /&gt;108. Sweet And Sad **&lt;br /&gt;109. Crane Story **&lt;br /&gt;110. Septimus &amp; Clarissa *** 1/2&lt;br /&gt;111. Follies *** 1/2&lt;br /&gt;112. Araby (FF) *&lt;br /&gt;113. The Mountain Song *** 1/2&lt;br /&gt;114. Pearl's Gone Blue (FF) ***&lt;br /&gt;115. Lake Water **&lt;br /&gt;116. The More Loving One (FF) **&lt;br /&gt;117. Ennio: The Living Paper Cartoon (New York Musical Festival) ** 1/2&lt;br /&gt;118. Newsies at Paper Mill Playhouse **&lt;br /&gt;119. Kissless (NYMF) * 1/2&lt;br /&gt;120. Crazy, Just Like Me (NYMF) ***&lt;br /&gt;121. Time Between Us (NYMF) * 1/2&lt;br /&gt;122. The Pigeon Boys reading (NYMF) ***&lt;br /&gt;123. Fucking Hipsters (NYMF) **&lt;br /&gt;124. Ghostlight (NYMF) ** 1/2&lt;br /&gt;125. Cyclops: A Rock Opera (NYMF) *&lt;br /&gt;126. Blanche: The Bittersweet Life of A Wild Prairie Dame (NYMF) *** 1/2&lt;br /&gt;127. We Live Here (Zoe Kazan play) **&lt;br /&gt;128. The Submission (w Jonathan Groff) **&lt;br /&gt;129. Jack Perry Is Alive (And Dating) (NYMF) * 1/2&lt;br /&gt;130. The Mountaintop ** 1/2&lt;br /&gt;131. Central Avenue Breakdown (NYMF) ** 1/2&lt;br /&gt;132. Kiki Baby (NYMF) ** 1/2&lt;br /&gt;133. Greenwood (NYMF) *&lt;br /&gt;134. Madame X (NYMF) **&lt;br /&gt;135. Tut (NYMF) * 1/2&lt;br /&gt;136. Gotta Getta Girl (NYMF staged reading) ** 1/2&lt;br /&gt;137. Richard Serra exhibit at Gagosian ** 1/2 (space not tall and airy enough for piece)&lt;br /&gt;138. The Agony &amp; The Ecstasy Of Steve Jobs (at Public) ** 1/2&lt;br /&gt;139. Man and Boy (w Frank Langella) * 1/2&lt;br /&gt;140. Rumer in concert ****&lt;br /&gt;141. Relatively Speaking * 1/2&lt;br /&gt;142. PigPen's The Nightmare Story *** 1/2&lt;br /&gt;143. Milk Like Sugar ***&lt;br /&gt;144. Love's Labor's Lost (at Public) ** 1/2&lt;br /&gt;145. The Atmosphere Of Memory (w Ellen Burstyn and John Glover) 1/2 *&lt;br /&gt;146. Other Desert Cities (on Broadway w Rachel Griffiths) ** 1/2&lt;br /&gt;147. 69 Degrees South (at BAM) * 1/2&lt;br /&gt;148. Chinglish * 1/2&lt;br /&gt;149. Sons Of The Prophet *** 1/2&lt;br /&gt;150. Queen Of The Mist (w Mary Testa) ** 1/2&lt;br /&gt;151. Godspell (on Broadway) ** 1/2&lt;br /&gt;152. Hand To God ***&lt;br /&gt;153. All-American **&lt;br /&gt;154. King Lear w Sam Waterston (at Public) **&lt;br /&gt;155. Satyagraha at Met w English National Opera production ****&lt;br /&gt;156. Venus In Fur w Nina Arianda on Broadway ***&lt;br /&gt;157. Hugh Jackman: Back On Broadway ***&lt;br /&gt;158. Fragments (Beckett plays) ***&lt;br /&gt;159. Standing On Ceremony: The Gay Marriage Plays **&lt;br /&gt;160. Radio City Christmas Spectacular ** 1/2&lt;br /&gt;161. Private Lives (w Kim Cattrall and Paul Gross) **&lt;br /&gt;162. Seminar (w Alan Rickman) **&lt;br /&gt;163. White Christmas (at Paper Mill) ***&lt;br /&gt;164. Wild Animals You Should Know ** 1/2&lt;br /&gt;165. An Evening With Patti Lupone and Mandy Patinkin ***&lt;br /&gt;166. Bonnie &amp; Clyde **&lt;br /&gt;167. The Cherry Orchard w Diane Wiest and John Turturro at CSC **&lt;br /&gt;168. The Man Who Came To Dinner (at St. Clement's) **&lt;br /&gt;169. Misterman w Cillian Murphy (at St. Ann's Warehouse) ** 1/2&lt;br /&gt;170. Once (at New York Theatre Workshop) *** 1/2&lt;br /&gt;171. Maple and Vine **&lt;br /&gt;172. Krapp's Last Tape w John Hurt at BAM ***&lt;br /&gt;173. Stick Fly **&lt;br /&gt;174. Titus Andronicus (at Public) * 1/2&lt;br /&gt;175. On A Clear Day You Can See Forever (w Harry Connick Jr.) * 1/2&lt;br /&gt;176. Shlemiel The First ** 1/2&lt;br /&gt;177. Lysistrata Jones on Broadway *&lt;br /&gt;178. Close Up Space * &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS  CDS CDS&lt;/span&gt; (Only the CDs I've listened to thoroughly and with a  strong emphasis on the ones I like, so don't think I love everything I  listen to -- I just don't bother really listening to the ones I don't  like more than once and don't think it's fair to rate on a cursory  listen)&lt;br /&gt;&lt;br /&gt;1. Cake -- Showroom Of Compassion ** 1/2&lt;br /&gt;2. Charles Bradley -- No Time For Dreaming **&lt;br /&gt;3. Chris Riffle -- Introducing Chris Riffle ** 1/2&lt;br /&gt;4. Cyndi Lauper -- Memphis Blues **&lt;br /&gt;5. John Grant -- Queen Of Denmark ***/&lt;br /&gt;6. Local Natives -- Gorilla Manor ** 1/2&lt;br /&gt;7. Antony and the Johnson - Swanlights ** 1/2&lt;br /&gt;8. Olof Arnalds -- Innundir Skinni **&lt;br /&gt;9. Robert Wyatt -- For The Ghosts Within ***&lt;br /&gt;10. Neil Diamond: The Bang Years ** 1/2&lt;br /&gt;11. Adele -- 21 *** 1/2&lt;br /&gt;12. The Low Anthem -- Smart Flesh *** 1/2&lt;br /&gt;13. Voxhaul Broadcast -- Timing Is Everything **&lt;br /&gt;14. Vinicius Cantuaria &amp;amp; Bill Frisell -- Lagrimas Mexicanas ** 1/2&lt;br /&gt;15. Ladysmith Black Mambazo -- Songs From A Zulu Farm *** 1/2&lt;br /&gt;16. George Michael -- Faith reissue *** 1/2&lt;br /&gt;17. Darlene Love -- The Sound Of Love: The Very Best Of Darlene Love ****&lt;br /&gt;18. Robert Plant -- Band Of Joy *** 1/2&lt;br /&gt;19. Amos Lee -- Mission Bell **&lt;br /&gt;20. Charlie Haden Quartet West -- Sophisticated Ladies *** 1/2&lt;br /&gt;21. The Poison Tree -- The Poison Tree ***&lt;br /&gt;22. Rumer -- Seasons Of My Soul *** 1/2&lt;br /&gt;23. Preservation Hall Jazz Band &amp;amp; Del McCoury Band -- American Legacies *** 1/2&lt;br /&gt;24. David Wax Museum -- Everything Is Saved ***&lt;br /&gt;25. Bruno Mars -- Doowops &amp;amp; Hooligans *** 1/2&lt;br /&gt;26. The National - High Violet ***/&lt;br /&gt;27. Tom Jones -- Praise &amp;amp; Blame *** 1/2&lt;br /&gt;28. William Tyler -- Behold The Spirit ***/&lt;br /&gt;29. Various Artists -- The Sounds of Siam ***/&lt;br /&gt;30. Two Door Cinema Club -- Tourist History ***&lt;br /&gt;31. Elvis Costello -- National Ransom ***/&lt;br /&gt;32. 3 Fervent Travelers -- Time For Three *** 1/2&lt;br /&gt;33. Dennis Brown -- The Crown Prince Of Reggae: Singles 1972-1985 ***&lt;br /&gt;34. Ron Sexsmith --  Long Player Late Bloomer *** 1/2&lt;br /&gt;35. Simon &amp;amp; Garfunkel -- Bridge Over Troubled Water ****&lt;br /&gt;36. Teddy Thompson -- Bella *** 1/2&lt;br /&gt;37. Marsha Ambrosius -- Late Nights &amp;amp; Early Mornings ** 1/2&lt;br /&gt;38. Various Artists -- Sucker Punch soundtrack **&lt;br /&gt;39. Henry Wolfe -- Linda Vista ** 1/2 / (but want to listen to more)&lt;br /&gt;40. Various Artists -- Everybody Wants To Be A Cat: Disney Jazz, Volume 1 ** 1/2&lt;br /&gt;41. kd lang -- Sing It Loud *** 1/2&lt;br /&gt;42. Anita O'Day -- Sings The Most ****&lt;br /&gt;43. Fleet Foxes - Helplessness Blues *** 1/2&lt;br /&gt;44. The Secret Sisters - The Secret Sisters ***&lt;br /&gt;45. Frank Sinatra -- Ring-A-Ding-Ding ***/&lt;br /&gt;46. Arctic Monkeys -- Suck It And See **&lt;br /&gt;47. Beastie Boys -- Hot Sauce Committee Part Two *** 1/2&lt;br /&gt;48. The Bo-Keys -- Got To Get Back ***&lt;br /&gt;49. Bright Eyes -- The People's Key ***&lt;br /&gt;50. Fleet Foxes -- Helplessness Blues *** 1/2&lt;br /&gt;51. Brad Paisley -- This Is Country Music *** 1/2&lt;br /&gt;52. Theophilus London -- Timez Are Weird These Days **&lt;br /&gt;53. The Coral -- Butterfly House *** 1/2&lt;br /&gt;54. Cowboy Junkies -- Demons ** 1/2&lt;br /&gt;55. Colin Hay -- Gathering Mercury ** 1/2&lt;br /&gt;56. Art Pepper -- Meets The Rhythm Section ****&lt;br /&gt;57. Field Dasy -- Projector **&lt;br /&gt;58. Gretchen Parlato -- The Lost and Found **&lt;br /&gt;59. Ian Axel -- This Is The New Year **&lt;br /&gt;60. Ingram Hill -- Look Your Best **&lt;br /&gt;61. Jared Mees &amp; Grown Children -- Only Good Thoughts Can Stay **&lt;br /&gt;62. James Carter -- Caribbean Rhapsody ***&lt;br /&gt;63. Heidi Spencer -- Under Streetlight Glow **&lt;br /&gt;64. Joan As Police Woman -- Deep Field **&lt;br /&gt;65. John Martyn -- Heaven &amp; Earth **&lt;br /&gt;66. Young Presidents -- Freedom Of Speech * 1/2&lt;br /&gt;67. John Shannon -- Songs Of The Desert River **&lt;br /&gt;68. Justin Bond - Dendrophile **&lt;br /&gt;69. Justin Hines -- Days To Recall ** 1/2&lt;br /&gt;70. Kate Bush -- The Director's Cut ***&lt;br /&gt;71. Keren Ann -- 101 ** 1/2&lt;br /&gt;72. Khaira Arby -- Timbuktu Tarab ***&lt;br /&gt;73. Kina Grannis -- Stairwells * 1/2&lt;br /&gt;74. The Magic Numbers -- Runaway ***/&lt;br /&gt;75. Chris Young -- Neon ***&lt;br /&gt;76. Leonard Cohen -- The Complete Columbia Albums Collection *** 1/2&lt;br /&gt;77. James Taylor -- Sweet Baby James *** 1/2&lt;br /&gt;78. Paul Simon -- Songwriter *** 1/2&lt;br /&gt;79. Kate &amp; Anna McGarrigle -- Tell My Sister *** 1/2&lt;br /&gt;80. Various Artists -- The Lost Notebooks Of Hank Williams ***&lt;br /&gt;81. Tom Waits -- Bad As Me ****&lt;br /&gt;82. Darrell Scott -- Long Ride Home ** 1/2&lt;br /&gt;83. Hall &amp; Oates -- all their singles, in order *** 1/2&lt;br /&gt;84. The Jayhawks -- Mockingbird Time ** 1/2&lt;br /&gt;85. Pistol Annies -- Pistol Annies ***&lt;br /&gt;86. Wilco -- The Whole Love ** 1/2&lt;br /&gt;87. Various Artists -- Boardwalk Empire ***&lt;br /&gt;88. Beastie Boys -- Hot Sauce Committee Part Two ***&lt;br /&gt;89. Dale Watson -- The Sun Sessions ** 1/2&lt;br /&gt;90. Miranda Lambert -- Four The Record ***/&lt;br /&gt;91. Radiohead -- King Of Limbs ***&lt;br /&gt;92. Stevie Nicks -- In Your Dreams ** 1/2&lt;br /&gt;93. Lil Wayne -- Tha Carter IV **&lt;br /&gt;94. Mandy Barnett -- Winter Wonderland ** 1/2&lt;br /&gt;95. Dave Stewart -- The Blackbird Diaries ** 1/2&lt;br /&gt;96. Feist -- Metals ***&lt;br /&gt;97. Miles Davis -- Bitches Brew Live *** 1/2&lt;br /&gt;98. Thomas Dybdahl -- Songs **&lt;br /&gt;99. Zuchero -- Chocabek ***&lt;br /&gt;100. John Brown Trio -- Dancing With Duke ** 1/2&lt;br /&gt;101. Emmylou Harris -- Hard Bargain ***&lt;br /&gt;102. Various Artists - Live From The Old Town School Vol 1-4 *** 1/2&lt;br /&gt;103. Toro Y Moi -- Underneath The Pine **&lt;br /&gt;104. George Strait -- Here For A Good Time ***&lt;br /&gt;105. Gregg Allmann -- Low Country Blues ***/&lt;br /&gt;106. Dawes -- Nothing Is Wrong ** 1/2&lt;br /&gt;107. Glen Campbell -- Ghost On The Canvas *** 1/2&lt;br /&gt;108. PJ Harvey -- Let England Shake ***/&lt;br /&gt;109. King Creosote &amp; Jon Hopkins -- Diamond Mine *** 1/2&lt;br /&gt;110. Lindi Ortega -- Little Red Boots ***/&lt;br /&gt;111. She &amp; Him -- A Very She &amp; Him Christmas ** 1/2&lt;br /&gt;112. Justin Bieber -- Under The Mistletoe ** 1/2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Updated December 31, 2011&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-5822842075910364773?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/5822842075910364773/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=5822842075910364773' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/5822842075910364773'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/5822842075910364773'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2011/01/updated-january-7-2011-movies-movies.html' title='The Movies, Books, Theaters, Concerts, CDs Etc I Saw/Read In 2011'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-8854178598651385579</id><published>2011-10-27T15:28:00.009-04:00</published><updated>2011-10-27T16:02:00.447-04:00</updated><title type='text'>The Career Of Mantan Moreland -- A Poem</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-bT7P5_9PwHk/TqmxyPl7nwI/AAAAAAAAAG0/HVRbPJ0nU2I/s1600/frankie%2Bdarro%2Bmantan%2Bmoreland.jpeg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 243px;" src="http://3.bp.blogspot.com/-bT7P5_9PwHk/TqmxyPl7nwI/AAAAAAAAAG0/HVRbPJ0nU2I/s320/frankie%2Bdarro%2Bmantan%2Bmoreland.jpeg" border="0" alt=""id="BLOGGER_PHOTO_ID_5668257082759683842" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;YOU CAN'T WIN (THE NAMES OF &lt;a href="http://en.wikipedia.org/wiki/Mantan_Moreland"&gt;MANTAN MORELAND&lt;/a&gt;, &lt;a href="http://www.imdb.com/name/nm0603646/"&gt;ACTOR&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;You can't win, Nightwatchman&lt;br /&gt;Jefferson&lt;br /&gt;Jeff&lt;br /&gt;Jeff Jefferson&lt;br /&gt;Jefferson "Jeff" Jackson&lt;br /&gt;Jefferson "Jeff" Smith&lt;br /&gt;Elevator boy&lt;br /&gt;Jeff The Hotel Porter&lt;br /&gt;Sam The Night Club Janitor&lt;br /&gt;Shoeshine man&lt;br /&gt;Red cap #2 (uncredited)&lt;br /&gt;Birmingham Brown&lt;br /&gt;Alabam&lt;br /&gt;Barbershop Porter&lt;br /&gt;Bartender&lt;br /&gt;Subway rider&lt;br /&gt;Messenger &lt;br /&gt;Counterman&lt;br /&gt;Waiter &lt;br /&gt;Old man, you're out of luck&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;--Michael Giltz&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-8854178598651385579?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/8854178598651385579/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=8854178598651385579' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8854178598651385579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8854178598651385579'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2011/10/career-of-mantan-moreland-poem.html' title='The Career Of Mantan Moreland -- A Poem'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-bT7P5_9PwHk/TqmxyPl7nwI/AAAAAAAAAG0/HVRbPJ0nU2I/s72-c/frankie%2Bdarro%2Bmantan%2Bmoreland.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-1027279402790731566</id><published>2011-10-18T12:53:00.004-04:00</published><updated>2012-01-03T15:46:01.623-05:00</updated><title type='text'>1939: The Greatest Year For Movies</title><content type='html'>Fans of movies have often pegged 1939 as the greatest year in history for the studio system. And no wonder: it's chock full of classic films. Years ago, I decided it 1939 really was the greatest year in film history then I should see as many films from that year as possible. Good, bad, or indifferent, I wanted to know what I would see if I headed to movies week after week during Hollywood's vintage year. Below is a list of every movie I've seen from 1939 that I can track down and remember. Halfway through the project, I decided to write quick summaries of the movies I saw since so many of them were obscure. I'm pretty sure you know what &lt;span style="font-style:italic;"&gt;Mr. Smith Goes To Washington&lt;/span&gt; and &lt;span style="font-style:italic;"&gt;Gone With The Wind&lt;/span&gt; are about. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;1939 -- HOLLYWOOD'S GREATEST YEAR&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Gunga Din ****&lt;br /&gt;The Hound Of The Baskervilles ****&lt;br /&gt;The Hunchback Of Notre Dame ****&lt;br /&gt;The Lady Vanishes ****&lt;br /&gt;Midnight ****&lt;br /&gt;Mr. Smith Goes To Washington ****&lt;br /&gt;Ninotchka ****&lt;br /&gt;Rules of the Game ****&lt;br /&gt;Stagecoach **** &lt;br /&gt;The Wizard Of Oz ****&lt;br /&gt;The Women ****&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Adventures Of Sherlock Holmes *** ½ &lt;br /&gt;Love Affair *** ½ &lt;br /&gt;Of Mice and Men *** ½ &lt;br /&gt;The Roaring Twenties *** ½ &lt;br /&gt;Wuthering Heights *** ½ &lt;br /&gt;&lt;br /&gt;Allegheny Uprising (John Wayne and Claire Tevor) ***&lt;br /&gt;Bachelor Mother (Ginger Rogers w baby and David Niven) ***&lt;br /&gt;Beau Geste ***&lt;br /&gt;Charlie Chan in City In Darkness ***&lt;br /&gt;Clouds Over Europe see Q Planes&lt;br /&gt;Destry Rides Again ***&lt;br /&gt;Dodge City ***&lt;br /&gt;Drums Along The Mohawk ***&lt;br /&gt;Five Came Back (Lucille Ball – plane crash in jungle) ***&lt;br /&gt;Gone With The Wind ***&lt;br /&gt;Goodbye, Mr. Chips ***&lt;br /&gt;Intermezzo: A Love Story ***&lt;br /&gt;Invisible Stripes (Geroge Raft, William Holden, Bogie, ex-cons) ***&lt;br /&gt;The Oklahoma Kid ***&lt;br /&gt;Only Angels Have Wings ***&lt;br /&gt;Q Planes aka Clouds Over Europe ***&lt;br /&gt;The Saint Strikes Back ***&lt;br /&gt;The Stars Look Down ***&lt;br /&gt;The Story Of Vernon and Irene Castle ***&lt;br /&gt;Union Pacific ***&lt;br /&gt;Young Mr. Lincoln ***&lt;br /&gt;&lt;br /&gt;The Adventures Of Huckleberry Finn ** 1/2&lt;br /&gt;Calling Dr. Kildare ** ½ &lt;br /&gt;Captain Fury ** ½ &lt;br /&gt;Charlie Chan at Treasure Island ** ½&lt;br /&gt;In Name Only ** 1/2 &lt;br /&gt;The Lone Wolf Spy Hunt ** ½ &lt;br /&gt;Night Nurse ** 1/2&lt;br /&gt;The Private Lives of Elizabeth and Essex ** ½ &lt;br /&gt;The Real Glory (Gary Cooper, Phillipines, Moro rebellion) ** ½ &lt;br /&gt;The Saint in London ** ½ &lt;br /&gt;The Secret of Dr. Kildare ** ½ &lt;br /&gt;Stanley and Livingstone ** ½ &lt;br /&gt;&lt;br /&gt;Andy Hardy Gets Spring Fever **&lt;br /&gt;Babes In Arms **&lt;br /&gt;Charlie Chan in Reno **&lt;br /&gt;The Falcon’s Brother **&lt;br /&gt;Made For Each Other **&lt;br /&gt;Maisie (Ann Southern) **&lt;br /&gt;Mr. Moto’s Last Warning **&lt;br /&gt;One Third Of A Nation **&lt;br /&gt;Sylvia Scarlett **&lt;br /&gt;&lt;br /&gt;Dancing Co-Ed * 1/2&lt;br /&gt;Espionage Agent * 1/2&lt;br /&gt;Fast and Loose * ½ &lt;br /&gt;The Frozen Limits * ½ &lt;br /&gt;The Great Man Votes (scenery chewing John Barrymore) * ½ &lt;br /&gt;Honolulu * 1/2&lt;br /&gt;The Ice Follies of 1939 (Jimmy Stewart and Joan Crawford) * ½ &lt;br /&gt;It’s A Wonderful World (Jimmy Stewart and Claudette Colbert) * ½&lt;br /&gt;Judge Hardy and Son * ½ (Andy Hardy series) &lt;br /&gt;Let Us Live (1939) * 1/2&lt;br /&gt;Mr. Moto In Danger Island * ½&lt;br /&gt;Mr. Moto Takes A Vacation * 1/2&lt;br /&gt;Nancy Drew, Reporter * ½ &lt;br /&gt;Society Lawyer (1939) * ½ &lt;br /&gt;Stronger Than Desire (1939) * ½ &lt;br /&gt;They Made Her A Spy * ½ &lt;br /&gt;They Made Me A Criminal * ½ &lt;br /&gt;&lt;br /&gt;Everything Happens At Night *&lt;br /&gt;Fall In *&lt;br /&gt;Hay Foot *&lt;br /&gt;Here Comes Trouble *&lt;br /&gt;Home On The Prairie (Gene Autry vehicle) *&lt;br /&gt;Jamaica Inn *&lt;br /&gt;Nancy Drew, Trouble Shooter *&lt;br /&gt;Naughty But Nice *&lt;br /&gt;Nick Carter, Master Detective *&lt;br /&gt;Rhythm Romance aka Some Like It Hot *&lt;br /&gt;Tanks A Million *&lt;br /&gt;Topper Takes A Trip * &lt;br /&gt;Way Down South *&lt;br /&gt;&lt;br /&gt;Harlem Rides The Range no stars&lt;br /&gt;Charley’s Big-Hearted Aunt (tired farce) no stars&lt;br /&gt;Zenobia (Laurel &amp; Hardy) no stars&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;87 movies&lt;br /&gt;&lt;br /&gt;Updated as of 08/14/2011&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;ALLEGHENY UPRISING&lt;/span&gt; *** -- Surprisingly nuanced film about folk in the colonies before the Revolutionary War who chafe under the tyrannical behavior of a British soldier and the smuggling that threatens their livelihood. John Wayne leads them in semi-legal uprising, always striving to stay in the law while they risk their lives to expose the bad guys and force the British military to meet their demands. Claire Trevor fell hard for Wayne as a kid and desperately wants him to see her as a woman now. British not all bad and colonists not all good; even the Indians are presented in a somewhat complex manner. Smart little movie and quite effective given the “curse” that dooms most movies set around the Revolutionary Era to being awfully dull.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;CHARLEY’S BIG-HEARTED AUNT&lt;/span&gt; no stars – The umpteenth version of this tired farce is very threadbare with cheap production values, no standout talent in the cast and the feeling that you’re watching some community theater troupe delivering a very bored performance of a play they’ve done one too many times.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;DANCING CO-ED&lt;/span&gt; * ½ -- When the distaff part of a famous dancing team gets pregnant, the studio decides to turn it into a publicity stunt. They do a nationwide talent hunt at colleges across the country to find the perfect female co-star for the romantic man in his next movie. But why take chances? The studio plants a ringer (Lana Turner) in a small mid-western college. Only the school reporter is convinced it’s a scam, only to have the ringer herself “work” with him to see if they can spot the plant. Nothing special.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;EVERYTHING HAPPENS AT NIGHT&lt;/span&gt; * -- If you’re wondering how ice skater Sonja Henie became a movie star for a few brief years, this movie will leave you still wondering. As an actress, Henie skates beautifully. Here in her most substantial role, Henie plays the daughter of a Nobel Prize-winning author hiding from publicity and the Nazis. Ray Milland and Robert Cummings are two reporters hot on his trail and both hot for Henie. They vie for her affection while taking way too long to figure out what is really going on and then, of course, trying to protect her and papa from the Nazis. Dull. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;THE FROZEN LIMITS&lt;/span&gt; * ½ – Would-be British Marx Brothers (with six or so instead of four; I couldn’t be bothered to actually count them all) head to the Yukon Territory to search for gold in a timid tale of crazy old coots, young love and a hidden mine bursting with “ore with an e.” That’s actually one of the more amusing jokes. One oddball bit of whimsy worked: the Canadian Mounties keep singing in unison wherever they go. That was about it.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HARLEM RIDES THE RANGE&lt;/span&gt; no stars – In this all black western, Herb Jeffries gives Gene Autry a run for his money as the “dullest singing cowboy” on the big screen. In this case, the production values are even lower and the story so minimal, this film ranks even lower than Autry’s Home on the Prairie. Jeffries is a new foreman of a ranch who suspects foul play in the disappearance of a miner who may have hit a rich vein but has been missing ever since. Lucius Brooks is his sidekick, a fella who never saw work he couldn’t avoid or a word he couldn’t mangle. Brooks seems like a stereotypical “colored” character but in this context he’s just comic relief. Sometimes a goof-off is just a good-off. Spencer Williams – the ground-breaking writer, director and producer – is along for the ride in a minor role and also had a hand in the script, such as it is. Williams of course went on to play Andy in the TV version of “Amos “n’ Andy.”&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HOME ON THE PRAIRIE &lt;/span&gt;* -- Gene Autry has to be one of the stiffest movie stars around (except when he’s singing). This very typical B movie plays more like a C or D movie. Autry is a cattle inspector. The bad guys have herds infected with hoof and mouth disease and are trying to sneak them to market and blame the problems on Autry. At 59 minutes, it’s very drawn out., thin fare.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HONOLULU&lt;/span&gt; * ½ -- Robert Young proves he’s more of a dependable TV presence than a magnetic leading man…even when he plays two leading men. In this movie Young plays a famous movie star looking for a break from his rabid fans. Young ALSO plays a wealthy plantation owner in Honolulu who is a dead ringer for the star. They trade places and complications ensue, if not hilarity. George Burns and Gracie Allen are along for the ride, providing the only sparks of humor in this tired farce.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;JUDGE HARDY AND SON&lt;/span&gt; * ½ -- A rather tired episode in the Andy Hardy series. But there’s one terrific scene for star Mickey Rooney. Andy Hardy’s mom has fallen seriously ill, with Andy and his sister risking life and limb to get her the medicine/doctor she needs. All they can do is wait. Andy is alone in the hallway and prays tearfully to God to spare his mother. Even back in 1939, scenes of prayer weren’t exactly common in the movies. This scene is so natural and moving and direct, with Rooney given a marvelous close-up that tears your heart out as he cries and pleads his case. It’s a corker.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;LET US LIVE&lt;/span&gt; * ½ Pretty stiff melodrama. Henry Fonda is a very decent guy who drives a taxi. He gets falsely identified as a killer and sentenced to the chair. His girlfriend/fiace Maureen O’Sullivan desperately works to prove his innocence. The cops are so lazy (even when Fonda is in jail and the same gang pulls another brutal heist, the cops can’t be bothered to even imagine Fonda might be innocent) that it’s no fun. The film’s lone saving grace involves the ending (so stop reading if you don’t want a spoiler). Fonda becomes deeply cynical about the law and justice and is clearly bitter. He remains so after being freed, which is the one touch that seems interesting and fresh. His faith isn’t restored; it’s shattered forever and the movie makes no bones about that. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;MR. MOTO’S LAST WARNING&lt;/span&gt; ** -- A trim little programmer with Peter Lorre as the famous international policeman. One of three Motos released in 1939 on the eve of war. This one came out on January 20 and had Moto frustrating the plans of saboteurs who hope to blow up ships off the coast of Egypt and sow divisions among the British and French. We’re never told the government these baddies work for. Officials merely gasp when they discover the truth during the last moments of the film. Germany, anyone? (One cut in-joke shows a Charlie Chan film playing at a movie palace but about to close.)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;MR. MOTO IN DANGER ISLAND&lt;/span&gt; * ½ - A nondescript entry in which Mr. Moto takes on drug smugglers in Puerto Rico. Two points of interest: tragic character actor Warren Hymer (who drank himself out of Hollywood by urinating on Harry Cohn’s desk) as a big palooka and humanitarian Jean Hersholt as one of the many suspects. Opened April 7.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;MR. MOTO TAKES A VACATION&lt;/span&gt; * ½ -- Opened July 7. Final Mr. Moto with Peter Lorre (just as the Japanese would soon become enemies of the US and a movie series with a Japanese hero untenable) finds Mr. Moto protecting the crown of Sheba and on the trail of a master criminal. Quite routine.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;ONE THIRD OF A NATION&lt;/span&gt; ** -- Well, here’s a fascinating oddity. It’s based on a play by Arthur Arent that was put on the WPA and every cliché about the WPA’s leftist leanings is on display here. The play shows an Everyman who wants to get some decent housing – he travels through 250 years of housing history in the US, meeting landlords and supers and desperate tenants and all sorts of characters that depict the horrible housing conditions for most of the country’s history. They turned this into a film? Not quite. One Third Of A Nation (unfortunately, I missed the moment when the title was explained) was released in 1939 and sticks mostly to the present. Sylvia Sidney stars as a young woman who lives in a tenement house that catches fire. Her little brother (future director Sidney Lumet!) has a fall from a dilapidated fire escape and gets crippled for life. First the boy is whisked to the hospital by a wealthy man who is horrified to discover he’s the slum lord who owns this tenement. He vows to right this wrong and tries to begin by kicking out a whore, until Sidney’s friend –a  leftist – wises him up to the hypocrisy of this. Everyone stands around declaiming their speeches in a stiff manner, with Sidney and the wealthy playboy (Leif Erikson) falling in love without realizing it. But the theatrical origins of the show start to take effect. First the boy Joey (lumet) comes back from the hospital on crutches and goes a little nutty. The rundown building literally starts talking to him and flashes back to the 1800s when the tenement was the site of a cholera epidemic. The building laughs at the boy and tells the kid desperately poor people will always keep moving in. The kid snaps and sets the building on fire. It’s a dullish melodrama, but on the fringes you can spot some fun: the scenes shot on city streets have an authentic feel and it looks like they filmed firemen working to put out a real fire. The defiant whore is never punished, unusual for a post-Code movie and the fires include bodies on fire that leap in despair from the building, screaming in fright. None of that can rescue the movie’s dullness, but it’s intriguing nonetheless, right down to the Soviet kitsch of the finale with smiling profiles superimposed over scenes of new and wholesome buildings where tenants can walk in parks and swim in pools. Maybe the one third of a nation can be okay after all.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Q PLANES&lt;/span&gt; *** -- Jaunty doesn’t even begin to describe this interesting British film that’s paced like The Front Page. It’s just a few months before WW II would break out and everyone knew it was coming. The bad guys aren’t identified but are probably Germans. British test planes are disappearing with top secret equipment and espionage agent Ralph Richardson is the only one who realizes it’s not just a series of “accidents.” But this is as much a breezy comedy as it is a spy story. Richardson is eccentric and unflappable and dapper (and reportedly an inspiration for Steed in The Avengers). His sister is a newspaper reporter who keeps scooping him. He also has a girlfriend Richardson continually makes plans with and then cancels. Then there’s Laurence Olivier as a test pilot. Like everyone else, he speaks in rapid fire patter that’s hilariously vivid. If Olivier is exchanging insults with the head of the plane manufacturer, you know it’s the sort of movie where they yell at each other but deep down, by George, they really like each other. Comic, serious, silly, well-acted if not terribly inventive plot-wise. (The bad guys have  a secret ray to disable planes that looks like something out of Buck Rogers and is probably more important and useful than anything they could discover in their spying.) Fresh and fun.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;THEY MADE ME A CRIMINAL&lt;/span&gt; * ½ -- In this dull Warner Bros. drama, John Garfield is a boxing champ forced out of town on a bum murder rap without a penny to his name. He wanders onto the ranch where the Dead End Kids are wisecracking it up while they look to get regenerated (reformed). One of their older sisters is blonde enough to attract Garfield’s attention. Always wary of being a sucker, Garfield finally – sort of – learns to help out others. In truly odd casting, Claude Rains is a tough guy detective who wants to track Garfield down and bring him to justice to regain his good name after frying another guy in the electric chair. Rains is all wrong in the role, especially as he plays the guy. Garfield and the gal never convincingly click and the Dead End Kids just don’t belong on a ranch (and look about 25 to 30 years old to boot). Slim stuff. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;WAY DOWN SOUTH&lt;/span&gt; * -- Bizarre curio makes Gone With The Wind almost seem subtle. On a plantation, the massah dies and leaves everything (including his beloved darkies) to his young son, Bobby Breen. Breen was a child actor with an angelic sort of voice, sort of a male Deanna Durbin and films were just an excuse to have him chirp out a number or two. In this case, the boy’s crooked executor treats the slaves cruelly, beating them and such when of course the massah never did no such thing. The cruel adult also wants to sell them off, not even keeping families together! The lad must risk everything to prevent such a cruel fate. Surprisingly, the story and script are by Langston Hughes and the pioneering black actor Clarence Muse, who plays Uncle Caton in the film. Full credit to the filmmakers for employing them but demerits to someone somewhere for the absurd tale they delivered. A bizarre high point occurs when Breen despairs of being able to halt the auction of his slaves. They’re all gathered in a barn during a storm, weeping and wailing over their fate. Breen stumbles in from the rain, dressed in rags, gets up on a bale of hay and launches into “Sometimes I Feel Like A Motherless Child.” Yes, singing an old Negro spiritual to his slaves! And it’s actually quite a good arrangement and performance I must say. Breen in general is good, despite the annoyingly wholesome character he plays here. A real oddity.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-1027279402790731566?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/1027279402790731566/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=1027279402790731566' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1027279402790731566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1027279402790731566'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2011/10/1939-greatest-year-for-movies.html' title='1939: The Greatest Year For Movies'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-2777233831130161743</id><published>2011-08-01T21:09:00.002-04:00</published><updated>2011-08-01T21:12:56.049-04:00</updated><title type='text'>"On Alfred Pond" Is Back!</title><content type='html'>Guest blogger Peter McClain has been away far too long with his musings on life in upstate New York. But a week volunteering at Vacation Bible School prompted Pete to put pen to paper (or is that "index finger to keyboard"? and share some tales far from Lake Wobegon but rather closer to Alfred, New York. (By the way, for those of you on the coasts, Vacation Bible School is like summer camp for evangelicals.)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ON ALFRED POND: VACATION BIBLE SCHOOL ROCKS!&lt;br /&gt;&lt;br /&gt;By Peter McClain&lt;br /&gt;&lt;br /&gt;Vacation Bible School (VBS) invaded Alfred Pond last week and yours truly was involved.  I'd been able to hide behind Micah these past three years when volunteers were requested since we didn't want to stick him in the nursery for 3 hours every night for a week and being the dutiful dad I stayed home with him.  Unfortunately, kids grow up (no matter how well you've malnourished them) and thus Micah was old enough to attend his first VBS.  So, I volunteered to accompany a pre-K group through the nightly activities, which made me the only male crew leader of the youngest set.  That, of course, made me a magnet for the most hyperactive boys searching for a father figure. &lt;br /&gt; &lt;br /&gt;A night of VBS consists of an opening act where you sing some of the most mind-numbing songs (and "songs" is really a stretch since a better description would be "singing a chorus 10 to 12 times with a bridge tossed in if you're lucky"), craft time, bible story time, snack, craft, a section of a poorly produced 5-part movie (since something needs to keep these kids attention while they wait for Google+ to emerge from beta testing), and Rowdy Wrap-up, which is the same songs sung yet again.  Needless to say, I woke up all week singing these choruses to the point where I was excited when Anne Murray's "Shadows in the Moonlight" was in my head Saturday morning.&lt;br /&gt; &lt;br /&gt;This year's theme was Pandamania, which has about as much Biblical relevance as ice skating or a 3-foot tall, talking chipmunk, but we'll get to that later. I'm thinking the theme was dreamed up during the winter with an eye on the opening of Kung Fu Panda 2 Memorial Day weekend, fully expecting that Jack Black's form of crude humor would dominate the summer.  Alas, that was not to be and we were left with a weird Asain theme and a play off the word pandemonium. &lt;br /&gt; &lt;br /&gt;The curriculum connects a Bible story for each day, some of which work extremely well, like the stomach of a whale which was constructed out of large, black plastic sheets and inflated with two box fans.  Others, missed the mark like the game Shark Attack the pre-K kids played where each child placed their legs under a parachute while a "shark" arbitrarily pulled the unsuspecting participants under.  Within about 15 seconds the kids realized that they didn't want their legs anywhere under the parachute.  Somehow that was supposed to teach us about Hannah.  The closest I could come was perhaps the shark represented the temple priest who accused Hannah of being drunk.  I wonder if drunk praying was the Biblical times version of drunk texting and the Levitical priests got tired of God honoring the incoherent prayers of the drunken yeshiva kids who came to the temple late at night.  Anyway, we ended up playing Simon Says and Red Light, Green Light so I'm not sure the lesson landed.&lt;br /&gt; &lt;br /&gt;Another staple of VBS is letting the kids all yell some phrase any time point of the day is spoken which is oddly similar to the word of the day on Pee-Wee's Playhouse with mobs of kids all screaming because everyone else is.  I like to make a game out of this by finding the times when the daily phrase, such as "God watches over us" is said in mid-sentence when they aren't looking for the typical response.  Especially humorous is interjecting a boisterous "Thank you, God!" during dialog in the 5-part movie which stars a 3-foot tall chipmunk named Chadder.  SPOILER ALERT: The Pandamania version of Chadder's mystery series takes him to a panda preserve where all the pandas go missing and while helping he ends up getting spray painted white and placing his paws in black paint before wiping his eyes with said painted paws.  The inspector loses his glasses and thinks Chadder is a talking panda until Chadder gets cleaned up and tells the truth.  The culprit is the pink-clad daughter who can't stand pandas so much that she hides them in her room where we get to see the 5 worst CGI pandas in the history of moving pictures.  They'd have been better off photoshopping in five pandas from a zoo.  Just dreadful.&lt;br /&gt; &lt;br /&gt;The highlights of the week were the unpredictable answers which the pre-K kids gave to serious questions asked by station leaders.  On the first day, during Chadder's Theater with the day's theme being creation, my Micah was asked what his favorite animal was.  His answer?  Racecar.  And why not?!?  You think a cheetah's fast?  See what 750 ponies under the hood can do!  Later in the week, when asked during Bible Adventures what he wanted to be when he grew up, Micah emphatically answered, "Car."  There's a kid who won't put God in a box!&lt;br /&gt; &lt;br /&gt;Anyway, the week ended without any major incidents and the kids seemed to enjoy themselves, so I think it was a success.  And I was able to escape the repetitive choruses which haunted my subconscious last week.  That is, until yesterday's morning service where they invited the kids forward to sing a few of their tunes and thus I woke up this morning with those same refrains echoing through my brain.  Time to turn on Pandora and hope for the best...&lt;br /&gt;&lt;br /&gt;--30 -- (COPYRIGHT 2011 BY PETER MCCLAIN)&lt;br /&gt;&lt;br /&gt;Thanks for sharing, Pete. Don't keep us waiting so long for your next column.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-2777233831130161743?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/2777233831130161743/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=2777233831130161743' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2777233831130161743'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2777233831130161743'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2011/08/on-alfred-pond-is-back.html' title='&quot;On Alfred Pond&quot; Is Back!'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-2186223317284553140</id><published>2011-07-11T06:25:00.010-04:00</published><updated>2012-01-03T15:48:32.446-05:00</updated><title type='text'>Best Movies Of The Year -- The Master List</title><content type='html'>After much prodding from Pete, who felt I SHOULD have a list of my favorite movies from every year and if I did have a list I could put it on Netflix, here is my rundown of the best movies of the year. For every year. For people who always ask "What are your favorite movies," here's the answer. Yes, I know you can argue about which year certain movies belong to (especially films from other countries), but the point is not to make an historical record but just to list some great movies you might want to check out. I start with my top pick from each year as a sort of uber list. No, it's not "the most important movies" period, just the movie that meant the most to me from each year. Some years the choice was easy, other times a few battled it out or I didn't feel strongly enough about one particular film to make a statement. But you could do worse as a film buff than making sure you see all of them.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BEST MOVIES OF ALL TIME (MY #1 PICK FROM EACH YEAR 1924 -- PRESENT)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Tree Of Life (2011 - pending, of course)&lt;br /&gt;A Prophet (2010)&lt;br /&gt;(500) Days Of Summer (2009)&lt;br /&gt;The Class (2008)&lt;br /&gt;The Assassination Of Jesse James By The Coward Robert Ford (2007)&lt;br /&gt;Pan's Labyrinth (2006)&lt;br /&gt;The Best Of Youth (2005)&lt;br /&gt;The Incredibles (2004)&lt;br /&gt;To Be and To Have (2003)&lt;br /&gt;Y Tu Mamá También (2002)&lt;br /&gt;In the Mood for Love (2001)&lt;br /&gt;Crouching Tiger, Hidden Dragon (2000)&lt;br /&gt;Topsy-Turvy (1999)&lt;br /&gt;Rushmore (1998)&lt;br /&gt;L.A. Confidential (1997)&lt;br /&gt;Breaking the Waves (1996)&lt;br /&gt;Babe (1995)&lt;br /&gt;Quiz Show (1994)&lt;br /&gt;The Long Day Closes (1993)&lt;br /&gt;Raise the Red Lantern (1992)&lt;br /&gt;The Double Life Of Veronique (1991)&lt;br /&gt;GoodFellas (1990)&lt;br /&gt;sex, lies and videotape (1989)&lt;br /&gt;The Unbearable Lightness of Being (1988)&lt;br /&gt;Au Revoir Les Enfants (1987)&lt;br /&gt;A Room With A View (1986)&lt;br /&gt;The Purple Rose of Cairo (1985)&lt;br /&gt;This Is Spinal Tap (1984)&lt;br /&gt;Koyaanisqatsi: Life Out of Balance (1983)&lt;br /&gt;Blade Runner (1982)&lt;br /&gt;Arthur (1981)&lt;br /&gt;Raging Bull (1980)&lt;br /&gt;Being There (1979)&lt;br /&gt;Days Of Heaven (1978)&lt;br /&gt;Star Wars (1977)&lt;br /&gt;All the President's Men (1976)&lt;br /&gt;Nashville (1975)&lt;br /&gt;Young Frankenstein (1974)&lt;br /&gt;The Sting (1973)&lt;br /&gt;The Godfather (1972)&lt;br /&gt;The Last Picture Show (1971)&lt;br /&gt;Woodstock: 3 Days of Peace &amp;amp; Music (1970)&lt;br /&gt;Butch Cassidy and the Sundance Kid (1969)&lt;br /&gt;2001: A Space Odyssey (1968)&lt;br /&gt;Bonnie and Clyde (1967)&lt;br /&gt;Who’s Afraid Of Virginia Woolf? (1966)&lt;br /&gt;The Sound Of Music (1965)&lt;br /&gt;A Hard Day’s Night (1964)&lt;br /&gt;8 1/2 (1963)&lt;br /&gt;Lawrence Of Arabia (1962)&lt;br /&gt;The Hustler (1961)&lt;br /&gt;Jazz On A Summer’s Day (1960)&lt;br /&gt;Wild Strawberries (1959)&lt;br /&gt;Touch Of Evil (1958)&lt;br /&gt;The Cranes Are Flying (1957)&lt;br /&gt;The Searchers (1956)&lt;br /&gt;Pather Panchali (1955)&lt;br /&gt;Seven Samurai (1954)&lt;br /&gt;The Naked Spur (1953)&lt;br /&gt;The Quiet Man (1952)&lt;br /&gt;Ace In The Hole aka The Big Carnival (1951)&lt;br /&gt;All About Eve (1950)&lt;br /&gt;The Third Man (1949)&lt;br /&gt;Red River (1948)&lt;br /&gt;Out Of The Past (1947)&lt;br /&gt;It’s A Wonderful Life (1946)&lt;br /&gt;Children Of Paradise (1945)&lt;br /&gt;The Miracle Of Morgan’s Creek (1944)&lt;br /&gt;Casablanca (1943)&lt;br /&gt;The Magnificent Ambersons (1942)&lt;br /&gt;Citizen Kane (1941)&lt;br /&gt;The Philadelphia Story/The Shop Around The Corner (tie) (1940)&lt;br /&gt;The Rules Of The Game (1939)&lt;br /&gt;The Adventures Of Robin Hood (1938)&lt;br /&gt;Pepe Le Moko (1937)&lt;br /&gt;My Man Godfrey (1936)&lt;br /&gt;Top Hat (1935)&lt;br /&gt;The Thin Man (1934)&lt;br /&gt;Duck Soup (1933)&lt;br /&gt;Trouble In Paradise (1932)&lt;br /&gt;M (1931)&lt;br /&gt;The Last Command (1930)&lt;br /&gt;Pandora's Box (1929)&lt;br /&gt;Sadie Thompson (1928)&lt;br /&gt;Sunrise (1927)&lt;br /&gt;The General (1926)&lt;br /&gt;Battleship Potemkin (1925)&lt;br /&gt;Greed (1924)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;2012&lt;/span&gt; (work-in-progress, of course)&lt;br /&gt;&lt;br /&gt;The Kid With A Bike/La Gamin Du Velo&lt;br /&gt;Footnote aka Hearat Shulayam&lt;br /&gt;Michael (2011)&lt;br /&gt;Attenberg&lt;br /&gt;I Wish I Knew by Jia Zhangke&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2011&lt;/span&gt; (work-in-progress, of course)&lt;br /&gt;&lt;br /&gt;The Tree of Life&lt;br /&gt;The Time That Remains&lt;br /&gt;The Artist&lt;br /&gt;Meek's Cutoff&lt;br /&gt;Take Shelter&lt;br /&gt;Cave Of Forgotten Dreams&lt;br /&gt;Arthur Christmas&lt;br /&gt;Rise Of The Planet Of The Apes&lt;br /&gt;Martha Marcy May Marlene&lt;br /&gt;Somos Lo Que Hay/We  Are What We Are  (cannibal film at Cannes)&lt;br /&gt;La  Nostra Vita&lt;br /&gt;The Muppets&lt;br /&gt;Kaboom&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A Prophet&lt;br /&gt;Another Year&lt;br /&gt;The Illusionist&lt;br /&gt;Inside Job&lt;br /&gt;Toy Story 3&lt;br /&gt;Blue Valentine&lt;br /&gt;Winter's Bone&lt;br /&gt;I Killed My Mother&lt;br /&gt;Exit Through The Gift Shop&lt;br /&gt;Carlos (the long version)&lt;br /&gt;Everyone Else&lt;br /&gt;Alamar&lt;br /&gt;Inception&lt;br /&gt;Scott Pilgrim Vs. The World&lt;br /&gt;Samson and Delilah&lt;br /&gt;Biutiful&lt;br /&gt;Kick-Ass&lt;br /&gt;Four Lions&lt;br /&gt;Anton Chekhov's The Duel&lt;br /&gt;The Tillman Story&lt;br /&gt;The Social Network&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(500) Days Of Summer&lt;br /&gt;Politist, Adjectiv&lt;br /&gt;Up In The Air&lt;br /&gt;Il Divo&lt;br /&gt;Star Trek&lt;br /&gt;Gomorrah&lt;br /&gt;The Young Victoria&lt;br /&gt;Inglourious Basterds&lt;br /&gt;Lake Tahoe&lt;br /&gt;Up&lt;br /&gt;Treeless Mountain&lt;br /&gt;Sin Nombre&lt;br /&gt;Hunger&lt;br /&gt;Where The Wild Things Are&lt;br /&gt;The Informant!&lt;br /&gt;A Serious Man&lt;br /&gt;Duplicity&lt;br /&gt;Extract&lt;br /&gt;In A Dream&lt;br /&gt;Somers Town&lt;br /&gt;Rudi Y Cursi&lt;br /&gt;You, The Living&lt;br /&gt;It Might Get Loud&lt;br /&gt;District 9&lt;br /&gt;The Country Teacher&lt;br /&gt;Goodbye Solo&lt;br /&gt;The Most Dangerous Man In America&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Entre Les Murs/The Class&lt;br /&gt;The Edge of Heaven&lt;br /&gt;My Winnipeg&lt;br /&gt;WALL-E&lt;br /&gt;XXY&lt;br /&gt;Roman Polanski: Wanted and Desired&lt;br /&gt;Shotgun Stories&lt;br /&gt;Let the Right One In&lt;br /&gt;Ballast&lt;br /&gt;Encounters at the End of the World&lt;br /&gt;4 Months, 3 Weeks and 2 Days&lt;br /&gt;Water Lilies&lt;br /&gt;Azur and Asmar: The Princes' Quest&lt;br /&gt;Last Chance Harvey&lt;br /&gt;Happy-Go-Lucky&lt;br /&gt;Frozen River&lt;br /&gt;Kung Fu Panda&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Assassination of Jesse James By The Coward Robert Ford&lt;br /&gt;Zodiac&lt;br /&gt;The Other Side Of The Mirror: Bob Dylan At The Newport Folk Festival&lt;br /&gt;Lars and the Real Girl&lt;br /&gt;The Wind That Shakes the Barley&lt;br /&gt;There Will Be Blood&lt;br /&gt;The Diving Bell and the Butterfly&lt;br /&gt;L'iceberg&lt;br /&gt;Michael Clayton&lt;br /&gt;Ratatouille&lt;br /&gt;The Band’s Visit&lt;br /&gt;Once&lt;br /&gt;The Host&lt;br /&gt;This Is England&lt;br /&gt;Superbad&lt;br /&gt;Control&lt;br /&gt;The Bourne Ultimatum&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pan's Labyrinth&lt;br /&gt;Brick&lt;br /&gt;Volver&lt;br /&gt;Borat&lt;br /&gt;Half Nelson&lt;br /&gt;The Child&lt;br /&gt;United 93&lt;br /&gt;Time to Leave&lt;br /&gt;Fateless&lt;br /&gt;The Real Dirt On Farmer John&lt;br /&gt;The Pursuit of Happyness&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Best of Youth&lt;br /&gt;Brokeback Mountain&lt;br /&gt;Mysterious Skin&lt;br /&gt;Good Night and Good Luck&lt;br /&gt;The New World&lt;br /&gt;The Squid and the Whale&lt;br /&gt;Capote&lt;br /&gt;Look at Me&lt;br /&gt;The Constant Gardener&lt;br /&gt;The Aristocrats&lt;br /&gt;The Beat That My Heart Skipped&lt;br /&gt;2046&lt;br /&gt;A History of Violence&lt;br /&gt;Howl's Moving Castle&lt;br /&gt;Downfall&lt;br /&gt;The 40-Year-Old Virgin&lt;br /&gt;The Warrior&lt;br /&gt;Grizzly Man&lt;br /&gt;Yes&lt;br /&gt;Tony Takitani&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Incredibles&lt;br /&gt;Spider-Man 2&lt;br /&gt;Vera Drake&lt;br /&gt;Head-On&lt;br /&gt;The Bourne Supremacy&lt;br /&gt;The Woodsman&lt;br /&gt;Friday Night Lights&lt;br /&gt;House of Flying Daggers&lt;br /&gt;Harold &amp;amp; Kumar Go to White Castle&lt;br /&gt;Kinsey&lt;br /&gt;The Motorcycle Diaries&lt;br /&gt;Million Dollar Baby&lt;br /&gt;Mean Creek&lt;br /&gt;Maria Full of Grace&lt;br /&gt;The Sea Inside&lt;br /&gt;Napoleon Dynamite&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;To Be and To Have/Etre et Avoir&lt;br /&gt;The Lord Of The Rings: The Return of the King&lt;br /&gt;The Son&lt;br /&gt;Decasia: The State of Decay&lt;br /&gt;Master and Commander: The Far Side Of The World&lt;br /&gt;Capturing the Friedmans&lt;br /&gt;The Fog of War&lt;br /&gt;Spellbound&lt;br /&gt;The Man Without a Past&lt;br /&gt;The Barbarian Invasions&lt;br /&gt;28 Days Later&lt;br /&gt;Whale Rider&lt;br /&gt;The Station Agent&lt;br /&gt;The Triplets of Belleville&lt;br /&gt;City of God&lt;br /&gt;The Dancer Upstairs&lt;br /&gt;A Mighty Wind&lt;br /&gt;Sweet Sixteen&lt;br /&gt;Seabiscuit&lt;br /&gt;Yossi &amp;amp; Jagger&lt;br /&gt;Dirty Pretty Things&lt;br /&gt;Goodbye, Dragon Inn&lt;br /&gt;Irreversible&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Y Tu Mamá También&lt;br /&gt;The Lord of the Rings: The Two Towers&lt;br /&gt;The Piano Teacher&lt;br /&gt;Sunshine State&lt;br /&gt;The Fast Runner&lt;br /&gt;All or Nothing&lt;br /&gt;Spirited Away&lt;br /&gt;Bloody Sunday&lt;br /&gt;Punch-Drunk Love&lt;br /&gt;The Bourne Identity&lt;br /&gt;Far from Heaven&lt;br /&gt;Devils on the Doorstep&lt;br /&gt;Songs from the Second Floor&lt;br /&gt;The Hours&lt;br /&gt;The Son's Room&lt;br /&gt;Russian Ark&lt;br /&gt;Chicago&lt;br /&gt;8 Women&lt;br /&gt;Barbershop&lt;br /&gt;What Time Is It There?&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;In the Mood for Love&lt;br /&gt;Werckmeister Harmonies&lt;br /&gt;The Lord of the Rings: The Fellowship of the Ring&lt;br /&gt;Last Resort&lt;br /&gt;Gosford Park&lt;br /&gt;Hedwig and the Angry Inch&lt;br /&gt;Together&lt;br /&gt;Amelie&lt;br /&gt;Memento&lt;br /&gt;The Royal Tenenbaums&lt;br /&gt;Under the Sand&lt;br /&gt;Monster's Ball&lt;br /&gt;Fat Girl&lt;br /&gt;Made&lt;br /&gt;The Circle&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2000&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Crouching Tiger, Hidden Dragon&lt;br /&gt;Yi Yi&lt;br /&gt;You Can Count on Me&lt;br /&gt;Humanite&lt;br /&gt;Wonder Boys&lt;br /&gt;Devils On The Doorstep&lt;br /&gt;Chuck &amp;amp; Buck&lt;br /&gt;The Wind Will Carry Us&lt;br /&gt;The Filth and the Fury: A Sex Pistols Film&lt;br /&gt;Erin Brockovich&lt;br /&gt;Not One Less&lt;br /&gt;Almost Famous&lt;br /&gt;High Fidelity&lt;br /&gt;Treasure Island&lt;br /&gt;Meet the Parents&lt;br /&gt;Before Night Falls&lt;br /&gt;Divided We Fall&lt;br /&gt;Chunhyang&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1999&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Topsy-Turvy&lt;br /&gt;Toy Story 2&lt;br /&gt;Three Kings&lt;br /&gt;South Park: Bigger, Longer and Uncut&lt;br /&gt;Rosetta&lt;br /&gt;Mr. Death: The Rise and Fall Of Fred A. Leuchter Jr.&lt;br /&gt;Boys Don't Cry&lt;br /&gt;Office Space&lt;br /&gt;The Winslow Boy&lt;br /&gt;Tarzan&lt;br /&gt;Limbo&lt;br /&gt;All About My Mother&lt;br /&gt;The Insider&lt;br /&gt;Election&lt;br /&gt;Eyes Wide Shut&lt;br /&gt;The End of the Affair&lt;br /&gt;Being John Malkovich&lt;br /&gt;Mumford&lt;br /&gt;October Sky&lt;br /&gt;The Straight Story&lt;br /&gt;Magnolia&lt;br /&gt;The Thomas Crown Affair&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1998&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Rushmore&lt;br /&gt;The Thin Red Line&lt;br /&gt;Happiness&lt;br /&gt;Babe: Pig in the City&lt;br /&gt;Out of Sight&lt;br /&gt;Velvet Goldmine&lt;br /&gt;Elizabeth&lt;br /&gt;Men with Guns&lt;br /&gt;Shakespeare in Love&lt;br /&gt;Your Friends &amp;amp; Neighbors&lt;br /&gt;The Celebration&lt;br /&gt;There's Something About Mary&lt;br /&gt;Saving Private Ryan&lt;br /&gt;Tango&lt;br /&gt;Behind the Lines aka Regeneration&lt;br /&gt;Gods and Monsters&lt;br /&gt;The Truman Show&lt;br /&gt;Run Lola Run&lt;br /&gt;A Bug's Life&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1997&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;L.A. Confidential&lt;br /&gt;4 Little Girls&lt;br /&gt;Boogie Nights&lt;br /&gt;Crash&lt;br /&gt;The Ice Storm&lt;br /&gt;Taste of Cherry&lt;br /&gt;Gattaca&lt;br /&gt;Grosse Pointe Blank&lt;br /&gt;The Apostle&lt;br /&gt;My Best Friend's Wedding&lt;br /&gt;Ulee's Gold&lt;br /&gt;Mrs. Brown&lt;br /&gt;George of the Jungle&lt;br /&gt;Oscar &amp;amp; Lucinda&lt;br /&gt;Tomorrow Never Dies&lt;br /&gt;The Sweet Hereafter&lt;br /&gt;Waiting for Guffman&lt;br /&gt;In The Company Of Men&lt;br /&gt;Jackie Brown&lt;br /&gt;The Wings Of The Dove&lt;br /&gt;Starship Troopers&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1996&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Breaking the Waves&lt;br /&gt;Jerry Maguire&lt;br /&gt;La Promesse&lt;br /&gt;The Crucible&lt;br /&gt;Hard Eight&lt;br /&gt;Trainspotting&lt;br /&gt;James and the Giant Peach&lt;br /&gt;Big Night&lt;br /&gt;Secrets &amp;amp; Lies&lt;br /&gt;Lone Star&lt;br /&gt;When We Were Kings&lt;br /&gt;Fargo&lt;br /&gt;Prisoner Of The Mountain&lt;br /&gt;Bottle Rocket&lt;br /&gt;Beavis and Butt-head Do America&lt;br /&gt;Beautiful Thing&lt;br /&gt;Citizen Ruth&lt;br /&gt;That Thing You Do!&lt;br /&gt;Color of a Brisk and Leaping Day&lt;br /&gt;Bound&lt;br /&gt;Paradise Lost: Child Murders at Robin Hood&lt;br /&gt;Primal Fear&lt;br /&gt;Angels &amp;amp; Insects&lt;br /&gt;Bulletproof&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1995&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Babe&lt;br /&gt;Toy Story&lt;br /&gt;Persuasion&lt;br /&gt;Flamenco&lt;br /&gt;Crumb&lt;br /&gt;Underground&lt;br /&gt;Sense and Sensibility&lt;br /&gt;Clueless&lt;br /&gt;Devil in a Blue Dress&lt;br /&gt;The Secret Of Roan Inish&lt;br /&gt;Safe&lt;br /&gt;Exotica&lt;br /&gt;Dead Man Walking&lt;br /&gt;A Little Princess&lt;br /&gt;Apollo 13&lt;br /&gt;Leaving Las Vegas&lt;br /&gt;To Die For&lt;br /&gt;The Usual Suspects&lt;br /&gt;Welcome to the Dollhouse&lt;br /&gt;Friday&lt;br /&gt;Georgia&lt;br /&gt;Shanghai Triad&lt;br /&gt;Don Juan DeMarco&lt;br /&gt;The Incredibly True Adventures Of Two Girls In Love&lt;br /&gt;Showgirls&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1994&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Quiz Show&lt;br /&gt;Red&lt;br /&gt;London (Patrick Keiller film)&lt;br /&gt;Hoop Dreams&lt;br /&gt;The Last Seduction&lt;br /&gt;Four Weddings and a Funeral&lt;br /&gt;Eat Drink Man Woman&lt;br /&gt;Little Women&lt;br /&gt;32 Short Films About Glenn Gould&lt;br /&gt;The Madness of King George&lt;br /&gt;I Like It Like That&lt;br /&gt;Ed Wood&lt;br /&gt;Wild Reeds&lt;br /&gt;Nobody's Fool&lt;br /&gt;Little Odessa&lt;br /&gt;Barcelona&lt;br /&gt;Priest&lt;br /&gt;Pulp Fiction&lt;br /&gt;Speed&lt;br /&gt;The Shawshank Redemption&lt;br /&gt;Heavenly Creatures&lt;br /&gt;Dumb and Dumber&lt;br /&gt;What Happened Was…&lt;br /&gt;Spanking The Monkey&lt;br /&gt;Burnt by the Sun&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Long Day Closes&lt;br /&gt;Dazed and Confused&lt;br /&gt;The Piano&lt;br /&gt;Flesh and Bone&lt;br /&gt;Groundhog Day&lt;br /&gt;The Fugitive&lt;br /&gt;The Nightmare Before Christmas&lt;br /&gt;In the Name of the Father&lt;br /&gt;Menace II Society&lt;br /&gt;The Remains of the Day&lt;br /&gt;Orlando&lt;br /&gt;Blue&lt;br /&gt;Rudy&lt;br /&gt;Schindler's List&lt;br /&gt;Sleepless in Seattle&lt;br /&gt;What's Eating Gilbert Grape&lt;br /&gt;Fearless&lt;br /&gt;Dave&lt;br /&gt;King Of The Hill&lt;br /&gt;The Age of Innocence&lt;br /&gt;The Story of Qiu Ju&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1992&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Raise the Red Lantern&lt;br /&gt;Howards End&lt;br /&gt;Husbands and Wives&lt;br /&gt;Hard Boiled&lt;br /&gt;The Best Intentions&lt;br /&gt;A Midnight Clear&lt;br /&gt;Malcolm X&lt;br /&gt;Aladdin&lt;br /&gt;Unforgiven&lt;br /&gt;Reservoir Dogs&lt;br /&gt;Lorenzo's Oil&lt;br /&gt;The Waterdance&lt;br /&gt;The Crying Game&lt;br /&gt;Leolo&lt;br /&gt;The Player&lt;br /&gt;Enchanted April&lt;br /&gt;For a Lost Soldier&lt;br /&gt;Housesitter&lt;br /&gt;Edward II&lt;br /&gt;A River Runs Through It&lt;br /&gt;Swoon&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1991&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Double Life Of Veronique&lt;br /&gt;Beauty and the Beast&lt;br /&gt;The Silence of the Lambs&lt;br /&gt;Terminator 2: Judgment Day&lt;br /&gt;The Rapture&lt;br /&gt;Bugsy&lt;br /&gt;Barton Fink&lt;br /&gt;Rambling Rose&lt;br /&gt;Life Is Sweet&lt;br /&gt;Thelma &amp;amp; Louise&lt;br /&gt;Delicatessen&lt;br /&gt;JFK&lt;br /&gt;Mississippi Masala&lt;br /&gt;Ju Dou&lt;br /&gt;The Indian Runner&lt;br /&gt;My Own Private Idaho&lt;br /&gt;Poison&lt;br /&gt;Point Break&lt;br /&gt;Once a Thief&lt;br /&gt;Days of Being Wild&lt;br /&gt;L.A. Story&lt;br /&gt;City of Hope&lt;br /&gt;Toto Le Heros&lt;br /&gt;Boyz N the Hood&lt;br /&gt;The Man in the Moon&lt;br /&gt;The Adjuster&lt;br /&gt;The Hours and Times&lt;br /&gt;White Fang&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1990&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;GoodFellas&lt;br /&gt;Miller's Crossing&lt;br /&gt;The Grifters&lt;br /&gt;Mr. and Mrs. Bridge&lt;br /&gt;Metropolitan&lt;br /&gt;Men Don’t Leave&lt;br /&gt;The Match Factory Girl&lt;br /&gt;Miami Blues&lt;br /&gt;Dances With Wolves&lt;br /&gt;Cyrano de Bergerac&lt;br /&gt;The Cook, The Thief, His Wife and Her Lover&lt;br /&gt;Mountains Of The Moon&lt;br /&gt;Reversal of Fortune&lt;br /&gt;Europa Europa&lt;br /&gt;Joe Versus the Volcano&lt;br /&gt;Dick Tracy&lt;br /&gt;Q &amp;amp; A&lt;br /&gt;Tremors&lt;br /&gt;Vincent &amp;amp; Theo&lt;br /&gt;Cry-Baby&lt;br /&gt;Wild at Heart&lt;br /&gt;The Hunt for Red October&lt;br /&gt;Longtime Companion&lt;br /&gt;The Freshman&lt;br /&gt;Quick Change&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1989&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;sex, lies and videotape&lt;br /&gt;Do the Right Thing&lt;br /&gt;Drugstore Cowboy&lt;br /&gt;Born on the Fourth of July&lt;br /&gt;The Fabulous Baker Boys&lt;br /&gt;Crimes and Misdemeanors&lt;br /&gt;For All Mankind&lt;br /&gt;The Little Mermaid&lt;br /&gt;Enemies, A Love Story&lt;br /&gt;Say Anything&lt;br /&gt;Field of Dreams&lt;br /&gt;The War of the Roses&lt;br /&gt;Apartment Zero&lt;br /&gt;Bill &amp;amp; Ted's Excellent Adventure&lt;br /&gt;Casualties of War&lt;br /&gt;Dead Poets Society&lt;br /&gt;Henry V&lt;br /&gt;Heathers&lt;br /&gt;My Left Foot&lt;br /&gt;Parenthood&lt;br /&gt;Scandal&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1988&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Unbearable Lightness of Being&lt;br /&gt;Women On The Verge Of A Nervous Breakdown&lt;br /&gt;Distant Voices, Still Lives&lt;br /&gt;The Thin Blue Line&lt;br /&gt;Who Framed Roger Rabbit?&lt;br /&gt;Eight Men Out&lt;br /&gt;Big&lt;br /&gt;A Fish Called Wanda&lt;br /&gt;Dangerous Liaisons&lt;br /&gt;Bull Durham&lt;br /&gt;Babette’s Feast&lt;br /&gt;Hairspray&lt;br /&gt;My Neighbor Totoro&lt;br /&gt;Dirty Rotten Scoundrels&lt;br /&gt;Biloxi Blues&lt;br /&gt;Rain Man&lt;br /&gt;Tucker: The Man and His Dream&lt;br /&gt;A Cry in the Dark&lt;br /&gt;Die Hard&lt;br /&gt;High Hopes&lt;br /&gt;The Last Temptation of Christ&lt;br /&gt;U2: Rattle and Hum&lt;br /&gt;Things Change&lt;br /&gt;As Tears Go By&lt;br /&gt;Matador&lt;br /&gt;Bagdad Café&lt;br /&gt;Let’s Get Lost&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1987&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Au Revoir Les Enfants&lt;br /&gt;Wings of Desire&lt;br /&gt;The Dead&lt;br /&gt;Broadcast News&lt;br /&gt;Empire of the Sun&lt;br /&gt;Withnail &amp;amp; I&lt;br /&gt;Full Metal Jacket&lt;br /&gt;My Life as a Dog&lt;br /&gt;Hope and Glory&lt;br /&gt;River's Edge&lt;br /&gt;Swimming To Cambodia&lt;br /&gt;The Last Emperor&lt;br /&gt;The Princess Bride&lt;br /&gt;Sammy &amp;amp; Rosie Get Laid&lt;br /&gt;Moonstruck&lt;br /&gt;Dark Eyes&lt;br /&gt;Roxanne&lt;br /&gt;Prick Up Your Ears&lt;br /&gt;Wall Street&lt;br /&gt;Tin Men&lt;br /&gt;Radio Days&lt;br /&gt;Law Of Desire&lt;br /&gt;Matewan&lt;br /&gt;The Big Easy&lt;br /&gt;Raising Arizona&lt;br /&gt;Maurice&lt;br /&gt;Housekeeping&lt;br /&gt;House Of Games&lt;br /&gt;Evil Dead II&lt;br /&gt;Three O'Clock High&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A Room With A View&lt;br /&gt;Hannah and Her Sisters&lt;br /&gt;Blue Velvet&lt;br /&gt;Aliens&lt;br /&gt;Jean de Florette / Manon of the Spring&lt;br /&gt;Platoon&lt;br /&gt;Manhunter&lt;br /&gt;The Mosquito Coast&lt;br /&gt;The Fly&lt;br /&gt;My Beautiful Laundrette&lt;br /&gt;'Round Midnight&lt;br /&gt;The Decline Of The American Empire&lt;br /&gt;Hoosiers&lt;br /&gt;Something Wild&lt;br /&gt;Sid &amp;amp; Nancy&lt;br /&gt;Ruthless People&lt;br /&gt;Stand by Me&lt;br /&gt;At Close Range&lt;br /&gt;Caravaggio&lt;br /&gt;Ferris Bueller's Day Off&lt;br /&gt;Highlander&lt;br /&gt;The Hitcher&lt;br /&gt;Mona Lisa&lt;br /&gt;Peggy Sue Got Married&lt;br /&gt;The Great Mouse Detective&lt;br /&gt;Labyrinth&lt;br /&gt;Children Of A Lesser God&lt;br /&gt;Back to School&lt;br /&gt;The Boy Who Could Fly&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1985&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Purple Rose of Cairo&lt;br /&gt;Ran&lt;br /&gt;Brazil&lt;br /&gt;Back to the Future&lt;br /&gt;Another Country&lt;br /&gt;Lost In America&lt;br /&gt;Kiss of the Spider Woman&lt;br /&gt;Trouble In Mind&lt;br /&gt;The Breakfast Club&lt;br /&gt;Witness&lt;br /&gt;After Hours&lt;br /&gt;Prizzi's Honor&lt;br /&gt;Pee-Wee's Big Adventure&lt;br /&gt;The Sure Thing&lt;br /&gt;The Trip to Bountiful&lt;br /&gt;Silverado&lt;br /&gt;Twice In A Lifetime&lt;br /&gt;Runaway Train&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1984&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This Is Spinal Tap&lt;br /&gt;Amadeus&lt;br /&gt;Blood Simple&lt;br /&gt;The Killing Fields&lt;br /&gt;Ghostbusters&lt;br /&gt;The Cotton Club&lt;br /&gt;The Terminator&lt;br /&gt;The Adventures of Buckaroo Banzai&lt;br /&gt;Once Upon a Time in America&lt;br /&gt;Broadway Danny Rose&lt;br /&gt;All of Me&lt;br /&gt;Indiana Jones and the Temple of Doom&lt;br /&gt;A Passage to India&lt;br /&gt;Romancing the Stone&lt;br /&gt;Purple Rain&lt;br /&gt;Red Dawn&lt;br /&gt;The Natural&lt;br /&gt;Gremlins&lt;br /&gt;Moscow on the Hudson&lt;br /&gt;The Flamingo Kid&lt;br /&gt;Birdy&lt;br /&gt;The Times Of Harvey Milk&lt;br /&gt;Bachelor Party&lt;br /&gt;Places in the Heart&lt;br /&gt;Repo Man&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1983&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Koyaanisqatsi: Life Out of Balance&lt;br /&gt;The Right Stuff&lt;br /&gt;Fanny and Alexander&lt;br /&gt;Danton&lt;br /&gt;Tender Mercies&lt;br /&gt;Terms of Endearment&lt;br /&gt;Risky Business&lt;br /&gt;Zelig&lt;br /&gt;The Big Chill&lt;br /&gt;The King of Comedy&lt;br /&gt;Never Cry Wolf&lt;br /&gt;Educating Rita&lt;br /&gt;Cross Creek&lt;br /&gt;The Dead Zone&lt;br /&gt;Monty Python's The Meaning of Life&lt;br /&gt;Silkwood&lt;br /&gt;WarGames&lt;br /&gt;Yentl&lt;br /&gt;Valley Girl&lt;br /&gt;Local Hero&lt;br /&gt;The Year Of Living Dangerously&lt;br /&gt;A Christmas Story&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1982&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Blade Runner&lt;br /&gt;Victor/Victoria&lt;br /&gt;E.T. the Extra-Terrestrial&lt;br /&gt;Tootsie&lt;br /&gt;Das Boot&lt;br /&gt;The Road Warrior&lt;br /&gt;Sophie's Choice&lt;br /&gt;Honkytonk Man&lt;br /&gt;My Favorite Year&lt;br /&gt;An Officer and a Gentleman&lt;br /&gt;The Verdict&lt;br /&gt;Diner&lt;br /&gt;The World According to Garp&lt;br /&gt;Best Friends&lt;br /&gt;Tex&lt;br /&gt;Star Trek II: The Wrath of Khan&lt;br /&gt;The Return of Martin Guerre&lt;br /&gt;48 Hours&lt;br /&gt;Poltergeist&lt;br /&gt;Tron&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1981&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Arthur&lt;br /&gt;Gallipoli&lt;br /&gt;Raiders of the Lost Ark&lt;br /&gt;Chariots of Fire&lt;br /&gt;My Dinner with Andre&lt;br /&gt;Vernon, Florida&lt;br /&gt;Modern Romance&lt;br /&gt;Atlantic City&lt;br /&gt;Body Heat&lt;br /&gt;The Four Seasons&lt;br /&gt;On Golden Pond&lt;br /&gt;Pennies from Heaven&lt;br /&gt;Prince of the City&lt;br /&gt;Reds&lt;br /&gt;Time Bandits&lt;br /&gt;Superman II&lt;br /&gt;Stripes&lt;br /&gt;Taps&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1980&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Raging Bull&lt;br /&gt;The Empire Strikes Back&lt;br /&gt;Ordinary People&lt;br /&gt;Airplane!&lt;br /&gt;Kagemusha&lt;br /&gt;Melvin and Howard&lt;br /&gt;The Shining&lt;br /&gt;Mad Max&lt;br /&gt;My Brilliant Career&lt;br /&gt;The Long Riders&lt;br /&gt;My Bodyguard&lt;br /&gt;The Big Red One&lt;br /&gt;Nine to Five&lt;br /&gt;Fame&lt;br /&gt;Hopscotch&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1979&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Being There&lt;br /&gt;Breaking Away&lt;br /&gt;Apocalypse Now&lt;br /&gt;Alien&lt;br /&gt;The Black Stallion&lt;br /&gt;Manhattan&lt;br /&gt;The Muppet Movie&lt;br /&gt;Kramer vs. Kramer&lt;br /&gt;Escape From Alcatraz&lt;br /&gt;The Rose&lt;br /&gt;Time After Time&lt;br /&gt;The Warriors&lt;br /&gt;A Little Romance&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1978&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Days of Heaven&lt;br /&gt;The Last Waltz&lt;br /&gt;Superman: The Movie&lt;br /&gt;Gates Of Heaven&lt;br /&gt;The Deer Hunter&lt;br /&gt;National Lampoon's Animal House&lt;br /&gt;Midnight Express&lt;br /&gt;Grease&lt;br /&gt;Halloween&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1977&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Star Wars&lt;br /&gt;Annie Hall&lt;br /&gt;Close Encounters of the Third Kind&lt;br /&gt;Stroszek&lt;br /&gt;Saturday Night Fever&lt;br /&gt;Slap Shot&lt;br /&gt;1900&lt;br /&gt;Smokey and the Bandit&lt;br /&gt;That Obscure Object Of Desire&lt;br /&gt;Killer Of Sheep&lt;br /&gt;Oh God&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1976&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;All the President's Men&lt;br /&gt;Rocky&lt;br /&gt;Taxi Driver&lt;br /&gt;Network&lt;br /&gt;The Bad News Bears&lt;br /&gt;Assault on Precinct 13&lt;br /&gt;The Man Who Fell to Earth&lt;br /&gt;The Outlaw Josey Wales&lt;br /&gt;Robin and Marian&lt;br /&gt;Harlan County USA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1975&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Nashville&lt;br /&gt;Monty Python and the Holy Grail&lt;br /&gt;The Man Who Would Be King&lt;br /&gt;Dog Day Afternoon&lt;br /&gt;Grey Gardens&lt;br /&gt;Jaws&lt;br /&gt;One Flew Over the Cuckoo's Nest&lt;br /&gt;Shampoo&lt;br /&gt;Three Days of the Condor&lt;br /&gt;The Four Musketeers&lt;br /&gt;Picnic at Hanging Rock&lt;br /&gt;Love and Death&lt;br /&gt;The Return of The Pink Panther&lt;br /&gt;Lucky Lady&lt;br /&gt;Rooster Cogburn&lt;br /&gt;Barry Lyndon&lt;br /&gt;The Rocky Horror Picture Show&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1974&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Young Frankenstein&lt;br /&gt;The Godfather: Part II&lt;br /&gt;Lacombe Lucien&lt;br /&gt;Chinatown&lt;br /&gt;Ali: Fear Eats The Soul&lt;br /&gt;The Three Musketeers&lt;br /&gt;Amarcord&lt;br /&gt;The Conversation&lt;br /&gt;The Taking of Pelham One Two Three&lt;br /&gt;A Woman Under the Influence&lt;br /&gt;Murder on the Orient Express&lt;br /&gt;The Longest Yard&lt;br /&gt;Hearts and Minds&lt;br /&gt;The Sugarland Express&lt;br /&gt;Day for Night&lt;br /&gt;The Towering Inferno&lt;br /&gt;Dirty Mary, Crazy Larry&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1973&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Sting&lt;br /&gt;Badlands&lt;br /&gt;Paper Moon&lt;br /&gt;The Last Detail&lt;br /&gt;Scarecrow&lt;br /&gt;Enter the Dragon&lt;br /&gt;Cries and Whispers&lt;br /&gt;Mean Streets&lt;br /&gt;The Harder They Come&lt;br /&gt;Live and Let Die&lt;br /&gt;Papillon&lt;br /&gt;American Graffiti&lt;br /&gt;Last Tango in Paris&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1972&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Godfather&lt;br /&gt;Murmur Of The Heart&lt;br /&gt;What's Up, Doc?&lt;br /&gt;Cabaret&lt;br /&gt;Aguirre: The Wrath of God&lt;br /&gt;The Candidate&lt;br /&gt;The Discreet Charm of the Bourgeoisie&lt;br /&gt;Super Fly&lt;br /&gt;The Life and Times of Judge Roy Bean&lt;br /&gt;Solaris&lt;br /&gt;Junior Bonner&lt;br /&gt;Sounder&lt;br /&gt;Fat City&lt;br /&gt;Travels With My Aunt&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1971&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Last Picture Show&lt;br /&gt;A Clockwork Orange&lt;br /&gt;McCabe &amp;amp; Mrs. Miller&lt;br /&gt;The Conformist&lt;br /&gt;Harold and Maude&lt;br /&gt;The French Connection&lt;br /&gt;Carnal Knowledge&lt;br /&gt;The Garden of the Finzi-Continis&lt;br /&gt;Shaft&lt;br /&gt;The Panic in Needle Park&lt;br /&gt;Gimme Shelter&lt;br /&gt;Dirty Harry&lt;br /&gt;Death in Venice&lt;br /&gt;Billy Jack&lt;br /&gt;Walkabout&lt;br /&gt;Fiddler On The Roof&lt;br /&gt;Duel&lt;br /&gt;Willy Wonka &amp;amp; the Chocolate Factory&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1970&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Woodstock: 3 Days of Peace &amp;amp; Music&lt;br /&gt;MASH&lt;br /&gt;Patton&lt;br /&gt;Hospital&lt;br /&gt;Airport / Airport 1975&lt;br /&gt;The Out-of-Towners&lt;br /&gt;Tora! Tora! Tora!&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1969&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Butch Cassidy and the Sundance Kid&lt;br /&gt;The Wild Bunch&lt;br /&gt;Midnight Cowboy&lt;br /&gt;Monterey Pop&lt;br /&gt;Once Upon a Time in the West&lt;br /&gt;Take the Money and Run&lt;br /&gt;The Italian Job&lt;br /&gt;True Grit&lt;br /&gt;Salesman&lt;br /&gt;Army of Shadows&lt;br /&gt;The Sorrow and the Pity&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1968&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2001: A Space Odyssey&lt;br /&gt;Yellow Submarine&lt;br /&gt;Romeo &amp;amp; Juliet&lt;br /&gt;The Lion in Winter&lt;br /&gt;Rosemary's Baby&lt;br /&gt;Oliver!&lt;br /&gt;Funny Girl&lt;br /&gt;Planet of the Apes&lt;br /&gt;The Producers&lt;br /&gt;High School&lt;br /&gt;If...&lt;br /&gt;The Odd Couple&lt;br /&gt;The Young Girls Of Rochefort&lt;br /&gt;Night of the Living Dead&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1967&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Bonnie and Clyde&lt;br /&gt;Don’t Look Back&lt;br /&gt;The Good, the Bad and the Ugly&lt;br /&gt;Le Samourai&lt;br /&gt;Cool Hand Luke&lt;br /&gt;The Battle of Algiers&lt;br /&gt;In Cold Blood&lt;br /&gt;The Graduate&lt;br /&gt;The Jungle Book&lt;br /&gt;Playtime&lt;br /&gt;You Only Live Twice&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1966&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Who’s Afraid Of Virginia Woolf?&lt;br /&gt;Tokyo Drifter &lt;br /&gt;Alfie&lt;br /&gt;A Man For All Seasons&lt;br /&gt;Young Torless&lt;br /&gt;A Big Hand For The Little Lady&lt;br /&gt;Fantastic Voyage&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1965&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Sound Of Music&lt;br /&gt;The Umbrellas Of Cherbourg&lt;br /&gt;The Spy Who Came In From The Cold&lt;br /&gt;Faster Pussycat! Kill! Kill!&lt;br /&gt;Von Ryan’s Express&lt;br /&gt;The Cincinnati Kid&lt;br /&gt;Thunderball&lt;br /&gt;For A Few Dollars More&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1964&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A Hard Day’s Night&lt;br /&gt;Dr. Strangelove, or How I Learned To Stop Worrying And Love The Bomb&lt;br /&gt;Mary Poppins&lt;br /&gt;A Shot In The Dark&lt;br /&gt;Pale Flower&lt;br /&gt;Goldfinger&lt;br /&gt;Fail-Safe&lt;br /&gt;Becket&lt;br /&gt;The Pink Panther&lt;br /&gt;Viva Las Vegas&lt;br /&gt;Zulu&lt;br /&gt;Godzilla Vs Mothra&lt;br /&gt;A Fistful of Dollars&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1963&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;8 ½&lt;br /&gt;High and Low&lt;br /&gt;The Great Escape&lt;br /&gt;Charade&lt;br /&gt;This Sporting Life&lt;br /&gt;The Nutty Professor&lt;br /&gt;From Russia With Love&lt;br /&gt;The Birds&lt;br /&gt;Jason and the Argonauts&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1962&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lawrence Of Arabia&lt;br /&gt;The Manchurian Candidate&lt;br /&gt;Lolita&lt;br /&gt;The Trial Of Joan of Arc&lt;br /&gt;The Man Who Shot Liberty Valance&lt;br /&gt;Cape Fear&lt;br /&gt;The Longest Day&lt;br /&gt;Ride The High Country&lt;br /&gt;Dr. No&lt;br /&gt;Long Day's Journey Into Night&lt;br /&gt;Birdman Of Alcatraz&lt;br /&gt;To Kill A Mockingbird&lt;br /&gt;Jules and Jim&lt;br /&gt;Last Year At Marienbad&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1961&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Hustler&lt;br /&gt;West Side Story&lt;br /&gt;Yojimbo&lt;br /&gt;The Guns Of Navarone&lt;br /&gt;The Devil At Four O’Clock&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1960&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jazz On A Summer’s Day&lt;br /&gt;The Apartment&lt;br /&gt;Psycho&lt;br /&gt;La Dolce Vita&lt;br /&gt;Rocco and His Brothers&lt;br /&gt;The Magnificent Seven&lt;br /&gt;The Entertainer&lt;br /&gt;When A Woman Ascends The Stairs&lt;br /&gt;The World Of Apu&lt;br /&gt;Elmer Gantry&lt;br /&gt;Inherit The Wind&lt;br /&gt;Spartacus&lt;br /&gt;Peeping Tom&lt;br /&gt;The Alamo&lt;br /&gt;Swiss Family Robinson&lt;br /&gt;The Time Machine&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1959&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wild Strawberries&lt;br /&gt;The 400 Blows&lt;br /&gt;North By Northwest&lt;br /&gt;Breathless&lt;br /&gt;Anatomy Of A Murder&lt;br /&gt;Pork Chop Hill&lt;br /&gt;Pickpocket&lt;br /&gt;Ben-Hur&lt;br /&gt;Some Like It Hot&lt;br /&gt;Flame Over India&lt;br /&gt;The FBI Story&lt;br /&gt;The Mouse That Roared&lt;br /&gt;On The Beach&lt;br /&gt;Last Train From Gun Hill&lt;br /&gt;Pillow Talk&lt;br /&gt;Rio Bravo&lt;br /&gt;Hiroshima, Mon Amour&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1958&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Touch Of Evil&lt;br /&gt;Vertigo&lt;br /&gt;The Hidden Fortress&lt;br /&gt;A Night To Remember&lt;br /&gt;The Horse's Mouth&lt;br /&gt;Ashes and Diamonds&lt;br /&gt;Big Deal On Madonna Street&lt;br /&gt;Auntie Mame&lt;br /&gt;The Big Country&lt;br /&gt;Mon Oncle&lt;br /&gt;The Fly&lt;br /&gt;Cat On A Hot Tin Roof&lt;br /&gt;The 7th Voyage Of Sinbad&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1957&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Cranes Are Flying&lt;br /&gt;What's Opera, Doc? (short)&lt;br /&gt;Sweet Smell Of Success&lt;br /&gt;3:10 To Yuma&lt;br /&gt;The Seventh Seal&lt;br /&gt;The Bridge On The River Kwai&lt;br /&gt;Nights Of Cabiria&lt;br /&gt;12 Angry Men&lt;br /&gt;The Tall T&lt;br /&gt;Old Yeller&lt;br /&gt;Gunfight At The OK Corral&lt;br /&gt;The Spirit Of St. Louis&lt;br /&gt;A Face In The Crowd&lt;br /&gt;Throne Of Blood&lt;br /&gt;Fear Strikes Out&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1956&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Searchers&lt;br /&gt;Invasion Of The Body Snatchers&lt;br /&gt;The Red Balloon&lt;br /&gt;A Man Escaped&lt;br /&gt;The King and I&lt;br /&gt;Aparajito&lt;br /&gt;Forbidden Planet&lt;br /&gt;Written On The Wind&lt;br /&gt;The Ten Commandments&lt;br /&gt;The Silent World&lt;br /&gt;All That Heaven Allows&lt;br /&gt;Samurai III: Duel At Ganryu Island&lt;br /&gt;Seven Men From Now&lt;br /&gt;Anastasia&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1955&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pather Panchali&lt;br /&gt;The Night Of The Hunter&lt;br /&gt;Mister Roberts&lt;br /&gt;Rififi&lt;br /&gt;Smiles Of A Summer Night&lt;br /&gt;Rebel Without A Cause&lt;br /&gt;Lady and the Tramp&lt;br /&gt;The Ladykillers&lt;br /&gt;The Far Country&lt;br /&gt;Samurai II: Duel At Ichijoji Temple&lt;br /&gt;The Man With The Golden Arm&lt;br /&gt;The Violent Men&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1954&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Seven Samurai&lt;br /&gt;Rear Window&lt;br /&gt;On The Waterfront&lt;br /&gt;A Star Is Born&lt;br /&gt;Hobson’s Choice&lt;br /&gt;Godzilla, King Of The Monsters! aka Gojira&lt;br /&gt;The Belles Of St. Trinian’s&lt;br /&gt;The Caine Mutiny&lt;br /&gt;The High and the Mighty&lt;br /&gt;20,000 Leagues Under The Sea&lt;br /&gt;Samurai I: Musashi Miyamoto&lt;br /&gt;Sansho The Bailiff&lt;br /&gt;Rouge Et Noir&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1953&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Naked Spur&lt;br /&gt;The Earrings Of Madame De…&lt;br /&gt;Mr. Hulot’s Holiday&lt;br /&gt;Stalag 17&lt;br /&gt;The Big Heat&lt;br /&gt;Pickup On South Street&lt;br /&gt;The Little Fugitive&lt;br /&gt;From Here To Eternity&lt;br /&gt;How To Marry A Millionaire&lt;br /&gt;The Cruel Sea&lt;br /&gt;House Of Wax&lt;br /&gt;The Wages Of Fear&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1952&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Quiet Man&lt;br /&gt;Umberto D.&lt;br /&gt;Bend Of The River&lt;br /&gt;The Bad and the Beautiful&lt;br /&gt;Ikiru&lt;br /&gt;Forbidden Games&lt;br /&gt;Othello&lt;br /&gt;The Narrow Margin&lt;br /&gt;Pat and Mike&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1951&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ace In The Hole aka The Big Carnival&lt;br /&gt;A Place In The Sun&lt;br /&gt;The Lavender Hill Mob&lt;br /&gt;A Streetcar Named Desire&lt;br /&gt;The African Queen&lt;br /&gt;A Christmas Carol aka Scrooge&lt;br /&gt;The Thing&lt;br /&gt;Detective Story&lt;br /&gt;The Day The Earth Stood Still&lt;br /&gt;Strangers On A Train&lt;br /&gt;Diary Of A Country Priest&lt;br /&gt;The River&lt;br /&gt;The Man In The White Suit&lt;br /&gt;The Lemon Drop Kid&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1950&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;All About Eve&lt;br /&gt;Winchester ‘73&lt;br /&gt;Sunset Boulevard&lt;br /&gt;Rashomon&lt;br /&gt;The Furies&lt;br /&gt;Father Of The Bride&lt;br /&gt;Night and the City&lt;br /&gt;The Gunfighter&lt;br /&gt;Treasure Island&lt;br /&gt;Born Yesterday&lt;br /&gt;Harvey&lt;br /&gt;Cheaper By The Dozen&lt;br /&gt;Broken Arrow&lt;br /&gt;D.O.A.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1949&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Third Man&lt;br /&gt;Adam’s Rib&lt;br /&gt;The Heiress&lt;br /&gt;On The Town&lt;br /&gt;Kind Hearts and Coronets&lt;br /&gt;The Fallen Idol&lt;br /&gt;She Wore A Yellow Ribbon&lt;br /&gt;White Heat&lt;br /&gt;Passport To Pimlico&lt;br /&gt;They Live By Night&lt;br /&gt;12 O’Clock High&lt;br /&gt;The Window&lt;br /&gt;A Letter To Three Wives&lt;br /&gt;Border Incident&lt;br /&gt;Gun Crazy&lt;br /&gt;Chains&lt;br /&gt;It Happens Every Spring&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Red River&lt;br /&gt;Bicycle Thieves&lt;br /&gt;The Naked City&lt;br /&gt;Fort Apache&lt;br /&gt;State Of The Union&lt;br /&gt;Oliver Twist&lt;br /&gt;I Remember Mama&lt;br /&gt;Call Northside 777&lt;br /&gt;The Paleface&lt;br /&gt;Joan Of Arc&lt;br /&gt;Sitting Pretty&lt;br /&gt;The Winslow Boy&lt;br /&gt;Key Largo&lt;br /&gt;Macbeth&lt;br /&gt;Letter From An Unknown Woman&lt;br /&gt;The Lady From Shanghai&lt;br /&gt;The Treasure Of Sierra Madre&lt;br /&gt;Mr. Blandings Builds His Dream House&lt;br /&gt;The Snake Pit&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1947&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Out Of The Past&lt;br /&gt;Odd Man Out&lt;br /&gt;They Made Me A Fugitive&lt;br /&gt;The Ghost And Mrs. Muir&lt;br /&gt;Brute Force&lt;br /&gt;T-Men&lt;br /&gt;Road To Rio&lt;br /&gt;Life With Father&lt;br /&gt;Black Narcissus&lt;br /&gt;Miracle On 34th St.&lt;br /&gt;Nightmare Alley&lt;br /&gt;The Egg And I&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;It’s A Wonderful Life&lt;br /&gt;Notorious&lt;br /&gt;Great Expectations&lt;br /&gt;A Matter Of Life and Death aka Stairway To Heaven&lt;br /&gt;La Belle Et La Bete&lt;br /&gt;Ivan The Terrible Part II&lt;br /&gt;The Big Sleep&lt;br /&gt;The Postman Always Rings Twice&lt;br /&gt;The Best Years Of Our Lives&lt;br /&gt;The Yearling&lt;br /&gt;My Darling Clementine&lt;br /&gt;The Killers&lt;br /&gt;The Harvey Girls&lt;br /&gt;Road To Utopia&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Children Of Paradise&lt;br /&gt;Rome, Open City&lt;br /&gt;I Know Where I'm Going!&lt;br /&gt;The Bells Of St. Marys&lt;br /&gt;Fallen Angel&lt;br /&gt;National Velvet&lt;br /&gt;Mildred Pierce&lt;br /&gt;Anchors Aweigh&lt;br /&gt;The House On 92nd St.&lt;br /&gt;A Tree Grows In Brooklyn&lt;br /&gt;Detour&lt;br /&gt;They Were Expendable&lt;br /&gt;The Story Of G.I. Joe&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1944&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Miracle Of Morgan’s Creek&lt;br /&gt;To Have And Have Not&lt;br /&gt;Double Indemnity&lt;br /&gt;Hail The Conquering Hero&lt;br /&gt;Going My Way&lt;br /&gt;Murder, My Sweet&lt;br /&gt;Laura&lt;br /&gt;Meet Me In St. Louis&lt;br /&gt;Arsenic and Old Lace&lt;br /&gt;Passage To Marseille&lt;br /&gt;The Children Are Watching Us&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1943&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Casablanca&lt;br /&gt;Ivan The Terrible Part I&lt;br /&gt;The Life and Death Of Colonel Blimp&lt;br /&gt;Shadow Of A Doubt&lt;br /&gt;The Ox-Bow Incident&lt;br /&gt;The Human Comedy&lt;br /&gt;Lassie Come Home&lt;br /&gt;Five Graves To Cairo&lt;br /&gt;A Guy Named Joe&lt;br /&gt;I Walked With A Zombie&lt;br /&gt;Millions Like Us&lt;br /&gt;The Song Of Bernadette&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1942&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Magnificent Ambersons&lt;br /&gt;Bambi&lt;br /&gt;The Palm Beach Story&lt;br /&gt;Mrs. Miniver&lt;br /&gt;Woman Of The Year&lt;br /&gt;In Which We Serve&lt;br /&gt;Cat People&lt;br /&gt;Yankee Doodle Dandy&lt;br /&gt;Road To Morocco&lt;br /&gt;The Glass Key&lt;br /&gt;The Pride Of The Yankees&lt;br /&gt;Saboteur&lt;br /&gt;For Me And My Gal&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1941&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Citizen Kane&lt;br /&gt;Meet John Doe&lt;br /&gt;The Lady Eve&lt;br /&gt;The Maltese Falcon&lt;br /&gt;How Green Was My Valley&lt;br /&gt;The Little Foxes&lt;br /&gt;Here Comes Mr. Jordan&lt;br /&gt;Sergeant York&lt;br /&gt;Never Give A Sucker An Even Break&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Philadelphia Story/The Shop Around The Corner (tie)&lt;br /&gt;His Girl Friday&lt;br /&gt;Pinocchio&lt;br /&gt;The Bank Dick&lt;br /&gt;The Grapes Of Wrath&lt;br /&gt;Rebecca&lt;br /&gt;Boom Town&lt;br /&gt;Night Train To Munich&lt;br /&gt;The Sea Hawk&lt;br /&gt;Fantasia&lt;br /&gt;My Favorite Wife&lt;br /&gt;Christmas In July&lt;br /&gt;The Thief Of Baghdad&lt;br /&gt;They Drive By Night&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1939&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Rules of The Game&lt;br /&gt;Stagecoach&lt;br /&gt;Mr. Smith Goes To Washington&lt;br /&gt;The Women&lt;br /&gt;Gunga Din&lt;br /&gt;Midnight&lt;br /&gt;The Wizard Of Oz&lt;br /&gt;Ninotchka&lt;br /&gt;The Hunchback Of Notre Dame&lt;br /&gt;Alexander Nevsky&lt;br /&gt;The Stars Look Down&lt;br /&gt;The Hound Of The Baskervilles&lt;br /&gt;The Little Princess&lt;br /&gt;Gone With The Wind&lt;br /&gt;The Adventures Of Sherlock Holmes&lt;br /&gt;Love Affair&lt;br /&gt;Of Mice and Men&lt;br /&gt;The Roaring Twenties&lt;br /&gt;Wuthering Heights&lt;br /&gt;Only Angels Have Wings&lt;br /&gt;Drums Along The Mohawk&lt;br /&gt;Young Mr. Lincoln&lt;br /&gt;Goodbye Mr. Chips&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1938&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Adventures Of Robin Hood&lt;br /&gt;The Lady Vanishes&lt;br /&gt;Olympia&lt;br /&gt;Angels With Dirty Faces&lt;br /&gt;Holiday&lt;br /&gt;Test Pilot&lt;br /&gt;Boys Town&lt;br /&gt;Bringing Up Baby&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1937&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Pepe Le Moko&lt;br /&gt;Snow White and the Seven Dwarfs&lt;br /&gt;The Awful Truth&lt;br /&gt;A Day At The Races&lt;br /&gt;Captains Courageous&lt;br /&gt;Dead End&lt;br /&gt;Topper&lt;br /&gt;A Star Is Born&lt;br /&gt;The Prisoner Of Zenda&lt;br /&gt;Shall We Dance&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1936&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;My Man Godfrey&lt;br /&gt;Swing Time&lt;br /&gt;Dodsworth&lt;br /&gt;Fury&lt;br /&gt;Libeled Lady&lt;br /&gt;Secret Agent&lt;br /&gt;A Tale Of Two Cities&lt;br /&gt;Modern Times&lt;br /&gt;Follow The Fleet&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1935&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Top Hat&lt;br /&gt;A Night At The Opera&lt;br /&gt;The Bride Of Frankenstein&lt;br /&gt;The 39 Steps&lt;br /&gt;Captain Blood&lt;br /&gt;Lives Of A Bengal Lancer&lt;br /&gt;Alice Adams&lt;br /&gt;Mutiny On The Bounty&lt;br /&gt;David Copperfield&lt;br /&gt;The Informer&lt;br /&gt;Triumph Of The Will&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1934&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Thin Man&lt;br /&gt;L’Atalante&lt;br /&gt;It Happened One Night&lt;br /&gt;It’s A Gift&lt;br /&gt;Tarzan And His Mate&lt;br /&gt;The Gay Divorcee&lt;br /&gt;The Man Who Knew Too Much&lt;br /&gt;Twentieth Century&lt;br /&gt;Treasure Island&lt;br /&gt;The Count Of Monte Cristo&lt;br /&gt;Gambling Lady&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1933&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Duck Soup&lt;br /&gt;King Kong&lt;br /&gt;I’m No Angel&lt;br /&gt;The Testament Of Dr. Mabuse&lt;br /&gt;Bed of Roses&lt;br /&gt;Little Women&lt;br /&gt;Bombshell&lt;br /&gt;The Invisible Man&lt;br /&gt;42nd Street&lt;br /&gt;Wild Boys Of The Road&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1932&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Trouble In Paradise&lt;br /&gt;Scarface&lt;br /&gt;Horse Feathers&lt;br /&gt;I Was Born, But...&lt;br /&gt;Grand Hotel&lt;br /&gt;Tarzan The Ape Man&lt;br /&gt;Jewel Robbery&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1931&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;M&lt;br /&gt;Monkey Business&lt;br /&gt;City Lights&lt;br /&gt;Frankenstein&lt;br /&gt;Public Enemy&lt;br /&gt;The Front Page&lt;br /&gt;Little Caesar&lt;br /&gt;Dr. Jekyll and Mr Hyde&lt;br /&gt;The Champ&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1930&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Last Command&lt;br /&gt;The Circus&lt;br /&gt;Animal Crackers&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1929&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Man With A Movie Camera&lt;br /&gt;Pandora’s Box&lt;br /&gt;In Old Arizona&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1928&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Crowd&lt;br /&gt;Sadie Thompson&lt;br /&gt;The Wind&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1927&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sunrise&lt;br /&gt;Metropolis&lt;br /&gt;Underworld&lt;br /&gt;Wings&lt;br /&gt;The Beloved Rogue&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1926&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The General&lt;br /&gt;The Adventures Of Prince Achmed&lt;br /&gt;Beau Geste&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1925&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Battleship Potemkin&lt;br /&gt;The Gold Rush&lt;br /&gt;The Freshman&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1924&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Greed&lt;br /&gt;Sherlock Jr.&lt;br /&gt;The Navigator&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-2186223317284553140?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/2186223317284553140/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=2186223317284553140' title='20 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2186223317284553140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2186223317284553140'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/07/best-movies-of-year-master-list.html' title='Best Movies Of The Year -- The Master List'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>20</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6366216903691840478</id><published>2011-03-28T17:07:00.002-04:00</published><updated>2011-03-28T17:25:21.068-04:00</updated><title type='text'>The IRAs 2011 -- "A Prophet," "I Am Love" and "Carlos" Top Winners!</title><content type='html'>&lt;span style="font-weight: bold;"&gt;THE 36TH ANNUAL IRA FILM AWARDS&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;T&lt;/span&gt;&lt;span&gt;he IRA Film Awards are the most prestigious, mysterious and exclusive movie awards in the world. Long after the frenzy of "awards season" has passed, the members of the IRAs meet to soberly discuss, debate, argue, bicker, fight, and mock each other as they decide what truly are the best films, performances and technical achievements of the previous year. They also shine a light on some of the worst achievements in cinema.&lt;br /&gt;&lt;br /&gt;The IRAs were founded in the 1970s with one very simple thought: we've got better taste than those other award shows; let's do our own. And thus the IRAs were born. Its ranks have contained future Oscar winners, acclaimed and best-selling authors of both fiction and nonfiction (especially movie history), power players in the studio system, influential members of the media, hardcore cineastes and the team behind &lt;span style="font-style: italic;"&gt;Inside Oscar: The Unofficial History of the Academy Awards,&lt;/span&gt; the most acclaimed (really, the ONLY acclaimed) awards book in history and the template for all the ones that followed in its wake. Usually composed of 10-20 members, the IRAs spend their year watching and debating the movies that really matter, the ones they hope will last and then share their judgment with the rest of the world. The "kids" -- younger members who joined in the 90s and the noughts -- have brought a new-found appreciation for animation and genres like sci-fi. The veterans remain loyal to stalwarts like Alain Resnais and the late, lamented Blake Edwards.&lt;br /&gt;&lt;br /&gt;After decades, it's only natural the IRAs mellow as an institution. Members have been born since the IRAs began; others have died. Many see each other only once a year on awards night when the winners are selected. The debate has softened from rancorous and bitter to witty and pointed. Eventually, someone's opinion on film becomes so familiar to you that instead of anger you feel amusement. That was certainly the case this year. References to everything from &lt;span style="font-style: italic;"&gt;Toy Story 3&lt;/span&gt; to &lt;span style="font-style: italic;"&gt;Wild Grass&lt;/span&gt; &lt;/span&gt;&lt;span&gt;&lt;span&gt;to&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Inception&lt;/span&gt; &lt;/span&gt;&lt;span&gt;and &lt;span style="font-style: italic;"&gt;A Prophet&lt;/span&gt; brought scorn from some, but it was a scorn more focused on scoring points with a witty rejoinder than the acrimonious debates that once ended friendships over the work of Blake Edwards or Brian DePalma. A love of movies always comes first.&lt;br /&gt;&lt;br /&gt;Let's put it this way. One of the door prizes was a Criterion Collection DVD of Jean-Pierre Melville's &lt;span style="font-style: italic;"&gt;Le Circle Rouge. &lt;/span&gt;To win the prize, three people were vying to be the first to name one of the best films of the 1990s as cited on an IRA member's list. One person immediately won by shouting out &lt;span style="font-style: italic;"&gt;"L.A. Confidential!&lt;/span&gt;" But another competitor was clearly still thinking hard about his answer. When told he'd already lost, he said distractedly, "Well, I was going to start by telling you MY favorite film from the 1990s, which is Krzysztof Kieslowski's &lt;span style="font-style: italic;"&gt;Red&lt;/span&gt;...." Even when a prize is at stake, voicing your opinion on the movies that matter always comes first.&lt;br /&gt;&lt;br /&gt;Four films dominated every single award, so you'll find it easy to check out the taste of the IRAs this year. But after the winners, we'll show the entire winning ballots so you can see the range of films that were favored by at least some factions. You'll discover 29 movies well worth your time, for one reason or another. According to some of us. (Others may vehemently disagree.) After that, you'll find a list of all the award winners in IRA history from 1975 to the present. So without further ado, this year's top winners are...&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2010 IRA Film Award Winners&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;A  Prophet/Un Prophete&lt;/span&gt;&lt;br /&gt;Best   Director: Jacques Audiard - &lt;span style="font-style: italic;"&gt;A  Prophet/Un Prophete&lt;/span&gt;&lt;br /&gt;Best Actor: Edgar Ramirez - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt;&lt;br /&gt;Best Actress: Tilda Swinton - &lt;span style="font-style: italic;"&gt;I Am  Love&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Niels Arestrup - &lt;span style="font-style: italic;"&gt;A Prophet/Un Prophete&lt;/span&gt;&lt;br /&gt;Best   Supporting Actress: Dale Dickey - &lt;span style="font-style: italic;"&gt;Winter's  Bone&lt;/span&gt;&lt;br /&gt;Best Screenplay: Thomas Bidegain and Jacques Audiard - &lt;span style="font-style: italic;"&gt;A Prophet/Un  Prophete&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Yorick Le Saux - &lt;span style="font-style: italic;"&gt;I  Am Love&lt;/span&gt;&lt;br /&gt;Best Production Design: Francesca Balestra Di Mottola - &lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt;&lt;br /&gt;Best  Music: John Adams - &lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt;&lt;br /&gt;Best Costumes: Antonella Cannarozzi - &lt;span style="font-style: italic;"&gt;I  Am Love&lt;/span&gt;&lt;br /&gt;Sominex: &lt;span style="font-style: italic;"&gt;Cairo Time&lt;/span&gt;&lt;br /&gt;Dramamine: &lt;span style="font-style: italic;"&gt;Black Swan&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Vincent Cassel for &lt;span style="font-style: italic;"&gt;Black  Swan&lt;/span&gt;&lt;br /&gt;Mechanical   Actress: Natalie Portman for &lt;span style="font-style: italic;"&gt;Black  Swan&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;The Governor Scott Walker Award &lt;/span&gt;&lt;span&gt;For Achievement In Political Thuggery: &lt;span style="font-style: italic;"&gt;Waiting For "Superman" &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;FILMS CITED BY THE IRAS FOR 2010 IN ALPHABETICAL ORDER&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Alice In Wonderland&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Anton Chekhov's The Duel&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; (8 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dogtooth&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Eccentricities Of A Blonde-haired Girl&lt;/span&gt; (4 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Everyone Else&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Fighter&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Ghost Writer&lt;/span&gt; (5 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Hadewijch&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Harry Potter and the Deathly Hallows  Part 1&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Howl&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt; (6 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;I Love You, Philip Morris&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Kids Are All Right&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The King's Speech&lt;/span&gt; (3 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Night Catches Us&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Nora's Will&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;                                127  Hours&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Please Give&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;A Prophet/Un Prophete &lt;/span&gt;(7 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Secret Sunshine&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Shutter Island&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Social Network&lt;/span&gt; (3 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Strange Case Of Angelica&lt;/span&gt; (4 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Town&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Toy Story 3&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt; (6 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;White Material&lt;/span&gt; (5 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Winter's  Bone&lt;/span&gt; (5 mentions)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;FILMS CITED BY THE IRAS FOR 2010 IN ORDER OF MENTIONS&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; (8 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;A Prophet/Un Prophete &lt;/span&gt;(7  mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt; (6 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt; (6 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Ghost Writer&lt;/span&gt; (5 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;White Material&lt;/span&gt; (5 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Winter's  Bone&lt;/span&gt; (5 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Eccentricities Of A Blonde-haired Girl&lt;/span&gt;  (4 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Strange Case Of Angelica&lt;/span&gt; (4  mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The King's Speech&lt;/span&gt; (3 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Social Network&lt;/span&gt; (3 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Everyone Else&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Harry Potter and the Deathly Hallows  Part 1&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Please Give&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Secret Sunshine&lt;/span&gt; (2 mentions)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Alice In Wonderland&lt;/span&gt; (1  mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Anton Chekhov's The Duel&lt;/span&gt; (1  mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dogtooth&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Fighter&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Hadewijch&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Howl&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;I Love You, Philip Morris&lt;/span&gt; (1  mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Kids Are All Right&lt;/span&gt; (1  mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Night Catches Us&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Nora's Will&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;                                127  Hours&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Shutter Island&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Town&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Toy Story 3&lt;/span&gt; (1 mention)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;THE COMPLETE BALLOTS IN ORDER OF VOTING&lt;br /&gt;&lt;br /&gt;BEST COSTUMES&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;1. Antonella Cannarozzi - &lt;span style="font-style: italic;"&gt;I  Am Love &lt;/span&gt;39 pts.&lt;br /&gt;2. Francois Clavel - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; 23 pts.&lt;br /&gt;3. Adelaide Maria Trepa - &lt;span style="font-style: italic;"&gt;Eccentricities Of A Blonde-haired Girl&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;                                               The Strange Case Of Angelica&lt;/span&gt; 14 pts. for her work on both films&lt;br /&gt;4. Sergio Ballo - &lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;                              Anton Chekhov's The Duel&lt;/span&gt; 9 pts for his work on both films&lt;br /&gt;5. Jenny Beavan - &lt;span style="font-style: italic;"&gt;The King's Speech&lt;/span&gt; (tie)&lt;br /&gt;Maren Reese - &lt;span style="font-style: italic;"&gt;Night Catches Us&lt;/span&gt; (tie)&lt;br /&gt;Virginie Montel - A Prophet/Un Prophete (tie) 6 pts. each&lt;br /&gt;&lt;br /&gt;By acclamation, Antonella Cannarozzi won Best Costumes for her work on &lt;span style="font-style: italic;"&gt;I Am Love.&lt;/span&gt;  She received  six out of 10 possible votes for first place. When this occurs, a vote  is taken whether to accept it as the top winner by acclamation or reject  it completely from the ballot.&lt;span style="font-style: italic;"&gt; I Am  Love&lt;/span&gt; was declared the winner. Balloting continued just to clarify  other films that were appreciated this year. When someone is honored  for their work on multiple films, all films are cited in alphabetical  order unless a consensus emerges to eliminate one or more particular  films from the honor roll.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST MUSIC&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;1. John Adams - &lt;span style="font-style: italic;"&gt;I  Am Love &lt;/span&gt;44 pts.&lt;br /&gt;2. Alexandre Desplat - &lt;span style="font-style: italic;"&gt;The Ghost Writer&lt;br /&gt;                                                                           Harry Potter and the Deathly Hallows Part 1&lt;br /&gt;                                                                           The King's Speech&lt;br /&gt;                                                                           A Prophet/Un Prophete&lt;/span&gt; 21  pts. for his work on all four films&lt;br /&gt;3. Carlo Crivelli - &lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt; 13 pts.&lt;br /&gt;4. Trent Reznor and Atticus Ross - &lt;span style="font-style: italic;"&gt;The Social Network&lt;/span&gt; 12 pts.&lt;br /&gt;5. Stuart Staples/Tindersticks - &lt;span style="font-style: italic;"&gt;White Material&lt;/span&gt; 10 pts.&lt;br /&gt;&lt;br /&gt;By acclamation, John Adams won Best Music for his work on &lt;span style="font-style: italic;"&gt;I Am Love.&lt;/span&gt;  He received  seven out of  10 possible votes for first place. &lt;span style="font-style: italic;"&gt;I  Am  Love&lt;/span&gt; was declared the winner. Balloting continued just to  clarify  other films that were appreciated this year.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST PRODUCTION DESIGN&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;1. Francesca Balestra Di Mottola - &lt;span style="font-style: italic;"&gt;I Am  Love &lt;/span&gt;30 pts.&lt;br /&gt;2. Dante Ferretti - &lt;span style="font-style: italic;"&gt;Shutter Island&lt;/span&gt; 18   pts.&lt;br /&gt;3. Marco Dentici - &lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt; 14 pts.&lt;br /&gt;4. Albrecht Konrad - &lt;span style="font-style: italic;"&gt;The Ghost Writer&lt;/span&gt; (tie)&lt;br /&gt; Francois-Renaud Labarthe - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt;  (tie)&lt;br /&gt; Mark White - &lt;span style="font-style: italic;"&gt;Please Give&lt;/span&gt; (tie)&lt;br /&gt;                                                   &lt;span style="font-style: italic;"&gt;Winter's Bone&lt;/span&gt; (tie) 11 pts. each&lt;br /&gt;&lt;br /&gt;Here you have a three-way tie for fourth place, with Konrad honored for his work on Roman Polanksi's &lt;span style="font-style: italic;"&gt;The Ghost Writer,&lt;/span&gt; Labarthe for his work on &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; and Mark White for his work on two films, &lt;span style="font-style: italic;"&gt;Please Give &lt;/span&gt;and &lt;span style="font-style: italic;"&gt;Winter's Bone.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST CINEMATOGRAPHY&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;1. Yorick Le Saux - &lt;span style="font-style: italic;"&gt;I Am  Love &lt;/span&gt;27 pts.&lt;br /&gt;2. Yves Cape - &lt;span style="font-style: italic;"&gt;White  Material&lt;/span&gt;&lt;br /&gt;                                             &lt;span style="font-style: italic;"&gt;Hadewijch&lt;/span&gt; 15 pts. for his work on both films&lt;br /&gt;3. Yorick Le Saux and Denis Lenoir - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; 14 pts.&lt;br /&gt;5. Daniele Cipri - &lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt; (tie)&lt;br /&gt; Sabine Lancelin - &lt;span style="font-style: italic;"&gt;Eccentricities  Of A Blonde-haired Girl&lt;/span&gt;&lt;br /&gt;                                                                 &lt;span style="font-style: italic;"&gt;The Strange Case Of Angelica&lt;/span&gt; (tie) 12 pts. each&lt;br /&gt;&lt;br /&gt;This was a contentious award. &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; was originally a miniseries but shown at the Cannes Film Festival and theaters around the world as one lengthy five hour film. Yorick Le Saux worked on the miniseries along with Denis Lenoir. Le Saux also worked on &lt;span style="font-style: italic;"&gt;I Am Love,&lt;/span&gt; one of the most ravishing films of the year on a technical level. Some felt that Le Saux should have received the top award for his work on both films. But since he shared credit on &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt;, that had to be treated separately from his work on &lt;span style="font-style: italic;"&gt;I Am Love.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;BEST SCREENPLAY&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;1. Thomas Bidegain and Jacques Audiard - &lt;span style="font-style: italic;"&gt;A  Prophet/Un  Prophete&lt;/span&gt; 27 pts.&lt;br /&gt;2. Olivier Assayas and Dan Franck and Daniel Leconte - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt;  (tie)&lt;br /&gt; Debra Granik &amp;amp; Anne Rosellini - &lt;span style="font-style: italic;"&gt;Winter's  Bone &lt;/span&gt;(tie) 13 pts. each&lt;br /&gt;3. John Requa &amp;amp; Glenn Ficarra - &lt;span style="font-style: italic;"&gt;I Love You, Philip Morris&lt;/span&gt; 10 pts.&lt;br /&gt;4. Maren Ade - &lt;span style="font-style: italic;"&gt;Everyone Else &lt;/span&gt;(tie)&lt;br /&gt; Michael Arndt - &lt;span style="font-style: italic;"&gt;Toy Story 3 &lt;/span&gt;(tie)&lt;br /&gt; Robert Harris and Roman Polanski - &lt;span style="font-style: italic;"&gt;The Ghost Writer &lt;/span&gt;(tie)&lt;br /&gt; Manoel de Oliveira - &lt;span style="font-style: italic;"&gt;Eccentricities  Of A Blonde-haired Girl&lt;/span&gt; (tie) 8 pts. each&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SUPPORTING ACTRESS&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1.&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;Dale Dickey - &lt;span style="font-style: italic;"&gt;Winter's  Bone&lt;/span&gt; &lt;span style="font-style: italic;"&gt;&lt;/span&gt;20 pts.&lt;br /&gt;2. Maria Paiato - &lt;span style="font-style: italic;"&gt;I Am  Love &lt;/span&gt;15 pts.&lt;br /&gt;3. &lt;span style="font-style: italic;"&gt;&lt;/span&gt;Aggeliki Papoulia - &lt;span style="font-style: italic;"&gt;Dogtooth &lt;/span&gt;(tie)&lt;br /&gt; Nora Van Waldstatten - &lt;span style="font-style: italic;"&gt;Carlos &lt;/span&gt;(tie) 13 pts. each&lt;br /&gt;5. Helena Bonham Carter - &lt;span style="font-style: italic;"&gt;Alice In Wonderland&lt;br /&gt;                                                                                             Harry Potter and the Deathly Hallows, Part 1&lt;br /&gt;                                                                                             The King's Speech &lt;/span&gt;(tie)&lt;br /&gt;Ann Guilbert - &lt;span style="font-style: italic;"&gt;Please Give&lt;/span&gt; (tie)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;      &lt;/span&gt;Olivia Williams - &lt;span style="font-style: italic;"&gt;The  Ghost Writer &lt;/span&gt;(tie) 9 pts. each&lt;br /&gt;&lt;br /&gt;Here again we have some ties. Two actresses tied at #3. And there's a three-way tie at #5. Helena Bonham Carter appeared in three films this year, but no consensus emerged on which films she deserved notice for. One loved her work in &lt;span style="font-style: italic;"&gt;Alice&lt;/span&gt; but derided &lt;span style="font-style: italic;"&gt;The King's Speech&lt;/span&gt;. Another loved &lt;span style="font-style: italic;"&gt;The King's Speech&lt;/span&gt; but didn't see &lt;span style="font-style: italic;"&gt;Alice&lt;/span&gt;. A third obstinately said her work in &lt;span style="font-style: italic;"&gt;HP7P1&lt;/span&gt; was her best. Thus, her appearance on the honor roll includes all three films.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SUPPORTING ACTOR&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1.&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;Niels Arestrup - &lt;span style="font-style: italic;"&gt;A Prophet/Un Prophete&lt;/span&gt; 27 pts.&lt;br /&gt;2. Pierce Brosnan - &lt;span style="font-style: italic;"&gt;The  Ghost Writer&lt;/span&gt; 21 pts.&lt;br /&gt;3. Jeremy Renner - &lt;span style="font-style: italic;"&gt;The Town&lt;/span&gt; 14 pts.&lt;br /&gt;4. John Hawkes - &lt;span style="font-style: italic;"&gt;Winter's  Bone&lt;/span&gt; &lt;span style="font-style: italic;"&gt;&lt;/span&gt;11 pts.&lt;br /&gt;5. Mark Ruffalo -&lt;span style="font-style: italic;"&gt; The Kids Are All Right&lt;/span&gt; &lt;span style="font-style: italic;"&gt;&lt;/span&gt;(tie)&lt;br /&gt; Kang-ho Song - &lt;span style="font-style: italic;"&gt;Secret Sunshine&lt;/span&gt; (tie) 7 pts. each&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;BEST ACTRESS&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1. &lt;/span&gt;Tilda Swinton - &lt;span style="font-style: italic;"&gt;I Am  Love &lt;/span&gt;22 pts.&lt;br /&gt;2. Isabelle Huppert - &lt;span style="font-style: italic;"&gt;White  Material&lt;/span&gt;  (tie)&lt;br /&gt; Do-yeon Jeon - &lt;span style="font-style: italic;"&gt;Secret Sunshine&lt;/span&gt;  (tie) 21 pts. each&lt;br /&gt;4. Jennifer Lawrence - &lt;span style="font-style: italic;"&gt;Winter's  Bone&lt;/span&gt; &lt;span style="font-style: italic;"&gt;&lt;/span&gt;15 pts.&lt;br /&gt;5. Birgit Minichmyar - &lt;span style="font-style: italic;"&gt;Everyone Else &lt;/span&gt;12 pts.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;BEST ACTOR&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1.&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;Edgar Ramirez - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; 25 pts.&lt;br /&gt;2. Tahar Rahim - &lt;span style="font-style: italic;"&gt;A  Prophet/Un  Prophete&lt;/span&gt; 21 pts.&lt;br /&gt;3. Mark Wahlberg - &lt;span style="font-style: italic;"&gt;The Fighter&lt;/span&gt; 14 pts.&lt;br /&gt;4. Fernando Lujan - &lt;span style="font-style: italic;"&gt;Nora's Will&lt;/span&gt; 11 pts.&lt;br /&gt;5. Jesse Eisenberg - &lt;span style="font-style: italic;"&gt;The Social Network&lt;/span&gt; (tie)&lt;br /&gt; James Franco - &lt;span style="font-style: italic;"&gt;Howl&lt;br /&gt;                                                           127 Hours&lt;/span&gt; (tie) 10 pts. each&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;BEST DIRECTOR&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1. &lt;/span&gt;Jacques Audiard - &lt;span style="font-style: italic;"&gt;A  Prophet/Un Prophete &lt;/span&gt;24 pts.&lt;br /&gt;2. Olivier Assayas - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; 21 pts.&lt;br /&gt;3. Manoel de Oliveira - &lt;span style="font-style: italic;"&gt;Eccentricities  Of A Blonde-haired Girl&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;                                                                              &lt;/span&gt;&lt;span style="font-style: italic;"&gt;The Strange Case Of Angelica&lt;/span&gt; 17 pts.&lt;br /&gt;4. Claire Denis - &lt;span style="font-style: italic;"&gt;White  Material&lt;/span&gt;  16 pts.&lt;br /&gt;5. Marco Bellocchio - &lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt;  (tie)&lt;br /&gt; David Fincher - &lt;span style="font-style: italic;"&gt;The Social Network&lt;/span&gt;  (tie) 9 pts. each&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST PICTURE&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1. &lt;/span&gt;&lt;span style="font-style: italic;"&gt;A  Prophet/Un Prophete &lt;/span&gt;23 pts.&lt;br /&gt;2. &lt;span style="font-style: italic;"&gt;White  Material&lt;/span&gt;  17 pts.&lt;br /&gt;3. &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt; 16  pts.&lt;br /&gt;4. &lt;span style="font-style: italic;"&gt;The Strange Case Of Angelica&lt;/span&gt;  13 pts.&lt;br /&gt;5. &lt;span style="font-style: italic;"&gt;Vincere&lt;/span&gt; 10 pts.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;SOMINEX AWARD (THE FILMS THAT PUT US TO SLEEP)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1. &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Cairo Time &lt;/span&gt;18 pts.&lt;br /&gt;2. &lt;span style="font-style: italic;"&gt;Eat Pray Love &lt;/span&gt;(tie)&lt;span style="font-style: italic;"&gt;&lt;br /&gt; Salt &lt;/span&gt;(tie)  12 pts. each&lt;br /&gt;4. &lt;span style="font-style: italic;"&gt;Inception&lt;/span&gt; 10  pts.&lt;br /&gt;5. &lt;span style="font-style: italic;"&gt;Hadewijch&lt;/span&gt; 9 pts.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;DRAMAMINE AWARD (THE FILMS THAT MADE US SICK)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1. &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Black Swan &lt;/span&gt;35  pts.&lt;br /&gt;2. &lt;span style="font-style: italic;"&gt;Waiting For "Superman" &lt;/span&gt;24 pts.&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;3. &lt;span style="font-style: italic;"&gt;Eat Pray Love &lt;/span&gt;10 pts.&lt;br /&gt;4. &lt;span style="font-style: italic;"&gt;Blue Valentine&lt;/span&gt; 9  pts.&lt;br /&gt;5. &lt;span style="font-style: italic;"&gt;Biutiful&lt;/span&gt; 5 pts.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Black Swan&lt;/span&gt; was easily the most disliked notable film of 2010, winning three of four of the negative awards. But special notice was taken of &lt;span style="font-style: italic;"&gt;Waiting For "Superman"&lt;/span&gt; by the IRA crowd, which leans strongly left in its politics. Because they saw the film as a screed against teachers' unions (the film paints unions as virtually the reason public schools are failing; teachers' unions are the major, indeed the only villain), IRA members found it strange the movie was embraced by liberal Hollywood and felt it needed to be singled out. They awarded the film a rare, special citation, as follows:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;THE GOVERNOR SCOTT WALKER AWARD FOR ACHIEVEMENT IN POLITICAL THUGGERY JURY CITATION GOES TO&lt;/span&gt; &lt;span style="font-style: italic;"&gt;WAITING FOR "SUPERMAN."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;MECHANICAL ACTRESS&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1. &lt;/span&gt;Natalie Portman&lt;span style="font-style: italic;"&gt; -&lt;/span&gt;&lt;span style="font-style: italic;"&gt; Black Swan &lt;/span&gt;  39 pts.&lt;br /&gt;2. Patricia Clarkson - &lt;span style="font-style: italic;"&gt;Cairo Time&lt;/span&gt; 14 pts.&lt;br /&gt;3. Angelina Jolie - &lt;span style="font-style: italic;"&gt;Salt&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Tourist&lt;/span&gt; 13 pts.&lt;br /&gt;4. Mia Wajikowska - &lt;span style="font-style: italic;"&gt;Alice in Wonderland&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Kids Are All Right&lt;/span&gt; 8 pts.&lt;br /&gt;5. Sabine Azema - &lt;span style="font-style: italic;"&gt;Wild Grass&lt;/span&gt; (tie)&lt;br /&gt;Julia Roberts - &lt;span style="font-style: italic;"&gt;Eat Pray Love&lt;/span&gt; (tie) 7 pts. each&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;MECHANICAL ACTOR&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1. &lt;/span&gt;Vincent Cassel -&lt;span style="font-style: italic;"&gt; Black Swan &lt;/span&gt;12 pts.&lt;br /&gt;2. Jaden Smith - &lt;span style="font-style: italic;"&gt;The Karate Kid&lt;/span&gt; 10 pts.&lt;br /&gt;3. Shia LaBeouf - &lt;span style="font-style: italic;"&gt;Wall Street: Money Never Sleeps&lt;/span&gt; 9 pts.&lt;br /&gt;4. Sean Penn - &lt;span style="font-style: italic;"&gt;Fair Game&lt;/span&gt; 8 pts.&lt;br /&gt;5. Jonah Hill - &lt;span style="font-style: italic;"&gt;Cyrus&lt;/span&gt; 7 pts.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;THE COMPLETE IRA MOVIE AWARD WINNERS:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1975&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Barry Lyndon&lt;/span&gt;&lt;br /&gt;Best Director: Claude  Chabrol for &lt;span style="font-style: italic;"&gt;La Rupture&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Just Before Nightfall&lt;/span&gt;&lt;br /&gt;Best Actor:  Jack Nicholson in &lt;span style="font-style: italic;"&gt;One Flew Over The  Cuckoo’s Nest&lt;/span&gt;&lt;br /&gt;Best Actress: Ellen Burstyn in &lt;span style="font-style: italic;"&gt;Alice Doesn’t Live Here Anymore&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: François Perrier in &lt;span style="font-style: italic;"&gt;Just  Before Nightfall&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Blythe Danner in &lt;span style="font-style: italic;"&gt;Hearts Of The West&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Tom Stoppard and Thomas Wiseman for &lt;span style="font-style: italic;"&gt;The Romantic Englishwoman&lt;/span&gt;&lt;br /&gt;Best Cinematography: John  Alcott for &lt;span style="font-style: italic;"&gt;Barry Lyndon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1976 &lt;/span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: (tie) &lt;span style="font-style: italic;"&gt;Lipstick,&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Marquise Of O&lt;/span&gt;&lt;br /&gt;Best Director:  Eric Rohmer for &lt;span style="font-style: italic;"&gt;The Marquise Of O&lt;/span&gt;&lt;br /&gt;Best  Actor: Sean Connery in &lt;span style="font-style: italic;"&gt;Robin And  Marian&lt;/span&gt;&lt;br /&gt;Best Actress: Sissy Spacek in &lt;span style="font-style: italic;"&gt;Carrie&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jason Robards in &lt;span style="font-style: italic;"&gt;All The President’s Men&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Anne Bancroft in &lt;span style="font-style: italic;"&gt;Lipstick&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Alain Tanner and John Berger for &lt;span style="font-style: italic;"&gt;Jonah Who Will Be 25 In The Year 2000&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Nestor Almendros for &lt;span style="font-style: italic;"&gt;The  Marquise Of O&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1977&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;Annie Hall&lt;/span&gt;&lt;br /&gt;Best  Director: Wim Wenders for &lt;span style="font-style: italic;"&gt;The American  Friend&lt;/span&gt;&lt;br /&gt;Best Actor: John Gielgud in &lt;span style="font-style: italic;"&gt;Providence&lt;/span&gt;&lt;br /&gt;Best Actress: Dianne Keaton in &lt;span style="font-style: italic;"&gt;Annie Hall&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Looking For Mr. Goodbar&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: G. D. Spradlin in &lt;span style="font-style: italic;"&gt;One  On One&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Vanessa Redgrave in &lt;span style="font-style: italic;"&gt;Julia&lt;/span&gt;&lt;br /&gt;Best Screenplay: Woody Allen  and Marshall Brickman for &lt;span style="font-style: italic;"&gt;Annie Hall&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Robby Müller for &lt;span style="font-style: italic;"&gt;The  American Friend&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1978&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;Days Of Heaven&lt;/span&gt;&lt;br /&gt;Best  Director: Terence Malick for &lt;span style="font-style: italic;"&gt;Days Of  Heaven&lt;/span&gt;&lt;br /&gt;Best Actor: Jon Voight in &lt;span style="font-style: italic;"&gt;Coming Home&lt;/span&gt;&lt;br /&gt;Best Actress: Jane Fonda in &lt;span style="font-style: italic;"&gt;Coming Home&lt;/span&gt;&lt;br /&gt;Best Supporting Actor:  Dom DeLuise in &lt;span style="font-style: italic;"&gt;The End&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Stephane Audran in &lt;span style="font-style: italic;"&gt;Violette&lt;/span&gt;&lt;br /&gt;Best Screenplay: Eric Rohmer for &lt;span style="font-style: italic;"&gt;Perceval&lt;/span&gt;&lt;br /&gt;Best Cinematography:  Nestor Almendros for &lt;span style="font-style: italic;"&gt;Days Of Heaven&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1979&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt;&lt;br /&gt;Best Director: Blake  Edwards for &lt;span style="font-style: italic;"&gt;10&lt;/span&gt;&lt;br /&gt;Best Actor:  Clint Eastwood in &lt;span style="font-style: italic;"&gt;Escape From Alcatraz&lt;/span&gt;&lt;br /&gt;Best  Actress: Hanna Schygulla in  &lt;span style="font-style: italic;"&gt;The  Marriage Of Maria Braun&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Denholm Elliott  in &lt;span style="font-style: italic;"&gt;Cuba&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Saint Jack&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Frances Sternhagen in &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;Starting Over&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Billy Wilder and I. A. L. Diamond for &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt;&lt;br /&gt;Best Cinematography: Tak  Fujimoto for &lt;span style="font-style: italic;"&gt;Last Embrace&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Remember My Name&lt;/span&gt;&lt;br /&gt;Best Music:  Miklos Rozsa for &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Last Embrace&lt;/span&gt;&lt;br /&gt;Best Production  Design: Dean Edward Mitzner for &lt;span style="font-style: italic;"&gt;1941&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1980&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best Director: Sam  Fuller for &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best  Actor: Lee Marvin for &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best  Actress: Jodie Foster for &lt;span style="font-style: italic;"&gt;Carny&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;Foxes&lt;/span&gt;&lt;br /&gt;Best Supporting  Actor: (tie) Joe Pesci in &lt;span style="font-style: italic;"&gt;Raging Bull&lt;/span&gt;  and Harry Dean Stanton in &lt;span style="font-style: italic;"&gt;The Black  Marble, The Long Riders, Private Benjamin&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Wise Blood&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Pamela Reed in &lt;span style="font-style: italic;"&gt;The Long  Riders&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Melvin And Howard&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Sam Fuller for &lt;span style="font-style: italic;"&gt;The Big  Red One&lt;/span&gt;&lt;br /&gt;Best Cinematography: Jordan Cronenweth for &lt;span style="font-style: italic;"&gt;Altered States&lt;/span&gt;&lt;br /&gt;Best Music: Dana  Kaproff for &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best  Production Design: Tambi Larsen for &lt;span style="font-style: italic;"&gt;Heaven’s  Gate&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1981&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best  Director: Ivan Passer for &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best  Actor: Jeff Bridges in &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best  Actress: Faye Dunaway in &lt;span style="font-style: italic;"&gt;Mommie  Dearest&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jack Nicholson in &lt;span style="font-style: italic;"&gt;Reds&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Mona  Washbouurne in &lt;span style="font-style: italic;"&gt;Stevie&lt;/span&gt;&lt;br /&gt;Best  Screenplay: John Guare for &lt;span style="font-style: italic;"&gt;Atlantic  City&lt;/span&gt;&lt;br /&gt;Best Cinematography: Jordan Cronenweth for &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best Music: Georges  DeLerue for &lt;span style="font-style: italic;"&gt;The Last Metro, Rich and  Famous, True Confessions&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The  Woman Next Door&lt;/span&gt;&lt;br /&gt;Best Production Design: Ken Adam for &lt;span style="font-style: italic;"&gt;Pennies From Heaven&lt;/span&gt;&lt;br /&gt;Best Costume  Design: Shirley Russell for &lt;span style="font-style: italic;"&gt;Reds&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1982&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Director:  Blake Edwards for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best  Actor: Jack Lemmon in &lt;span style="font-style: italic;"&gt;Missing&lt;/span&gt;&lt;br /&gt;Best  Actress: (tie) Julie Andrews in &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;  and Jessica Lange in &lt;span style="font-style: italic;"&gt;Frances&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Robert Preston in &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Lesley Ann Warren in &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Screenplay: Blake Edwards for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Xaver Schwartzenberger for &lt;span style="font-style: italic;"&gt;Lola&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Veronika Voss&lt;/span&gt;&lt;br /&gt;Best  Music: Henry Mancini and Leslie Bricusse for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Production Design: Rodger Maus  for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best  Costume Design: Patricia Norris for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1983&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Berlin Alexanderplatz&lt;/span&gt;&lt;br /&gt;Best  Director: Andrzej Wajda for &lt;span style="font-style: italic;"&gt;Danton&lt;/span&gt;&lt;br /&gt;Best  Actor: Eric Roberts for &lt;span style="font-style: italic;"&gt;Star ’80&lt;/span&gt;&lt;br /&gt;Best  Actress: Shirley MacLaine for &lt;span style="font-style: italic;"&gt;Terms  Of Endearment&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jerry Lewis for &lt;span style="font-style: italic;"&gt;The King Of Comedy&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Jamie Lee Curtis for &lt;span style="font-style: italic;"&gt;Trading  Places&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Forsyth for &lt;span style="font-style: italic;"&gt;Local Hero&lt;/span&gt;&lt;br /&gt;Best Cinematography:  Sven Nykvist for &lt;span style="font-style: italic;"&gt;Star ’80&lt;/span&gt;&lt;br /&gt;Best  Music: Peer Raben for &lt;span style="font-style: italic;"&gt;Berlin  Alexanderplatz&lt;/span&gt;&lt;br /&gt;Best Production Design: Fernando Scarfiotti for  &lt;span style="font-style: italic;"&gt;Scarface&lt;/span&gt;&lt;br /&gt;Best Costume  Design: Yvonne Sassinot DeNestle for &lt;span style="font-style: italic;"&gt;Danton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1984&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: (tie) &lt;span style="font-style: italic;"&gt;L’Argent&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best Director: Sergio  Leone for &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best  Actor: Clint Eastwood in &lt;span style="font-style: italic;"&gt;Tightrope&lt;/span&gt;&lt;br /&gt;Best  Actress: Helen Mirren in &lt;span style="font-style: italic;"&gt;Cal&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Jean-Luc Godard in &lt;span style="font-style: italic;"&gt;First  Name: Carmen&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Christine Lahti in &lt;span style="font-style: italic;"&gt;Swing Shift&lt;/span&gt;&lt;br /&gt;Best Screenplay:  Franco Arcalli, Leonardo Benvenuti, Piero De Bernardi, Franco Ferrini,  Sergio Leone, Enrico Medioli for &lt;span style="font-style: italic;"&gt;Once  Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best Cinematography: Robby Müller for &lt;span style="font-style: italic;"&gt;Paris Texas&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Repo Man&lt;/span&gt;&lt;br /&gt;Best Music: Ennio  Morricone for &lt;span style="font-style: italic;"&gt;Once Upon A Time In  America&lt;/span&gt;&lt;br /&gt;Best Production Design: James Singelis for &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best  Costume Design: Mic Cheminal for &lt;span style="font-style: italic;"&gt;Entre  Nous&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1985&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best  Director: Martin Scorsese for &lt;span style="font-style: italic;"&gt;After  Hours&lt;/span&gt;&lt;br /&gt;Best Actor: Jack Nicholson in &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Actress: Mia Farrow in &lt;span style="font-style: italic;"&gt;The Purple Rose Of Cairo&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: William Hickey in &lt;span style="font-style: italic;"&gt;Prizzi’s  Honor&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Anjelica Huston in &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Screenplay:  Joseph Minion for &lt;span style="font-style: italic;"&gt;After Hours&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Andrzej Bartkowiak for &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Music: Brian Gascoigne and Junior  Hamrich for &lt;span style="font-style: italic;"&gt;The Emerald Forest&lt;/span&gt;&lt;br /&gt;Best  Production Design: Jeffrey Townsend for &lt;span style="font-style: italic;"&gt;After Hours&lt;/span&gt;&lt;br /&gt;Best Costume Design: Ann Roth for &lt;span style="font-style: italic;"&gt;The Jagged Edge&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Sweet Dreams&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1986&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Eyes On The Prize&lt;/span&gt;&lt;br /&gt;Best Director:  David Lynch for &lt;span style="font-style: italic;"&gt;Blue Velvet&lt;/span&gt;&lt;br /&gt;Best  Actor: (tie) Daniel Day-Lewis in &lt;span style="font-style: italic;"&gt;My  Beautiful Laundrette&lt;/span&gt; and Jeff Goldblum in &lt;span style="font-style: italic;"&gt;The Fly&lt;/span&gt;&lt;br /&gt;Best Actress: Laura Dern  in &lt;span style="font-style: italic;"&gt;Smooth Talk&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Steve Buscemi in &lt;span style="font-style: italic;"&gt;Parting  Glances&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Mary Stuart Masterson in &lt;span style="font-style: italic;"&gt;At Close Range&lt;/span&gt;&lt;br /&gt;Best Screenplay:  Hanif Kureishi for &lt;span style="font-style: italic;"&gt;My Beautiful  Laundrette&lt;/span&gt;&lt;br /&gt;Best Cinematography: Frederick Elmes for &lt;span style="font-style: italic;"&gt;Blue Velvet&lt;/span&gt;&lt;br /&gt;Best Music: (tie)  George Delerue for &lt;span style="font-style: italic;"&gt;Platoon&lt;/span&gt; and  Herbie Hancock for &lt;span style="font-style: italic;"&gt;Round Midnight&lt;/span&gt;&lt;br /&gt;Best  Production Design: Patricia Norris for &lt;span style="font-style: italic;"&gt;Blue Velvet&lt;/span&gt;&lt;br /&gt;Best Costume Design: Jenny Beaven and  John Bright for &lt;span style="font-style: italic;"&gt;A Room With A View&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1987&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best Director: Bill  Forsyth for &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best  Actor: Gary Oldman in &lt;span style="font-style: italic;"&gt;Prick Up Your  Ears&lt;/span&gt;&lt;br /&gt;Best Actress: Christine Lahti in &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: John Mahoney in &lt;span style="font-style: italic;"&gt;Moonstruck&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Tin Men&lt;/span&gt;&lt;br /&gt;Best Supporting Actress:  Vanessa Redgrave in &lt;span style="font-style: italic;"&gt;Prick Up Your Ears&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Bill Forsyth for &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Phillippe Rousselot for &lt;span style="font-style: italic;"&gt;Hope And Glory&lt;/span&gt;&lt;br /&gt;Best Music: David Byrne, Ryuichi  Sakamoto and Cong Su for &lt;span style="font-style: italic;"&gt;The Last  Emperor&lt;/span&gt;&lt;br /&gt;Best Production Design: Santo Loquasto for &lt;span style="font-style: italic;"&gt;Radio Days&lt;/span&gt;&lt;br /&gt;Best Costume Design:  Mary-Jane Reyner for &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1988&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Dead Ringers&lt;/span&gt;&lt;br /&gt;Best Director: David  Cronenberg for &lt;span style="font-style: italic;"&gt;Dead Ringers&lt;/span&gt;&lt;br /&gt;Best  Actor: Jeremy Irons in &lt;span style="font-style: italic;"&gt;Dead Ringers&lt;/span&gt;&lt;br /&gt;Best  Actress: Jodie Foster in &lt;span style="font-style: italic;"&gt;The Accused&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Divine in &lt;span style="font-style: italic;"&gt;Hairspray&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Claudia Karvan in &lt;span style="font-style: italic;"&gt;High  Tide&lt;/span&gt;&lt;br /&gt;Best Screenplay: Christopher Hampton for &lt;span style="font-style: italic;"&gt;Dangerous Liaisons&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Vittorio Storaro for &lt;span style="font-style: italic;"&gt;Tucker:  The Man And His Dream&lt;/span&gt;&lt;br /&gt;Best Music: George Fenton for &lt;span style="font-style: italic;"&gt;Dangerous Liaisons&lt;/span&gt;&lt;br /&gt;Best Production  Design: Dean Tavoularis for &lt;span style="font-style: italic;"&gt;Tucker:  The Man And His Dream&lt;/span&gt;&lt;br /&gt;Best Costume Design: Van Smith for &lt;span style="font-style: italic;"&gt;Hairspray&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1989&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Story Of Women&lt;/span&gt;&lt;br /&gt;Best Director:  Claude Chabrol for &lt;span style="font-style: italic;"&gt;Story&lt;br /&gt;Of Women&lt;/span&gt;&lt;br /&gt;Best  Actor: John Hurt in &lt;span style="font-style: italic;"&gt;Scandal&lt;/span&gt;&lt;br /&gt;Best  Actress: Isabelle Huppert in &lt;span style="font-style: italic;"&gt;Story Of  Women&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Ethan Hawke in &lt;span style="font-style: italic;"&gt;Dad&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Dead Poets Society&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Anjelica  Huston in &lt;span style="font-style: italic;"&gt;Enemies: A Love Story&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Blake Edwards for &lt;span style="font-style: italic;"&gt;Skin  Deep&lt;/span&gt;&lt;br /&gt;Best Cinematography: Jeff Preiss for &lt;span style="font-style: italic;"&gt;Let’s Get Lost&lt;/span&gt;&lt;br /&gt;Best Music: Michael  Kamen for &lt;span style="font-style: italic;"&gt;The Adventures Of Baron  Munchausen&lt;/span&gt;&lt;br /&gt;Best Production Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;The Adventures Of Baron Munchausen&lt;/span&gt;&lt;br /&gt;Best  Costume Design: Jane Robinson for &lt;span style="font-style: italic;"&gt;Scandal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1990&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best Director: Martin  Scorsese for &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best  Actor: Michel Blanc in &lt;span style="font-style: italic;"&gt;Monsieur Hire&lt;/span&gt;&lt;br /&gt;Best  Actress: Anjelica Huston in &lt;span style="font-style: italic;"&gt;The  Grifters&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Joe Pesci in &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Lorraine Bracco in &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Craig Lucas for &lt;span style="font-style: italic;"&gt;Longtime  Companion&lt;/span&gt;&lt;br /&gt;Best Cinematography: Oliver Stapleton for &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;Best Music: Elmer  Bernstein for &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;Best  Production Design: Dennis Gassner for &lt;span style="font-style: italic;"&gt;The  Grifters&lt;/span&gt;&lt;br /&gt;Best Costume Design: Richard Bruno for &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1991&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;The Man In The Moon&lt;/span&gt;&lt;br /&gt;Best Director:  Robert Mulligan for &lt;span style="font-style: italic;"&gt;The Man In The  Moon&lt;/span&gt;&lt;br /&gt;Best Actor: River Phoenix in &lt;span style="font-style: italic;"&gt;Dogfight&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;My Own  Private Idaho&lt;/span&gt;&lt;br /&gt;Best Actress: Judy Davis in &lt;span style="font-style: italic;"&gt;Barton Fink, Impromptu,&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Naked Lunch&lt;/span&gt;&lt;br /&gt;Best Supporting Actor:  Harvey Keitel in &lt;span style="font-style: italic;"&gt;Bugsy, Mortal  Thoughts,&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Thelma &amp;amp;  Louise&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Juliette Lewis in &lt;span style="font-style: italic;"&gt;Cape Fear&lt;/span&gt;&lt;br /&gt;Best Screenplay: Michael  Tolkin for &lt;span style="font-style: italic;"&gt;The Rapture&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Freddie Francis for &lt;span style="font-style: italic;"&gt;Cape  Fear&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Man In The Moon&lt;/span&gt;&lt;br /&gt;Best  Music: Ennio Morricone for &lt;span style="font-style: italic;"&gt;Bugsy&lt;/span&gt;&lt;br /&gt;Best  Production Design: Dennis Gassner for &lt;span style="font-style: italic;"&gt;Barton  Fink&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Bugsy&lt;/span&gt;&lt;br /&gt;Best  Costume Design: Albert Wolsky for &lt;span style="font-style: italic;"&gt;Bugsy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1992&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Raise The Red Lantern&lt;/span&gt;&lt;br /&gt;Best  Director: Robert Altman for &lt;span style="font-style: italic;"&gt;The Player&lt;/span&gt;&lt;br /&gt;Best  Actor: Tim Robbins in &lt;span style="font-style: italic;"&gt;Bob Roberts&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;The Player&lt;/span&gt;&lt;br /&gt;Best  Actress: Emma Thompson in &lt;span style="font-style: italic;"&gt;Howards End&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Jaye Davidson in &lt;span style="font-style: italic;"&gt;The  Crying Game&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Judy Davis in &lt;span style="font-style: italic;"&gt;Husbands And Wives&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Michael Tolkin for &lt;span style="font-style: italic;"&gt;The  Player&lt;/span&gt;&lt;br /&gt;Best Cinematography: Zhao Fei and Lun Yang for &lt;span style="font-style: italic;"&gt;Raise The Red Lantern&lt;/span&gt;&lt;br /&gt;Best Music:  Lenny Niehaus for &lt;span style="font-style: italic;"&gt;Unforgiven&lt;/span&gt;&lt;br /&gt;Best  Production Design: Marc Caro for &lt;span style="font-style: italic;"&gt;Delicatessen&lt;/span&gt;&lt;br /&gt;Best  Costume Design: Alexander Julien for &lt;span style="font-style: italic;"&gt;The  Player&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;A Few  Good Men&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Basic  Instinct&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Michael Douglas in &lt;span style="font-style: italic;"&gt;Basic Instinct&lt;/span&gt;&lt;br /&gt;Mechanical Actress:  ****&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1993&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;Six Degrees Of Separation&lt;/span&gt;&lt;br /&gt;Best  Director: Nancy Savoca for &lt;span style="font-style: italic;"&gt;Household  Saints&lt;/span&gt;&lt;br /&gt;Best Actor: Dennis Quaid in &lt;span style="font-style: italic;"&gt;Flesh And Bone&lt;/span&gt;&lt;br /&gt;Best Actress: Stockard Channing in &lt;span style="font-style: italic;"&gt;Six Degrees Of Separation&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Leonardo DiCaprio in &lt;span style="font-style: italic;"&gt;A  Boy’s Life&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;What’s Eating  Gilbert Grape?&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Regina Tourney in &lt;span style="font-style: italic;"&gt;Like Water For Chocolate&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Mike Leigh for &lt;span style="font-style: italic;"&gt;Naked&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Michael Balhaus for &lt;span style="font-style: italic;"&gt;The  Age Of Innocence&lt;/span&gt;&lt;br /&gt;Best Music: Elmer Bernstein for &lt;span style="font-style: italic;"&gt;The Age Of Innocence&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Cemetery Club&lt;/span&gt;&lt;br /&gt;Best Production  Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;The Age Of  Innocence&lt;/span&gt;&lt;br /&gt;Best Costume Design: Gabriella Pescucci for &lt;span style="font-style: italic;"&gt;The Age Of Innocence&lt;/span&gt;&lt;br /&gt;Sominex  Award: &lt;span style="font-style: italic;"&gt;Heaven And Earth&lt;/span&gt;&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;Falling Down&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: Richard Gere in &lt;span style="font-style: italic;"&gt;Sommersby&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Madonna in &lt;span style="font-style: italic;"&gt;Body Of Evidence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1994&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Red&lt;/span&gt;&lt;br /&gt;Best Director: Krzyzstof  Kieslowski for &lt;span style="font-style: italic;"&gt;Red&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;White&lt;/span&gt;&lt;br /&gt;Best Actor: Terence Stamp in  &lt;span style="font-style: italic;"&gt;Priscilla, Queen of the Desert&lt;/span&gt;&lt;br /&gt;Best  Actress: Linda Fiorentino in &lt;span style="font-style: italic;"&gt;The Last  Seduction&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Christian Bale in &lt;span style="font-style: italic;"&gt;Little Women&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Kristin Scott Thomas in &lt;span style="font-style: italic;"&gt;Four  Weddings and a Funeral&lt;/span&gt;&lt;br /&gt;Best Screenplay: Steve Baranczek for &lt;span style="font-style: italic;"&gt;The Last Seduction&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Stephen Czapsky for &lt;span style="font-style: italic;"&gt;Ed  Wood&lt;/span&gt;&lt;br /&gt;Best Music: Zbigniew Preissner for &lt;span style="font-style: italic;"&gt;Red&lt;/span&gt; and  &lt;span style="font-style: italic;"&gt;White&lt;/span&gt;&lt;br /&gt;Best Production Design: Dennis Gastner for &lt;span style="font-style: italic;"&gt;The Hudsucker Proxy&lt;/span&gt;&lt;br /&gt;Best Costume  Design: Lizzie Gardiner and Tim Chappel for &lt;span style="font-style: italic;"&gt;Priscilla, Queen of The Desert&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Wyatt Earp&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1995&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Exotica&lt;/span&gt;&lt;br /&gt;Best Director: Terry  Zwigoff for &lt;span style="font-style: italic;"&gt;Crumb&lt;/span&gt;&lt;br /&gt;Best  Actor: John Travolta in &lt;span style="font-style: italic;"&gt;Get Shorty&lt;/span&gt;&lt;br /&gt;Best  Actress: (A three-way tie)  Mia Kershner in &lt;span style="font-style: italic;"&gt;Exotica;&lt;/span&gt; Alicia  Silverstone in &lt;span style="font-style: italic;"&gt;Clueless;&lt;/span&gt; Nicole Kidman in &lt;span style="font-style: italic;"&gt;To Die For&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Tim Roth in &lt;span style="font-style: italic;"&gt;Rob Roy&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress:  Mare Winningham in &lt;span style="font-style: italic;"&gt;Georgia&lt;/span&gt;&lt;br /&gt;Best  Screenplay: (tie)  Atom Egoyan for &lt;span style="font-style: italic;"&gt;Exotica&lt;/span&gt;  and Buck Henry for &lt;span style="font-style: italic;"&gt;To Die For&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Newton Thomas Sigel for &lt;span style="font-style: italic;"&gt;The Usual Suspects&lt;/span&gt;&lt;br /&gt;Best Music: John Ottman for &lt;span style="font-style: italic;"&gt;The Usual Suspects&lt;/span&gt;&lt;br /&gt;Best Production  Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;Casino&lt;/span&gt;&lt;br /&gt;Best  Costumes: Mona May for &lt;span style="font-style: italic;"&gt;Clueless&lt;/span&gt;&lt;br /&gt;Sominex  Award: &lt;span style="font-style: italic;"&gt;The Brothers McMullen&lt;/span&gt;&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;Braveheart&lt;/span&gt;&lt;br /&gt;Mechanical   Actor: Dennis Miller in &lt;span style="font-style: italic;"&gt;The Net&lt;/span&gt;  and the cast of &lt;span style="font-style: italic;"&gt;The Brothers McMullen&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Annette Bening in &lt;span style="font-style: italic;"&gt;The  American President&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1996&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;La Ceremonie&lt;/span&gt;&lt;br /&gt;Best  Director: Claude Chabrol for &lt;span style="font-style: italic;"&gt;La  Ceremonie&lt;/span&gt;&lt;br /&gt;Best Actor: Ewen McGregor in &lt;span style="font-style: italic;"&gt;Trainspotting&lt;/span&gt;&lt;br /&gt;Best Actress: (tie)  Kristin Scott Thomas in &lt;span style="font-style: italic;"&gt;The English  Patient&lt;/span&gt; and Emily Watson in &lt;span style="font-style: italic;"&gt;Breaking  The Waves&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Ian Holm in &lt;span style="font-style: italic;"&gt;Big Night&lt;/span&gt;&lt;br /&gt;Best Supporting Actress:  Mary Kay Place in &lt;span style="font-style: italic;"&gt;Citizen Ruth&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;Manny &amp;amp; Lo&lt;/span&gt;&lt;br /&gt;Best  Screenplay: John Sayles for &lt;span style="font-style: italic;"&gt;Lone Star&lt;/span&gt;&lt;br /&gt;Best  Cinematography: (tie) Darius Khondji for &lt;span style="font-style: italic;"&gt;Stealing Beauty&lt;/span&gt; and Oliver Stapleton for &lt;span style="font-style: italic;"&gt;Kansas City&lt;/span&gt;&lt;br /&gt;Best Music: Tiffany  Anders, Burt Bacharach, David Baerwald, Carole Bayer Sager, Ed Berghoff,  Elvis Costello, Gerry Goffin, Louise Goffin, Tonio K, Larry Klein, J.  Mascis, Joni Mitchell, Boyd Rice, David A. Stewart, and J. Mayo Williams  for &lt;span style="font-style: italic;"&gt;Grace Of My Heart&lt;/span&gt;&lt;br /&gt;Best  Production Design: Harley Jessup for &lt;span style="font-style: italic;"&gt;James  And The Giant Peach&lt;/span&gt;&lt;br /&gt;Best Costume Design: Dona Granata for &lt;span style="font-style: italic;"&gt;Kansas City&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The English Patient&lt;/span&gt;&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;A Time To Kill&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: All the men in &lt;span style="font-style: italic;"&gt;She’s The One&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Maxine Bahns in &lt;span style="font-style: italic;"&gt;She’s The  One&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1997&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: (tie) &lt;span style="font-style: italic;"&gt;Crash&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Grosse Pointe Blank&lt;/span&gt;&lt;br /&gt;Best  Director: David Cronenberg for &lt;span style="font-style: italic;"&gt;Crash&lt;/span&gt;&lt;br /&gt;Best  Actor: John Cusack for &lt;span style="font-style: italic;"&gt;Grosse Pointe  Blank&lt;/span&gt;&lt;br /&gt;Best Actress: Julie Christie in &lt;span style="font-style: italic;"&gt;Afterglow&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Kevin Spacey in &lt;span style="font-style: italic;"&gt;L. A. Confidential&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Christina Ricci in &lt;span style="font-style: italic;"&gt;The  Ice Storm&lt;/span&gt;&lt;br /&gt;Best Screenplay: Neil LaBute for &lt;span style="font-style: italic;"&gt;In The Company Of Men&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Roger Deakins for &lt;span style="font-style: italic;"&gt;Kundun&lt;/span&gt;&lt;br /&gt;Best  Music: (tie)  Eleni Karaindrou for &lt;span style="font-style: italic;"&gt;Ulysses’  Gaze&lt;/span&gt; and Michael Nyman for &lt;span style="font-style: italic;"&gt;Gattaca&lt;/span&gt;&lt;br /&gt;Best  Production Design: (tie) Dan Weil for &lt;span style="font-style: italic;"&gt;The  Fifth Element&lt;/span&gt; and Jan Roelfs for &lt;span style="font-style: italic;"&gt;Gattaca&lt;/span&gt;&lt;br /&gt;Best Costume Design: Denise Cronenberg for &lt;span style="font-style: italic;"&gt;Crash&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The Pillow Book&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Con Air&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Billy  Zane in &lt;span style="font-style: italic;"&gt;Titanic&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Elisabeth Shue in &lt;span style="font-style: italic;"&gt;Deconstructing  Harry&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Saint&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1998&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Best Director:  (tie) Bill Condon for &lt;span style="font-style: italic;"&gt;Gods And  Monsters&lt;/span&gt; and Todd Solondz for &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt;&lt;br /&gt;Best  Actor: Ian McKellen in &lt;span style="font-style: italic;"&gt;Gods And  Monsters&lt;/span&gt;&lt;br /&gt;Best Actress: Christina Ricci in &lt;span style="font-style: italic;"&gt;The Opposite Of Sex&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Dylan Baker in &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Lisa Kudrow in &lt;span style="font-style: italic;"&gt;The  Opposite Of Sex&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Condon for &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Maryse Alberti for &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;Velvet Goldmine&lt;/span&gt;&lt;br /&gt;Best  Music: Carter Burwell for &lt;span style="font-style: italic;"&gt;Gods And  Monsters&lt;/span&gt;&lt;br /&gt;Best Production Design: Thérèse DePrez for &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt;&lt;br /&gt;Best Costume Design:  Bruce Finlayson for &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Sominex  Award: &lt;span style="font-style: italic;"&gt;Dangerous Beauty&lt;/span&gt;&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;Stepmom&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: Bruce Willis in &lt;span style="font-style: italic;"&gt;Armageddon, The  Siege&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Mercury Rising&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Jena Malone in &lt;span style="font-style: italic;"&gt;Stepmom&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1999&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Fight Club&lt;/span&gt;&lt;br /&gt;Best Director: (tie)  David Fincher for &lt;span style="font-style: italic;"&gt;Fight Club&lt;/span&gt;  and Spike Jonze for &lt;span style="font-style: italic;"&gt;Being John  Malkovich&lt;/span&gt;&lt;br /&gt;Best Actor: Terence Stamp in &lt;span style="font-style: italic;"&gt;The Limey&lt;/span&gt;&lt;br /&gt;Best Actress: (tie)  Nicole Kidman in &lt;span style="font-style: italic;"&gt;Eyes Wide Shut&lt;/span&gt;  and Hillary Swank in &lt;span style="font-style: italic;"&gt;Boys Don’t Cry&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Philip Seymour Hoffman in &lt;span style="font-style: italic;"&gt;Magnolia&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The  Talented Mr. Ripley&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Catherine Keener  in &lt;span style="font-style: italic;"&gt;Being John Malkovich&lt;/span&gt;&lt;br /&gt;Best  Screenplay: Alexander Payne and Jim Taylor for &lt;span style="font-style: italic;"&gt;Election&lt;/span&gt;&lt;br /&gt;Best Cinematography: Robert Richardson for &lt;span style="font-style: italic;"&gt;Bringing Out The Dead&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Snow Falling On Cedars&lt;/span&gt;&lt;br /&gt;Best Music:  Trey Parker and Marc Shaiman for &lt;span style="font-style: italic;"&gt;South  Park: Bigger, Longer &amp;amp; Uncut&lt;/span&gt;&lt;br /&gt;Best Production Design: Owen  Paterson for &lt;span style="font-style: italic;"&gt;The Matrix&lt;/span&gt;&lt;br /&gt;Best  Costume Design: Michael Kaplan for &lt;span style="font-style: italic;"&gt;Fight  Club&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The  World Is Not Enough&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;The Green Mile&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Kevin Spacey in &lt;span style="font-style: italic;"&gt;American Beauty&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Annette Bening in &lt;span style="font-style: italic;"&gt;American  Beauty&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2000&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;L’ Humanite&lt;/span&gt;&lt;br /&gt;Best  Director: (tie) Terence Davies for &lt;span style="font-style: italic;"&gt;The  House Of Mirth&lt;/span&gt; and Jim Jarmusch for &lt;span style="font-style: italic;"&gt;Ghost Dog: Way Of The Samurai&lt;/span&gt;&lt;br /&gt;Best Actor: Forrest  Whitaker in &lt;span style="font-style: italic;"&gt;Ghost Dog: Way Of The  Samurai&lt;/span&gt;&lt;br /&gt;Best Actress: (tie) Severine Caneele in &lt;span style="font-style: italic;"&gt;L’ Humanite&lt;/span&gt; and Michelle Yeoh in &lt;span style="font-style: italic;"&gt;Crouching Tiger, Hidden Dragon&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Jack Black in &lt;span style="font-style: italic;"&gt;High  Fidelity&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Jesus’s Son&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Lupe Ontiveros in &lt;span style="font-style: italic;"&gt;Chuck  And Buck&lt;/span&gt;&lt;br /&gt;Best Screenplay: Kenneth Lonnergan for &lt;span style="font-style: italic;"&gt;You Can Count On Me&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Remi Adefarasin for &lt;span style="font-style: italic;"&gt;The  House Of Mirth&lt;/span&gt;&lt;br /&gt;Best Music: RZA for &lt;span style="font-style: italic;"&gt;Ghost Dog: Way Of The Samurai&lt;/span&gt;&lt;br /&gt;Best Production Design:  Gideon Ponte for &lt;span style="font-style: italic;"&gt;American Psycho&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;Hamlet&lt;/span&gt;&lt;br /&gt;Best Costume  Design: Monica Howe for &lt;span style="font-style: italic;"&gt;The House Of  Mirth&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Mission  Impossible 2&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;The Replacements&lt;/span&gt; (aka The Scabs)&lt;br /&gt;Mechanical Actor:  Ian Holm in &lt;span style="font-style: italic;"&gt;Joe Gould’s Secret&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Charlize Theron in &lt;span style="font-style: italic;"&gt;Reindeer  Games&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2001&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;The Werckmeister Harmonies&lt;/span&gt;&lt;br /&gt;Best  Director: Bela Tarr for &lt;span style="font-style: italic;"&gt;The  Werckmeister Harmonies&lt;/span&gt;&lt;br /&gt;Best Actor: John Cameron Mitchell for &lt;span style="font-style: italic;"&gt;Hedwig And The Angry Inch&lt;/span&gt;&lt;br /&gt;Best  Actress: Naomi Watts in &lt;span style="font-style: italic;"&gt;Mulholland  Drive&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Steve Buscemi in &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Scarlett Johansson in &lt;span style="font-style: italic;"&gt;Ghost  World&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Man Who Wasn’t  There&lt;/span&gt;&lt;br /&gt;Best Screenplay: Daniel Clowes and Terry Zwigoff for &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Best Cinematography:  (tie) Peter Deming for &lt;span style="font-style: italic;"&gt;From Hell&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;Mulholland Drive&lt;/span&gt; and  Christopher Doyle and Mark Lee Ping-bin for &lt;span style="font-style: italic;"&gt;In The Mood For Love&lt;/span&gt;&lt;br /&gt;Best Music: Mihály Vig for &lt;span style="font-style: italic;"&gt;The Werckmeister Harmonies&lt;/span&gt;&lt;br /&gt;Best  Production Design: Edward T. McAvoy for &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Best Costume Design: Mary Zophres for &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Sominex Award:&lt;br /&gt;Dramamine  Award:&lt;br /&gt;Mechanical Actor:&lt;br /&gt;Mechanical Actress:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2002&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: (tie) &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Son’s Room&lt;/span&gt;&lt;br /&gt;Best Director:  (tie) Todd Haynes for &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt;  and Aleksandr Sokurov for &lt;span style="font-style: italic;"&gt;Russian Ark&lt;/span&gt;&lt;br /&gt;Best  Actor: Greg Kinnear in &lt;span style="font-style: italic;"&gt;Auto Focus&lt;/span&gt;&lt;br /&gt;Best  Actress: (tie) Emmanuelle Devos in &lt;span style="font-style: italic;"&gt;Read  My Lips&lt;/span&gt; and Julianne Moore in &lt;span style="font-style: italic;"&gt;Far  From Heaven&lt;/span&gt; and Samantha Morton in &lt;span style="font-style: italic;"&gt;Minority Report&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Morvern  Callar&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Eddie Izzard in &lt;span style="font-style: italic;"&gt;The Cat’s Meow&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Patricia Clarkson in &lt;span style="font-style: italic;"&gt;Far From  Heaven&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Condon for &lt;span style="font-style: italic;"&gt;Chicago&lt;/span&gt;&lt;br /&gt;Best Cinematography:  Tilman Büttner for &lt;span style="font-style: italic;"&gt;Russian Ark&lt;/span&gt;&lt;br /&gt;Best  Music: Elmer Bernstein for &lt;span style="font-style: italic;"&gt;Far From  Heaven&lt;/span&gt;&lt;br /&gt;Best Production Design: Mark Friedberg for &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt;&lt;br /&gt;Best Costume  Design: Sandy Powell for &lt;span style="font-style: italic;"&gt;Far From  Heaven&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Gangs Of New York&lt;/span&gt;&lt;br /&gt;Sominex  Award: &lt;span style="font-style: italic;"&gt;Naqoyqatsi&lt;/span&gt;&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;Bowling For Dollars&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: Anthony Hopkins in &lt;span style="font-style: italic;"&gt;Red Dragon&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Catherine Keener in &lt;span style="font-style: italic;"&gt;Lovely  And Amazing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2003&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;Decasia&lt;/span&gt;&lt;br /&gt;Best  Director: Bill Morrison for &lt;span style="font-style: italic;"&gt;Decasia&lt;/span&gt;&lt;br /&gt;Best  Actor: Johnny Depp in &lt;span style="font-style: italic;"&gt;Pirates Of The  Caribbean&lt;/span&gt;&lt;br /&gt;Best Actress: Hope Davis in &lt;span style="font-style: italic;"&gt;American Splendor&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The  Secret Lives Of Dentists&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Max Pirkis in  &lt;span style="font-style: italic;"&gt;Master and Commander: The Far Side Of  The World&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Ludivine Sagnier in &lt;span style="font-style: italic;"&gt;Swimming Pool&lt;/span&gt;&lt;br /&gt;Best Screenplay:  Shari Springer Bergman and Robert Pulcini for &lt;span style="font-style: italic;"&gt;American Splendor&lt;/span&gt;&lt;br /&gt;Best Cinematography: Peter  Suschitzky for &lt;span style="font-style: italic;"&gt;Spider&lt;/span&gt;&lt;br /&gt;Best  Music: Michael Gordon for &lt;span style="font-style: italic;"&gt;Decasia&lt;/span&gt;&lt;br /&gt;Best  Production Design: Andrew Laws for &lt;span style="font-style: italic;"&gt;Down  With Love&lt;/span&gt;&lt;br /&gt;Best Costume Design: Daniel Orlandi for &lt;span style="font-style: italic;"&gt;Down With Love&lt;/span&gt;&lt;br /&gt;Sominex Award:&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;In My Skin&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: Anthony Hopkins in &lt;span style="font-style: italic;"&gt;The Human  Stain&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Nicole Kidman  in &lt;span style="font-style: italic;"&gt;The Human Stain&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2004&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best Director: Bill Condon  for &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best Actor: Ethan  Hawke in &lt;span style="font-style: italic;"&gt;Before Sunset&lt;/span&gt;&lt;br /&gt;Best  Actress: Laura Linney in &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;P.S.&lt;/span&gt;&lt;br /&gt;Best Supporting  Actor: Peter Sarsgaard in &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Kirsten Dunst in &lt;span style="font-style: italic;"&gt;Eternal  Sunshine Of The Spotless Mind&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Condon  for &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Christopher Doyle for &lt;span style="font-style: italic;"&gt;Hero,  Last Life In The Universe &lt;/span&gt;and &lt;span style="font-style: italic;"&gt;Days  Of Being Wild&lt;/span&gt;&lt;br /&gt;Best Music: Alberto Iglesias for &lt;span style="font-style: italic;"&gt;Bad Education&lt;/span&gt;&lt;br /&gt;Best Production  Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;The Aviator&lt;/span&gt;&lt;br /&gt;Best  Costume Design: Emi Wada for &lt;span style="font-style: italic;"&gt;Hero&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;House Of The Flying Daggers&lt;/span&gt;&lt;br /&gt;Sominex  Award: &lt;span style="font-style: italic;"&gt;The Village&lt;/span&gt;&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;The Passion Of The Christ&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: Cate Blanchett in &lt;span style="font-style: italic;"&gt;The Aviator&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Anthony Hopkins in &lt;span style="font-style: italic;"&gt;Alexander&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2005&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Mysterious Skin&lt;/span&gt;&lt;br /&gt;Best Director:  Gregg Araki for &lt;span style="font-style: italic;"&gt;Mysterious Skin&lt;/span&gt;&lt;br /&gt;Best  Actor: Joseph Gordon-Leavitt in &lt;span style="font-style: italic;"&gt;Mysterious  Skin&lt;/span&gt;&lt;br /&gt;Best Actress: Maria Bello in &lt;span style="font-style: italic;"&gt;A History Of Violence&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Paddy  Constantine in &lt;span style="font-style: italic;"&gt;My Summer Of Love&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Catherine Keener in &lt;span style="font-style: italic;"&gt;Capote&lt;/span&gt;&lt;br /&gt;Best Screenplay: Gregg Araki for &lt;span style="font-style: italic;"&gt;Mysterious Skin&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Robert Elswit for &lt;span style="font-style: italic;"&gt;Good  Night And Good Luck&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Syriana&lt;/span&gt;&lt;br /&gt;Best  Music: Howard Shore for &lt;span style="font-style: italic;"&gt;A History Of  Violence&lt;/span&gt;&lt;br /&gt;Best Production Design: William Chang Suk Ping for &lt;span style="font-style: italic;"&gt;2046&lt;/span&gt;&lt;br /&gt;Best Costume Design: William  Chang Suk Ping for &lt;span style="font-style: italic;"&gt;2046&lt;/span&gt;&lt;br /&gt;Sominex  Award:&lt;br /&gt;Dramamine Award:&lt;br /&gt;Mechanical Actor:&lt;br /&gt;Mechanical Actress:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2006&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;L’Enfant&lt;/span&gt;&lt;br /&gt;Best Director:  Jean-Pierre Dardenne and Luc Dardenne for &lt;span style="font-style: italic;"&gt;L’Enfant&lt;/span&gt;&lt;br /&gt;Best Actor: Ryan Gosling in &lt;span style="font-style: italic;"&gt;Half Nelson&lt;/span&gt;&lt;br /&gt;Best Actress: Maggie  Cheung in &lt;span style="font-style: italic;"&gt;Clean&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Anthony Mackie in &lt;span style="font-style: italic;"&gt;Half  Nelson&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Carmen Maura in &lt;span style="font-style: italic;"&gt;Volver&lt;/span&gt;&lt;br /&gt;Best Screenplay: (tie)  Guillermo Del Toro for &lt;span style="font-style: italic;"&gt;Pan’s Labyrinth&lt;/span&gt;  and Jean- Pierre Dardenne and Luc Dardenne for &lt;span style="font-style: italic;"&gt;L’Enfant&lt;/span&gt;&lt;br /&gt;Best Cinematography: Emmanuel Lubezki for &lt;span style="font-style: italic;"&gt;Children Of Men&lt;/span&gt;&lt;br /&gt;Best Production  Design: Eugenio Caballero for &lt;span style="font-style: italic;"&gt;Pan’s  Labyrinth&lt;/span&gt;&lt;br /&gt;Best Music: Philip Glass for &lt;span style="font-style: italic;"&gt;Notes On A Scandal&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Illusionist&lt;/span&gt;&lt;br /&gt;Best Costume  Design: Sharon Davis for &lt;span style="font-style: italic;"&gt;Dreamgirls&lt;/span&gt;&lt;br /&gt;Sominex  Award: &lt;span style="font-style: italic;"&gt;The Da Vinci Code&lt;/span&gt;&lt;br /&gt;Dramamine  Award: &lt;span style="font-style: italic;"&gt;Babel&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: Robert Downey, Jr. in &lt;span style="font-style: italic;"&gt;Fur&lt;/span&gt;  and &lt;span style="font-style: italic;"&gt;A Scanner Darkly&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Julianne Moore in &lt;span style="font-style: italic;"&gt;Children  Of Men&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2007&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;The Assassination Of Jesse  James By The Coward Robert Ford&lt;/span&gt;&lt;br /&gt;Best Director: Andrew Dominik  for &lt;span style="font-style: italic;"&gt;The Assassination Of Jesse James  By The Coward Robert Ford&lt;/span&gt;&lt;br /&gt;Best Actor: Casey Affleck in &lt;span style="font-style: italic;"&gt;The Assassination Of Jesse James By The  Coward Robert Ford&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Gone  Baby Gone&lt;/span&gt;&lt;br /&gt;Best Actress: Marina Hands in &lt;span style="font-style: italic;"&gt;Lady Chatterley&lt;/span&gt;&lt;br /&gt;Best Supporting  Actor: Paul Schneider in &lt;span style="font-style: italic;"&gt;The  Assassination Of Jesse James By The Coward Robert Ford &lt;/span&gt;and &lt;span style="font-style: italic;"&gt;Lars And The Real Girl&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Amy Ryan in &lt;span style="font-style: italic;"&gt;Gone  Baby Gone&lt;/span&gt;&lt;br /&gt;Best Screenplay: Corneliu Porumboiu for &lt;span style="font-style: italic;"&gt;12:08 East Of Bucharest&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Roger Deakins for &lt;span style="font-style: italic;"&gt;The  Assassination Of Jesse James By The Coward Robert Ford, In The Valley Of  Elah&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;No Country For Old  Men&lt;/span&gt;&lt;br /&gt;Best Production Design: Patricia Norris for &lt;span style="font-style: italic;"&gt;The Assassination Of Jesse James By The  Coward Robert Ford&lt;/span&gt;&lt;br /&gt;Best Music: Nick Cave and Warren Ellis for &lt;span style="font-style: italic;"&gt;The Assassination Of Jesse James By The  Coward Robert Ford&lt;/span&gt;&lt;br /&gt;Best Costume Design: Patricia Norris for &lt;span style="font-style: italic;"&gt;The Assassination Of Jesse James By The  Coward Robert Ford&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Youth Without Youth&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Before The Devil Knows You’re Dead&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: John Travolta in &lt;span style="font-style: italic;"&gt;Hairspray&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Meryl Streep in &lt;span style="font-style: italic;"&gt;Lions For  Lambs&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Rendition&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2008&lt;/span&gt; &lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture:  &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt;&lt;br /&gt;Best  Director:  Fatih Akin - &lt;span style="font-style: italic;"&gt;The Edge Of  Heaven&lt;/span&gt;&lt;br /&gt;Best Actor:  Michael Shannon - &lt;span style="font-style: italic;"&gt;Shotgun Stories&lt;/span&gt;&lt;br /&gt;Best Actress:  Anamaria Marinca - &lt;span style="font-style: italic;"&gt;4 Months, 3 Weeks and 2 Days&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor:  Emile Hirsch - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress:  Hanna Schygulla - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt;&lt;br /&gt;Best Screenplay:  Fatih Akin - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt;&lt;br /&gt;Best  Cinematography:  Jody Shapiro - &lt;span style="font-style: italic;"&gt;My  Winnipeg&lt;/span&gt;&lt;br /&gt;Best Production Design:  Rejean Labrie - &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt;&lt;br /&gt;Best Music:  Carter  Burwell for &lt;span style="font-style: italic;"&gt;In Bruges&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Burn After Reading&lt;/span&gt;&lt;br /&gt;Best Costumes:   Danny Glicker - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt;&lt;br /&gt;Sominex:  &lt;span style="font-style: italic;"&gt;The Happening&lt;/span&gt;&lt;br /&gt;Dramamine: &lt;span style="font-style: italic;"&gt;The Reader&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Mark  Wahlberg for &lt;span style="font-style: italic;"&gt;The Happening&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Meryl Streep for &lt;span style="font-style: italic;"&gt;Doubt&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;2009&lt;/span&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;Hunger&lt;/span&gt;&lt;br /&gt;Best  Director: Olivier Assayas - &lt;span style="font-style: italic;"&gt;Summer Hours&lt;/span&gt;&lt;br /&gt;Best Actor: Sharlto Copley - &lt;span style="font-style: italic;"&gt;District 9&lt;/span&gt;&lt;br /&gt;Best Actress: Catalina Saavedra - &lt;span style="font-style: italic;"&gt;The Maid&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Liam Cunningham - &lt;span style="font-style: italic;"&gt;Hunger&lt;/span&gt;&lt;br /&gt;Best  Supporting Actress: Anna Faris - &lt;span style="font-style: italic;"&gt;Observe &amp;amp; Report&lt;/span&gt;&lt;br /&gt;Best Screenplay: Olivier Assayas - &lt;span style="font-style: italic;"&gt;Summer Hours&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Sean Bobbitt - &lt;span style="font-style: italic;"&gt;Hunger&lt;/span&gt;&lt;br /&gt;Best Production Design: Philip Ivey - &lt;span style="font-style: italic;"&gt;District 9&lt;/span&gt;&lt;br /&gt;Best Music: Marvin Hamlisch - &lt;span style="font-style: italic;"&gt;The Informant!&lt;/span&gt;&lt;br /&gt;Best Costumes: Janet Patterson - &lt;span style="font-style: italic;"&gt;Bright Star&lt;/span&gt;&lt;br /&gt;Sominex: &lt;span style="font-style: italic;"&gt;Public Enemies&lt;/span&gt;&lt;br /&gt;Dramamine: &lt;span style="font-style: italic;"&gt;Anti-Christ&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Peter Sarsgaard for &lt;span style="font-style: italic;"&gt;An Education&lt;/span&gt;&lt;br /&gt;Mechanical  Actress: Hilary Swank for &lt;span style="font-style: italic;"&gt;Amelia&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;2010&lt;/span&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;IRA Film Award Winners&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Best  Picture: &lt;span style="font-style: italic;"&gt;A Prophet/Un Prophete&lt;/span&gt;&lt;br /&gt;Best   Director: Jacques Audiard - &lt;span style="font-style: italic;"&gt;A Prophet/Un Prophete&lt;/span&gt;&lt;br /&gt;Best Actor: Edgar Ramirez - &lt;span style="font-style: italic;"&gt;Carlos&lt;/span&gt;&lt;br /&gt;Best Actress: Tilda Swinton - &lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt;&lt;br /&gt;Best  Supporting Actor: Niels Arestrup - &lt;span style="font-style: italic;"&gt;A Prophet/Un Prophete&lt;/span&gt;&lt;br /&gt;Best   Supporting Actress: Dale Dickey - &lt;span style="font-style: italic;"&gt;Winter's Bone&lt;/span&gt;&lt;br /&gt;Best Screenplay: Thomas Bidegain and Jacques Audiard - &lt;span style="font-style: italic;"&gt;A Prophet/Un  Prophete&lt;/span&gt;&lt;br /&gt;Best  Cinematography: Yorick Le Saux - &lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt;&lt;br /&gt;Best Production Design: Francesca Balestra Di Mottola - &lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt;&lt;br /&gt;Best  Music: John Adams - &lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt;&lt;br /&gt;Best Costumes: Antonella Cannarozzi - &lt;span style="font-style: italic;"&gt;I Am Love&lt;/span&gt;&lt;br /&gt;Sominex: &lt;span style="font-style: italic;"&gt;Cairo Time&lt;/span&gt;&lt;br /&gt;Dramamine: &lt;span style="font-style: italic;"&gt;Black Swan&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Vincent Cassel for &lt;span style="font-style: italic;"&gt;Black Swan&lt;/span&gt;&lt;br /&gt;Mechanical   Actress: Natalie Portman for &lt;span style="font-style: italic;"&gt;Black Swan&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;The Governor Scott Walker Award &lt;/span&gt;&lt;span&gt;For Achievement In  Political Thuggery: &lt;span style="font-style: italic;"&gt;Waiting For  "Superman"&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;The Best Movies Of The 2000s&lt;/span&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;(Voted in 2010)&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;1.     &lt;/span&gt;&lt;span style="font-style: italic;"&gt;The Son/Le Fils&lt;br /&gt;&lt;/span&gt;&lt;span&gt;2.&lt;/span&gt;&lt;span style="font-style: italic;"&gt;     Zodiac&lt;br /&gt;&lt;/span&gt;&lt;span&gt;3.&lt;/span&gt;&lt;span style="font-style: italic;"&gt;    Yi Yi&lt;br /&gt;&lt;/span&gt;&lt;span&gt;4.&lt;/span&gt;&lt;span style="font-style: italic;"&gt;    The Assassination Of Jesse James By The  Coward Robert Ford&lt;br /&gt;&lt;/span&gt;&lt;span&gt;5.&lt;/span&gt;&lt;span style="font-style: italic;"&gt;    The Edge Of Heaven &lt;/span&gt;&lt;span&gt;(tie)&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;In The Mood For Love &lt;/span&gt;&lt;span&gt;(tie)&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;7.    The Heart Of The World &lt;/span&gt;&lt;span&gt;(short  by Guy Maddin)&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;8.    Mysterious Skin &lt;/span&gt;&lt;span&gt;(tie)&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;Bus 174 &lt;/span&gt;&lt;span&gt;(tie)&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;10.&lt;/span&gt;&lt;span style="font-style: italic;"&gt; The Death Of Mr. Lazarescu &lt;/span&gt;&lt;span&gt;(tie)&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Head-On &lt;/span&gt;&lt;span&gt;(tie)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;      Spirited Away &lt;/span&gt;&lt;span&gt;(tie)&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6366216903691840478?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6366216903691840478/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6366216903691840478' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6366216903691840478'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6366216903691840478'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2011/01/iras-2011.html' title='The IRAs 2011 -- &quot;A Prophet,&quot; &quot;I Am Love&quot; and &quot;Carlos&quot; Top Winners!'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-8114730127472311871</id><published>2010-12-31T23:59:00.002-05:00</published><updated>2011-01-07T15:44:49.525-05:00</updated><title type='text'>The Movies, Books, Theaters, Concerts, CDs Etc. I Saw/Read In 2010</title><content type='html'>Updated December 31, 2010&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Have You Heard About The Morgans no stars&lt;br /&gt;2. Young Victoria *** 1/2&lt;br /&gt;3. Daybreakers **&lt;br /&gt;4. The Book Of Eli **&lt;br /&gt;5. The Messenger ***&lt;br /&gt;6. Legion *&lt;br /&gt;7. Crazy Heart ** 1/2&lt;br /&gt;8. An Education ** 1/2&lt;br /&gt;9. To Save A Life *&lt;br /&gt;10. Dear John no stars&lt;br /&gt;11. Valentine's Day no stars&lt;br /&gt;12. Percy Jackson &amp;amp; The Olympians: The Lightning Thief *&lt;br /&gt;13. Who Framed Roger Rabbit (1988) *** 1/2&lt;br /&gt;14. Beaches Of Agnes *&lt;br /&gt;15. Takedowns and Falls ** 1/2&lt;br /&gt;16. The Cove ***&lt;br /&gt;17. The Sun ** 1/2&lt;br /&gt;18. Shutter Island * 1/2&lt;br /&gt;19. Gomorrah *** 1/2&lt;br /&gt;20. In A Dream *** 1/2&lt;br /&gt;21. Adventureland ***&lt;br /&gt;22. Somers Town *** 1/2&lt;br /&gt;23. Drag Me To Hell ***&lt;br /&gt;24. The Objective ** 1/2&lt;br /&gt;25. Alice In Wonderland (2010) ** 1/2&lt;br /&gt;26. Tulpan ***&lt;br /&gt;27. Sin Nombre *** 1/2&lt;br /&gt;28. Treeless Mountain *** 1/2&lt;br /&gt;29. Lake Tahoe *** 1/2&lt;br /&gt;30. Munyurangabo ** 1/2&lt;br /&gt;31. The Crazies ***&lt;br /&gt;32. Rudo Y Corsi ***&lt;br /&gt;33. Green Zone **&lt;br /&gt;34. Ghost Writer *&lt;br /&gt;35. Diary Of A Wimpy Kid * 1/2&lt;br /&gt;36. How To Train Your Dragon ** 1/2&lt;br /&gt;37. Hot Tub Time Machine *&lt;br /&gt;38. Make Way For Tomorrow (1937) ****&lt;br /&gt;39. The Awful Truth (1937) *** 1/2&lt;br /&gt;40. Crude ***&lt;br /&gt;41. The Stars Look Down (1939) ****&lt;br /&gt;42. Midnight (1939) ****&lt;br /&gt;43. The Sea Wolf (1941) ***&lt;br /&gt;44. Clash Of The Titans no stars&lt;br /&gt;45. Kick-Ass ***&lt;br /&gt;46. Pink Floyd The Wall (1982) **&lt;br /&gt;47. Departures ***&lt;br /&gt;48. Man With A Movie Camera (1929) with live score by Alloy Orchestra *** 1/2&lt;br /&gt;49. I Capture The Castle (2003) ** 1/2&lt;br /&gt;50. Vincent: A Life In Color **&lt;br /&gt;51. Trucker ***&lt;br /&gt;52. Barfly (1987) *** 1/2&lt;br /&gt;53. Song Sung Blue 1/2 ***&lt;br /&gt;&lt;br /&gt;At Cannes Film Festival (40 films)&lt;br /&gt;&lt;br /&gt;54. Robin Hood **&lt;br /&gt;55. Tournee/On Tour *&lt;br /&gt;56. Benda Bilili! ***&lt;br /&gt;57. The Housemaid *&lt;br /&gt;58. Aurora * 1/2&lt;br /&gt;59. Wall Street: Money Never Sleeps * 1/2&lt;br /&gt;60. Un Poison Violent ***&lt;br /&gt;61. Another Year *** 1/2&lt;br /&gt;62. You Will Meet A Tall Dark Stranger **&lt;br /&gt;63. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Somos Lo Que Hay/We Are What We Are ***&lt;br /&gt;64. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Belle Epine **&lt;br /&gt;65. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;La Princesse De Montpensier **&lt;br /&gt;66. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Armadillo ** 1/2&lt;br /&gt;67. Countdown To Zero ** 1/2&lt;br /&gt;68. Inside Job *** 1/2&lt;br /&gt;69. Kaboom ***&lt;br /&gt;70. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Biutiful ***&lt;br /&gt;71. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Tamara Drewe 1/2&lt;br /&gt;72. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;I Wish I Knew by &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Jia Zhangke &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;*** 1/2&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;73. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Ha'meshotet/The Wanderer ***&lt;br /&gt;74. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Certified Copy **&lt;br /&gt;75. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Des Hommes Et Des Dieux ***&lt;br /&gt;76. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Schastye Moe/&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;My Joy **&lt;br /&gt;77. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Blue Valentine *** 1/2&lt;br /&gt;78. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Carlos *** maybe *** 1/2&lt;br /&gt;79. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Stones In Exile ** 1/2&lt;br /&gt;80. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;La Nostra Vita ***&lt;br /&gt;81. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Fair Game **&lt;br /&gt;82. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Poetry ** 1/2&lt;br /&gt;83. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Boxing Gym ** 1/2&lt;br /&gt;84. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Uncle Boonmee, Who Can Recall His Past Lives ** 1/2&lt;br /&gt;85. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Hors La Loi/Outside The Law ** 1/2&lt;br /&gt;86. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;The Tree **&lt;br /&gt;87. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Szelid Teremtes: A Frankenstein Terv/Tender  Son: A Frankenstein Tale * 1/2&lt;br /&gt;88. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;La Casa Muda *&lt;br /&gt;89. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Burnt By the Sun 2: Eclipse *&lt;br /&gt;90. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Route Irish ** 1/2&lt;br /&gt;91. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;HaHaHa **&lt;br /&gt;92. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Un Homme Qui Crie/A Screaming Man **&lt;br /&gt;93. Outrage *&lt;br /&gt;&lt;br /&gt;End Of Cannes Coverage&lt;br /&gt;&lt;br /&gt;94. Four Lions *** maybe *** 1/2&lt;br /&gt;95. Splice ** 1/2&lt;br /&gt;96. The Karate Kid (2010) **&lt;br /&gt;97. Toy Story 3 *** 1/2&lt;br /&gt;98. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Knight And Day **&lt;br /&gt;99. Cyrus ** 1/2&lt;br /&gt;100. Restrepo **&lt;br /&gt;101. T-Men (1947) ** 1/2&lt;br /&gt;102. Raw Deal (1948) ***&lt;br /&gt;103. Twilight: Eclipse * 1/2&lt;br /&gt;104. The Last Airbender zero stars&lt;br /&gt;105. Mademoiselle Chambon ***&lt;br /&gt;106. Exit Through The Gift Shop *** 1/2 (assuming it's true)&lt;br /&gt;107. Winter's Bone *** 1/2&lt;br /&gt;108. Willie Nelson's 4th Of July Celebration (1979) **&lt;br /&gt;109. The Agony And The Ecstasy Of Phil Spector **&lt;br /&gt;110. Anton Chekhov's The Duel ***/&lt;br /&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;111. South Of The Border **&lt;br /&gt;112. Joan Rivers: A Piece Of Work&lt;br /&gt;113. Winnebago Man **&lt;br /&gt;114. The Sorcerer's Apprentice *&lt;br /&gt;115. Umarete wa mita keredo (I Was Born, But...) (1932) ***&lt;br /&gt;116. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;The Kids Are All Right **&lt;br /&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;117. Despicable Me * 1/2&lt;br /&gt;118. Racing Dreams ***&lt;br /&gt;119. Armored Car Robbery (1950) ** 1/2&lt;br /&gt;120. Inception *** 1/2 \&lt;br /&gt;121. Salt **&lt;br /&gt;122. Birdemic: Shock And Terror * or do I mean ****?&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;123. Get Low **&lt;br /&gt;124. Catfish ** 1/2&lt;br /&gt;125. Most Valuable Players * 1/2&lt;br /&gt;126. Scott Pilgrim Vs. The World *** 1/2 \&lt;br /&gt;127. The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers *** 1/2&lt;br /&gt;128. Piranha 3-D ** (but brilliant still photography in press kit)&lt;br /&gt;129. Repo Men **&lt;br /&gt;130. Nightfall (1957) ** 1/2&lt;br /&gt;131. Escape From New York (1981) * 1/2&lt;br /&gt;132. Flipped *&lt;br /&gt;133. The American **&lt;br /&gt;134. The Tillman Story *** /&lt;br /&gt;&lt;br /&gt;At Toronto Film Fest (41 films and 10+ shorts)&lt;br /&gt;&lt;br /&gt;135. Conviction **&lt;br /&gt;136. FUBAR II *&lt;br /&gt;137. The Legend Of Beaver Dam (short) ***&lt;br /&gt;138. Black Swan ** 1/2&lt;br /&gt;139. Jack Goes Boating **&lt;br /&gt;140. The Illusionist *** 1/2&lt;br /&gt;141. Never Let Me Go **&lt;br /&gt;142. It's Kind Of A Funny Story **&lt;br /&gt;143. Let Me In **&lt;br /&gt;144. Machete Maidens Unleashed! ***&lt;br /&gt;145. Blessed Events ** 1/2&lt;br /&gt;146. Beginners ** 1/2&lt;br /&gt;147. Brighton Rock **&lt;br /&gt;148. The Sleeping Beauty ** 1/2&lt;br /&gt;149. What's Wrong With Virginia *&lt;br /&gt;150. Amigo **&lt;br /&gt;151. Potiche ***&lt;br /&gt;152. Stake Land **&lt;br /&gt;153. Submarine ** 1/2&lt;br /&gt;154. Three **&lt;br /&gt;155. Blame *&lt;br /&gt;156. Monsters ** 1/2&lt;br /&gt;157. Rabbit Hole ** 1/2&lt;br /&gt;158. Client 9: The Rise and Fall Of Elliot Spitzer ***&lt;br /&gt;159. Lapland Odyssey ***&lt;br /&gt;160. John Carpenter's The Ward * 1/2&lt;br /&gt;161. Aftershock * 1/2&lt;br /&gt;162. The Town **&lt;br /&gt;163. Super ** 1/2&lt;br /&gt;164. 13 Assassins **&lt;br /&gt;165. The Bang Bang Club **&lt;br /&gt;166. 127 Hours ** 1/2&lt;br /&gt;167. The Way **&lt;br /&gt;168. Attenberg *** 1/2&lt;br /&gt;169. Neds **&lt;br /&gt;170. The Butcher, The Chef and The Swordsman ** 1/2&lt;br /&gt;171. Cave Of Forgotten Dreams *** (but *** 1/2 for the experience)&lt;br /&gt;172. Fire Of Conscience ** 1/2&lt;br /&gt;173. White Irish Drinkers ***&lt;br /&gt;174. Casino Jack **&lt;br /&gt;175. Meek's Cutoff *** 1/2&lt;br /&gt;176. The King's Speech ***&lt;br /&gt;177. Guy Maddin installation at Lightbox ****&lt;br /&gt;&lt;br /&gt;end of Toronto&lt;br /&gt;&lt;br /&gt;178. Buried * 1/2&lt;br /&gt;179. Robinson In Ruins (NY Film Fest) ***&lt;br /&gt;180. Easy A ***&lt;br /&gt;181. The Social Network ***&lt;br /&gt;182. Get Him To The Greek *&lt;br /&gt;183. Leaves Of Grass **&lt;br /&gt;184. Jackass 3D *** (one for each D)&lt;br /&gt;185. Hereafter **&lt;br /&gt;186. The Pacific (HBO miniseries) ***/&lt;br /&gt;187. Made In Dagenham **&lt;br /&gt;188. Who Is Harry Nilsson (And Why Is Everybody Talking About Him)? ***&lt;br /&gt;189. Prince Of Persia: The Sands Of Time *&lt;br /&gt;190. Tangled ***&lt;br /&gt;191. Harry Potter and the Deathly Hallows Part 1 **&lt;br /&gt;192. Lennonyc **&lt;br /&gt;193. The Boys: The Sherman Brothers Story ** 1/2&lt;br /&gt;194. Boys Life 7 shorts * 1/2&lt;br /&gt;195. The Band Wagon (1953) ***&lt;br /&gt;196. The Fighter **&lt;br /&gt;197. Legend Of The Guardians: The Owls Of Ga'Hoole **&lt;br /&gt;198. Tokyo Story (1953) ***&lt;br /&gt;199. Alamar *** 1/2&lt;br /&gt;200. The Oath ***&lt;br /&gt;201. True Grit ** 1/2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Airborn by Kenneth Oppel ***&lt;br /&gt;2. Skybreaker by Kenneth Oppel ***&lt;br /&gt;3. Let The Great World Spin by Colum McCann *** 1/2&lt;br /&gt;4. King by Ho Che Anderson *** 1/2&lt;br /&gt;5. Starclimber by Kenneth Oppel ** 1/2&lt;br /&gt;6. Wolf Hall By Hilary Mantel ****&lt;br /&gt;7. Swallows and Amazons by Arthur Ransome ***&lt;br /&gt;8. Stitches by David Small *** 1/2&lt;br /&gt;9. Jane Eyre by Charlotte Bronte ***&lt;br /&gt;10. Big Machine by Victor LaValle ***&lt;br /&gt;11. Moonfleet by J. Meade Falkner **&lt;br /&gt;12. Brooklyn by Colm Toibin ****&lt;br /&gt;13. Riders Of The Purple Sage by Zane Grey ** 1/2&lt;br /&gt;14. The Spyglass Tree by Albert Murray ***&lt;br /&gt;15. The Penderwicks by Jeanne Birdsall *** 1/2&lt;br /&gt;16. The Big Show by Pierre Closterman *** 1/2&lt;br /&gt;17. Black Beauty by Anna Sewell ***&lt;br /&gt;18. Patient: The True Story Of A Rare Illness by Ben Watt ***&lt;br /&gt;19. Castles Of Steel by Robert Massie ****&lt;br /&gt;20. Lost Books Of The Odyssey by Zachary Mason *** 1/2&lt;br /&gt;21. Goodbye To All That by Robert Graves ****&lt;br /&gt;22. Coram Boy by Jamila Gavin ** 1/2&lt;br /&gt;23. The Last Lion: Winston Spencer Churchill -- Visions Of Glory 1874-1932 by William Manchester ****&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;br /&gt;24. Old Man's War by John Scalzi ** 1/2&lt;br /&gt;25. Fair Game by Valerie Plame Wilson **&lt;br /&gt;26. The Big Short by Michael Lewis ***&lt;br /&gt;27. Appaloosa by Robert B. Parker ***&lt;br /&gt;28. A Savage War of Peace: Algeria 1954-1962 by Alistair Horne *** 1/2&lt;br /&gt;29. The &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Princess Of Cleves by Madame DeLafayette *** 1/2&lt;br /&gt;30. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Tamara Drewe by Posy Simmonds **&lt;br /&gt;31. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Anna Karenina by Leo Tolstoy in Pevear/Volokhonsky  translation ****&lt;br /&gt;32. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Mr. Majeika by Humphrey Carpenter * 1/2&lt;br /&gt;33. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;The Irregulars: Roald Dahl and the British Spy Ring in Wartime Washington by Jennet Conant&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; ** 1/2&lt;br /&gt;34. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Cue For Treason by Geoffrey Trease ***&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;35. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Toby Alone by Timothee de Fombelle&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; ** 1/2&lt;br /&gt;36. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Toby And The Secrets Of The Tree by Timothee de Fombelle&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; **&lt;br /&gt;37. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Midnight Plus One by Gavin Lyall ***&lt;br /&gt;38. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;The Good Man Jesus &amp;amp; The Scoundrel Christ by  Philip Pullman ** 1/2&lt;br /&gt;39. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;The Coroner's Lunch by Colin Cotterill ***&lt;br /&gt;40. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;The Silver Hearted by David McConnell * 1/2&lt;br /&gt;41. Easy Way Out by Stephen McCauley ***&lt;br /&gt;42. The Man Of The House by Stephen McCauley *** 1/2&lt;br /&gt;43. Alternatives To Sex by Stephen McCauley **&lt;br /&gt;44. Insignificant Others by Stephen McCauley ** 1/2&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;45. Kara Kush by Idries Shah *** 1/2&lt;br /&gt;46. Game Six by Mark Frost ***&lt;br /&gt;47. Hero by Perry Moore ***&lt;br /&gt;48. Ride With The Devil aka Woe To Live On by Daniel Woodrell *** 1/2&lt;br /&gt;49. The Blind Assassin by Margaret Atwood ****&lt;br /&gt;50. The Trumpeter Of Krakow by Eric P. Kelly **&lt;br /&gt;51. The Living Constitution by David A. Strauss ***&lt;br /&gt;52. Nightmare in Pink by John D. MacDonald (Travis McGee #2) ** 1/2&lt;br /&gt;53. Cosmos Coyote and William The Nice by Jim Heynen *&lt;br /&gt;54. Resolution by Robert B. Parker *** 1/2&lt;br /&gt;55. Brimstone by Robert B. Parker ***&lt;br /&gt;56. The Duke Of Deception by Geoffrey Wolfe ***&lt;br /&gt;57. The Talented Mr. Ripley by Patricia Highsmith ***&lt;br /&gt;58. The Unknown Shore by Patrick O'Brian *** 1/2&lt;br /&gt;59. The Last Temptation by Nikos Kazantzakis *** 1/2&lt;br /&gt;60. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Guardians of Ga'Hoole: The Capture by Kathryn  Lasky *1/2&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;61. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Guardians of Ga'Hoole: The Journey by Kathryn  Lasky  **&lt;br /&gt;62. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Guardians of Ga'Hoole: Rescue by Kathryn Lasky * 1/2&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;63. Manhunt: The 12 Day Chase For Lincoln's Killer by James L. Swanson *** 1/2&lt;br /&gt;64. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;The Last Lincoln Conspirator by Andrew Jampoler  * 1/2&lt;br /&gt;65. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Tongue of Serpents by Naomi Novik ***&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;66. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Submarine by Joe Dunthorne Oliver ***&lt;br /&gt;67. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Showtime by Larry Stempel **&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;68. The Hunger Games: Mockingjay by Suzanne Collins *** 1/2&lt;br /&gt;69. George VI by Sarah Bradford ***&lt;br /&gt;70. Never Let Me Go by Kazuo Ishiguro ** 1/2&lt;br /&gt;71. Prince of Thieves aka The Town by Chuck Hogan ***&lt;br /&gt;72. Brighton Rock by Graham Greene ***&lt;br /&gt;73. Freedom by Jonathan Franzen *** 1/2&lt;br /&gt;74. The Princess Bride by William Goldman *** 1/2&lt;br /&gt;75. The Fatal Shore by Robert Hughes ****&lt;br /&gt;76. The Graveyard Book by Neil Gaiman ***&lt;br /&gt;77. Tongue of Serpents by Naomi Novik ***&lt;br /&gt;78. The Fran Lebowitz Reader *** 1/2&lt;br /&gt;79. Beyond The Western Sea Book 1 by Avi ***&lt;br /&gt;80. Beyond The Western Sea Book 2 by Avi *** 1/2&lt;br /&gt;81. Borrowed Finery by Paula Fox *** 1/2&lt;br /&gt;82. Wuthering Heights by Emily Bronte ***&lt;br /&gt;83. A Man Lay Dead by Ngaio Marsh ** 1/2&lt;br /&gt;84. Blue-Eyed Devil by Robert B. Parker ***&lt;br /&gt;85. Enter A Murderer by Ngaio Marsh ** 1/2&lt;br /&gt;86. Islam: A Short History by Karen Armstrong ** 1/2&lt;br /&gt;87. The Hobbit by J.R.R. Tolkein ****&lt;br /&gt;88. The Lord Of The Rings: The Fellowship Of The Ring by J.R.R. Tolkein ****&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. As You Like It (at BAM with Stephen Dillane) ** 1/2&lt;br /&gt;2. The Orphans' Home Cycle three night 9 part epic *** 1/2&lt;br /&gt;3. My Trip Down The Pink Carpet **&lt;br /&gt;4. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Peter Pan via National Theatre of Scotland&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; (in London) ** 1/2&lt;br /&gt;5. &lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;The Crucible open-air production in Regent's Park, London **&lt;br /&gt;6. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Mrs. Warren's Profession with Felicity Kendall in London **&lt;br /&gt;7. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Love The Sinner play by Drew Pautz at the National in London **&lt;br /&gt;8. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;London Assurance revival w Simon Russell Beale  &amp;amp; Fiona Shaw at National in London ***&lt;br /&gt;9. A &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Thousand Stars Explode In The Sky in London ** 1/2&lt;br /&gt;10. Antony Gormley: Breathing Room III at White Cube in London art exhibit ****&lt;br /&gt;11. Museum Of London new galleries ***&lt;br /&gt;12. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Paradise Found new musical at Chocolate Factory  London *&lt;br /&gt;13. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Women Beware Women at National in London ** 1/2&lt;br /&gt;14. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Peter Sallett at Joe's Pub ***&lt;br /&gt;15. The Grand Manner by AR Gurney with Bobby Steggert at Lincoln Center **&lt;br /&gt;16. Bloody Bloody Andrew Jackson at Public ** but Benjamin Walker *** 1/2&lt;br /&gt;17. Fences rock-solid revival of solid August Wilson ***&lt;br /&gt;18. Our Town with Helen Hunt as Stage Manager ***&lt;br /&gt;19. Come Fly Away **&lt;br /&gt;20. With Glee ** 1/2&lt;br /&gt;21. FringeFest: The Twentieth Century Way by Tom Jacobson *** 1/2&lt;br /&gt;22. FringeFest: A Separate Peace adapted and performed by Brian Foyster ** 1/2&lt;br /&gt;23. FringeFest Rites Of Privacy written and performed by David Rhodes ** 1/2&lt;br /&gt;24. FringeFest: The Hurricane Katrina Comedy Festival *** 1/2&lt;br /&gt;25. Another American: Asking and Telling **&lt;br /&gt;26. Nighttime Traffic (New York Musical Theater Festival/NYMF) **&lt;br /&gt;27. The Tenth Floor (NYMF) **&lt;br /&gt;28. Without You (Anthony Rapp at NYMF) *** 1/2&lt;br /&gt;29. Tess: The Musical (NYMF) **&lt;br /&gt;30. Show Choir! (NYMF) **&lt;br /&gt;31. Blood Ties (NYMF) ***&lt;br /&gt;32. POPArt (NYMF) *&lt;br /&gt;33. Frog Kiss (NYMF) *** 1/2&lt;br /&gt;34. Fellowship! (NYMF) **&lt;br /&gt;35. Trav'lin' (NYMF) ***/&lt;br /&gt;36. The Great Unknown (NYMF) ** 1/2&lt;br /&gt;37. Our Country (NYMF) *&lt;br /&gt;38. Fingers and Toes (NYMF) ** 1/2&lt;br /&gt;39. Shine! A Horatio Alger Musical (NYMF) ** 1/2&lt;br /&gt;40. Lombardi **&lt;br /&gt;41. La Bete (revival w Mark Rylance, David Hyde Pierce &amp;amp; Joanna Lumley) ** 1/2&lt;br /&gt;42. Richard Thompson and band at Town Hall ***&lt;br /&gt;43. Driving Miss Daisy (w Vanessa Redgrave and James Earl Jones) **&lt;br /&gt;44. Gatz (The Great Gatsby) ***/&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;45. Wings (revival w Jan Maxwell) **&lt;br /&gt;46. Boris Godunov at the Met ** 1/2&lt;br /&gt;47. The Scottsboro Boys *** 1/2&lt;br /&gt;48. Jon Stewart's Rally For Sanity *** (for the experience as a whole)&lt;br /&gt;49. The Pee-wee Herman Show on Broadway ***&lt;br /&gt;50. Angels In America revival at Signature ***&lt;br /&gt;51. The Merchant Of Venice with Al Pacino and Lily Rabe on Broadway *** 1/2&lt;br /&gt;52. Elf The Musical on Broadway *&lt;br /&gt;53. Les Miserables 25th Anniversary Tour ***&lt;br /&gt;54. The Great Game: Afghanistan ***&lt;br /&gt;55. Women On The Verge Of A Nervous Breakdown * 1/2&lt;br /&gt;56. Middletown at the Vineyard by Will Eno ***/&lt;br /&gt;57. Devil Boys From Beyond * 1/2&lt;br /&gt;58. Mistakes Were Made with Michael Shannon ** 1/2 (strictly for Shannon)&lt;br /&gt;59. A Free Man Of Color with Jeffrey Wright and Mos ** 1/2&lt;br /&gt;60. Elling with Denis O'Hare and Brendan Fraser **&lt;br /&gt;61. Craig Ferguson standup in Nashville ***&lt;br /&gt;62. Puccini's La Fianciulla del West at the Met w Deborah Voight ** 1/2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS&lt;/span&gt; (Only the Cds I've listened to thoroughly and with a strong emphasis on the ones I like, so don't think I love everything I listen to -- I just don't bother really listening to the ones I don't like more than once and don't think it's fair to rate on a cursory listen)&lt;br /&gt;&lt;br /&gt;1. David Gray - Draw The Line ** 1/2&lt;br /&gt;2. Jason Isbell &amp;amp; The 400 Unit ** 1/2&lt;br /&gt;3. Pink Martini -- Splendor In The Grass **&lt;br /&gt;4. Arctic Monkeys - Humbug ** 1/2&lt;br /&gt;5. Bebel Gilberto -- All In One **&lt;br /&gt;6. Cass McCombs -- Catacombs ** 1/2&lt;br /&gt;7. Curtis Stigers -- Lost In Dreams ** 1/2&lt;br /&gt;8. Tom Rush - What I Know ***&lt;br /&gt;9. Raekwon -- Only Built 4 Cuban Linx 2 ***/&lt;br /&gt;10. Ella Fitzgerald -- Twelve Nights In Hollywood ****&lt;br /&gt;11. Alicia Keys -- The Element Of Freedom *** 1/2&lt;br /&gt;12. Loudon Wainwright -- High Wide &amp;amp; Handsome: The Charlie Poole Project *** 1/2&lt;br /&gt;13. Tinariwen -- Imidiwan: Companions *** 1/2&lt;br /&gt;14. Eminem -- Relapse ** 1/2/&lt;br /&gt;15. Laura Veirs -- July Flame ***&lt;br /&gt;16. Vampire Weekend -- Contra ** 1/2&lt;br /&gt;17. Patty Griffin -- Downtown Church ***/&lt;br /&gt;18. Spoon -- Transference ** 1/2&lt;br /&gt;19. Carrie Newcomer -- Before And After ***&lt;br /&gt;20. Magnetic Fields -- Realism ***&lt;br /&gt;21. Shelby Lynne -- Tears, Lies &amp;amp; Alibis ** 1/2&lt;br /&gt;22. Butch Walker -- I Liked It Better When You Had No Heart ** 1/2&lt;br /&gt;23. Duncan Sheik -- Whisper House *** 1/2&lt;br /&gt;24. Meaghan Smith -- The Cricket's Orchestra ***&lt;br /&gt;25. Girls -- Album *** 1/2&lt;br /&gt;26. The XX -- The XX *** 1/2&lt;br /&gt;27. The Low Anthem -- Oh My God, Charlie Darwin *** 1/2&lt;br /&gt;28. Johnny Cash - American VI ***&lt;br /&gt;29. Peter Wolf -- Midnight Souvenirs ****&lt;br /&gt;30. Tracey Thorn -- Love And Its Opposite *** 1/2&lt;br /&gt;31. Eli "Paperboy" Reed -- Come And Get It **&lt;br /&gt;32. Paul Weller -- Wild Wood (1993) *** 1/2&lt;br /&gt;33. Richard Thompson -- Dream Attic **&lt;br /&gt;34. John Mellencamp -- No Better Than This ***&lt;br /&gt;35. Merle Haggard -- I Am What I Am ** 1/2&lt;br /&gt;36. Sufjan Stevens -- All Delighted People EP ****&lt;br /&gt;37. Liza Minnelli -- Confessions ** 1/2&lt;br /&gt;38. Josh Ritter -- So Runs The World Away ** 1/2 (Song "The Curse" ****)&lt;br /&gt;39. Marina And The Diamonds -- Family Jewels ***&lt;br /&gt;40. Lyle Lovett -- Natural Forces **&lt;br /&gt;41. Nellie McKay -- Home Sweet Mobile Home ** 1/2&lt;br /&gt;42. Paul Weller -- Wake Up The Nation **&lt;br /&gt;43. Josiah Leming -- Come On Kid ***&lt;br /&gt;44. Frank Sinatra -- Sing &amp;amp; Dance With Frank Sinatra *** 1/2&lt;br /&gt;45. Burning Spear -- Garvey's Ghost *** 1/2&lt;br /&gt;46. Frank Sinatra -- Dedicated To You **&lt;br /&gt;47. Frank Sinatra -- Frankly Sentimental ** 1/2&lt;br /&gt;48. Frank Sinatra -- Songs by Sinatra **&lt;br /&gt;49. Frank Sinatra -- The Voice (Columbia LP) ***&lt;br /&gt;50. The Drums -- The Drums ***&lt;br /&gt;51. The Jackson 5: Live At The Forum **&lt;br /&gt;52. Rufus Wainwright -- Milwaukee At Last! ***&lt;br /&gt;53. Sade -- Soldier Of Love ***/&lt;br /&gt;54. Sharon Jones &amp;amp; The Dap-Kings -- I Learned The Hard Way *** 1/2&lt;br /&gt;55. The Swell Season - Strict Joy ** 1/2&lt;br /&gt;56. Trombone Shorty -- backatown **&lt;br /&gt;57. Willie Nelson -- Country Artist ***&lt;br /&gt;58. Mumford &amp;amp; Sons -- Sigh No More *** 1/2&lt;br /&gt;59. Eminem -- Recovery *** 1/2&lt;br /&gt;60. Elton John &amp;amp; Leon Russell -- The Union ***&lt;br /&gt;61. Arcade Fire -- The Suburbs *** 1/2&lt;br /&gt;62. Bruce Springsteen -- The Promise ***&lt;br /&gt;63. Bruce Springsteen -- Darkness On The Edge Of Town *** 1/2&lt;br /&gt;64. Aaron Neville -- I Know I've Been Changed ***&lt;br /&gt;65. Sufjan Stevens -- The Age Of Adz ** 1/2&lt;br /&gt;66. Peter Salett -- Addicted To Distraction ** 1/2&lt;br /&gt;67. Neil Young -- Le Noise ***/&lt;br /&gt;68. John Lennon &amp;amp; Yoko Ono -- Double Fantasy ****&lt;br /&gt;69. John Lennon &amp;amp; Yoko Ono -- Double Fantasy Stripped Down *** (but pointless)&lt;br /&gt;70. Kings Go Forth -- The Outsiders Are Back **&lt;br /&gt;71. Antony &amp;amp; The Johnsons -- The Crying Light ***&lt;br /&gt;72. Laurie Anderson -- Homeland ***&lt;br /&gt;73. Dead Weather -- Sea Of Cowards ** 1/2&lt;br /&gt;74. Bing Crosby -- Sings The Great American Songbook ***&lt;br /&gt;75. The Black Keys -- Brothers ***&lt;br /&gt;76. Bob Dylan -- Bootleg Volume 9: The Witmark Demos ***&lt;br /&gt;77. Brendan James -- Brendan James ***/&lt;br /&gt;78. Dale Watson -- Carryin' On ***&lt;br /&gt;79. Bryan Adams -- Bare Bones ** 1/2&lt;br /&gt;80. Annie Lennox -- A Christmas Cornucopia ** 1/2&lt;br /&gt;81. Dierks Bentley -- Up On the Ridge ***&lt;br /&gt;82. Dinah Washington -- The Fabulous Miss D! The Keynote, Decca and Mercury Singles 1943-1953 ** 1/2&lt;br /&gt;83. Ali Farka Toure and Toumani Diabate -- Ali and Toumani ****&lt;br /&gt;84. Brian Eno -- Small Craft On A Milk Sea ***&lt;br /&gt;85. Brian Wilson -- Reimagining Gershwin ** 1/2&lt;br /&gt;86. Various Artists -- Come and Get It: The Best of Apple Records ** 1/2&lt;br /&gt;87. Ry Cooder and The Chieftains -- San Patricio ***&lt;br /&gt;88. The Gaslight Anthem -- American Slang *** (disappointing, expected a classic)&lt;br /&gt;89. James -- The Night Before/The Morning After ** 1/2&lt;br /&gt;90. John Mellencamp -- On The Rural Route 7609 *** /&lt;br /&gt;91. Josh Rouse -- El Turista ** 1/2&lt;br /&gt;92. Lee Dewyze -- Live It Up * 1/2&lt;br /&gt;93. Midlake -- The Courage Of Others *** 1/2&lt;br /&gt;94. Sting -- Symphonicities ***&lt;br /&gt;95. Various Artists -- Afrocubism *** 1/2&lt;br /&gt;96. Best Coast -- Crazy For You *** 1/2&lt;br /&gt;97. Buddy Guy -- Living Proof ****&lt;br /&gt;98. Drake -- Thank Me Later ** 1/2&lt;br /&gt;99. Jamey Johnson -- The Guitar Song ***/&lt;br /&gt;100. Preservation Hall Jazz Band -- Preservation: An Album To Benefit Preservation Hall *** 1/2&lt;br /&gt;101. Gorillaz -- Plastic Beach *** 1/2&lt;br /&gt;102. The Tallest Man On Earth -- The Wild Hunt *** 1/2&lt;br /&gt;103. Beach House -- Teenage Dream ***/&lt;br /&gt;104. My Chemical Romance -- Danger Days: The True Lives Of The Fabulous Killjoys *** 1/2&lt;br /&gt;105. Big Boi -- Sir Luscious Leftfoot...The Son Of Chico Dusty ** 1/2&lt;br /&gt;106. Jason Aldean -- My Kind Of Party ** 1/2&lt;br /&gt;107. The Spanish Harlem Orchestra -- Viva La Tradicion ***&lt;br /&gt;108. Erykah Badu -- New Amerykah Part Two: Return Of The Ankh ***/&lt;br /&gt;109. Herbie Hancock -- The Imagine Project **&lt;br /&gt;110. Ryan Bingham -- Roadhouse Sun **&lt;br /&gt;111. Doug Paisley -- Constant Companion **&lt;br /&gt;112. Hole -- Nobody's Daughter *** 1/2&lt;br /&gt;113. Janelle Monae -- The ArchAndroid *** 1/2&lt;br /&gt;114. Jackson Browne &amp;amp; David Lindley -- Love Is Strange ***&lt;br /&gt;115. Cassandra Wilson -- Silver Pony ***&lt;br /&gt;116. Jamie Cullum -- Pursuit ** 1/2&lt;br /&gt;117. Scissor Sisters -- Night Work ** 1/2&lt;br /&gt;118. Elizabeth and the Catapult *** 1/2&lt;br /&gt;119. Elizabeth Mitchell -- Sunny Day ***/&lt;br /&gt;120. Foxes In Fiction ***&lt;br /&gt;121. Andrew Belle -- The Ladder **&lt;br /&gt;122. Angel Band -- Bless My Sole **&lt;br /&gt;123. Anthony D'Amato -- Down Wires **&lt;br /&gt;124. The Puppini Sisters -- Christmas With The Puppini Sisters **&lt;br /&gt;125. Carolina Chocolate Drops -- Genuine Negro Jigs *** 1/2&lt;br /&gt;126. Cyrus Chesnut -- Journeys *** 1/2&lt;br /&gt;127. Hilary Kole -- You Are There **&lt;br /&gt;128. Hey Rosetta! - Into Your Lungs ** 1/2&lt;br /&gt;129. Bill Charlap -- Double Portrait ** 1/2&lt;br /&gt;130. Burton Cummings -- Above The Ground ** 1/2&lt;br /&gt;131. Dee Dee Bridgewater -- Eleanora Fagan (1917-1959 To Billie With Love From Dee Dee) ** 1/2&lt;br /&gt;132. Dot Dot Dot -- II **&lt;br /&gt;133. Eden Brent -- Ain't Got No Troubles ** 1/2&lt;br /&gt;134. Edward Rogers -- Sparkle Lane **&lt;br /&gt;135. Ernie Halter -- Franklin &amp;amp; Vermont **&lt;br /&gt;136. The Floacist -- Floetic Soul **&lt;br /&gt;137. James Blunt -- Some Kind Of Trouble **&lt;br /&gt;138. Justin Townes Earle -- Harlem River Blues ** 1/2&lt;br /&gt;139. Kanye West -- My Beautiful Dark Twisted Fantasy *** 1/2&lt;br /&gt;140. Keith Jarrett &amp;amp; Charlie Haden -- Jasmine *** 1/2&lt;br /&gt;141. Kenny Chesney -- Hemingway's Whiskey ** 1/2&lt;br /&gt;142. Lucy Woodward -- Hooked **&lt;br /&gt;143. Merle Haggard -- I Am What I Am ***&lt;br /&gt;144. Abigail Washburn -- City Of Refuge ** 1/2&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Updated December 31, 2010.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-8114730127472311871?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/8114730127472311871/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=8114730127472311871' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8114730127472311871'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8114730127472311871'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/01/movies-books-theaters-concerts-cds-etc.html' title='The Movies, Books, Theaters, Concerts, CDs Etc. I Saw/Read In 2010'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-3370859826516521048</id><published>2010-10-12T22:53:00.002-04:00</published><updated>2010-10-12T22:56:56.652-04:00</updated><title type='text'>ComicCon NYC 2010 Coverage For LA Times Blog Hero Complex</title><content type='html'>Love comix? Check out &lt;a href="http://lat.ms/cuv70V"&gt;my rundown of last weekend's ComicCon NYC 2010&lt;/a&gt; (my first!) for the fun LA Times blog The Hero Complex. Next year I am definitely getting over my shyness and pulling out the Captain America outfit hidden in my closet! And a P.S. to my editor Geoff Boucher's rundown of the &lt;a href="http://herocomplex.latimes.com/2010/10/10/101010-the-top-10-sidekicks-of-all-time/"&gt;Top 10 sidekicks.&lt;/a&gt; I loved the fan suggestion of Dr. Maturin from the Patrick O'Brian novels and obviously Robin the Boy Wonder is #1, not second. You're just trying to curry favor with the Wookies.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-3370859826516521048?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/3370859826516521048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=3370859826516521048' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/3370859826516521048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/3370859826516521048'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/10/comiccon-nyc-2010-coverage-for-la-times.html' title='ComicCon NYC 2010 Coverage For LA Times Blog Hero Complex'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-2691652466333417133</id><published>2010-09-22T05:43:00.000-04:00</published><updated>2010-09-22T16:01:43.411-04:00</updated><title type='text'>Toronto Film Fest Coverage</title><content type='html'>Come here for all my links for coverage of Toronto.&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-festival-pre_b_710032.html" target="_hplink"&gt;Toronto Film Fest Preview&lt;/a&gt; for HuffPo&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-fest-days-1_b_714191.html" target="_hplink"&gt;TIFF Days 1 and 2: Midnight Madness&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-fest-day-3-s_b_714207.html" target="_hplink"&gt;TIFF Day 3: Strikes, Snafus and Sexploitation!&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-fest-day-4-o_b_714214.html" target="_hplink"&gt;TIFF Day 4: Old Men, Young Girls, Graham Greene and  Amigos&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-fest-day-5-o_b_715709.html" target="_hplink"&gt;TIFF Day 5: Ozon Saves A Dour Day&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-fest-day-6-h_b_717293.html" target="_hplink"&gt;TIFF Day 6: Hello, Lapland!&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-festival_b_731993.html" target="_hplink"&gt;TIFF Days 7 and 8: Boston, Beliefs, and The Bang Bang  Club&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-fest-day-9-1_b_732187.html" target="_hplink"&gt;TIFF: Days 9, 10 and 11: The Irish, The Scots And  Werner Herzog&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;a href="http://herocomplex.latimes.com/2010/09/22/aliens-monsters-and-killers-welcome-meet-the-mind-behind-midnight-madness/" target="_hplink"&gt;Aliens, Monsters and Killers Welcome -- Meet The Mind  Behind Midnight Madness&lt;/a&gt; for the LA Times blog Hero Complex.&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.queersighted.com/2010/09/22/xavier-dolan-the-best-director-youve-barely-heard-about/" target="_hplink"&gt;Xavier Dolan -- The Best Director You've Barely Heard  About&lt;/a&gt; for AOl's blog Queersighted&lt;/p&gt;  &lt;p&gt;&lt;a href="http://www.queersighted.com/2010/09/10/toronto-international-film-festival-the-gay-watch/" target="_hplink"&gt;TIFF Preview Feature&lt;/a&gt; for AOL's blog Queersighted&lt;/p&gt;&lt;br /&gt;&lt;a href="http://www.queersighted.com/2010/09/10/toronto-international-film-festival-the-gay-watch/"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-2691652466333417133?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/2691652466333417133/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=2691652466333417133' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2691652466333417133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2691652466333417133'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/09/toronto-film-fest-coverage.html' title='Toronto Film Fest Coverage'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6749409409221667092</id><published>2010-09-08T11:07:00.001-04:00</published><updated>2010-09-08T11:08:12.748-04:00</updated><title type='text'>My Sister Libet Wins A Race In Aruba</title><content type='html'>Listen to the interview and you'll find out the race began at 6 am. Six in the morning. I think one of us is adopted.&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ETyTp5ejJpc?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/ETyTp5ejJpc?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6749409409221667092?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6749409409221667092/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6749409409221667092' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6749409409221667092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6749409409221667092'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/09/my-sister-libet-wins-race-in-aruba.html' title='My Sister Libet Wins A Race In Aruba'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-1656858560447192265</id><published>2010-08-31T12:38:00.002-04:00</published><updated>2010-08-31T13:05:06.372-04:00</updated><title type='text'>Twin Peaks, Hatchet II and More!</title><content type='html'>I assume if you're reading this blog that you've &lt;a href="http://twitter.com/michaelgiltz"&gt;subscribed to me on Twitter&lt;/a&gt; or &lt;a href="http://www.facebook.com/home.php#%21/michael.giltz"&gt;friended me on Facebook.&lt;/a&gt; Those will automatically let you know when I've got a new article, seen a movie, read a book, etc. without you having to bother to come here and check. But for those of you kicking it old school, here are links to my first two articles in the Los Angeles Times. I owe a big thanks to my old college friend Geoff Boucher for the opportunity on both of these -- he's been a star at the LA Times for quite a few years now.&lt;br /&gt;&lt;br /&gt;The first is on &lt;a href="http://latimesblogs.latimes.com/herocomplex/2010/08/return-to-twin-peaks-a-tv-landmark-20-years-later.html"&gt;the 20th anniversary of Twin Peaks.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The second is on &lt;a href="http://bit.ly/bFNeEV"&gt;the horror film &lt;span style="font-style: italic;"&gt;Hatchet II &lt;/span&gt;and its battles with the MPAA.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Finally, here are my two most recent DVD columns for Huffington Post: one pegged to &lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds-is-steve-carell-a-mo_b_689460.html"&gt;Steve Carell&lt;/a&gt; and the other leading off with &lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds-a-prophet-the-next-g_b_681696.html"&gt;&lt;span style="font-style: italic;"&gt;A Prophet, &lt;/span&gt;one of the best films of the year.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-1656858560447192265?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/1656858560447192265/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=1656858560447192265' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1656858560447192265'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1656858560447192265'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/08/twin-peaks-hatchet-ii-and-more.html' title='Twin Peaks, Hatchet II and More!'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-2248753348547401609</id><published>2010-05-23T19:58:00.002-04:00</published><updated>2010-05-23T20:13:18.633-04:00</updated><title type='text'>Cannes Film Festival 2010 Coverage</title><content type='html'>Did I mention I was at the Cannes Film Festival? Must have slipped my mind while I was wandering the Riviera.&lt;br /&gt;&lt;br /&gt;Here's a link to &lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2010-wrapup-the-aw_b_586532.html"&gt;my Cannes roundup at Huffington Post&lt;/a&gt; if you interested. It includes a list and rating for all the movies I saw, plus highlights, awards and links to all my daily coverage.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-2248753348547401609?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/2248753348547401609/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=2248753348547401609' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2248753348547401609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2248753348547401609'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/05/cannes-film-festival-2010-coverage.html' title='Cannes Film Festival 2010 Coverage'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-3903645243895131303</id><published>2010-02-17T14:38:00.001-05:00</published><updated>2010-02-17T14:40:01.566-05:00</updated><title type='text'>Best CDs of 2009</title><content type='html'>I've just put up my &lt;a href="http://www.huffingtonpost.com/michael-giltz/the-best-cds-of-2009----i_b_462280.html"&gt;best CDs of 2009 on Huffington Post.&lt;/a&gt; Read, listen and enjoy!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-3903645243895131303?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/3903645243895131303/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=3903645243895131303' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/3903645243895131303'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/3903645243895131303'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/02/best-cds-of-2009.html' title='Best CDs of 2009'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-9081245228011887784</id><published>2010-01-05T23:39:00.001-05:00</published><updated>2010-01-05T23:39:43.134-05:00</updated><title type='text'>Star Trek Deserves An Oscar Nod For Best Picture!</title><content type='html'>See my latest &lt;a href="http://bit.ly/6j5xtp"&gt;Huffington Post DVD column.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-9081245228011887784?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/9081245228011887784/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=9081245228011887784' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/9081245228011887784'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/9081245228011887784'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/01/star-trek-deserves-oscar-nod-for-best.html' title='Star Trek Deserves An Oscar Nod For Best Picture!'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6841683152495478262</id><published>2010-01-05T14:52:00.002-05:00</published><updated>2010-01-05T14:57:48.297-05:00</updated><title type='text'>Popsurfing Radio Show Playlist: Drinking (1-1-10)</title><content type='html'>Here's my playlist from not just my first radio show of 2010 but anyone's first radio show of 2010, since I started on the dot at midnight. My theme? Drinking. Enjoy.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Dinah Washington&lt;/span&gt; “Drinking Again” from Drinking Again&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Andrews Sisters&lt;/span&gt; “Beer Barrel Polka (Roll Out The Barrel)” from Greatest Hits -- 60th Anniversary Collection&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Richard Thompson&lt;/span&gt; “Drinking Wine Spo Dee O Dee” from 1000 Years Of Popular Music&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Smiley Maxedon&lt;/span&gt; “Give Me a Red Hot Mama and an Ice Cold Beer” from Hillibilly Boogie!&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Ramones&lt;/span&gt; “Somebody Put Something In My Drink” from Hey! Ho! Let's Go: The Anthology&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Little Willies&lt;/span&gt; “I Gotta Get Drunk” from The Little Willies&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Fountains Of Wayne&lt;/span&gt; “Mexican Wine” from Welcome Interstate Managers&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Andy Reynolds &amp; His 101 Ranch Boys&lt;/span&gt; “Beer Bottle Mama” from Hillbilly Boogie!&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Duke Ellington&lt;/span&gt; “Beer Garden” from Anatomy of a Murder (Music From the Motion Picture)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Brad Paisley&lt;/span&gt; “Alcohol” from Time Well Wasted&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;James Luther Dickinson&lt;/span&gt; “Wine” from Dixie Fried&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Tom Paxton&lt;/span&gt; “Bottle of Wine” from Best Of Tom Paxton: I Can't Help But Wonder Where I'm Bound&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jimmy James &amp; The Vagabonds&lt;/span&gt; “Red Red Wine” from Bubblegum Soul&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Loretta Lynn&lt;/span&gt; “Don't Come Home A'Drinkin' (With Lovin' On Your Mind)” from Honky Tonk Girl - The Loretta Lynn Collection&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Van Morrison&lt;/span&gt; “Moonshine Whiskey” from tupelo honey&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Watermelon Slim &amp; the Workers&lt;/span&gt; “Drinking &amp; Driving” from The Wheel Man&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Ladysmith Black Mambazo&lt;/span&gt; “Fak' Ibhande (Don't Drink and Drive)” from Raise Your Spirit Higher&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;John Lee Hooker &lt;/span&gt;“One Bourbon One Scotch One Beer” from Chess Blues 1960-1967&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Chris Young&lt;/span&gt; “Drinkin' Me Lonely” from Chris Young&lt;br /&gt;http://www.blogger.com/img/blank.gif&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Billie Holiday&lt;/span&gt; “Gimme A Pigfoot ( And A Bottle of Beer)” from The Complete Decca Recordings&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jimmy Buffett&lt;/span&gt; “A Lot to Drink About” from Buffett Hotel&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jimmy Witherspoon&lt;/span&gt; “Drinking Beer” from The Bluesville Years Volume 12&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Ray Charles&lt;/span&gt; “Blues Hangover” from Pure Genius: The Complete Atlantic Recordings&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jerry Lee Lewis&lt;/span&gt; “It Was The Whiskey Talkin' (Not Me)” from Young Blood&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Supersuckers&lt;/span&gt; “Hungover Together” from Must've Been High&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Los Lobos&lt;/span&gt; “Whiskey Trail” from Kiko&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Oasis&lt;/span&gt; “Cigarettes &amp; Alcohol” from Definitely Maybe&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Dean Martin&lt;/span&gt; “Hey Brother, Pour the Wine” from That's Amore: The Best Of Dean Martin&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Ron Sexsmith&lt;/span&gt; “Dandelion Wine” from Retriever&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;7 Worlds Collide&lt;/span&gt; “Red Wine Bottle” from The Sun Came Out&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Abe McNeil&lt;/span&gt; “Drink Drink Drink” from The George Mitchell Collection Vol. 15&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Robert Johnson&lt;/span&gt; “Drunken Hearted Man” from The Complete Recordings of Robert Johnson&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Maria McKee&lt;/span&gt; “Drinkin' In My Sunday Dress” from Maria McKee&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Eddie Pennington &amp; Warner Williams&lt;/span&gt; “Hey Bartender, There's a Big Bug in My Beer” from Down Home! Saturday Night&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Dwight Yoakam&lt;/span&gt; “This Drinkin' Will Kill Me” from dwightyoakamacoustic.net&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Katrina &amp; The Waves&lt;/span&gt; “Red Wine &amp; Whiskey” from Waves&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Loudon Wainwright III&lt;/span&gt; “The Drinking Song” from Recovery&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Thrills&lt;/span&gt; “Ain't Got the Money to Pay for This Drink” from The Best Of Bob Dylan's Theme Time Radio Hour&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jon Brion&lt;/span&gt; “Punch-Drunk Melody” from Punch-Drunk Love&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Goran Bregovic&lt;/span&gt; “Streets are drunk” from Alkohol&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Johnny Cash&lt;/span&gt; “The Kneeling Drunkard's Plea” from Love, God, Murder&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Magnetic Fields&lt;/span&gt; “Too Drunk to Dream” from Distortion&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Beck&lt;/span&gt; “Beercan” from Mellow Gold&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Norma Waterson&lt;/span&gt; “God Loves a Drunk” from Norma Waterson&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Replacements&lt;/span&gt; “Beer for Breakfast” from all for nothing, nothing for all&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Andre Previn&lt;/span&gt; “Bread and Wine” from The Subterraneans&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Eartha Kitt&lt;/span&gt; “Lilac Wine” from Eartha-Quake&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Christine Kittrell&lt;/span&gt; “Sittin' Here Drinkin"” from Night Train To Nashville&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Randy Newman&lt;/span&gt; “Marie” from Good Old Boys&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6841683152495478262?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6841683152495478262/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6841683152495478262' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6841683152495478262'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6841683152495478262'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/01/popsurfing-radio-show-playlist-drinking.html' title='Popsurfing Radio Show Playlist: Drinking (1-1-10)'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-5693394121870962052</id><published>2010-01-05T14:50:00.001-05:00</published><updated>2010-01-05T14:52:00.694-05:00</updated><title type='text'>North South East WEFT Playlist 12-31-2009</title><content type='html'>Here's the playlist for the music I spun during my guest hosting of North South east WEFT. I highlighted what I considered some of the best world music CDs of the decade.&lt;br /&gt;&lt;br /&gt;Manu Chao “Rumba de Barcelona” from Radio Bemba Sound System&lt;br /&gt;&lt;br /&gt;Amadou &amp; Mariam “Senegal Fast Food” from Dimanche A' Bamako&lt;br /&gt;&lt;br /&gt;The Sahara All Stars of Jos “Take Your Soul” from nigeria disco funk special&lt;br /&gt;&lt;br /&gt;Ali Farka Touré “Gambari Didi” from Savane&lt;br /&gt;&lt;br /&gt;Vieux Farka Toure “Slow Jam” from Fondo&lt;br /&gt;&lt;br /&gt;Bassekou Kouyate &amp; Ngoni Ba “Musow -- For Our Women” from I Speak Fula&lt;br /&gt;&lt;br /&gt;Tinariwen “Chabiba” from Imidiwan: Companions&lt;br /&gt;&lt;br /&gt;Tabu Ley Rochereau “Keyla” from Tabu Ley Rochereau: The Voice Of Lightness Congo Classics 1961-1977&lt;br /&gt;&lt;br /&gt;Les Ambassadeurs Internationales “Bolola Sanou” from Golden Afrique Vol. 1&lt;br /&gt;&lt;br /&gt;Los Mirlos “Sonido Amazonico” from The Roots of Chicha: Psychedelic Cumbias From Peru&lt;br /&gt;&lt;br /&gt;Puerto Plata “Baracoa” from Mujer de Cabaret&lt;br /&gt;&lt;br /&gt;Juanes “No Creo en el Jamás” from La Vida... Es un Ratico&lt;br /&gt;&lt;br /&gt;Leo Fadaka &amp; The Heroes “Blak Sound” from Nigeria Special : Modern Highlife, Afro-Sounds &amp; Nigerian Blues 1970-6 [Disc 2]&lt;br /&gt;&lt;br /&gt;Ivo Díaz “Pedazo de Acordeón / A Bit of Accordion” from ¡Ayombe! The Heart of Colombia's Música Vallenata&lt;br /&gt;&lt;br /&gt;Bassekou Kouyate &amp; Ngoni Ba “Bassekou” from Segu Blue&lt;br /&gt;&lt;br /&gt;Fruko y Sus Tesos “Salsa Na ma” from Colombia! The Golden Age Of Disco Fuentes&lt;br /&gt;&lt;br /&gt;Sergio &amp; Odair Assad “Chora Coração” from Jardim Abandonado&lt;br /&gt;&lt;br /&gt;Rahim Alhaj &amp; Souhail Kaspar “Taqsim Maqam Saba” from When the Soul Is Settled: Music of Iraq&lt;br /&gt;&lt;br /&gt;Groupe Oyiwane “Tagot” from The Rough Guide to the Music of the Sahara&lt;br /&gt;&lt;br /&gt;Fanfare Ciocarlia “Alili” from Rough Guide to the Music of Romanian Gypsies&lt;br /&gt;&lt;br /&gt;Andy Palacio and The Garifuna Collective “Watina” from Watina&lt;br /&gt;&lt;br /&gt;Chocolate Caliente “Mi guajira-Inspiracion” from Son Cubano NYC&lt;br /&gt;&lt;br /&gt;Ali Farka Toure and Toumani Diabate “Debe” from In the Heart of the Moon&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-5693394121870962052?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/5693394121870962052/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=5693394121870962052' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/5693394121870962052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/5693394121870962052'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/01/north-south-east-weft-playlist-12-31.html' title='North South East WEFT Playlist 12-31-2009'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-971240092554722332</id><published>2009-12-31T09:49:00.003-05:00</published><updated>2010-02-09T17:39:42.691-05:00</updated><title type='text'>The Movies, Books, Theater, Concerts, CDs I Saw In 2009</title><content type='html'>Updated December 31, 2009&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES MOVIES&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. The Counterfeiters ***&lt;br /&gt;2. Tell No One ** 1/2 &lt;br /&gt;3. Holiday Affair (1949 w Robert Mitchum and Janet Leigh) ***&lt;br /&gt;4. Frozen River (at MoMa) ***/&lt;br /&gt;5. Revolutionary Road **&lt;br /&gt;6. Drums (1938 w Sabu) *&lt;br /&gt;7. The Wrestler ***/&lt;br /&gt;8. Doubt *&lt;br /&gt;9. I Loved You So Long **&lt;br /&gt;10. Trouble The Waters **&lt;br /&gt;11. The Complete Horatio Hornblower TV Series ****&lt;br /&gt;12. The Complete Lord Peter Wimsey w Ian Carmichael from 1970s ** 1/2&lt;br /&gt;13. Lord Peter Wimsey w Edward Petherbridge and Harriet Walter from 1980s *** 1/2&lt;br /&gt;14. Billy The Kid (2007 docu) *** (extras zero stars for cluelessness)&lt;br /&gt;15. Academy Award Shorts: Lavatory Love Story ***; Octopodi **; House Of Small Boxes *** 1/2 (the eventual winner); Undertaker **; Presto ** 1/2; German shoplift short ***; New Boy ***; Toyland Holocaust *; The Pig ***; French dying girl short **&lt;br /&gt;16. The Chronicles of Narnia: Prince Caspian * 1/2&lt;br /&gt;17. The Edge Of Heaven *** 1/2&lt;br /&gt;18. Chris and Don: A Love Story ***&lt;br /&gt;19. Leave Her To Heaven ** 1/2&lt;br /&gt;20. Watchmen **&lt;br /&gt;21. Bolt ***&lt;br /&gt;22. Schoolhouse Rock: Earth ** 1/2&lt;br /&gt;23. Follow That Bird * 1/2&lt;br /&gt;24. Never Say Never Again * 1/2&lt;br /&gt;25. Monsters Vs. Aliens (in 2-D) **&lt;br /&gt;26. The Spirit -- no stars&lt;br /&gt;27. Seven Pounds ** 1/2&lt;br /&gt;28. Woodstock Director's Cut (1970 )(at EbertFest) ****&lt;br /&gt;29. Chop Shop (at EbertFest) ***&lt;br /&gt;30. Begging Naked ** (at EbertFest)&lt;br /&gt;31. The Last Command (1928) (at EbertFest w new score performed by Alloy) *** 1/2&lt;br /&gt;32. The Fall (at EbertFest) ** 1/2&lt;br /&gt;33. Sita Sings The Blues (at EbertFest) ***&lt;br /&gt;34. Nothing But The Truth (at EbertFest) ** 1/2&lt;br /&gt;35. Let The Right One In (at EbertFest) *** 1/2&lt;br /&gt;36. Mulligans *&lt;br /&gt;37. Caprica (TV preview on DVD) **&lt;br /&gt;38. Role Models ** 1/2&lt;br /&gt;39. Observe And Report ** 1/2&lt;br /&gt;40. Duplicity *** 1/2&lt;br /&gt;41. The Inglorious Bastards (1978) ** 1/2&lt;br /&gt;42. Star Trek ***/  (on second viewing *** 1/2)&lt;br /&gt;&lt;br /&gt;AT CANNES:&lt;br /&gt;&lt;br /&gt;43. Up *** 1/2&lt;br /&gt;44. Fish Tank ***&lt;br /&gt;45. My Neighbor My Killer ** 1/2&lt;br /&gt;46. Thirst **&lt;br /&gt;47. Precious ** 1/2&lt;br /&gt;48. Bright Star **&lt;br /&gt;49. Police, Adjective *** 1/2&lt;br /&gt;50. Taking Woodstock ** 1/2&lt;br /&gt;51. A Prophet ****&lt;br /&gt;52. Jaffa **&lt;br /&gt;53. Mother ** 1/2&lt;br /&gt;54. Samson &amp; Delilah ***&lt;br /&gt;55. Kinatay * 1/2&lt;br /&gt;56. Vengeance ** 1/2&lt;br /&gt;57. The Army Of Crime **&lt;br /&gt;58. Le Pere De Mes Enfants *&lt;br /&gt;59. Anti-Christ *&lt;br /&gt;60. Looking For Eric ***&lt;br /&gt;61. Irene * 1/2&lt;br /&gt;62. Daniel Y Ana ** 1/2&lt;br /&gt;63. Vincere * 1/2&lt;br /&gt;64. Broken Embraces **&lt;br /&gt;65. Les Herbes Folles * 1/2&lt;br /&gt;66. I Love You, Phillip Morris **&lt;br /&gt;67. Inglourius Basterds *** 1/2&lt;br /&gt;68. Eyes Wide Open ***&lt;br /&gt;69. Sister Smile (in market; biopic of Singing Nun) **&lt;br /&gt;70. The White Ribbon * 1/2&lt;br /&gt;71. I Killed My Mother ***/&lt;br /&gt;72. The Time That Remains *** 1/2&lt;br /&gt;73. A Town Called Panic **&lt;br /&gt;74. The Imaginarium Of Dr. Parnassus * 1/2&lt;br /&gt;75. The Silent Army *&lt;br /&gt;76. Enter The Void * 1/2&lt;br /&gt;77. Map Of The Sounds Of Tokyo -- no stars&lt;br /&gt;78. To Die Like A Man *&lt;br /&gt;79. Montparnasse *&lt;br /&gt;80. The King Of Escape **&lt;br /&gt;81. Spring Fever **&lt;br /&gt;82. in The Beginning **&lt;br /&gt;83. Visages **&lt;br /&gt;84. Coco Chanel and Igor Stravinsky * 1/2 &lt;br /&gt;&lt;br /&gt;END OF CANNES FILMS&lt;br /&gt;&lt;br /&gt;85. Moon (w Sam Rockwell) **&lt;br /&gt;86. Dodge City (1939) ***&lt;br /&gt;87. Zenobia (1939 Laurel &amp; Hardy) no stars&lt;br /&gt;88. The Hangover ** 1/2&lt;br /&gt;89. Transformers: Revenge Of The Fallen *&lt;br /&gt;90. The Taking Of Pelham 1 2 3 (2009 version) **&lt;br /&gt;91. Public Enemies **&lt;br /&gt;92. Bruno no stars&lt;br /&gt;93. For All Mankind (1989) *** 1/2 &lt;br /&gt;94. Harry Potter and the Half-Blood Prince ** 1/2&lt;br /&gt;95. Remember The Night (1940) ***&lt;br /&gt;96. The Adventures Of Huckleberry Finn (1939) ** 1/2&lt;br /&gt;97. Andy Hardy Gets Spring Fever (1939) **&lt;br /&gt;98. The Hurt Locker ***/&lt;br /&gt;99. Funny People **/&lt;br /&gt;100. Firefly: The Complete Series ****&lt;br /&gt;101. G.I. Joe: The Rise Of Cobra *&lt;br /&gt;102. The Undercover Man (1949) ** 1/2&lt;br /&gt;103. The Rounders (1965) **&lt;br /&gt;104. Watch On The Rhine (1943) * 1/2&lt;br /&gt;105. Ride With The Devil: Director's Cut ***&lt;br /&gt;106. Crouching Tiger, Hidden Dragon (2000) ****&lt;br /&gt;107. Julie &amp; Julia ** 1/2&lt;br /&gt;108. (500) Days Of Summer ****&lt;br /&gt;109. The Goods -- no stars&lt;br /&gt;110. The Time-Traveler's Wife * 1/2&lt;br /&gt;111. I Love You, Man ** 1/2&lt;br /&gt;112. District 9 ***&lt;br /&gt;113. Ponyo ***/&lt;br /&gt;114. Andy Hardy Meets Debutante (1940) ***&lt;br /&gt;115. Dragonball: Evolution *&lt;br /&gt;116. Richard Pryor: Live and Smokin' (1971) ** 1/2 but final third ****&lt;br /&gt;117. X-Games 3-D **&lt;br /&gt;118. Katyn ***&lt;br /&gt;119. Tezuka Osamu Collection on DVD *** 1/2&lt;br /&gt;120. Newcastle * 1/2&lt;br /&gt;121. I'm Still Waiting (1957) Japanese noir *** 1/2&lt;br /&gt;122. Rusty Knife (1958) Japanese noir ***&lt;br /&gt;123. 17 Again *&lt;br /&gt;124. Hannah Montana: The Movie **&lt;br /&gt;125. Bandslam ***&lt;br /&gt;126. The Clock (1945) ***&lt;br /&gt;127. The Window ***&lt;br /&gt;128. The Last Days Of Disco ***&lt;br /&gt;129. Post-Grad * 1/2&lt;br /&gt;130. The Final Destination 3-D *&lt;br /&gt;131. Gamer no stars&lt;br /&gt;132. It Might Get Loud *** 1/2 &lt;br /&gt;133. Extract ***/&lt;br /&gt;134. Taken ** 1/2&lt;br /&gt;&lt;br /&gt;AT TORONTO INTL FILM FESTIVAL:&lt;br /&gt;&lt;br /&gt;135. Huacho ** 1/2&lt;br /&gt;136. Dogtooth ***&lt;br /&gt;137. A Serious Man *** 1/2&lt;br /&gt;138. Up In The Air *** 1/2&lt;br /&gt;139. Vahalla Rising **&lt;br /&gt;140. Waking Sleeping Beauty ***&lt;br /&gt;141. Dorian Gray *&lt;br /&gt;142. Capitalism: A Love Story ** 1/2&lt;br /&gt;143. The Trotsky **&lt;br /&gt;144. A Brand New Life ***&lt;br /&gt;145. Phantom Pain * 1/2&lt;br /&gt;146. Youth In Revolt * 1/2&lt;br /&gt;147. The Private Lives Of Pippa Lee ** 1/2&lt;br /&gt;148. Soul Kitchen ***&lt;br /&gt;149. Bitch Slap *&lt;br /&gt;150. Life During Wartime ** 1/2&lt;br /&gt;151. A Simple Man ***\&lt;br /&gt;152. Max Manus ** 1/2&lt;br /&gt;153. Lebanon **&lt;br /&gt;154. Northless ***&lt;br /&gt;155. I Am Love ** 1/2&lt;br /&gt;156. Solomon Kane **&lt;br /&gt;157. Hugh Hefner: Playboy, Activist and Rebel ** 1/2&lt;br /&gt;158. Cole **&lt;br /&gt;&lt;br /&gt;END OF TORONTO FILM FESTIVAL&lt;br /&gt;&lt;br /&gt;159. 35 Shots Of Rum **&lt;br /&gt;160. Cloudy With A Chance Of Meatballs 3-D ***/&lt;br /&gt;161. The Informant *** (great score)&lt;br /&gt;162. 9 (animated film) ** 1/2&lt;br /&gt;163. Surrogates (Bruce Willis sci-fier) * 1/2&lt;br /&gt;164. Fame (2009) *&lt;br /&gt;165. My One and Only (Renee Zellwegger) ** 1/2&lt;br /&gt;166. I Hope They Serve Beer In Hell * 1/2&lt;br /&gt;167. Zombieland ***&lt;br /&gt;168. Whip It (Drew Barrymore roller derby) **&lt;br /&gt;169. Toy Story and Toy Story 2 in 3-D ****&lt;br /&gt;170. Where The Wild Things Are *** 1/2&lt;br /&gt;171. Amelia *&lt;br /&gt;171. Bronson * 1/2&lt;br /&gt;172. This Is It **&lt;br /&gt;173. The Maid ***&lt;br /&gt;174. Paranormal Activity **&lt;br /&gt;175. A Christmas Carol 3-D (2009) **&lt;br /&gt;176. 2012 **&lt;br /&gt;177. Pirate Radio * 1/2&lt;br /&gt;178. The Courtship Of Andy Hardy (1942) *&lt;br /&gt;179. Girl Crazy (1943) * flimsy Mickey-Judy musical but Judy does a melting "But Not For Me"&lt;br /&gt;180. The Exiles (1961) (on DVD) *** (mostly for cinematography)&lt;br /&gt;181. Planet 51 *&lt;br /&gt;182. The Twilight Saga: New Moon * 1/2&lt;br /&gt;183. The Blind Side **&lt;br /&gt;184. Ninja Assassin *&lt;br /&gt;185. Fantastic Mr. Fox ** 1/2&lt;br /&gt;186. Uncertainty (with JGL) **&lt;br /&gt;187. Brothers (w Tobey Maguire and Jake Gyllenhaal) **&lt;br /&gt;188. Before Tomorrow (Inuit film) **&lt;br /&gt;189. The Last Station **&lt;br /&gt;190. Me And Orson Welles **&lt;br /&gt;191. The Princess And The Frog ** 1/2&lt;br /&gt;192. Invictus * 1/2&lt;br /&gt;193. House Of Fear (Sherlock Holmes 1945) **&lt;br /&gt;194. Avatar *&lt;br /&gt;195. Alvin &amp; The Chipmunks: The Squeakuel * 1/2&lt;br /&gt;196. Sherlock Holmes ** 1/2&lt;br /&gt;197. Angels &amp; Demons **&lt;br /&gt;198. It's Complicated **&lt;br /&gt;199. Nine **&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS BOOKS&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;1. Gone With The Wind by Margaret Mitchell *** for story/* for ugliness&lt;br /&gt;2. Gaudy Nights (Lord Peter Wimsey) by Dorothy L. Sayers ****&lt;br /&gt;3. Busman's Honeymoon (Lord Peter Wimsey) by Dorothy L. Sayers ****&lt;br /&gt;4. Lincoln by James M McPherson ** 1/2&lt;br /&gt;5. Ackroyd's Brief Lives: Newton by Peter Ackroyd ** 1/2&lt;br /&gt;6. Anne Of The Island by L.M. Montgomery ** 1/2&lt;br /&gt;7. The Torre Years by Joe Torre and Tom Verducci ** 1/2&lt;br /&gt;8. Anne Of Windy Poplars by L.M. Montgomery ** 1/2&lt;br /&gt;9. Anne's House Of Dreams by L.M. Montgomery ** 1/2&lt;br /&gt;10. Anne Of Ingleside by L.M. Montgomery ***&lt;br /&gt;11. No. 1 Ladies Detctive Agency by Alexander McCall Smih ***&lt;br /&gt;12. Dreadnought by Robert K. Massie ****&lt;br /&gt;13. The Vast Fields Of Ordinary by Nck Burd (teen gay) **&lt;br /&gt;14. The First Wave (Billy Boyle WW II mystery) by James R Benn ** 1/2&lt;br /&gt;15. Dangerous Laughter by Stephen Millhauser ****&lt;br /&gt;16. The Siege by Ismail Kadare ***&lt;br /&gt;17. Drown by Junot Diaz *** 1/2&lt;br /&gt;18. The Underdogs by Mariano Azuela *** 1/2&lt;br /&gt;19. Death Of A Red Heroine (Inspector Chen mystery) by Qiu Xialong ***&lt;br /&gt;20. The Forever War by Joe Haldeman **&lt;br /&gt;21. The Shooting Party by Isabel Colegate ***&lt;br /&gt;22. We Wish To Inform You... by Philip Gourevitch ****&lt;br /&gt;23. Push by Sapphire ** 1/2&lt;br /&gt;24. Taking Woodstock by Eliot Tiber with Tom Monte ** 1/2&lt;br /&gt;25. Hypatia of Alexandria by Maria Dzielska ** 1/2&lt;br /&gt;26. Mussolini by Denis Mack Smith ***&lt;br /&gt;27. Keats by Andrew Motion ***&lt;br /&gt;28. Seven Rivers West by Edward Hoagland ***&lt;br /&gt;29. My Family And Other Animals by Gerald Durrell ****&lt;br /&gt;30. Lolita by Vladimir Nabokov ****&lt;br /&gt;31. West With The Night by Beryl Markham *** 1/2&lt;br /&gt;32. Farm Boy by Michael Morpurgo * 1/2&lt;br /&gt;33. The Assassination Of Jesse James by The Coward Robert Ford by Ron Hansen *** 1/2&lt;br /&gt;34. The French Admiral (Alan Lewrie series) by Dewey Lambdin ***&lt;br /&gt;35. A-Rod: The Many Lives Of Alex Rodriguez by Selena Roberts **&lt;br /&gt;36. The Awakening by Kate Chopin *** 1/2&lt;br /&gt;37. Rainbow Valley by L.M. Montgomery *** 1/2&lt;br /&gt;38. Rilla Of Ingleside by L.M. Montgomery ***  &lt;br /&gt;39. The Member Of The Wedding by Carson McCullers *** 1/2 &lt;br /&gt;40. Night Flight by Antoine de Saint-Exupery ****&lt;br /&gt;41. From The Mixed-Up Files Of Mrs. Basil E. Frankweiler by E.L. Konigsburg ***&lt;br /&gt;42. Hans Brinker, Or The Silver Skates by Mary Mapes Dodge ***\&lt;br /&gt;43. A Passionate Prodigality by Guy Chapman *** 1/2&lt;br /&gt;44. The King's Privateer by Dewey Lambdin, an Alan Lewrie adventure ***&lt;br /&gt;45. Night Flight by Antoine de Saint-Exupery ****&lt;br /&gt;46. The Ground Truth by John Farmer ** 1/2&lt;br /&gt;47. Sag Harbor by Colson Whitehead *** 1/2 &lt;br /&gt;48. The Hunger Games by Suzanne Collins ***&lt;br /&gt;49. Catching Fire by Suzanne Collins ***&lt;br /&gt;50. The Vampire Diaries: Awakening by L.J. Smith *&lt;br /&gt;51. Up In The Air by Walter Kirn ** 1/2&lt;br /&gt;52. A Single Man by Christopher Isherwood ***&lt;br /&gt;53. The Deep Blue Goodby by John D. MacDonald *** 1/2&lt;br /&gt;54. The Virginian by Owen Wister ****&lt;br /&gt;55. The Interrogative Mood by Padgett Powell *** 1/2&lt;br /&gt;56. The Plain Janes by Cecil Castellucci and Jim Rugg ** 1/2&lt;br /&gt;57. Blood Alone by James Benn ***&lt;br /&gt;58. The Complete Bone by Jeff Smith *** 1/2&lt;br /&gt;59. The Siege Of Krishnapur by JG Farrell *** 1/2&lt;br /&gt;60. Ragtime by EL Doctorow ****&lt;br /&gt;61. Born Standing Up by Steve Martin *** 1/2&lt;br /&gt;62. Butcher's Crossing by John Williams *** 1/2&lt;br /&gt;62. Go Saddle The Sea by Joan Aiken ** 1/2&lt;br /&gt;63. Bridle The Wind by Joan Aiken **&lt;br /&gt;64. The Teeth Of The Gale by Joan Aiken ***&lt;br /&gt;65. Crazy Heart by Thomas Cobb *** 1/2&lt;br /&gt;66. No Tomorrow by Vivant Denon ***&lt;br /&gt;67. The Good Thief by Hannah Tinti *** 1/2&lt;br /&gt;68. Stupid, Stupid Rat Tales by Jeff Smith et al **&lt;br /&gt;69. 21 by Patrick O'Brian ***&lt;br /&gt;70. Nostromo by Joseph Conrad ****&lt;br /&gt;71. Out Stealing Horses by Pers Petersen *** 1/2&lt;br /&gt;72. Genius For Deception by Nicholas Rankin ***&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS THEATER CONCERTS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Pal Joey at Roundabout w Stockard Channing **&lt;br /&gt;2. England (two-hander in art museum) ** 1/2&lt;br /&gt;3. Shipment *** (great cast)&lt;br /&gt;4. The Cherry Orchard at BAM ***&lt;br /&gt;5. The Third Story (w Kathleen Turner and Charles Busch) ** 1/2 &lt;br /&gt;6. Disfarmer at St. Ann's Warehouse **&lt;br /&gt;7. Othello (off Bway on 42md St. -- solid, but convincing which it rarely is) ***&lt;br /&gt;8. A Winter's Tale at BAM *** 1/2 (nearly perfect)&lt;br /&gt;9. Hedda Gabler with Mary Louise Parker and Michael Cerveris -- no stars&lt;br /&gt;10. Joe Turner's Come and Gone (Bway revival) ** (but Roger Robinson ****)&lt;br /&gt;11. Hamlet (w Christian Camargo; TFANA off bway) ***&lt;br /&gt;12. The Norman Conquests *** (sterling cast)&lt;br /&gt;13. Ruined (at City Center) *** 1/2&lt;br /&gt;14. The Good Negro (at Public) ***&lt;br /&gt;15. Mary Stuart (w Janet McTeer and Harriet Walter/Vane) ***&lt;br /&gt;16. Next To Normal (at Booth) **&lt;br /&gt;17. The Singing Forest (Craig Lucas at Public) * 1/2&lt;br /&gt;18. West Side Story (Bway revival) ***&lt;br /&gt;19. The Who's Tommy (at Gallery Players) *&lt;br /&gt;20. War Horse (in the West End) ***&lt;br /&gt;21. A Little Night Music (Chocolate Factory revival on West End Garrick) *** 1/2&lt;br /&gt;22. Peter Pan (outdoor under tent in Kensington Gardens) * 1/2&lt;br /&gt;23. England People Very Nice (at National) ***&lt;br /&gt;24. On The Beach (one of two-part The Contingency Plan at Bush on global warming) ***&lt;br /&gt;25. Death and the King's Horseman (revival at National) *** 1/2&lt;br /&gt;26. Goran Bregovic and His Weddings &amp; Funerals Orchestra in Prospect Park in Brookly with thousands of Serbs and Croats ****&lt;br /&gt;27. Things With Dry Hours ** 1/2 (but strong cast incl Delroy Lindo)&lt;br /&gt;28. Othello w Philip Seymour Hoffman, directed by Peter Sellars *&lt;br /&gt;29. Hamlet with Jude Law ** 1/2&lt;br /&gt;30. The New Electric Ballroom ***&lt;br /&gt;31. Finian's Rainbow (Bway revival) *&lt;br /&gt;32. Emperor Jones (Off bway revival) ***&lt;br /&gt;33. BBQ In Kansas City: Arthur Bryant's *** (great decor, burnt tips, fries); Gates (poor decor but solid food all around) *** 1/2; Oklahoma Joe's (funky gas station but food unremarkable) **; LC's (best all-around, funky space, great food)&lt;br /&gt;34. Negro League Baseball Museum *** (great stories but mostly just a lot of text); Jazz Museum ** 1/2 (poorly set-up and not nearly as fun as it should be&lt;br /&gt;35. Ragtime ** 1/2 (Bway revival; liked everything but the score)&lt;br /&gt;36. Kronos Quartet Wu Man at Zankel Hall of Carnegie *** (lots of technical problems)&lt;br /&gt;37. Idiot Savant -- Richard Foreman play with Willem DaFoe **&lt;br /&gt;38. A Streetcar Named Desire at BAM w Cate Blanchett ***&lt;br /&gt;39. The Brother-Sister Plays Part I: In The Red And Brown Water *** 1/2&lt;br /&gt;40. The Brother-Sister Plays Part II: The Brothers Size ***&lt;br /&gt;41. The Brother-Sister Plays Part III: Marcus, Or The Secret Of Sweet ** 1/2&lt;br /&gt;42. Fela! on Bway with sub lead ** 1/2 but great choreography and would be fun with original lead&lt;br /&gt;43. Brief Encounter at St. Ann's ***&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS CDS&lt;/span&gt; (Only the Cds I've listened to thoroughly and with a strong emphasis on the ones I like, so don't think I love everything I listen to -- I just don't bother really listening to the ones I don't like more than once and don't think it's fair to rate on a cursory listen)          &lt;br /&gt; &lt;br /&gt;1. Fleet Foxes -- Fleet Foxes ****&lt;br /&gt;2. Elvin Bishop -- The Blues Rolls On ** 1/2&lt;br /&gt;3. David Vandervelde -- Waiting For The Sunrise **&lt;br /&gt;4. Lindsey Buckingham -- Gift Of Screws ** 1/2&lt;br /&gt;5. Adele -- 19 ** 1/2&lt;br /&gt;6. Various Artists -- The Baseball Project ** 1/2&lt;br /&gt;7. King Wilkie -- Low Country Suite **&lt;br /&gt;8. Mercury Rev -- Snowflake Midnight **&lt;br /&gt;9. Various Artists -- New Orleans Funk Vol. 2 *** 1/2 &lt;br /&gt;10. The Wood Brothers -- Loaded **&lt;br /&gt;11. British Sea Power -- Do You Like Rock Music? **&lt;br /&gt;12. Brendan James -- The Day Is Brave *** (especially song "Green")&lt;br /&gt;13. Sigur Ros -- Med Sud I Eyrum Vid Spilum Endaluast ** 1/2 &lt;br /&gt;14. Wynton Marsalis and Willie Nelson -- Two Men With The Blues ****&lt;br /&gt;15. Corey Chisel -- Cabin Ghosts EP ***&lt;br /&gt;16. Bill Henderson -- Beautiful Memory: Live At The Vic *** 1/2&lt;br /&gt;17. The Hush Sound -- Goodbye Blues ** 1/2&lt;br /&gt;18. Catfish Haven -- Devastator **&lt;br /&gt;19. Sierra Hull -- Secrets ** 1/2 &lt;br /&gt;20. Rhonda Vincent -- Good Thing Going ***&lt;br /&gt;21. 10cc -- Sheet Music ** 1/2&lt;br /&gt;22. Lizz Wright -- The Orchard ***&lt;br /&gt;23. Rodney Crowell -- Sex and Gasoline *** 1/2&lt;br /&gt;24. Van Dyke Parks -- Discover America ***&lt;br /&gt;25. Bob Dylan -- New Morning ** 1/2&lt;br /&gt;26. Bob Dylan -- Before The Flood *** 1/2&lt;br /&gt;27. Bob Dylan -- Through This Life ***&lt;br /&gt;28. Nanci Griffith -- The Loving Kind **&lt;br /&gt;29. Charles Mingus -- Tijuana Moods ***&lt;br /&gt;30. Neil Young -- After The Goldrush (remastered) ****&lt;br /&gt;31. Regina Spektor -- Far *** 1/2&lt;br /&gt;32. Rosanne Cash -- The List ***/&lt;br /&gt;33. Ben Kweller -- Changing Horses ***&lt;br /&gt;34. Neil Young-- Everybody Knows This Is Nowhere *** 1/2 &lt;br /&gt;35. Willie Nelson -- Naked ** 1/2&lt;br /&gt;36. Willie Nelson -- Willie and The Wheel ***&lt;br /&gt;37. Willie Nelson -- American Classic *** 1/2&lt;br /&gt;38. Whiskeytown -- Strangers Almanac *** 1/2&lt;br /&gt;39. Madeleine Peyroux -- Bare Bones *** 1/2&lt;br /&gt;40. Joni Mitchell -- The Hissing Of Summer Lawns *** 1/2&lt;br /&gt;41. Pearl Jam -- Ten remastered ***&lt;br /&gt;42. Kelly Clarkson -- All I Ever Wanted **&lt;br /&gt;43. M. Ward -- Hold Time *** 1/2&lt;br /&gt;44. Matthew Sweet and Susanna Hoffs -- Under The Covers Vol. 2 *** 1/2&lt;br /&gt;45. Randy Travis -- Ultimate Hits ** 1/2&lt;br /&gt;46. Conor Oberst -- Conor Oberst ***/&lt;br /&gt;47. Diana Jones -- Better Times Will Come ** 1/2&lt;br /&gt;48. Dean Martin -- Country Style/Rides Again two-fer **&lt;br /&gt;49. Neil Young -- Neil Young (remastered) *** 1/2&lt;br /&gt;50. The Beatles Mono Boxed Set **** out of **** (but really *************!!)&lt;br /&gt;51. Bobby Long -- Dirty Pond Songs **&lt;br /&gt;52. The Dells Sing Dionne Warwick **&lt;br /&gt;53. Prefab Sprout -- Let's Change The World With Music *** 1/2&lt;br /&gt;54. Peggy Lee -- The Man I Love ***&lt;br /&gt;55. The Duke and the King -- Duke and the King *&lt;br /&gt;56. Elvis Costello -- Sugar Cane ***&lt;br /&gt;57. Assembly Of Dust -- Some Assembly Required ** 1/2&lt;br /&gt;58. Bobby Long -- Dirty Pond Songs *&lt;br /&gt;59. Sondra Lerche -- Heartbeat Radio ** 1/2&lt;br /&gt;60. M'shell Ndegeocello -- Devil's Halo ***&lt;br /&gt;61. Nitty Gritty Dirt Band -- Speed Of Life ** 1/2&lt;br /&gt;62. Paolo Nutini -- Sunny Side Up **&lt;br /&gt;63. Patrick Watson -- Wooden Arms **&lt;br /&gt;64. Pentangle -- Basket Of Light ***/&lt;br /&gt;65. Phoenix -- Wolfgang Amadeus Phoenix ***&lt;br /&gt;66. Steep Canyon Rangers -- Deep In The Shade ***&lt;br /&gt;67. 7 Worlds Collide -- The Sun Came Out ***&lt;br /&gt;68. Willis Alan Ramsey -- Willis Alan Ramsey *** 1/2&lt;br /&gt;69. Vicki Emerson -- Long Ride **&lt;br /&gt;70. Black Hollies -- Softly Towards The Light ***/&lt;br /&gt;71. Frankie Negron -- Independence Day * 1/2&lt;br /&gt;72. Elliott Brood -- Mountain Meadows ***/&lt;br /&gt;73. James Hand -- Shadow On The Ground *** 1/2&lt;br /&gt;74. Green Day -- 21st Century Breakdown *** 1/2&lt;br /&gt;75. Ray Davies -- The Kinks Choral ***&lt;br /&gt;76. The Family Force 5 * 1/2&lt;br /&gt;77. Claire Lynch -- Whatcha Gonna Do ***&lt;br /&gt;78. Black Crowes -- Before The Frost...Until The Freeze *** 1/2&lt;br /&gt;79. Maxwell -- BLACKsummernights *** 1/2&lt;br /&gt;80. Madness -- The Liberty Of Norton Folgate ** 1/2&lt;br /&gt;81. Marshall Crenshaw -- Jaggedland ** 1/2&lt;br /&gt;82. Kristina Train -- Spilled Milk *** 1/2&lt;br /&gt;83. Best Of Fela Kuti  ****&lt;br /&gt;84. The Flatlanders -- Hills &amp; Valleys ***&lt;br /&gt;85. Ghost Is Dancing -- Battles on **&lt;br /&gt;86. Gov't Mule -- By A Thread *&lt;br /&gt;87. The Hot Club Of San Francisco -- Hot Club Cool Yule * 1/2&lt;br /&gt;88. Hugh Masekala -- Phola *&lt;br /&gt;89. Iron And Wine -- Around The Well ** 1/2&lt;br /&gt;90. John Fogerty -- Blue Ridge Rangers Ride Again ***&lt;br /&gt;91. John Garrison -- Departures * 1/2&lt;br /&gt;92. Various Artists -- Ciao My Shining Star: The Music Of Mark Mulcahy ***&lt;br /&gt;93. Tori Amos -- Midwinter Graces *** 1/2&lt;br /&gt;94. They Might Be Giants -- Here Comes Science ***&lt;br /&gt;95. Sarah Lee Guthrie -- Go Waggaloo * 1/2&lt;br /&gt;96. The Avett Brothers - I And Love And You *** 1/2&lt;br /&gt;97. Super Furry Animals -- Dark Days ** 1/2&lt;br /&gt;98. Various Artists -- Panama Vol 1 ** 1/2&lt;br /&gt;99. Grizzly Bear -- Veckatimest ** 1/2&lt;br /&gt;100. Brad Paisley -- American Saturday Night *** 1/2&lt;br /&gt;101. Lyle Lovett -- Natural Forces ***/&lt;br /&gt;102. Norah Jones -- The Fall ** 1/2&lt;br /&gt;103. Kristen Chenoweth -- A Lively Way To Spend Christmas * 1/2&lt;br /&gt;104. Allen Toussaint -- Bright Mississippi *** 1/2&lt;br /&gt;105. Davy Knowles and Back Door Slam -- Coming Up For Air ** 1/2&lt;br /&gt;106. Neko Case -- Middle Cyclone *** &lt;br /&gt;107. Jay-Z -- The Blueprint 3 ***/&lt;br /&gt;108. John Scofield -- Piety Street ***&lt;br /&gt;109. U2 -- No Line On The Horizon ** 1/2&lt;br /&gt;110. Bruce Springsteen -- Working On A Dream ** 1/2&lt;br /&gt;111. Volcano Choir -- Unmap * 1/2&lt;br /&gt;112. Animal Collective -- Meriweather Post Pavilion ***&lt;br /&gt;113. Tom Russell -- Blood and Candle Smoke **&lt;br /&gt;114. Bill Callahan -- Sometimes I Wish We Were An Eagle * 1/2&lt;br /&gt;115. Alex McMurray -- How To Be A Cannonball ***&lt;br /&gt;116. Jesse Winchester -- Love Filling Station *** 1/2&lt;br /&gt;117. AA Bondy -- When The Devil's Loose ** 1/2&lt;br /&gt;118. Naomi Shelton and the Gospel Queens -- What Have You Done. My Brother? ***&lt;br /&gt;119. Miranda Lambert -- Revolution *** 1/2&lt;br /&gt;120. John Stewart -- California Bloodlines *** 1/2&lt;br /&gt;121. Rosemary Clooney -- Love *** 1/2/&lt;br /&gt;122. Mika -- The Boy Who Knew Too Much *** 1/2&lt;br /&gt;123. Wilco -- (the album) ***&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Updated December 31, 2009.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-971240092554722332?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/971240092554722332/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=971240092554722332' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/971240092554722332'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/971240092554722332'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/02/movies-books-theater-concerts-cds-ive.html' title='The Movies, Books, Theater, Concerts, CDs I Saw In 2009'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6159794247914947265</id><published>2009-12-15T14:53:00.001-05:00</published><updated>2009-12-15T14:55:25.191-05:00</updated><title type='text'>Two new profiles of Broadway stars</title><content type='html'>Two new features to enjoy. A profile of &lt;a href="http://www.huffingtonpost.com/michael-giltz/exclusive-tony-winner-jim_b_392913.html"&gt;Tony winner Jim Norton&lt;/a&gt; of &lt;span style="font-style:italic;"&gt;Finian's Rainbow&lt;/span&gt; and a profile of &lt;a href="http://www.huffingtonpost.com/michael-giltz/exclusive-ragtimes-bobby_b_375987.html"&gt;future Tony winner Bobby Steggert&lt;/a&gt; of &lt;span style="font-style:italic;"&gt;Ragtime&lt;/span&gt;. Enjoy.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6159794247914947265?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6159794247914947265/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6159794247914947265' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6159794247914947265'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6159794247914947265'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/12/two-new-profiles-of-broadway-stars.html' title='Two new profiles of Broadway stars'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7932557400922963636</id><published>2009-12-13T16:47:00.001-05:00</published><updated>2009-12-13T16:49:23.086-05:00</updated><title type='text'>Popsurfing Radio Show Playlist: Family (12-11-09)</title><content type='html'>Here's the playlist for my latest Popsurfing radio show. It airs weekly on WEFT Champaign 90.1 fm on Thursday night/Friday morning from 1 am to 3 am. You can stream it live online at &lt;a href="http://weft.org/"&gt;weft.org.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You can &lt;a href="http://bit.ly/2f0clv"&gt;download the episode on iTunes.&lt;/a&gt; Enjoy!&lt;br /&gt;&lt;br /&gt;Wanna make a request? Here are some potential themes for upcoming shows. Feel free to email me with a request for one of your favorite songs that fits the theme and I'll try to fit it in.&lt;br /&gt;&lt;br /&gt;POPSURFING -- THEMES FOR UPCOMING SHOWS&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;December 17 -- holiday music&lt;br /&gt;December 24 -- holiday music&lt;br /&gt;December 31 -- drinking&lt;br /&gt;&lt;br /&gt;PLAYLIST FOR FAMILY (airdate: 12-11-2009)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HOUR ONE&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Perry Como “Papa Loves Mambo” from Two Family House&lt;br /&gt;&lt;br /&gt;Vic Mizzy “The Addams Family (Theme)” from TV Guide 50 All-Time Favorite Themes&lt;br /&gt;&lt;br /&gt;Adrian Belew “Oh Daddy” from Mr. Music Head&lt;br /&gt;&lt;br /&gt;Paul Simon “Mother And Child Reunion” from Paul Simon&lt;br /&gt;&lt;br /&gt;Bill Withers “Grandma's Hands” from Lean On Me: The Best Of Bill Withers&lt;br /&gt;&lt;br /&gt;Nitty Gritty Dirt Band “Grandpa Was A Carpenter” from Will The Circle Be Unbroken Trilogy&lt;br /&gt;&lt;br /&gt;Jill Scott “Family Reunion” from Beautifully Human: Words And Sounds Vol. 2&lt;br /&gt;&lt;br /&gt;Steely Dan “Babylon Sisters” from Gaucho&lt;br /&gt;&lt;br /&gt;Dave Van Ronk “Sister Kate” from Two Sides Of Dave Van Ronk&lt;br /&gt;&lt;br /&gt;The Smiths “Shakespeare's Sister” from The Sound Of The Smiths&lt;br /&gt;&lt;br /&gt;Amanda Palmer “Runs In The Family” from Who Killed Amanda Palmer?&lt;br /&gt;&lt;br /&gt;Brian Wilson “Child Is The Father Of The Man” from Smile&lt;br /&gt;&lt;br /&gt;Lorraine Ellison “Sister Love” from Sister Love: The Warner Bros. Recordings&lt;br /&gt;&lt;br /&gt;Carly Simon “Older Sister” from Carly Simon Anthology&lt;br /&gt;&lt;br /&gt;Sufjan Stevens “Decatur, Or Round Of Applause For Your Stepmother” from Come On Feel The Illinoise!&lt;br /&gt;&lt;br /&gt;Kris Kristofferson “Sister Sinead” from Closer to the Bone&lt;br /&gt;&lt;br /&gt;Sinéad O'Connor “This Is To Mother You” from Gospel Oak&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HOUR TWO&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Louvin Brothers “The Family Who Prays” from Jesus' Son Original Motion Picture Soundtrack&lt;br /&gt;&lt;br /&gt;Fountains Of Wayne “Stacy's Mom” from Welcome Interstate Managers&lt;br /&gt;&lt;br /&gt;John Hiatt “Your Dad Did” from Bring The Family&lt;br /&gt;&lt;br /&gt;Loretta Lynn “Family Tree” from Van Lear Rose&lt;br /&gt;&lt;br /&gt;The Everly Brothers “Wake Up Little Susie” from The Definitive Pop Collection&lt;br /&gt;&lt;br /&gt;Kate &amp; Anna McGarrigle “Kitty, Come Home” from Dancer With Bruised Knees&lt;br /&gt;&lt;br /&gt;Nitty Gritty Dirt Band “Will The Circle Be Unbroken Trilogy” from Will The Circle Be Unbroken Trilogy&lt;br /&gt;&lt;br /&gt;Rosanne Cash “Motherless Children” from The List&lt;br /&gt;&lt;br /&gt;Ernie K-Doe “Mother-In-Law” from Big Ol' Box Of New Orleans&lt;br /&gt;&lt;br /&gt;RZA “Blood Thicker Than Mud "Family Affair"” from Afro Samurai: Resurrection&lt;br /&gt;&lt;br /&gt;Langston Hughes “Mother To Son” from Poetry Speaks&lt;br /&gt;&lt;br /&gt;Allen Toussaint “Soul Sister” from Life, Love And Faith&lt;br /&gt;&lt;br /&gt;The Housemartins “He Ain't Heavy, He's My Brother” from Now That's What I Call Quite Good&lt;br /&gt;&lt;br /&gt;Woody Herman &amp; His Orchestra “Four Brothers” from Blowin' Up A Storm: The Columbia Years 1945-1947&lt;br /&gt;&lt;br /&gt;Rufus Wainwright “Little Sister” from Want Two&lt;br /&gt;&lt;br /&gt;Lyle Lovett “Family Reserve” from Joshua Judges Ruth&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HOUR THREE&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hank Williams “My Son Calls Another Man Daddy” from Hank Williams 40 Greatest Hits&lt;br /&gt;&lt;br /&gt;Leonard Cohen “Sisters Of Mercy” from Songs Of Leonard Cohen&lt;br /&gt;&lt;br /&gt;The Singing Nun “Dominique” from Dominique: The Singing Nun&lt;br /&gt;&lt;br /&gt;Sister Rosetta Tharpe “Up Above My Head I Hear Music In The Air” from Red, White &amp; Blues&lt;br /&gt;&lt;br /&gt;Sister Gertrude Morgan “If You Live Like Jesus Told You” from Let's Make A Record&lt;br /&gt;&lt;br /&gt;Kanye West “Family Business” from College Dropout&lt;br /&gt;&lt;br /&gt;The Beatles “Mother Nature's Son” from The Beatles Mono Box Set&lt;br /&gt;&lt;br /&gt;Robert Plant and Allison Kraus “Sister Rosetta Goes Before Us” from Raising Sand&lt;br /&gt;&lt;br /&gt;Peggy Lee “Sisters” from Black Coffee: Best Of Decca Years&lt;br /&gt;&lt;br /&gt;Nick Drake “Poor Mum” from Family Tree&lt;br /&gt;&lt;br /&gt;Nino Rota “The Godfather Waltz” from The Godfather&lt;br /&gt;&lt;br /&gt;Was, Not Was “Dad, I'm In Jail” from What Up, Dog?&lt;br /&gt;&lt;br /&gt;The Smothers Brothers “My Old Man (live)” from The Folk Years: Yesterday's Gone&lt;br /&gt;&lt;br /&gt;They Might Be Giants “My Brother, The Ape” from Here Comes Science&lt;br /&gt;&lt;br /&gt;Horace Silver “Song For My Father” from Song For My Father&lt;br /&gt;&lt;br /&gt;Antony &amp; The Johnsons “You Are My Sister” from I Am A Bird Now&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7932557400922963636?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7932557400922963636/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7932557400922963636' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7932557400922963636'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7932557400922963636'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/12/popsurfing-radio-show-playlist-family.html' title='Popsurfing Radio Show Playlist: Family (12-11-09)'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-2533208619358535363</id><published>2009-12-12T20:59:00.000-05:00</published><updated>2011-02-13T03:01:05.455-05:00</updated><title type='text'>Books A Gazillion: The Sample</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-AHPo2UJLRMY/TVdmAkd4mkI/AAAAAAAAAEM/pGOdZQQ-qLA/s1600/51fHmqQc7qL._SL160_SL160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 106px; height: 160px;" src="http://4.bp.blogspot.com/-AHPo2UJLRMY/TVdmAkd4mkI/AAAAAAAAAEM/pGOdZQQ-qLA/s320/51fHmqQc7qL._SL160_SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573035223869332034" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-CSXUfpAmZAs/TVdl6_-LrSI/AAAAAAAAAEE/ririGEZL7eU/s1600/51irWEzuTsL._SL160_PIsitb-sticker-arrow-dp%252CTopRight%252C12%252C-18_SH30_OU01_SL160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 106px; height: 160px;" src="http://4.bp.blogspot.com/-CSXUfpAmZAs/TVdl6_-LrSI/AAAAAAAAAEE/ririGEZL7eU/s320/51irWEzuTsL._SL160_PIsitb-sticker-arrow-dp%252CTopRight%252C12%252C-18_SH30_OU01_SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573035128173341986" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-x_j7Q9XSFEM/TVdl3bsdHsI/AAAAAAAAAD8/y5K6fjO6DbU/s1600/51irS8GmzKL._SL160_PIsitb-sticker-arrow-dp%252CTopRight%252C12%252C-18_SH30_OU01_AA160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 160px; height: 160px;" src="http://4.bp.blogspot.com/-x_j7Q9XSFEM/TVdl3bsdHsI/AAAAAAAAAD8/y5K6fjO6DbU/s320/51irS8GmzKL._SL160_PIsitb-sticker-arrow-dp%252CTopRight%252C12%252C-18_SH30_OU01_AA160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573035066895703746" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-gzNSe_v0Vf8/TVdliofeT4I/AAAAAAAAAD0/jsIxl6YVRPk/s1600/51mCGeuNFGL._AA160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 160px; height: 160px;" src="http://2.bp.blogspot.com/-gzNSe_v0Vf8/TVdliofeT4I/AAAAAAAAAD0/jsIxl6YVRPk/s320/51mCGeuNFGL._AA160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573034709553663874" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-2WgTqpCMqx4/TVdlfQB__WI/AAAAAAAAADs/-StQWvqXsug/s1600/41QdsEOdQjL._SL160_SL160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 106px; height: 160px;" src="http://2.bp.blogspot.com/-2WgTqpCMqx4/TVdlfQB__WI/AAAAAAAAADs/-StQWvqXsug/s320/41QdsEOdQjL._SL160_SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573034651447983458" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-14xr34g5ZZg/TVdlXB_ER2I/AAAAAAAAADk/ct3993gmayQ/s1600/518i1c27DZL._AA160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 160px; height: 160px;" src="http://2.bp.blogspot.com/-14xr34g5ZZg/TVdlXB_ER2I/AAAAAAAAADk/ct3993gmayQ/s320/518i1c27DZL._AA160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573034510238631778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-v8vY93LdZpw/TVdlF_3gGOI/AAAAAAAAADc/xDLePdG_0PQ/s1600/51%252BwH%252BKHoML._SL160_SL160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 105px; height: 160px;" src="http://1.bp.blogspot.com/-v8vY93LdZpw/TVdlF_3gGOI/AAAAAAAAADc/xDLePdG_0PQ/s320/51%252BwH%252BKHoML._SL160_SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573034217612253410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-02MISTCAQQM/TVdlBumW_kI/AAAAAAAAADU/pooktkuSAPs/s1600/61h1y%252BepxVL._SL160_SL160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 160px; height: 124px;" src="http://2.bp.blogspot.com/-02MISTCAQQM/TVdlBumW_kI/AAAAAAAAADU/pooktkuSAPs/s320/61h1y%252BepxVL._SL160_SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573034144257474114" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-JqW7nzBMvZ0/TVdk126KRoI/AAAAAAAAADM/35t9x_2pExE/s1600/51gOnoCBYfL._SL160_SL160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 108px; height: 160px;" src="http://3.bp.blogspot.com/-JqW7nzBMvZ0/TVdk126KRoI/AAAAAAAAADM/35t9x_2pExE/s320/51gOnoCBYfL._SL160_SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573033940329580162" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-AI8zC0QhyMU/TVdkwmqLCuI/AAAAAAAAADE/0eBV3gcGHEA/s1600/51ltY7d8dKL._SL160_SL160_.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 148px; height: 160px;" src="http://3.bp.blogspot.com/-AI8zC0QhyMU/TVdkwmqLCuI/AAAAAAAAADE/0eBV3gcGHEA/s320/51ltY7d8dKL._SL160_SL160_.jpg" alt="" id="BLOGGER_PHOTO_ID_5573033850068208354" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-D5BTCePEm-M/TVdkgOHCn-I/AAAAAAAAAC0/8WzqIuoYRlk/s1600/51fHmqQc7qL._SL160_SL160_.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;It's quite hard to even GET info for what books are coming out each week, which makes doing a sample pick kind of bizarrely hard to do.&lt;br /&gt;&lt;br /&gt;But here's February 22. These are not necessarily my top picks because I don't really have access to all the books coming out that week. So it's just an example of how it would work, not a genuine pick for that week. Also, of course, this has no resemblance to the layout. All you're getting here are the covers followed by the text that would go with them.&lt;br /&gt;&lt;br /&gt;FEBRUARY 22, 2011&lt;br /&gt;&lt;br /&gt;THE TOP PICKS OF THE WEEK&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;WEST OF HERE BY JONATHAN EVISON&lt;/span&gt;&lt;br /&gt;$24.95 hardcover&lt;br /&gt;$26.37 audio&lt;br /&gt;$9.99 e-book&lt;br /&gt;496 pages; Algonquin&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Our decree: &lt;/span&gt;Author James Evison made a name for himself with his debut novel All About Lulu. Now he leaps into the front ranks with this meaty historical epic that jumps back and forth from the late 1800s to 2006. At the heart of the tale is a dam west of Seattle: in one half of the book settlers build the dam to help their world flourish; in the other half people eagerly await its demolition. The canvas is vast -- covering everything from brothels and indigenous Americans (the luckless Klallam) to an ex-con and a drudge in a fish processing factory obsessed with Bigfoot -- and Evison looks up to the task. Could be one of the break-outs of the year.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the publisher:&lt;/span&gt; Set in the fictional town of Port Bonita, on Washington State’s rugged  Pacific coast, &lt;i&gt;West of Here&lt;/i&gt; is propelled by a story that both  re-creates and celebrates the American experience—it is storytelling on  the grandest scale. With one segment of the narrative focused on the  town’s founders circa 1890 and another showing the lives of their  descendants in 2006, the novel develops as a kind of conversation  between two epochs, one rushing blindly toward the future and the other  struggling to undo the damage of the past.&lt;br /&gt;&lt;br /&gt;An exposition on the  effects of time, on how something said or done in one generation keeps  echoing through all the years that follow, and how mistakes keep  happening and people keep on trying to be strong and brave and, most  important, just and right, &lt;i&gt;West of Here&lt;/i&gt; harks back to the work of  such masters of Americana as Bret Harte, Edna Ferber, and Larry  McMurtry, writers whose fiction turned history into myth and myth into a  nation’s shared experience. It is a bold novel by a writer destined to  become a major force in American literature.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the author:&lt;/span&gt;  Jonathan Evison is the author of &lt;i&gt;All About Lulu&lt;/i&gt;, which won the  Washington State Book Award. In 2009, he was the recipient of a Richard  Buckley Fellowship from the Christopher Isherwood Foundation. He lives  on an island in Western Washington.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;FINAL JEOPARDY: MAN VS MACHINE AND THE QUEST TO KNOW EVERYTHING BY STEPHEN BAKER&lt;/span&gt;&lt;br /&gt;$24.00 hardcover&lt;br /&gt;$9.99 e-book&lt;br /&gt;288 pages; Houghton Mifflin&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Our decree: &lt;/span&gt;Hot on the heels of the game show face off on Jeopardy between two past (human) champs and Watson (the computer upstart) comes this highly entertaining look at the IBM team focused on developing a computer program that is more human than human. In the spirit of Tracy Kidder's The Soul of A New Machine, this isn't just a dry look at the state of the art in the digital realm but a fascinating look at the personalities involved and thought-provoking insights into what it means to be human. One amusing highlight is an annual contest between humans and computers where the author finds himself determined to convince online judges that he really is human and not just a simulation. Happily, Baker is crowned the Most Human Human at that event (beating out three other flesh and blood competitors for the honor). He brings the same humanity to create a very enjoyable look at artificial intelligence leavened with genuine intelligence and charm.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the publisher:&lt;/span&gt; What if there were a computer that could answer virtually any question?  IBM engineers are developing such a machine, teaching it to compete on  the quiz show &lt;i&gt;Jeopardy&lt;/i&gt;. Early next year, it will face off in a  nationally televised match against two of the game’s greatest all-time  winners, possibly including Ken Jennings.                                      Stephen Baker’s &lt;i&gt;Final Jeopardy&lt;/i&gt; carries readers on a  captivating journey from the IBM labs to the showdown in Hollywood. The  story features brilliant Ph.D.s, Hollywood moguls, knowledge-obsessed &lt;i&gt;Jeopardy&lt;/i&gt;  masters — and a very special collection of silicon and circuitry named  Watson. It is a classic match of Man vs. Machine, not seen since Deep  Blue bested chess grandmaster Garry Kasparov. But Watson will need to do  more than churn through chess moves or find a relevant web page. It  will have to understand language, including puns and irony, and master  everything from history and literature to science, arts, and  entertainment.                                     At its heart, &lt;i&gt;Final  Jeopardy&lt;/i&gt; is about the future of knowledge. What can we teach  machines? What will Watson’s heirs be capable of in ten or twenty years?  And where does that leave humans? What will we need to know? As fast  and fun as the game itself, &lt;i&gt;Final Jeopardy&lt;/i&gt; shows how smart  machines will fit into our world — and how they’ll disrupt it.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;TOWNIE: A MEMOIR BY ANDRE DUBUS III&lt;/span&gt;&lt;br /&gt;$25.95 hardcover&lt;br /&gt;$29.95 audio&lt;br /&gt;$12.84 e-book&lt;br /&gt;400 pages; WW Norton &amp;amp; Company&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Our decree:&lt;/span&gt; Some writers turn to brawling and boxing to prove they're real men despite a penchant for literary doings. Think Hemingway and Mailer. Others -- like Andre Dubus III - turn to writing because violence threatens to overwhelm them and they know real men don't need to draw blood. So, the best-selling author of the acclaimed novel House Of Sand And Fog turns to the memoir with two-fisted delight. Dubus details how his father and fellow writer left the family in near poverty. Dubus reacted not by diving into books but diving into fights, keeping his honor intact and his anger razor sharp with brutal brawls all throughout his teenage years in a small Massachusetts mill town. Already garnering great advance reviews.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the publisher:&lt;/span&gt; An acclaimed novelist reflects on his violent past and a lifestyle  that threatened to destroy him—until he was saved by writing. After  their parents divorced in the 1970s, Andre Dubus III and his three  siblings grew up with their exhausted working mother in a depressed  Massachusetts mill town saturated with drugs and crime. To protect  himself and those he loved from street violence, Andre learned to use  his fists so well that he was even scared of himself.  Nearby, his father, an eminent author, taught on a college campus and  took the kids out on Sundays. The clash of worlds couldn’t have been  more stark—or more difficult for a son to communicate to a father. Only  by becoming a writer himself could Andre begin to bridge the abyss and  save himself. His memoir is a riveting, visceral, profound meditation on  physical violence and the failures and triumphs of love.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the author:&lt;/span&gt; Andre Dubus III is the author of &lt;i&gt;Townie, The Garden of Last  Days&lt;/i&gt; and &lt;i&gt;House of Sand and Fog&lt;/i&gt; (an Oprah Book Club pick and a  finalist for the National Book Award). He lives with his family north  of Boston.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BASEBALL PROSPECTUS 2011&lt;/span&gt;&lt;br /&gt;$24.95 paperback&lt;br /&gt;e-book not available&lt;br /&gt;600 pages; Wiley&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Our decree:&lt;/span&gt; Fantasy baseball  fans have found this annual stats-fest an indispensable part of their  draft strategy. This is the 16th edition of Baseball Prospectus and if  the name Bill James makes you as starry-eyed as Cal Ripken, Babe Ruth  and Shoeless Joe then you already want it. Their branded PECOTA system  -- which projects a player's stats for the coming season -- is the  niftiest spin on slicing and dicing statistics. But it also includes  fresh essays on every team and analysis of the managers, players and  prospects. Play (fantasy) ball? Not without this.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the Publisher:&lt;/span&gt; The  bestselling annual baseball preview from the smartest analysts in  the business. The essential guide to the 2011 baseball season  is on deck now, and whether you're a fan or fantasy player—or both—you  won't be properly informed without it. &lt;i&gt;Baseball Prospectus 2011&lt;/i&gt;  brings together an elite group of analysts to provide the definitive  look at the upcoming season in critical essays and commentary on the  thirty teams, their managers, and more than sixty players and prospects  from each team.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;TREACHERY IN DEATH&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;BY JD ROBB&lt;/span&gt;&lt;br /&gt;$26.95 hardcover&lt;br /&gt;$7.99 paperback&lt;br /&gt;$12.99 e-book&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Our decree:&lt;/span&gt; It's easy to take the prolific Nora Roberts for granted. She's never suffered from writer's block -- if anything, she suffers from writer's blockbuster, an ability to churn out so many bestsellers that no one has a chance to get a handle on her talent. Stephen King had the same problem for many years. Roberts may never equal his critical acclaim but her mash-up of romance and mystery via the "In Death" series is clever and this entry is receiving some of the best buzz in ages.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the publisher:&lt;/span&gt; Detective Eve Dallas and her partner, Peabody, are following up on a    senseless crime-an elderly grocery owner killed by three stoned punks    for nothing more than kicks and snacks. This is Peabody's first case as    primary detective-good thing she learned from the master. But Peabody soon stumbles upon a trickier situation. After a hard    workout, she's all alone in the locker room when the gym door clatters    open; and-while hiding inside a shower stall trying not to make a    sound-she overhears two fellow officers, Garnet and Oberman, arguing. It    doesn't take long to realize they're both crooked-guilty not just of    corruption but of murder. Now Peabody, Eve, and Eve's husband, Roarke,    are trying to get the hard evidence they need to bring the dirty cops    down-knowing all the while that the two are willing to kill to keep    their secret.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the author:&lt;/span&gt;  The In Death books are perpetual bestsellers, and frequently share  the bestseller list with other Nora Roberts novels. J. D. Robb publishes  two hardcover In Death books per year, with the occasional stand-alone  original In Death story featured in an anthology. Thirty books and fifteen years later, there is no end in sight  for the ever-popular In Death series.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;AND I SHALL HAVE SOME PEACE THERE BY MARGARET ROACH&lt;/span&gt;&lt;br /&gt;$25.99 hardcover&lt;br /&gt;$12.99 ebook&lt;br /&gt;272 pages; Grand Central Publishing&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Our decree:&lt;/span&gt; Margaret Roach is well known for her acclaimed books on gardening as well as her work with Martha Stewart in many capacities. &lt;span style="font-style: italic;"&gt;A Way To Garden&lt;/span&gt; alone made her name among the green-thumbed set. But Roach decided the endless whirl of responsibility was not a good thing and gave it all up. She retreated to upstate New York, turning her weekend getaway into her permanent home. This is the memoir of her first year there, a loose-limbed meander through daily trials and tribulations both with nature and her neighbors and herself.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the book (an excerpt):&lt;/span&gt;&lt;span class="drop_cap"&gt; "&lt;/span&gt;I was a 'big success,' people told me, but the secret I never spoke in reply or anytime was my  belief that I had long ago given up on me—the one whom others, in  equations of family, love, and work, relied upon—choosing the easy route  over a path toward things they don’t necessarily pay you or pat you on  the back for…. &lt;p&gt;"If I was so successful, I wanted to say back to my best friend and my  accountant and the guy who cuts my hair and everyone else lovingly  offering praise all those years, then why had I pushpinned a cryptic  note to myself on the kitchen wall, a plaintive shorthand list called  ‘Tolerances,’ as in, how much can you tolerate of what for how long? Why  were all my years-old diaries aching with phrases like &lt;em&gt;the  hit-by-car feelings of my workday&lt;/em&gt; and &lt;em&gt;Where is my creativity&lt;/em&gt;?  and that clincher, &lt;em&gt;Who or what am I waiting for?"&lt;/em&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;About the author:&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;Margaret Roach is the former garden editor of Newsday newspaper, and her 30-plus-year  former career also included an editing stint at the New York Times.  Today Roach lecture and teach about what she call "horticultural how-to and  woo-woo," and help clients create websites on the WordPress platform. She can be found online at awaytogarden.com, the gardening blog called the best of the bunch by the New York Times.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-weight: bold; text-align: left;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-weight: bold; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;NEMESIS BY MARK MILLAR (AUTHOR) AND  STEVE MCNIVEN (ILLUSTRATIONS)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;$19.99 hardcover&lt;/span&gt; &lt;span style="font-weight: normal;"&gt; 112 pages; Marvel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Our decree:&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;The first four  issues in the &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;Nemesis&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; comic  book series are brought together in this single volume. Mark Millar  alone should be enough to draw you in: he's the creator of &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;Civil War&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; (a defining Marvel  miniseries), not to mention hot properties like &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;Wanted&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; (turned into a so-so film starring Angelina  Jolie) and &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;Kick-Ass&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; (turned  into a hyper-violent and very funny movie co-starring Nicolas Cage). In  this series, he's scrubbed the world clean of super heroes and super  villains -- except for one, Nemesis, a Batman-like baddie who goes one  on one against the world's greatest cop. For those who want to stay on  top of the best in comics without trooping to their local store every  week, this is a must have.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the publisher:&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;CIVIL WAR?  Nothing. KICK-ASS? A warmup. What if the smartest, toughest  costumed bad ass in the world was totally evil? Meet Nemesis. He's  systematically been destroying the lives of every police chief in Asia,  and he's now set his sights on Washington, DC. Between you and me, the  police don't have a chance. Do not miss the book that EVERYONE will be  talking about by the creative team that made CIVIL WAR the biggest book  of the decade.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;About the author:&lt;/span&gt;  &lt;span style="font-weight: normal;"&gt;Mark Millar is one of comics' most commercially successful writers, his   work includes &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;Kick-Ass, Wanted,  Nemesis&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; and the bestselling &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;Civil  War&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;  and &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;The Ultimates. &lt;/span&gt;&lt;span style="font-weight: normal;"&gt;Steve  McNiven, Canadian comic book artist, gained his  fame working on &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;Marvel Knights 4,  Ultimate Secret&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic; font-weight: normal;"&gt;New  Avengers.  Nemesis&lt;/span&gt;&lt;span style="font-weight: normal;"&gt; is his 3rd team-up with Mark Millar.&lt;/span&gt;&lt;/p&gt;&lt;p style="font-weight: bold; text-align: left;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;MGM: HOLLYWOOD'S GREATEST BACKLOT&lt;/span&gt; BY STEVEN BINGEN ET AL&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;$34.95 hardcover&lt;/span&gt; &lt;span style="font-weight: normal;"&gt; 312 pages; Santa Monica Press&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold; text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Our decree:&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;If&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;you just want an offbeat coffee-table book about Hollywood, this focus on MGM's backlot is ideal.&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;But if you're a genuine movie buff and want some substance along with your photos, the text by Steven Bingen et al is absorbing. They cover MGM's backlot -- a world unto itself -- seemingly block by block, uncovering fascinating detail and bringing a fresh perspective on the art of moviemaking. Catnip for casual fans of Hollywood's glory days.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the publisher:&lt;/span&gt;&lt;span style="font-weight: normal;" class="drop_cap"&gt; &lt;/span&gt;&lt;span style="font-weight: normal;"&gt;Going behind the scenes at one of Hollywood’s greatest movie studios,  this extraordinary history reveals the untold story of the soundstages  and outdoor sets where many of the world’s greatest films were produced.  Featuring candid, previously unpublished photographs from the studio’s  archives and exclusive interviews with actors and staff, this detailed  exploration of MGM’s backlot—the setting for more than a fifth of the  films produced prior to 1980—takes film buffs back to Hollywood’s golden  age, offering an insider’s look at the movie business and celebrating  many of its best films and the leading actors of the studio system.  Today, when a film set can be anywhere at anytime, this treasure trove  of information reveals the creativity and ingenuity of a bygone era when  the studio system, coping with the limitations of space and technology,  produced screen gems such as &lt;/span&gt;&lt;i style="font-weight: normal;"&gt;The Wizard of Oz&lt;/i&gt;&lt;span style="font-weight: normal;"&gt;, &lt;/span&gt;&lt;i style="font-weight: normal;"&gt;Gone with the  Wind&lt;/i&gt;&lt;span style="font-weight: normal;"&gt;, and the &lt;/span&gt;&lt;i style="font-weight: normal;"&gt;Our Gang&lt;/i&gt;&lt;span style="font-weight: normal;"&gt; shorts.&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-weight: bold; text-align: left;"&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;21 DAY WEIGHT-LOSS KICKSTART&lt;/span&gt; BY NEAL D. BARNARD MD&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;$25.99 hardcover&lt;/span&gt; &lt;span style="font-weight: normal;"&gt; $12.99 ebook&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;  368 pages; Grand Central Life &amp;amp; Style&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;Our decree:&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;Dr. Barnard continues his vegan proselytizing with this approach to a whole new life. No dieting as such: just smart cooking done at home with delicious fresh ingredients. Frankly, almost any lifestyle change that involves cooking with fresh ingredients (vegan or no) will dramatically improve your health versus feasting on processed foods and take-out. But Barnard -- seen on PBS regularly -- certainly makes the vegan life look tasty. With loads of celebrity and medical endorsements, he's certain to win over a few converts.&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;Even if, like us, you enjoy a good steak, much in here can be savored.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;From the publisher:&lt;span style="font-weight: normal;" class="drop_cap"&gt; &lt;/span&gt;&lt;span style="font-weight: normal;"&gt;For years, Dr. Neal D. Barnard has been at the forefront of cutting-edge  research on what it really takes to lose weight and restore the body to  optimal health. Now, with his proven, successful program, in just three  short weeks you'll get fast results -- drop pounds, lower cholesterol and  blood pressure, improve blood sugar, and more. With Dr. Barnard's advice  on how to easily start a plant-based diet, you'll learn the secrets to  reprogramming your body quickly.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;About the  author:&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;Neal Barnard, MD is a clinical researcher, author, and health advocate.  He is an Adjunct Associate Professor of Medicine at the George  Washington University School of Medicine and Health Sciences and  president of the nonprofit Physician's Committee for Responsible  Medicine. He has been the principal investigator or coinvestigator on  several clinical trials investigating the effects of diet on health. He  is the author of several books and a frequent lecturer.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;&lt;span style="font-weight: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;span style="font-weight: bold;"&gt;GEORGE CONDO: MENTAL STATES&lt;/span&gt;&lt;br /&gt;$50,00 hardcover&lt;br /&gt;168pages; Hayward Publishing&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Our decree:&lt;/span&gt; A long overdue career retrospective of the provocative painter, sculptor and artist who has popped up everywhere from Andy Warhol's Factory to the world of Basquiat and Keith Haring and multiple Biennials to album covers for Kanye West and Phish.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;From the publisher:&lt;/span&gt;&lt;span class="drop_cap"&gt; &lt;/span&gt;Painter and sculptor George Condo (born 1957) has inhabited a broad  swath of cultural contexts over his three-decade career, from the  early-1980s East Village scene to a collaboration with William Burroughs  to making album cover art for Phish and, most recently, Kanye West.  Early in his career, Condo was friendly with Jean-Michel Basquiat and  Keith Haring and briefly worked at Andy Warhol's Factory. Having been  included in the Whitney Biennial in 1987, by 2010 he was once again  judged so original that a bronze sculpture of his was placed in that  year's Biennial. Condo's loose, imaginative approach to portraiture has  distinguished him throughout the decades: "There was a time when I  realized that the central focal point of portraiture did not have to be  representational in any way," he said in 1992. "You don't need to paint  the body to show the truth about a character. All you need is the head  and the hands." &lt;i&gt;George Condo: Mental States&lt;/i&gt; surveys the artist's  career from 1982 to the present day, focusing on his portrait paintings  but also including a selection of sculptural busts made in materials  such as gold and bronze. Organized by theme, and including 100 images of  artworks in addition to writings by Will Self, David Means, Ralph  Rugoff and Laura Hoptman, this volume explores Condo's relationship to  art history, popular culture and contemporary society.&lt;p style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;About the  author:&lt;/span&gt; &lt;span style="font-weight: normal;"&gt;Ralph Rugoff is Director of the Hayward Gallery, London.  Laura Hoptman is  Senior Curator at the New Museum, New York.  Will Self is a British  writer whose books include My Idea of Fun (1993), Great Apes (1997), How  the Dead Live (2000) and The Book of Dave (2007).  David Means is an  American writer, author of the short story collections Assorted Fire  Events: Stories (2003) and The Secret Goldfish (2004).&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-2533208619358535363?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/2533208619358535363/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=2533208619358535363' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2533208619358535363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2533208619358535363'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2010/12/books-gazillion-sample.html' title='Books A Gazillion: The Sample'/><author><name>Michael Giltz</name><uri>http://www.blogger.com/profile/16921048823380535339</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-AHPo2UJLRMY/TVdmAkd4mkI/AAAAAAAAAEM/pGOdZQQ-qLA/s72-c/51fHmqQc7qL._SL160_SL160_.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-4300241265167283946</id><published>2009-11-28T01:18:00.003-05:00</published><updated>2009-11-28T03:16:28.610-05:00</updated><title type='text'>Popsurfing Radio Show Playlist: Thanks  (11-27-09)</title><content type='html'>Here's the playlist for my latest Popsurfing radio show. It airs weekly on WEFT Champaign 90.1 fm on Thursday night/Friday morning from 1 am to 3 am. You can stream it live online at &lt;a href="http://weft.org/"&gt;weft.org.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You can &lt;a href="http://bit.ly/2f0clv"&gt;download the episode on iTunes.&lt;/a&gt; Enjoy!&lt;br /&gt;&lt;br /&gt;Wanna make a request? Here are some potential themes for upcoming shows. Feel free to email me with a request for one of your favorite songs that fits the theme and I'll try to fit it in.&lt;br /&gt;&lt;br /&gt;POPSURFING -- THEMES FOR UPCOMING SHOWS&lt;br /&gt;&lt;br /&gt;December 3 -- hard times&lt;br /&gt;December 10 -- family (parents, kids, brothers and sisters, in-laws)&lt;br /&gt;December 17 -- sleep, the night (because we'll be putting the year to rest soon)&lt;br /&gt;December 24 -- holiday music&lt;br /&gt;December 31 -- drinking&lt;br /&gt;&lt;br /&gt;PLAYLIST FOR THANKS (airdate: 11-27-2009)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HOUR ONE&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;span style="font-weight:bold;"&gt;Solomon Burke&lt;/span&gt; “Thank You” from &lt;span style="font-style:italic;"&gt;Like A Fire&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;2. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- Is it too late to say thanks? Quote from Edward Sandford Martin&lt;br /&gt;&lt;br /&gt;3. &lt;span style="font-weight:bold;"&gt;Marion Williams&lt;/span&gt; “Lord I Thank You” from &lt;span style="font-style:italic;"&gt;The Gospel Soul Of Marion Williams&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;4. &lt;span style="font-weight:bold;"&gt;Audio clip&lt;/span&gt; -- Car rental phone chat from &lt;span style="font-style:italic;"&gt;Planes, Trains &amp; Automobiles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;5. &lt;span style="font-weight:bold;"&gt;The Beatles&lt;/span&gt; “Thank You Girl” from &lt;span style="font-style:italic;"&gt;Mono Masters, Volume One&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;6. &lt;span style="font-weight:bold;"&gt;The Flatlanders&lt;/span&gt; “Thank God For The Road” from &lt;span style="font-style:italic;"&gt;Hills and Valleys&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;7. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- How to say thanks in various languages&lt;br /&gt;&lt;br /&gt;8. &lt;span style="font-weight:bold;"&gt;Peanut&lt;/span&gt; “Thank Goodness For The Rain” from &lt;span style="font-style:italic;"&gt;One Kiss Can Lead To Another: Girl Group Sounds Lost &amp; Found&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;9. &lt;span style="font-weight:bold;"&gt;Neil Diamond&lt;/span&gt; “Thank The Lord For The Night Time” from &lt;span style="font-style:italic;"&gt;In My Lifetime&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;10. &lt;span style="font-weight:bold;"&gt;Angie Stone&lt;/span&gt; “I Wanna Thank Ya” from &lt;span style="font-style:italic;"&gt;Stone Hits: The Very Best Of Angie Stone&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;11. &lt;span style="font-weight:bold;"&gt;Cadillac Sky&lt;/span&gt; “Thank You Esteban” from &lt;span style="font-style:italic;"&gt;Gravity's Our Enemy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;12. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- Public Service Announcement for Women In Transition&lt;br /&gt;&lt;br /&gt;13. &lt;span style="font-weight:bold;"&gt;Alanis Morissette&lt;/span&gt; “Thank You” from &lt;span style="font-style:italic;"&gt;Alanis Morissette -- The Collection&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;14. &lt;span style="font-weight:bold;"&gt;Buddy Jewell&lt;/span&gt; “I Wanna Thank Everyone” from &lt;span style="font-style:italic;"&gt;Buddy Jewell&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;15. &lt;span style="font-weight:bold;"&gt;Janis Ian&lt;/span&gt; “Thankyous” from &lt;span style="font-style:italic;"&gt;Best Of Janis Ian -- The Autobiography Collection&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16. &lt;span style="font-weight:bold;"&gt;William DeVaughn&lt;/span&gt; “Be Thankful For What You Got” from &lt;span style="font-style:italic;"&gt;Can You Dig It? The 70s Soul Experience&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;17. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- Buddy Jewel is one lucky son of a gun&lt;br /&gt;&lt;br /&gt;18. &lt;span style="font-weight:bold;"&gt;Maysa&lt;/span&gt; “Grateful” from &lt;span style="font-style:italic;"&gt;Metamorphosis&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;19. &lt;span style="font-weight:bold;"&gt;Teddy Thompson&lt;/span&gt; “Thanks A Lot” from &lt;span style="font-style:italic;"&gt;Teddy Thompson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;20. &lt;span style="font-weight:bold;"&gt;Audio clip&lt;/span&gt; -- picky eater at Thanksgiving dinner from &lt;span style="font-style:italic;"&gt;Home For The Holidays&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;21. &lt;span style="font-weight:bold;"&gt;George Winston&lt;/span&gt; “Thanksgiving” from &lt;span style="font-style:italic;"&gt;December&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HOUR TWO&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;22. &lt;span style="font-weight:bold;"&gt;Bing Crosby&lt;/span&gt; “Thanks” from &lt;span style="font-style:italic;"&gt;The Aviator Soundtrack&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;23. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- How to say thanks in more languages&lt;br /&gt;&lt;br /&gt;24. &lt;span style="font-weight:bold;"&gt;Ray Davies&lt;/span&gt; “Thanksgiving Day” from &lt;span style="font-style:italic;"&gt;Thanksgiving Day&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;25. &lt;span style="font-weight:bold;"&gt;John Denver&lt;/span&gt; “Thank God I'm A Country Boy” from &lt;span style="font-style:italic;"&gt;Country Roads Collection&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;26. &lt;span style="font-weight:bold;"&gt;Audio clip&lt;/span&gt; -- Steve Martin says goodbye to John Candy in &lt;span style="font-style:italic;"&gt;Planes, Trains &amp; Automobiles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;27. &lt;span style="font-weight:bold;"&gt;Maria McKee&lt;/span&gt; “Why Wasn't I More Grateful (When Life Was Sweet)” from &lt;span style="font-style:italic;"&gt;You Gotta Sin To Be Saved&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;28. &lt;span style="font-weight:bold;"&gt;Ricky Nelson&lt;/span&gt; “Thank You Lord” from &lt;span style="font-style:italic;"&gt;Ricky Nelson -- Legacy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;29. &lt;span style="font-weight:bold;"&gt;John Hiatt&lt;/span&gt; “Thank You Girl” from &lt;span style="font-style:italic;"&gt;Bring The Family&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;30. &lt;span style="font-weight:bold;"&gt;Audio clip&lt;/span&gt; -- Charles Durning gives Thanksgiving blessing in &lt;span style="font-style:italic;"&gt;Home For The Holidays&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;31. &lt;span style="font-weight:bold;"&gt;Fairport Convention&lt;/span&gt; “Now Be Thankful” from &lt;span style="font-style:italic;"&gt;Watching The Dark: The History Of Richard Thompson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;32. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- Public Service Announcement for Homeless Shelter&lt;br /&gt;&lt;br /&gt;33. &lt;span style="font-weight:bold;"&gt;Sinéad O'Connor&lt;/span&gt; “Thank You For Hearing Me” from &lt;span style="font-style:italic;"&gt;Universal Mother&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;34. &lt;span style="font-weight:bold;"&gt;My Morning Jacket&lt;/span&gt; “Thank You Too!” from &lt;span style="font-style:italic;"&gt;Evil Urges&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;35. &lt;span style="font-weight:bold;"&gt;Tommy Boyce &amp; Bobby Hart&lt;/span&gt; “Thanks For Sunday” from &lt;span style="font-style:italic;"&gt;I Wonder What She's Doing Tonite: The Best Of Boyce &amp; Hart&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;36. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- the brush off; reading of "No, Thank You John" by Christina Rossetti&lt;br /&gt;&lt;br /&gt;37. &lt;span style="font-weight:bold;"&gt;Lizz Wright&lt;/span&gt; “Thank You” from &lt;span style="font-style:italic;"&gt;The Orchard&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;38. &lt;span style="font-weight:bold;"&gt;Tito Puente&lt;/span&gt; “Lucky Dog” from &lt;span style="font-style:italic;"&gt;The Best Of Tito Puente: El Rey de Timbal!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;39. &lt;span style="font-weight:bold;"&gt;Sly &amp; The Family Stone&lt;/span&gt; “Thankful N Thoughtful” from &lt;span style="font-style:italic;"&gt;Fresh&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;40. &lt;span style="font-weight:bold;"&gt;Merle Haggard&lt;/span&gt; "Thanks To Uncle John" from &lt;span style="font-style:italic;"&gt;If I Could Only Fly&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;HOUR THREE&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;41. &lt;span style="font-weight:bold;"&gt;Barbara Lewis&lt;/span&gt; “Thankful For What I Got” from &lt;span style="font-style:italic;"&gt;Atlantic Unearthed: Soul Sisters&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;42. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- &lt;br /&gt;&lt;br /&gt;43. &lt;span style="font-weight:bold;"&gt;World Party&lt;/span&gt; “Thank You World” from &lt;span style="font-style:italic;"&gt;Goodbye Jumbo&lt;/span&gt;\&lt;br /&gt;&lt;br /&gt;44. &lt;span style="font-weight:bold;"&gt;Audio clip&lt;/span&gt; -- Gary Cooper as Lou Gehrig saying goodbye in &lt;span style="font-style:italic;"&gt;Pride Of The Yankees&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;45. &lt;span style="font-weight:bold;"&gt;Mandy Patinkin&lt;/span&gt; “Sorry -- Grateful” from &lt;span style="font-style:italic;"&gt;Dress Casual&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;46. &lt;span style="font-weight:bold;"&gt;Duke Ellington&lt;/span&gt; “I'm Just A Lucky So-And-So” from &lt;span style="font-style:italic;"&gt;Black, Brown &amp; Beige&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;47. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- have you thanked an animal yet? Plot description of scene from &lt;span style="font-style:italic;"&gt;Lohengrin&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;48. &lt;span style="font-weight:bold;"&gt;Richard Wagner&lt;/span&gt; “Num Sei bedankt, mein lieber schwann” from &lt;span style="font-style:italic;"&gt;Lohengrin&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;49. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- how to say thanks in still more languages&lt;br /&gt;&lt;br /&gt;50. &lt;span style="font-weight:bold;"&gt;Jacqui Naylor&lt;/span&gt; “Thank You, Baby” from &lt;span style="font-style:italic;"&gt;Smashed For The Holidays&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;51. &lt;span style="font-weight:bold;"&gt;Talking Heads&lt;/span&gt; “Thank You For Sending Me An Angel” from &lt;span style="font-style:italic;"&gt;More Songs About Buildings And Food&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;52. &lt;span style="font-weight:bold;"&gt;Me'Shell Ndegeocello&lt;/span&gt; “Thankful” from &lt;span style="font-style:italic;"&gt;Comfort Woman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;53. &lt;span style="font-weight:bold;"&gt;Audio clip&lt;/span&gt; -- Charles Mingus calling himself lucky and blessed from Joni Mitchell's CD &lt;span style="font-style:italic;"&gt;Mingus&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;54. &lt;span style="font-weight:bold;"&gt;Bob Hope &amp; Shirley Ross&lt;/span&gt; “Thanks For The Memory” from &lt;span style="font-style:italic;"&gt;Academy Award Winning Songs 1934-1993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;55. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- what am I thankful for? A list&lt;br /&gt;&lt;br /&gt;56. &lt;span style="font-weight:bold;"&gt;Candi Staton&lt;/span&gt; “The Thanks I Get For Loving You” from &lt;span style="font-style:italic;"&gt;Candi Staton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;57. &lt;span style="font-weight:bold;"&gt;The Swan Silvertones&lt;/span&gt; “Thank You Jesus And I Have A Friend” from &lt;span style="font-style:italic;"&gt;When Gospel Was Gospel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;58. &lt;span style="font-weight:bold;"&gt;The Hollow Men&lt;/span&gt; “Thanks To The Rolling Sea” from &lt;span style="font-style:italic;"&gt;The Last Temptation Of Elvis&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;59. &lt;span style="font-weight:bold;"&gt;ABBA&lt;/span&gt; “Thank You For The Music” from &lt;span style="font-style:italic;"&gt;ABBA Gold&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;60. &lt;span style="font-weight:bold;"&gt;Monologue&lt;/span&gt; -- show thanks by having fun; a reading of Ogden Nash's "No Doctors Today, Thank You"&lt;br /&gt;&lt;br /&gt;61. &lt;span style="font-weight:bold;"&gt;John Mellencamp&lt;/span&gt; “Thank You” from &lt;span style="font-style:italic;"&gt;Words &amp; Music: John Mellencamp's Greatest Hits&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;62. Audio clip -- Nancy Lamott saying thanks at the end of her concert from the CD &lt;span style="font-style:italic;"&gt;Live At Tavern On The Green&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;63. &lt;span style="font-weight:bold;"&gt;Kaiser Chiefs&lt;/span&gt; “Thank You Very Much” from &lt;span style="font-style:italic;"&gt;Yours Truly, Angry Mob&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-4300241265167283946?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/4300241265167283946/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=4300241265167283946' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4300241265167283946'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4300241265167283946'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/11/popsurfing-radio-show-playlist-thanks.html' title='Popsurfing Radio Show Playlist: Thanks  (11-27-09)'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-1594111887475534008</id><published>2009-11-27T22:53:00.002-05:00</published><updated>2009-11-27T23:02:10.835-05:00</updated><title type='text'>North South East WEFT Playlist 11-27-09</title><content type='html'>Here is the playlist for the world music show I hosted for John on WEFT.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Buffy Saint-Marie&lt;/span&gt; -- “No No Keshagesh” from &lt;span style="font-style:italic;"&gt;Running For The Drum&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Cyril Pahinui&lt;/span&gt; -- “Hawaiian Cowboy” from &lt;span style="font-style:italic;"&gt;Night Moon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Growling Tiger&lt;/span&gt; -- “Senorita Panchita” from &lt;span style="font-style:italic;"&gt;Alan Lomax Collection Sampler&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Cyprus Smith&lt;/span&gt; -- “Sambo Caesar (Caribbean)” from &lt;span style="font-style:italic;"&gt;Alan Lomax Collection Sampler&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Growling Tiger&lt;/span&gt; -- “War (Caribbean)” from &lt;span style="font-style:italic;"&gt;Alan Lomax Collection Sampler&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Augustus Pablo&lt;/span&gt; -- “Stop There Jah” from &lt;span style="font-style:italic;"&gt;King Tubby Meets Rockers Uptown&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Gaylads&lt;/span&gt; -- “Africa” from &lt;span style="font-style:italic;"&gt;Studio One Selector&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jackie Mittoo&lt;/span&gt; -- “Champion In The Arena” from &lt;span style="font-style:italic;"&gt;Champion In The Arena 1976-1977&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Forro In the Dark&lt;/span&gt; -- “Anao de Jardim” from &lt;span style="font-style:italic;"&gt;Light a Candle&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Bebel Gilberto&lt;/span&gt; -- “Ela (On My Way)” from &lt;span style="font-style:italic;"&gt;All In One&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Manu Chao&lt;/span&gt; -- “Me Gustas Tu” from &lt;span style="font-style:italic;"&gt;Proxima Estacion: Esperanza&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Caetano Veloso&lt;/span&gt; -- “Terra” from &lt;span style="font-style:italic;"&gt;Beleza Tropical: Brazil Classics 1&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Jorge Ben&lt;/span&gt; -- “Ponta De Lanca Africano” from &lt;span style="font-style:italic;"&gt;Beleza Tropical: Brazil Classics 1&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Nahini Doumbia &amp; Les Espoirs du Mali&lt;/span&gt; -- “Djembeka” from &lt;span style="font-style:italic;"&gt;Percussion and Songs From Mali&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Baaba Maal&lt;/span&gt; -- “Dakar Moon” from &lt;span style="font-style:italic;"&gt;Television&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Bassekou Kouyate &amp; Ngoni Ba&lt;/span&gt; -- “I Speak Fula” from &lt;span style="font-style:italic;"&gt;I Speak Fula&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Udokotela Shange Namajaha&lt;/span&gt; -- “Awungilobolele” from &lt;span style="font-style:italic;"&gt;Indestructible Beat Of Soweto Vol 1&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Nelcy Sedibe&lt;/span&gt; -- “Holotelani” from &lt;span style="font-style:italic;"&gt;The Indestructible Beat Of Soweto Volume One&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Maitre Gazonga&lt;/span&gt; -- “Les Jaloux Saboteurs” from &lt;span style="font-style:italic;"&gt;Golden Afrique Vol 1&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Amadou &amp; Mariam&lt;/span&gt; -- “M'bife (Balafon)” from &lt;span style="font-style:italic;"&gt;Dimanche A Bamako&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;The Nigerian Police Force Band&lt;/span&gt; -- “Asiko Mi Ni” from &lt;span style="font-style:italic;"&gt;Nigeria Special: 1970-1976&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Bembeya Jazz National&lt;/span&gt; -- “Republique Guinee” from &lt;span style="font-style:italic;"&gt;The Syliphone Years&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Ragheb Alama&lt;/span&gt; -- “Ya Bo Ye” from &lt;span style="font-style:italic;"&gt;Camelspotting&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Amr Diab&lt;/span&gt; -- “Nour El Ain” from &lt;span style="font-style:italic;"&gt;Camelspotting&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Buffy Saint-Marie&lt;/span&gt; -- “America The Beautiful” from &lt;span style="font-style:italic;"&gt;Running For The Drum&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-1594111887475534008?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/1594111887475534008/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=1594111887475534008' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1594111887475534008'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1594111887475534008'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/11/north-south-east-weft-playlist-11-27-09.html' title='North South East WEFT Playlist 11-27-09'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7218051491167263933</id><published>2009-11-20T19:22:00.005-05:00</published><updated>2009-11-28T01:58:22.401-05:00</updated><title type='text'>Popsurfing Radio Show Playlist: Rain  (11-20-09)</title><content type='html'>Here's the playlist for my latest Popsurfing radio show. It airs weekly on WEFT Champaign 90.1 fm on Thursday night/Friday morning from 1 am to 3 am. You can stream it live online at &lt;a href="http://weft.org/"&gt;weft.org.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You can &lt;a href="http://bit.ly/2f0clv"&gt;download the episode on iTunes.&lt;/a&gt; Enjoy!&lt;br /&gt;&lt;br /&gt;Wanna make a request? Here are some potential themes for upcoming shows. Feel free to email me with a request for one of your favorite songs that fits the theme and I'll try to fit it in.&lt;br /&gt;&lt;br /&gt;POPSURFING -- THEMES FOR UPCOMING SHOWS&lt;br /&gt;&lt;br /&gt;November 26 -- songs about giving thanks (or songs that refuse to)&lt;br /&gt;December 3 -- hard times&lt;br /&gt;December 10 -- family (parents, kids, brothers and sisters, in-laws)&lt;br /&gt;December 17 -- sleep, the night (because we'll be putting the year to rest soon)&lt;br /&gt;December 24 -- holiday music&lt;br /&gt;December 31 -- drinking&lt;br /&gt;&lt;br /&gt;PLAYLIST FOR RAIN (airdate: 11-20-2009)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. 12:00AM Ink Spots &amp; Ella Fitzgerald “Into Each Life Some Rain Must Fall” from The Singing Detective &lt;br /&gt;&lt;br /&gt;2. 12:04AM Mayer Hawthorne “I Wish It Would Rain” from A Strange Arrangement &lt;br /&gt;&lt;br /&gt;3. Monologue -- record rainfall in Champaign; wettest spot in the world&lt;br /&gt;&lt;br /&gt;4. 12:07AM The Mavericks “Here Comes The Rain” from Music For All Occasions &lt;br /&gt;&lt;br /&gt;5. audio clip from film "Rain Man" -- Tom Cruise discusses imaginary friend&lt;br /&gt;&lt;br /&gt;6. 12:11AM Somi “If The Rains Come First” from If the Rains Come First&lt;br /&gt;&lt;br /&gt;7. 12:14AM B.J. Thomas “Raindrops Keep Fallin' On My Head” from Burt Bacharach &amp; Friends -- Gold &lt;br /&gt;&lt;br /&gt;8. Monologue -- technical difficulties, ringing phone, origin of "raining cats and dogs"&lt;br /&gt;&lt;br /&gt;9. 12:17AM Ron Sexsmith “Raindrops In My Coffee” from Sexsmith &amp; Kerr: Destination Unknown &lt;br /&gt;&lt;br /&gt;10. 12:20AM Alison Krauss &amp; Union Station “Rain Please Go Away” from Lonely Runs Both Ways&lt;br /&gt;&lt;br /&gt;11. audio clip from "Young Frenkenstein" - grave robbing is a dirty job&lt;br /&gt;&lt;br /&gt;12. 12:24AM Big Maybelle “Rain Down Rain” from Big Maybelle The Complete OKeh Sessions&lt;br /&gt;&lt;br /&gt;13. Monologue -- song cut off short so an MP3 must have been an MP2; upcoming shows&lt;br /&gt;&lt;br /&gt;14. 12:28AM Brook Benton “Rainy Night In Georgia” from Can You Dig It? The 70s Soul Experience &lt;br /&gt;&lt;br /&gt;13. Monologue naming cities all over the world where it's raining right now with music in background -- 12:31AM Peter, Paul and Mary “It's Raining” from Around The Campfire &lt;br /&gt;&lt;br /&gt;13. 12:34AM Missy Elliott “The Rain (Supa Dupa Fly)” from Supa Dupa Fly &lt;br /&gt;&lt;br /&gt;14. 12:38AM Al Green “Standing In The Rain” from Lay It Down &lt;br /&gt;&lt;br /&gt;15. 12:41AM Amy Lou Barnes, Sally Mueller “Little April Shower” from Bambi&lt;br /&gt;&lt;br /&gt;16. 12:45AM Dinah Washington “Pennies From Heaven” from After Hours With Miss D&lt;br /&gt;&lt;br /&gt;17. Monologue -- CCR songs about the rain, "Who'll Stop The Rain" -- PSA for local meetings for vets of the Iraq and Afghanistan wars&lt;br /&gt;&lt;br /&gt;18. 12:50AM Ladysmith Black Mambazo “Rain, Rain, Beautiful Rain” from Shaka Zulu &lt;br /&gt;&lt;br /&gt;19. 12:55AM Sondre Lerche “I Guess It's Gonna Rain Today” from Heartbeat Radio &lt;br /&gt;&lt;br /&gt;20. Monologue -- pledge drive&lt;br /&gt;&lt;br /&gt;21. 01:00AM Vashti Bunyan “Come Wind Come Rain” from Just Another Diamond Day &lt;br /&gt;&lt;br /&gt;22. audio clip from "My Fair Lady"&lt;br /&gt;&lt;br /&gt;23. 01:04AM Richard Robbins “The Storm” from A Room With A View &lt;br /&gt;&lt;br /&gt;24. 01:07AM Mahalia Jackson “Didn't It Rain” from The World's Greatest Gospel Singer &lt;br /&gt;&lt;br /&gt;25. 01:10AM The Beatles “Rain” from Abbey Road&lt;br /&gt;&lt;br /&gt;26. Monologue -- story about my insisting George Harrison wrote "Rain" when in fact it was John Lennon&lt;br /&gt;&lt;br /&gt;27. 01:12AM George Buck, Red-jacket &amp; Group "Rain Dance (Canada)" from Alan Lomax Collection Sampler&lt;br /&gt;&lt;br /&gt;28. 01:13AM Audra McDonald, Steve Kazee “The Rain Song” from 110 In The Shade &lt;br /&gt;&lt;br /&gt;29. 01:17AM Duke Ellington “Raincheck” from Never No Lament: The Blanton-Webster Band&lt;br /&gt;&lt;br /&gt;30. audio clip from "Rain Man" &lt;br /&gt;&lt;br /&gt;31. 01:20AM Jeffrey Foskett “Laughter in The Rain” from Stars In The Sand&lt;br /&gt;&lt;br /&gt;32. Monologue -- drive more carefully when it's rainingl PSA about car repairs, insurance and your rights &lt;br /&gt;&lt;br /&gt;33. 01:23AM Justin Currie “In The Rain” from What Is Love For &lt;br /&gt;&lt;br /&gt;34. 01:26AM Sonny Terry, Brownie ^McGhee “Rainy Day” from Backwater Blues &lt;br /&gt;&lt;br /&gt;35. 01:29AM Jimi Hendrix “Rainy Day, Dream Away” from Electric Ladyland &lt;br /&gt;&lt;br /&gt;36. audio clip from "Hannah and Her Sisters" of ee cumming poem&lt;br /&gt;&lt;br /&gt;37. 01:33AM Melody Gardot “The Rain” from My One And Only Thrill&lt;br /&gt;&lt;br /&gt;38. Monologue -- leaky roof in my house; PSA about home improvement loans for Urbana residents; pledge drive&lt;br /&gt; &lt;br /&gt;39. 01:37AM John Mellencamp “Rain On The Scarecrow” from Words &amp; Music: John Mellencamp's Greatest Hits &lt;br /&gt;&lt;br /&gt;40. 01:40AM The Flatlanders “After The Storm” from Hills and Valleys &lt;br /&gt;&lt;br /&gt;41. 01:43AM Sterling Holloway “Little Black Rain Cloud” from The Many Adventures Of Winnie The Pooh &lt;br /&gt;&lt;br /&gt;42. 01:47AM Freddy Cole “Rain Is Such A Lonesome Sound” from Waiter, Ask The Man To Play The Blues&lt;br /&gt;&lt;br /&gt;43. 01:51AM Tom Waits “Rain Dogs” from Rain Dogs &lt;br /&gt;&lt;br /&gt;44. 01:54AM Alan Lomax “Ain't Gonna Rain No More” from Deep River Of Song: Alabama &lt;br /&gt;&lt;br /&gt;45. 01:56AM Bing Crosby “Let A Smile Be Your Umbrella” from Bing With A Beat &lt;br /&gt;&lt;br /&gt;46. 02:00AM The Serendipity Singers “Don't Let The Rain Come Down” from The Folk Years: Blowin' In The Wind &lt;br /&gt;&lt;br /&gt;47. Monologue about leaky roof; PSA about help for homeless men&lt;br /&gt;&lt;br /&gt;48. 02:03AM Gary Allan “Songs About Rain” from See If I Care &lt;br /&gt;&lt;br /&gt;49. audio clip from "My Fair Lady"&lt;br /&gt;&lt;br /&gt;50. 02:08AM Adele “Right As Rain” from 19 &lt;br /&gt;&lt;br /&gt;51. 02:12AM Kaiser Chiefs “Tomato In The Rain” from Off With Their Heads &lt;br /&gt;&lt;br /&gt;52. Monologue -- a reading of Richard Brautigan's "It's Raining In Love" &lt;br /&gt;&lt;br /&gt;53. 02:16AM Karen Dalton “Little Bit Of Rain” from It's So Hard To Tell Who's Going To Love You The Best &lt;br /&gt;&lt;br /&gt;54. 02:19AM Delois Barrett Campbell “The Storm Is Passing Over” from Say Amen Somebody &lt;br /&gt;&lt;br /&gt;55. 02:24AM The Jayhawks “Save It For A Rainy Day” from Rainy Day Music &lt;br /&gt;&lt;br /&gt;56. audio clip from "Psycho"&lt;br /&gt;&lt;br /&gt;57. 02:27AM Eva Cassidy “Blues Eyes Crying In The Rain” from Somewhere &lt;br /&gt;&lt;br /&gt;58. Monologue -- pledge drive&lt;br /&gt;&lt;br /&gt;58. 02:30AM The Beta Band “Dry The Rain” from The Three E.P.s &lt;br /&gt;&lt;br /&gt;59. 02:37AM Catherine Deneuve “Chez Tante Elise” from The Umbrellas Of Cherbourg &lt;br /&gt;&lt;br /&gt;60. 02:40AM Paul Weller “Early Morning Rain” from Studio 150 &lt;br /&gt;&lt;br /&gt;61. 02:44AM Robert Wyatt “Raining In My Heart” from Cuckooland &lt;br /&gt;&lt;br /&gt;62. Monologue -- a reading of "Souls and Rain Drops" by Sidney Lanier; PSA for downloading audio books from library&lt;br /&gt;&lt;br /&gt;63. 02:49AM Everything But The Girl “My Head Is Only House Unless It Rains” from Like The Deserts Miss The Rain &lt;br /&gt;&lt;br /&gt;64. audio clip from "Taxi Driver"&lt;br /&gt;&lt;br /&gt;65. 02:55AM Randy Newman “I Think It's Going To Rain Today” from Guilty: 30 Years Of Randy Newman&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7218051491167263933?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7218051491167263933/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7218051491167263933' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7218051491167263933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7218051491167263933'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/11/popsurfing-radio-show-playlist-rain-11.html' title='Popsurfing Radio Show Playlist: Rain  (11-20-09)'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-9210289350876485790</id><published>2009-11-20T18:28:00.002-05:00</published><updated>2009-11-20T18:31:55.805-05:00</updated><title type='text'>Get Your Redhot Podcasts!</title><content type='html'>Two new episodes are up for your perusal for free at iTunes. &lt;a href="http://bit.ly/9W2NN"&gt;Showbiz Sandbox&lt;/a&gt; is my weekly rundown of pop culture that I co-host with Sperling Reich and Karen Woodward. And &lt;a href="http://bit.ly/2f0clv"&gt;Popsurfing, my weekly radio show&lt;/a&gt; on &lt;a href="http://weft.org/"&gt;WEFT Champaign 90.1&lt;/a&gt; (which airs live Thursday night/Friday morning from 1 am to 3 am+) is built around a new topic every episode. This week's theme: rain. Enjoy. And if you get a chance, we're making a push to get people to rate and review Showbiz Sandbox. Take a moment and click on that five star rating if you've ever downloaded it (and even if you haven't)! Thanks.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-9210289350876485790?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/9210289350876485790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=9210289350876485790' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/9210289350876485790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/9210289350876485790'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/11/get-your-redhot-podcasts.html' title='Get Your Redhot Podcasts!'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-1535079540470771760</id><published>2009-11-14T17:07:00.005-05:00</published><updated>2009-11-20T19:25:13.170-05:00</updated><title type='text'>Popsurfing Radio Show Playlist: Colors (11-12-09)</title><content type='html'>Here's the playlist for my latest Popsurfing radio show. It airs weekly on WEFT Champaign 90.1 fm on Thursday night/Friday morning from 1 am to 3 am. You can stream it live online at &lt;a href="http://weft.org/"&gt;weft.org.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You can &lt;a href="http://bit.ly/2f0clv"&gt;download the episode on iTunes.&lt;/a&gt; Enjoy!&lt;br /&gt;&lt;br /&gt;PLAYLIST FOR COLORS (airdate: 11-12-2009)&lt;br /&gt;&lt;br /&gt;01. The Wellingtons -- "Wonderful World Of Color"&lt;br /&gt;02. Opener -- fall leaves; lipstick color monologue&lt;br /&gt;03. 7 Worlds Collide -- "Too Blue"&lt;br /&gt;04. Joni Mitchell -- "Big Yellow Taxi"&lt;br /&gt;05. Madness -- "Rainbows"&lt;br /&gt;06. Mayer Hawthorne -- "Green Eyed Love"&lt;br /&gt;07. Monologue -- Paint Chips&lt;br /&gt;08. Ray Davies -- "Village Green Medley"&lt;br /&gt;09. Rosanne Cash -- "Long Black Veil"&lt;br /&gt;10. audio clip from "Monty Python and the Holy Grail"&lt;br /&gt;11. Monsters Of Folk -- "Magic Marker"&lt;br /&gt;12. Monologue -- cream; Ol Dirty Bastard&lt;br /&gt;13. Wu Tang Clan -- "C.R.E.A.M."&lt;br /&gt;14. Grandmaster Flash -- "White Lines"&lt;br /&gt;15. Ann Sexton -- "Color My World Blue"&lt;br /&gt;16. Mildred Bailey -- "I Used To Be Color Blind"&lt;br /&gt;17. Monologue -- color blindness; John Dalton and his pickled eyeball&lt;br /&gt;18. Dolly Parton -- "God's Coloring Book"&lt;br /&gt;19. audio clip from "Casablanca"&lt;br /&gt;20. Nat King Cole -- "Orange Colored Sky"&lt;br /&gt;21. Monologue -- donate now&lt;br /&gt;17. 7 Worlds Collide -- "Hazel Black"&lt;br /&gt;18. Loretta Lynn -- "Mrs. Leroy Brown"&lt;br /&gt;19. Monologue -- Why is Johnny Cash the Man In Black?&lt;br /&gt;20. Linda Lewis -- "Red Light Ladies"&lt;br /&gt;21. Maxwell -- "Love You"&lt;br /&gt;22. Leonard Cohen -- "Famous Blue Raincoat"&lt;br /&gt;23. Jamey Johnson -- "In Color"&lt;br /&gt;24. Monologue -- white; Goethe's Theory Of Color&lt;br /&gt;25. Black Hollies -- "Run With Me Run"&lt;br /&gt;26. audio clip from "Monty Python and the Holy Grail"&lt;br /&gt;27. Arctic Monkeys -- "Old Yellow Bricks"&lt;br /&gt;28. Gene Autry -- "Yellow Rose Of Texas"&lt;br /&gt;29. Monologue -- red gold and green&lt;br /&gt;30. Brian Eno -- "Another Green World"&lt;br /&gt;31. Eric Dolphy -- "On Green Dolphin Street"&lt;br /&gt;32. Tom Waits -- "All The World Is Green"&lt;br /&gt;33. Monologue -- Isaac Newton, prisms, Marvel comics villain Prism&lt;br /&gt;34. Charles Mingus -- "Self Portrait In 3 Colors"&lt;br /&gt;35. Kermit The Frog -- "Being Green"&lt;br /&gt;36. Monologue -- color montage&lt;br /&gt;37. Sun Ra -- "Pink Elephants On Parade"/Harry Nilsson -- "Zip A Dee Doo Dah"&lt;br /&gt;38. Suzanne Vega -- "Song In Red And Gray"&lt;br /&gt;39. Monologue -- black and white&lt;br /&gt;40. The Flatlanders -- "Wishing For A Rainbow"&lt;br /&gt;41. Kings Of Leon -- "Red Morning Light"&lt;br /&gt;42. Monologue -- "The Jumblies" by Edward Lear&lt;br /&gt;43. The Soul Of John Black -- "Black John"&lt;br /&gt;44. Monologue -- color montage fade out&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-1535079540470771760?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/1535079540470771760/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=1535079540470771760' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1535079540470771760'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1535079540470771760'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/11/popsurfing-radio-show-playlist-colors.html' title='Popsurfing Radio Show Playlist: Colors (11-12-09)'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-8959906045794215900</id><published>2009-11-11T17:06:00.002-05:00</published><updated>2009-11-11T17:21:23.514-05:00</updated><title type='text'>An Interview With Padgett Powell</title><content type='html'>My latest HuffPo feature is &lt;a href="http://bit.ly/QVc9K"&gt;an interview with author Padgett Powell,&lt;/a&gt; whose new book is composed entirely of a series of questions. &lt;br /&gt;&lt;br /&gt;Also the latest episode of &lt;a href="http://bit.ly/9W2NN"&gt;Showbiz Sandbox&lt;/a&gt; -- my weekly pop culture podcast with Sperling Reich and Karen Woodward -- is up now.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-8959906045794215900?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/8959906045794215900/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=8959906045794215900' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8959906045794215900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8959906045794215900'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/11/interview-with-padgett-powell.html' title='An Interview With Padgett Powell'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7287014817150095670</id><published>2009-10-30T18:03:00.001-04:00</published><updated>2009-10-30T18:04:33.397-04:00</updated><title type='text'>Latest HuffPo DVD Column Is Up</title><content type='html'>I cover Il Divo, The Prisoner, Chinatown, Fawlty Towers, Tinker Bell and more. &lt;a href="http://bit.ly/9kHMl"&gt;Enjoy!&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7287014817150095670?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7287014817150095670/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7287014817150095670' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7287014817150095670'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7287014817150095670'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/10/latest-huffpo-dvd-column-is-up.html' title='Latest HuffPo DVD Column Is Up'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-5642878509718756551</id><published>2009-10-18T21:42:00.001-04:00</published><updated>2009-10-18T21:43:46.934-04:00</updated><title type='text'>Nellie McKay Podcast is Up</title><content type='html'>I turned my interview with the very fun &lt;a href="http://bit.ly/2f0clv"&gt;Nellie McKay into a podcast.&lt;/a&gt; Enjoy.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-5642878509718756551?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/5642878509718756551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=5642878509718756551' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/5642878509718756551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/5642878509718756551'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/10/nellie-mckay-podcast-is-up.html' title='Nellie McKay Podcast is Up'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7986291059301699790</id><published>2009-10-14T16:30:00.001-04:00</published><updated>2009-10-14T16:32:39.534-04:00</updated><title type='text'>Cory Chisel and Nellie McKay Profiles Up Now</title><content type='html'>Check out two new stories I've posted on Huffington. One is a profile of major label debut &lt;a href="http://www.huffingtonpost.com/michael-giltz/exclusive-cory-chisel-on_b_315954.html"&gt;artist Cory Chisel.&lt;/a&gt; The other is &lt;a href="http://www.huffingtonpost.com/michael-giltz/exclusive-nellie-mckay-ta_b_321231.html"&gt;a chat with Nellie McKay,&lt;/a&gt; who just released a charming tribute album to Doris Day. Both are among the best CDs of the year.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7986291059301699790?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7986291059301699790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7986291059301699790' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7986291059301699790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7986291059301699790'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/10/cory-chisel-and-nellie-mckay-profiles.html' title='Cory Chisel and Nellie McKay Profiles Up Now'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6146345887477218267</id><published>2009-10-09T03:52:00.003-04:00</published><updated>2009-10-09T04:07:26.297-04:00</updated><title type='text'>Popsurfing Radio Show Playlist #1: Born Again</title><content type='html'>Just did my first radio show from 1 to 3 am EST. Since I was just figuring things out, I failed to properly record the show, so my debut will have to remain legendary rather than actually heard by anyone other than the lucky few who listened in live. Here's the playlist from that electrifying first show:&lt;br /&gt;&lt;br /&gt;The theme of the show was "Born Again"&lt;br /&gt;&lt;br /&gt;1. Richard and Linda Thompson -- "Dimming Of The Day/Dargai" &lt;br /&gt;2. Beatles -- "Rocky Racoon"&lt;br /&gt;3. Cory Chisel -- "Born Again"&lt;br /&gt;4. A reading from Billy Graham's book "The Journey"&lt;br /&gt;5. Wilco -- "Airline To Heaven"&lt;br /&gt;6. The The -- "I Saw The Light" &lt;br /&gt;7. Hank Williams -- "I'll Have A New Body"&lt;br /&gt;8. Talking Heads -- "Take Me To The River"&lt;br /&gt;9. A reading from the nonfiction book "Waking Giants" by David S Reynolds on the Great Awakening&lt;br /&gt;10. Ray Charles -- "Hallelujah, I Love Her So"&lt;br /&gt;11. The Staples Singers -- "I'll Take You There"&lt;br /&gt;12. Rebirth Brass Band -- "Just A Little While To Stay Here"&lt;br /&gt;13. monologue on being reborn again artistically&lt;br /&gt;14. David Bowie -- "It Ain't Easy"&lt;br /&gt;15. Cat Stevens -- "If You Wanna Sing Out, Sing Out"&lt;br /&gt;16. Phoenix -- "Lisztomania"&lt;br /&gt;17. A stanza from William Butler Yeats' "His Phoenix"&lt;br /&gt;18. Cassandra Wilson -- "Resurrection Blues (Tutu)"&lt;br /&gt;19. Bruce Springsteen -- "Thunder Road (live)"&lt;br /&gt;20. U2 -- "Gloria"&lt;br /&gt;21. monologue about Johnny Cash's burst of music at the end of his life&lt;br /&gt;22. Johnny Cash -- "You Are My Sunshine"&lt;br /&gt;23. Paul Simon -- "Born At The Right Time"&lt;br /&gt;24. Ben Lee -- "Surrender"&lt;br /&gt;25. Monologue about proposed film in which lovers are reincarnated and meet again, and cue the song that will play...&lt;br /&gt;26. Frank Sinatra -- "Where Or When"&lt;br /&gt;27. Jimmie Dale Gilmore -- "Just A Wave"&lt;br /&gt;28. Steely Dan -- "Bodhisatva"&lt;br /&gt;29. monologue on the meaning of Bodhisatva, then another selection from "Waking Giant" about revival meetings&lt;br /&gt;30. Rev. Benny Canpbell -- "You Must Be Born Again"&lt;br /&gt;31. Patty Loveless -- "Rise Up, Lazarus"&lt;br /&gt;32. Nick Cave -- "Dig! Lazarus, Dig!"&lt;br /&gt;33. monologue about Lazarus, reincarnation and the most famous reincarnated hero in history, the Doctor&lt;br /&gt;34. Theme from "Doctor Who"&lt;br /&gt;35. John Coltrane -- "Acknowledgement"&lt;br /&gt;36. Jimi Hendrix -- "The Star Spangled Banner"&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6146345887477218267?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6146345887477218267/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6146345887477218267' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6146345887477218267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6146345887477218267'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/10/popsurfing-radio-show-playlist-1-born.html' title='Popsurfing Radio Show Playlist #1: Born Again'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-2502805766243375192</id><published>2009-10-06T15:24:00.003-04:00</published><updated>2009-10-07T00:44:56.533-04:00</updated><title type='text'>Rosanne Cash Profile on Huffington Post</title><content type='html'>Read my latest Huffington Post piece, a &lt;a href="http://www.huffingtonpost.com/michael-giltz/music----rosanne-cash-sin_b_311389.html"&gt;profile of Grammy-winning artist Rosanne Cash &lt;/a&gt;talking about her new album &lt;span style="font-style:italic;"&gt;The List.&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;You can listen to my podcast of the entire interview on iTunes via&lt;a href="http://bit.ly/2f0clv"&gt; my Popsurfing podcast.&lt;/a&gt; (Note: there are two gaps of about 20 seconds during the 34 minute piece because I'm a fool and just learning how to do the technical stuff. My apologies, but happily none of the missing moments involve quotes from Cash.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-2502805766243375192?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/2502805766243375192/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=2502805766243375192' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2502805766243375192'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/2502805766243375192'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/10/rosanne-cash-profile-on-huffington-post.html' title='Rosanne Cash Profile on Huffington Post'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-8826645644589000902</id><published>2009-10-01T15:10:00.001-04:00</published><updated>2009-10-01T15:10:53.174-04:00</updated><title type='text'>Cory Chisel on MPR</title><content type='html'>Listen here.&lt;br /&gt;&lt;br /&gt;&lt;script type="text/javascript" src="http://minnesota.publicradio.org/www_publicradio/tools/media_player/js/swfobject.js"&gt;&lt;/script&gt;&lt;div id="minnesota_the_current_performances_2008_10_13_cory_chisel_20081013_128s_player"&gt;&lt;/div&gt;&lt;script type="text/javascript"&gt;/*&lt;![CDATA[*/var so = new SWFObject("http://minnesota.publicradio.org/www_publicradio/tools/media_player/s_player.swf", "minnesota_the_current_performances_2008_10_13_cory_chisel_20081013_128s_player", "319", "83", "8", "#ffffff");so.addParam("quality", "high");so.addParam("menu", "false");so.addParam("wmode", "transparent");so.addVariable("name", "minnesota/the_current/performances/2008/10/13/cory_chisel_20081013_128");so.write("minnesota_the_current_performances_2008_10_13_cory_chisel_20081013_128s_player");/*]]&gt;*/&lt;/script&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-8826645644589000902?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/8826645644589000902/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=8826645644589000902' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8826645644589000902'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8826645644589000902'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/10/cory-chisel-on-mpr.html' title='Cory Chisel on MPR'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7788670402784694151</id><published>2009-09-30T15:37:00.001-04:00</published><updated>2009-09-30T15:39:28.850-04:00</updated><title type='text'>The Latest Showbiz Sandbox Podcast is Up!</title><content type='html'>&lt;a href="http://bit.ly/10F3U5"&gt;Check it out.&lt;/a&gt; Guests include top Hollywood producers Ted Hope and Christine Vachon, as well as &lt;a href="http://digitalmedialaw.blogspot.com/"&gt;lawyer Jonathan Handel&lt;/a&gt; to give us the skinny on the latest SAG elections.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7788670402784694151?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7788670402784694151/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7788670402784694151' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7788670402784694151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7788670402784694151'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/latest-showbiz-sandbox-podcast-is-up.html' title='The Latest Showbiz Sandbox Podcast is Up!'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7326215109569440170</id><published>2009-09-21T13:20:00.001-04:00</published><updated>2009-09-21T13:22:16.216-04:00</updated><title type='text'>Toronto Finale!</title><content type='html'>Here's my &lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-fest-day-7-a_b_293479.html"&gt;coverage of Days 7 &amp; 8 of the Toronto International Film Festival.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And here is &lt;a href="http://www.huffingtonpost.com/michael-giltz/toronto-film-festival-wra_b_293537.html"&gt;my wrap-up of the fest, &lt;/a&gt;including capsule reviews of 24 films.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7326215109569440170?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7326215109569440170/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7326215109569440170' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7326215109569440170'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7326215109569440170'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/toronto-finale.html' title='Toronto Finale!'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-3515342563629804360</id><published>2009-09-14T02:50:00.002-04:00</published><updated>2009-09-14T02:51:03.767-04:00</updated><title type='text'>Toronto Film Fest Day 4: Two Documentaries and a Little Girl</title><content type='html'>Here's Day 4 of my Toronto International Film Festival &lt;a href="http://bit.ly/TMVFc"&gt;coverage on Huffington Post. &lt;/a&gt;Enjoy!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-3515342563629804360?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/3515342563629804360/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=3515342563629804360' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/3515342563629804360'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/3515342563629804360'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/toronto-film-fest-day-4-two.html' title='Toronto Film Fest Day 4: Two Documentaries and a Little Girl'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6754329223783315180</id><published>2009-09-12T22:42:00.001-04:00</published><updated>2009-09-12T22:42:55.352-04:00</updated><title type='text'>Toronto Film Fest Day 3: Cartoons, Cads and Commies (post- and pre-)</title><content type='html'>My complete coverage is up &lt;a href="http://bit.ly/4mbR5l"&gt;on Huffington Post.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6754329223783315180?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6754329223783315180/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6754329223783315180' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6754329223783315180'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6754329223783315180'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/toronto-film-fest-day-3-cartoons-cads.html' title='Toronto Film Fest Day 3: Cartoons, Cads and Commies (post- and pre-)'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-812073377290356996</id><published>2009-09-11T02:58:00.001-04:00</published><updated>2009-09-11T02:58:57.117-04:00</updated><title type='text'>Toronto Film Fest Day 1: Peasants, Cats, Goats, Nymphs and War</title><content type='html'>Here's &lt;a href="http://bit.ly/7me0P"&gt;my complete coverage of Day One&lt;/a&gt; for Huffington Post.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-812073377290356996?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/812073377290356996/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=812073377290356996' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/812073377290356996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/812073377290356996'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/toronto-film-fest-day-1-peasants-cats.html' title='Toronto Film Fest Day 1: Peasants, Cats, Goats, Nymphs and War'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-4765372636872641392</id><published>2009-09-08T22:23:00.001-04:00</published><updated>2009-09-08T22:23:41.406-04:00</updated><title type='text'>Japanese Noir? Hai!</title><content type='html'>My latest Huffington Post DVD column is up. &lt;a href="http://bit.ly/2tPj0I"&gt;Check it out.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-4765372636872641392?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/4765372636872641392/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=4765372636872641392' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4765372636872641392'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4765372636872641392'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/japanese-noir-hai.html' title='Japanese Noir? Hai!'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-1764087506399915287</id><published>2009-09-07T16:26:00.005-04:00</published><updated>2009-09-07T16:52:14.594-04:00</updated><title type='text'>My Very First Solo Podcast Is Now Up! Interview With Matthew Sweet</title><content type='html'>My very first solo podcast is now up on iTunes. &lt;a href="http://bit.ly/PopSurfingPodcast"&gt;This link takes you right to iTunes&lt;/a&gt; where you can download the podcast for free. I chat with Matthew Sweet, the acclaimed musician who has just put out his second album of duets with Susanna Hoffs of The Bangles. They perform hits from the Seventies by the likes of Fleetwood Mac, Mott The Hoople, Todd Rundgren, Big Star and Yes. It's a lot of fun and Sweet was great to talk with. Don't forget to subscribe and rate it.&lt;br /&gt;&lt;br /&gt;And here's a link to &lt;a href="http://www.huffingtonpost.com/michael-giltz/cds-richard-thompson----s_b_274200.html"&gt;my in-depth interview with Richard Thompson.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Follow me &lt;a href="http://twitter.com/michaelgiltz"&gt;on Twitter&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Join me &lt;a href="http://www.facebook.com/home.php#/michael.giltz?ref=profile"&gt;on Facebook.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.netflix.com/BeMyFriend/PokEiMcn0cGhCZ5gEgBB"&gt;Friend me on Netflix&lt;/a&gt; and get easy access to thousands of ratings and reviews.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-1764087506399915287?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/1764087506399915287/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=1764087506399915287' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1764087506399915287'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/1764087506399915287'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/my-very-first-solo-podcast-is-now-up.html' title='My Very First Solo Podcast Is Now Up! Interview With Matthew Sweet'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6392162407743354872</id><published>2009-09-01T17:12:00.001-04:00</published><updated>2009-09-01T17:13:33.669-04:00</updated><title type='text'>Richard Thompson Is God</title><content type='html'>My latest interview is up on Huffington Post. It's a profile of legendary guitarist, singer and songwriter Richard Thompson, one of my favorite musical artists of all time. &lt;a href="http://bit.ly/RichardThompson"&gt;Check it out.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6392162407743354872?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6392162407743354872/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6392162407743354872' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6392162407743354872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6392162407743354872'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/09/richard-thompson-is-god.html' title='Richard Thompson Is God'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-4481966151223456424</id><published>2009-08-28T22:49:00.001-04:00</published><updated>2009-08-28T22:50:54.122-04:00</updated><title type='text'>Don't Get Conned: Check Out "Duplicity"</title><content type='html'>My latest Huffington Post DVD column is out and includes a lead review raving about the smart caper film Duplicity, starring Julia Roberts and Clive Owen. &lt;a href="http://bit.ly/7NxCA"&gt;Check it out.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-4481966151223456424?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/4481966151223456424/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=4481966151223456424' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4481966151223456424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4481966151223456424'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/08/dont-get-conned-check-out-duplicity.html' title='Don&apos;t Get Conned: Check Out &quot;Duplicity&quot;'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-53689845816688389</id><published>2009-08-27T16:46:00.001-04:00</published><updated>2009-08-27T16:47:41.997-04:00</updated><title type='text'>Willie Nelson's New Album Of Standards</title><content type='html'>My full review of Willie Nelson's &lt;span style="font-style:italic;"&gt;American Classic&lt;/span&gt; -- his "official" follow-up to &lt;span style="font-style:italic;"&gt;Stardust&lt;/span&gt; - is up now on Huffington Post. &lt;a href="http://bit.ly/HuffPoreview"&gt;Check it out.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-53689845816688389?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/53689845816688389/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=53689845816688389' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/53689845816688389'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/53689845816688389'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/08/willie-nelsons-new-album-of-standards.html' title='Willie Nelson&apos;s New Album Of Standards'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-4741245555847092483</id><published>2009-08-26T13:39:00.003-04:00</published><updated>2009-08-26T13:59:09.948-04:00</updated><title type='text'>New Showbiz Sandbox Episode Is Now Up!</title><content type='html'>Check out the free weekly podcast I co-host. Called Showbiz Sandbox, it's a pop culture show hosted by industry insiders Sperling Reich, Karen Woodward and myself. The show features Anne Thompson of indiewire.com as our guest and covers everything from Twitter's (over-stated) effect on the box office of Inglorious Basterds to the Beatles. Go directly to &lt;a href="http://ax.itunes.apple.com/WebObjects/MZStore.woa/wa/browserRedirect?url=itms%253A%252F%252Fax.itunes.apple.com%252FWebObjects%252FMZStore.woa%252Fwa%252FviewPodcast%253Fid%253D315942437"&gt;Showbiz Sandbox on iTunes here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Also, here are some recent columns I've posted on Huffington:&lt;br /&gt;&lt;br /&gt;My DVD column pegged to &lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds----life-on-mars-and_b_249016.html"&gt;the release of the UK Life On Mars&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;My DVD column on &lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds-new-miss-marple-does_b_252210.html"&gt;the new Miss Marple&lt;/a&gt; and the heated debate it inspired.&lt;br /&gt;&lt;br /&gt;My DVD column on &lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds-i-heart-firefly_b_261458.html"&gt;beloved cult hit Firefly.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My DVD column on &lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds-hannah-montana-vs-dr_b_265670.html"&gt;an imaginary battle between Hannah Montana and Dragonball: Evolution.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Willie Nelson is following me on Twitter. &lt;a href="http://twitter.com/michaelgiltz"&gt;Why aren't you?&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Are you on Netflix? &lt;a href="http://www.netflix.com/BeMyFriend/PokEiMcn0cGhCZ5gEgBB"&gt;Friend me and get easy access to thousands of ratings and reviews&lt;/a&gt; and my Top Movies of the Year lists from the 20s to the Present.&lt;br /&gt;&lt;br /&gt;Here's another link to &lt;a href="http://bit.ly/ShowbizSandbox"&gt;Showbiz Sandbox.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-4741245555847092483?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/4741245555847092483/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=4741245555847092483' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4741245555847092483'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/4741245555847092483'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/08/new-showbiz-sandbox-episode-is-now-up.html' title='New Showbiz Sandbox Episode Is Now Up!'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7209044070318821556</id><published>2009-08-12T12:14:00.002-04:00</published><updated>2009-08-12T12:17:50.928-04:00</updated><title type='text'>Tilda Swinton's Film Festival</title><content type='html'>Tilda Swinton is one of my favorite actresses -- I still remember being stunned by how lovely she looked when I interviewed her at Cannes, with the seashore in the background and Swinton and her red hair and bewitching looks just inches away. Always intriguing on camera, she's a beauty in person. And of course she has bold, unconventional taste as borne out by film after film...and now by a film festival she's begun.&lt;br /&gt;&lt;br /&gt;Peter Knegt has the sweet story on indiewire. &lt;a href="http://www.indiewire.com/article/cinephile_summer_camp_tilda_swinton_and_mark_cousins_magical_pilgrimage/"&gt;Check it out.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7209044070318821556?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7209044070318821556/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7209044070318821556' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7209044070318821556'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7209044070318821556'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/08/tilda-swintons-film-festival.html' title='Tilda Swinton&apos;s Film Festival'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-7742736839187441878</id><published>2009-07-25T13:47:00.000-04:00</published><updated>2009-07-25T02:52:04.176-04:00</updated><title type='text'>1939 -- The Greatest Year For Movies</title><content type='html'>1939 is often mentioned as the greatest year for movies in history. And no wonder -- the ten movies nominated for Best Picture at that year's Oscars are enough to quicken the pulse of any filmgoer. So I've decided that if 1939 is the greatest year for movies that I should watch ANY movie made in 1939. I've listed below the movies I've seen repeatedly in the past and now keep track of any new film I watch that's made in that year. I've undoubtedly failed to include some movies I saw years ago because they weren't memorable and I wasn't paying attention to when they were made. Since I've seen at least 100 movies released each year for the past 20 years, it will be a while before I can definitively say I've seen as many from 1939. But I'm getting there: I scan TCM every week and DVR anything from that year I come across. Below I list the movies alphabetically and by star rating, so the absolute classics come first. How many movies from 1939 have you seen?&lt;br /&gt;&lt;br /&gt;1939&lt;br /&gt;&lt;br /&gt;Gone With The Wind ****&lt;br /&gt;Gunga Din ****&lt;br /&gt;The Hound Of The Baskervilles ****&lt;br /&gt;The Hunchback Of Notre Dame ****&lt;br /&gt;The Lady Vanishes ****&lt;br /&gt;Mr. Smith Goes To Washington ****&lt;br /&gt;Ninotchka ****&lt;br /&gt;Rules of the Game ****&lt;br /&gt;Stagecoach ****&lt;br /&gt;The Wizard Of Oz ****&lt;br /&gt;The Women ****&lt;br /&gt;&lt;br /&gt;The Adventures Of Sherlock Holmes *** ½ &lt;br /&gt;Love Affair *** ½ &lt;br /&gt;Of Mice and Men *** ½ &lt;br /&gt;The Roaring Twenties *** ½ &lt;br /&gt;Wuthering Heights *** ½ &lt;br /&gt;&lt;br /&gt;Bachelor Mother (Ginger Rogers w baby and David Niven) ***&lt;br /&gt;Beau Geste ***&lt;br /&gt;Charlie Chan in City In Darkness ***&lt;br /&gt;Destry Rides Again ***&lt;br /&gt;Dodge City ***&lt;br /&gt;Drums Along The Mohawk ***&lt;br /&gt;Five Came Back (Lucille Ball – plane crash in jungle) ***&lt;br /&gt;Goodbye, Mr. Chips ***&lt;br /&gt;Intermezzo: A Love Story ***&lt;br /&gt;Invisible Stripes (Geroge Raft, William Holden, Bogie, ex-cons) ***&lt;br /&gt;The Oklahoma Kid ***&lt;br /&gt;Only Angels Have Wings ***&lt;br /&gt;The Saint Strikes Back ***&lt;br /&gt;The Story Of Vernon and Irene Castle ***&lt;br /&gt;Union Pacific ***&lt;br /&gt;Young Mr. Lincoln ***&lt;br /&gt;&lt;br /&gt;The Adventures Of Huckleberry Finn ** 1/2&lt;br /&gt;Calling Dr. Kildare ** ½ &lt;br /&gt;Captain Fury ** ½ &lt;br /&gt;Charlie Chan at Treasure Island ** ½&lt;br /&gt;In Name Only ** 1/2 &lt;br /&gt;The Lone Wolf Spy Hunt ** ½ &lt;br /&gt;Night Nurse ** 1/2&lt;br /&gt;The Private Lives of Elizabeth and Essex ** ½ &lt;br /&gt;The Real Glory (Gary Cooper, Phillipines, Moro rebellion) ** ½ &lt;br /&gt;The Saint in London ** ½ &lt;br /&gt;The Secret of Dr. Kildare ** ½ &lt;br /&gt;Stanley and Livingstone ** ½ &lt;br /&gt;&lt;br /&gt;Andy Hardy Gets Spring Fever **&lt;br /&gt;Babes In Arms **&lt;br /&gt;Charlie Chan in Reno **&lt;br /&gt;The Falcon’s Brother **&lt;br /&gt;Made For Each Other **&lt;br /&gt;Maisie (Ann Southern) **&lt;br /&gt;Sylvia Scarlett **&lt;br /&gt;&lt;br /&gt;Espionage Agent * 1/2&lt;br /&gt;Fast and Loose * ½ &lt;br /&gt;The Great Man Votes (scenery chewing John Barrymore) * ½ &lt;br /&gt;The Ice Follies of 1939 (Jimmy Stewart and Joan Crawford) * ½ &lt;br /&gt;It’s A Wonderful World (Jimmy Stewart and Claudette Colbert) * ½ &lt;br /&gt;Nancy Drew, Reporter * ½ &lt;br /&gt;They Made Her A Spy * ½ &lt;br /&gt;&lt;br /&gt;Jamaica Inn *&lt;br /&gt;Naughty But Nice *&lt;br /&gt;Nancy Drew, Trouble Shooter *&lt;br /&gt;Nick Carter, Master Detective *&lt;br /&gt;Rhythm Romance aka Some Like It Hot *&lt;br /&gt;Topper Takes A Trip * &lt;br /&gt;Way Down South *&lt;br /&gt;&lt;br /&gt;Charley’s Big-Hearted Aunt (tired farce) no stars&lt;br /&gt;Zenobia )Laurel &amp; Hardy) no stars&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;67 movies&lt;br /&gt;&lt;br /&gt;Updated as of 7/25/2009&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-7742736839187441878?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/7742736839187441878/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=7742736839187441878' title='14 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7742736839187441878'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/7742736839187441878'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2008/01/1939-greatest-year-for-movies.html' title='1939 -- The Greatest Year For Movies'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>14</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-8211224555981855836</id><published>2009-07-25T02:01:00.001-04:00</published><updated>2009-07-25T02:01:59.610-04:00</updated><title type='text'>Swimming Bans Those Hi-Tech Suits!</title><content type='html'>The &lt;a href="http://www.nytimes.com/2009/07/25/sports/25swim.html?_r=1&amp;hp"&gt;best news&lt;/a&gt; I've heard in ages :)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-8211224555981855836?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/8211224555981855836/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=8211224555981855836' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8211224555981855836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8211224555981855836'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/07/swimming-bans-those-hi-tech-suits.html' title='Swimming Bans Those Hi-Tech Suits!'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-997385641637263870</id><published>2009-06-18T23:09:00.002-04:00</published><updated>2009-06-18T23:11:10.007-04:00</updated><title type='text'>Check Out Aaron's Blog</title><content type='html'>My friend Aaron sees even more movies than me and since he has good if eclectic taste, he's worth checking out.&lt;br /&gt;&lt;br /&gt;His blog, quite accurately named &lt;a href="http://allthemoviesiwatch.blogspot.com/"&gt;"All The Movies I Watch" is here.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-997385641637263870?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/997385641637263870/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=997385641637263870' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/997385641637263870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/997385641637263870'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/06/check-out-aarons-blog.html' title='Check Out Aaron&apos;s Blog'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-8089902684500966479</id><published>2009-06-08T18:37:00.004-04:00</published><updated>2009-06-08T20:07:04.401-04:00</updated><title type='text'>Namechecked In Variety</title><content type='html'>If I can't write for Variety, at least I can get quoted in Variety. &lt;a href="http://www.variety.com/article/VR1118004587.html?categoryid=1019&amp;cs=1&amp;query=huffington+pixar"&gt;A new article in Variety&lt;/a&gt; about the success of Pixar's Up quotes &lt;a href="http://www.huffingtonpost.com/michael-giltz/nyt-blows-it-on-pixar-the_b_183636.html"&gt;my Huffington Post article,&lt;/a&gt; which dissed the Wall Street critics who questioned the film's potential and dissed the New York Times for factual errors and letting the analysts mouth patent untruths when making their case. (Not to mention ignoring how analysts have been wrong about Pixar films time and time again.) All good. &lt;br /&gt;&lt;br /&gt;Two minor problems. The Variety article implies that I chided analysts and the New York Times AFTER the movie &lt;span style="font-style:italic;"&gt;Up&lt;/span&gt; opened to glorious reviews and excellent box office. But I deserved a little more credit than that. In fact, I wrote my detailed critique six weeks ago, the very day the New York Times article appeared. And I didn't intend to write "mockingly;" I was highlighting mistakes that should have been corrected by the Times as well as numerous instances where the analysts quoted were shortsighted, misleading or just plain demonstrated a lack of knowledge about the business they're supposed to be talking about. Still, it was fun to see myself quoted in Variety, a trade paper I've been reading since I was a little kid growing up in South Florida.&lt;br /&gt;&lt;br /&gt;But the other problem really hurt: they spelled my name Glitz instead of Giltz. I suppose it's my fault for not changing it to "Michael Gannon" the way I wanted to when I was twelve years old. (NOTE: And now it's been corrected! Thanks Mr. Lowry.)&lt;br /&gt;&lt;br /&gt;P.S. By the way, the article gives one of the analysts (Pali Research's Richard Greenfield) a chance to redeem himself...and he falls flat on his face. First, rather than acknowledge that Up got off to an excellent start, he pettily says "It's hard to call success/failure for the film after one weekend...especially given the fact that 5% fewer people saw the film opening weekend than 'WALL-E." &lt;br /&gt;&lt;br /&gt;Huh. Where to begin. First, it's actually very EASY to declare some films a flop after their opening weekend: Land of the Lost certainly bellyflopped. Maybe it will do exponentially better overseas (where the title has no resonance, unlike in the US). But it's pretty easy to call it a disappointment. At best, a huge overseas success would make it not a disaster unless it behaves unbelievably better around the world. However, the point that a movie's success or failure isn't inherently determined on opening weekend is a truism. But what you can say is boy, Up sure got off to a terrific start: it's the third-highest opening weekend for Pixar in their history. By failing to do so, he's just refusing to admit he's got egg on his face. Surely, the starting point should not be, yeah, well it could still stumble but "Yes, I made a mistake and the film has launched very well indeed." &lt;br /&gt;&lt;br /&gt;Next, his cheap shot that "5% fewer people saw the film opening weekend than 'WALL-E'" ignores that this is the trend for virtually every film and every franchise you can name over the past decade -- Hollywood has been raising prices and selling the same or fewer tickets for many years. Why wouldn't Pixar reflect that industry-wide trend? Besides, the audience for Up was notably older and included a lot of adults without children. More adults means higher ticket prices and a higher box office gross despite having sold fewer tickets. That's a plus. Pixar films appeal to everyone, not just families and the more their audience broadens, the better it is. &lt;br /&gt;&lt;br /&gt;Finally, Greenfield says "We continue to focus on whether this film will be more or less profitable than WALL-E." Really? Why is "Wall-E" suddenly the standard for success? It grossed&lt;a href="http://www.boxofficemojo.com/alltime/world/"&gt; $534 million at the box office worldwide.&lt;/a&gt; However, only 63 films in HISTORY have grossed more than $500 million at the box office worldwide. Some 600+ movies are released theatrically a year. Is he really saying that if "Up" doesn't become one of the 60 biggest hits of all time that it's going to be a disaster? &lt;br /&gt;&lt;br /&gt;Only an idiot would expect every new film to gross more money than the one that came before it. But that's the stupid standard that analysts sometimes expect from Hollywood. What they should really do is take a deep breath and wait for all the money to come in: US, overseas, TV, cable, pay per view, downloads, rentals, DVD sales and so on. Add it all up. Plus merchandising and spin-offs and other revenue. Add it up again. Did you make more money than you spent? Good. Did you make a lot more (which is the case with virtually every single Pixar film so far)? Then great! Expecting every James Cameron film to gross as much as Titanic would be dumb. Expecting every musical to make more than The Sound Of Music is stupid. Arbitrarily stating that Up must make more than WALL-E -- as if box office grosses build upon one another -- is dumb. Pixar films have proven remarkably consistent -- with the last eight looking like they'll all gross more than $200 million, with foreign a huge upside and merchandising even bigger. So they never lose money, often make a lot of money and sometimes make a LOT of money. &lt;br /&gt;&lt;br /&gt;That list of the top-grossing movies of all time worldwide? 63 of which have made more than $500 million? Pixar has FIVE of them: Finding Nemo, The Incredibles, Ratatouille, WALL-E and Monsters Inc. (When Toy Story 2 gets re-released in 3-D, it will jump from $485 million into the same rarified ranks, making Pixar six for nine. And Up might very well join them, making them 7 for 10. But even if it "only" grosses $400 million worldwide, only a fool would label that a failure or some sign of a stumble by Pixar. Not every film can gross half a billion worldwide. But as long as they can make a profit, get great reviews, add to the company's jewel-like reputation and keep product in the pipeline, that's a success in my book...and should be in the book of any analyst too.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-8089902684500966479?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/8089902684500966479/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=8089902684500966479' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8089902684500966479'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/8089902684500966479'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/06/namechecked-in-variety.html' title='Namechecked In Variety'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-6049092409789500393</id><published>2009-05-25T14:04:00.003-04:00</published><updated>2009-05-25T17:39:31.385-04:00</updated><title type='text'>All The Links That Are Fit To Print: Cannes, American Idol, et al</title><content type='html'>What? You mean you don't google my name every day to make sure you find the latest articles I've written? Here are some links organized by topic. First Cannes.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;CANNES 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Here is my &lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-wrapup-quick_b_207222.html"&gt;Cannes wrapup,&lt;/a&gt; a sort of scrapbook which contains a star rating for every one of the 42 films I saw, plus all sorts of anecdotes and odds and ends -- perfect for the casual reader.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Here's my &lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-exclusive-emm_b_206163.html"&gt;video interview with documentary filmmaker Anne Aghion,&lt;/a&gt; who brought her latest work on Rwanda and their gacaca trials to Cannes:&lt;br /&gt;&lt;br /&gt;Here's a sneak preview of &lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-huffpo-exclus_b_207224.html"&gt;my interview with director Xavier Dolan.&lt;/a&gt; This clip is on Huffington but my full profle will be at The Advocate. I'll link here as soon as it's up.&lt;br /&gt;&lt;br /&gt;Here's a silly bit on Mariah Carey and how &lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-exclusive-video-ma_b_204029.html"&gt;she fooled the paparrazzi:&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Here's a brief bit on &lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-liberty-egali_b_205129.html"&gt;how the power went out briefly&lt;/a&gt; (because of a strike, of course. This is France). I'm inordinately proud of the headline:&lt;br /&gt;&lt;br /&gt;Here's an even sillier piece on the &lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-emmanuelle-in_b_203101.html"&gt;relaunching of the softcore Emmanuelle&lt;/a&gt; franchise:&lt;br /&gt;&lt;br /&gt;Here are my daily reviews from the 12 days of the fest, with the last day covering the awards ceremony as well:&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-preview-thing_b_202506.html"&gt;&lt;br /&gt;Cannes preview:&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-one-up-re_b_203089.html"&gt;Day One&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-two-preci_b_203705.html"&gt;Day Two&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-three-a-r_b_204092.html"&gt;Day Three&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-four-fina_b_204301.html"&gt;Day Four&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-five-lars_b_204433.html"&gt;Day Five&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-six-revie_b_205111.html"&gt;Day Six&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-seven-mor_b_205552.html"&gt;Day Seven&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-eight-jew_b_206119.html"&gt;&lt;br /&gt;Day Eight&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-nine-pare_b_206632.html"&gt;Day Nine&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-ten-one-b_b_206982.html"&gt;Day Ten&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-eleven-tw_b_207107.html"&gt;Day Eleven&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/cannes-2009-day-twelve-ha_b_207204.html"&gt;Day Twelve&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;AMERICAN IDOL&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/emamerican-idolem----top_b_192570.html"&gt;Top 5&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/emamerican-idolem----top_b_197508.html"&gt;Top 4&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/emamerican-idolem----top_b_203051.html"&gt;Top 3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/emamerican-idolem---the-f_b_205579.html"&gt;Finale&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/emamerican-idolem-try-emc_b_206134.html"&gt;Analysis of Idol winner&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;FEATURES&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/film-critic-roger-ebert-a_b_191049.html"&gt;Roger Ebert's Return To EbertFest&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;West Side Story; &lt;a href="http://www.huffingtonpost.com/michael-giltz/theater-west-side-storys_b_194637.html"&gt;profile of Matt Cavenaugh&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/andy-richter-still-contro_b_184929.html"&gt;Andy Richter interview&lt;/a&gt; on returning to late night&lt;br /&gt;&lt;br /&gt;Wall Street's &lt;a href="http://www.huffingtonpost.com/michael-giltz/nyt-blows-it-on-pixar-the_b_183636.html"&gt;dumb take on Pixar&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/kindle-20-the-final-revie_b_180834.html"&gt;Kindle 2.0 review&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/embattlestar-galacticaem_b_176983.html"&gt;Battlestar Galactica finale alert&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/books-the-biggest-news-in_b_171482.html"&gt;Publishing innovation&lt;/a&gt; -- giving away audio and e-book to hardback buyers&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;DVD REVIEWS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds----clint-is-king_b_172274.html"&gt;Clint Is King&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds----paul-rudd-movie-s_b_174832.html"&gt;Pinocchio Looks Better Than Ever&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds-just-a-tiny-bit-of-c_b_183176.html"&gt;Just A Tiny Bit Of Comfort, 007&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.huffingtonpost.com/michael-giltz/dvds----get-ready-for-sta_b_192472.html"&gt;&lt;br /&gt;Get Ready For "Star Trek"&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20710455-6049092409789500393?l=popsurfing.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://popsurfing.blogspot.com/feeds/6049092409789500393/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20710455&amp;postID=6049092409789500393' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6049092409789500393'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20710455/posts/default/6049092409789500393'/><link rel='alternate' type='text/html' href='http://popsurfing.blogspot.com/2009/05/all-links-that-are-fit-to-print-cannes.html' title='All The Links That Are Fit To Print: Cannes, American Idol, et al'/><author><name>Michael in New York</name><uri>http://www.blogger.com/profile/01449933463450154603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='6' src='http://michaelgiltz.com/_borders/MJGSmall.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20710455.post-3586499540570812416</id><published>2009-03-31T17:09:00.007-04:00</published><updated>2011-03-26T03:07:22.866-04:00</updated><title type='text'>The IRA's 2009: Spreading The Wealth Around</title><content type='html'>In 2008, the IRA movie awards were swept to an unprecedented degree by the terrific, acclaimed but generally overlooked film &lt;span style="font-style: italic;"&gt;The Assassination Of Jesse James By The Coward Robert Ford.&lt;/span&gt; In 2009, a strong lineup of well-regarded movies and a desire to avoid another sweep guaranteed that the IRA awards were spread among a range of films from blockbusters like &lt;span style="font-style: italic;"&gt;The Dark Knight&lt;/span&gt; to tiny flicks like &lt;span style="font-style: italic;"&gt;Ballast&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Shotgun Stories. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The IRAs is an annual get-together of movie buffs that was launched by college friends 33 years ago as a counter to the more mundane Oscars. These are film fanatics who go to Film Forum and Anthology Archives and film festivals throughout America and around the world. Members have won major Oscars and worked on Oscar-winning Best Picture winners, they've written acclaimed and best-selling Hollywood biographies like &lt;a href="http://edsikov.com/"&gt;Ed Sikov's&lt;/a&gt; &lt;a href="http://www.amazon.com/Dark-Victory-Life-Bette-Davis/dp/B001FB62IM/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1238534322&amp;amp;sr=1-1"&gt;&lt;span style="font-style: italic;"&gt;Dark Victory: The Life Of Bette Davis, &lt;/span&gt;&lt;/a&gt;the definitive Oscar book (indeed the definitive awards book) &lt;a href="http://www.amazon.com/Inside-Oscar-10th-Anniversary-Damien/dp/0345400534/ref=sr_1_2?ie=UTF8&amp;amp;s=books&amp;amp;qid=1238534373&amp;amp;sr=1-2"&gt;&lt;span style="font-style: italic;"&gt;Inside Oscar, &lt;/span&gt;&lt;/a&gt;by Mason Wiley &amp;amp; Damien Bona; worked at major magazines and newspapers covering the industry; worked at major studios and in the independent film industry or in my case just schlepped around as a freelancer and watched a lot of movies year in and year out. In other words, IRA members range from major players to avid fans.&lt;br /&gt;&lt;br /&gt;So here are this year's winners followed by the balloting as it happened with all the top vote-getters listed and the Bronx cheers at the end of Sominex and Dramamine movies (those that put us to sleep or made us sick) and Mechanical Actor and Actress. Watch the Best Picture honorees or the winners from past years (listed at the bottom) and you'll have a great overview of cinema in the past three decades.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST PICTURE:&lt;/span&gt; &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST DIRECTOR:&lt;/span&gt; Fatih Akin - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST ACTOR:&lt;/span&gt; Michael Shannon - &lt;span style="font-style: italic;"&gt;Shotgun Stories&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST ACTRESS:&lt;/span&gt; Anamaria Marinca - &lt;span style="font-style: italic;"&gt;4 Months, 3 Weeks and 2 Days&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SUPPORTING ACTOR:&lt;/span&gt; Emile Hirsch - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SUPPORTING ACTRESS:&lt;/span&gt; Hanna Schygulla - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SCREENPLAY:&lt;/span&gt; Fatih Akin - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST CINEMATOGRAPHY:&lt;/span&gt; Jody Shapiro - &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SCORE:&lt;/span&gt; Carter Burwell for &lt;span style="font-style: italic;"&gt;In Bruges&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Burn After Reading&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST PRODUCTION DESIGN:&lt;/span&gt; Rejean Labrie - &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST COSTUMES:&lt;/span&gt; Danny Glicker - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;AND HERE'S THE FULL VOTING RECORD:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST COSTUMES:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Danny Glicker - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt; 38 points&lt;br /&gt;2. Maira Ramedhan Lévy - &lt;span style="font-style: italic;"&gt;The Duchess Of Langeais&lt;/span&gt; 17 points&lt;br /&gt;3. Gabriela Salaverri - &lt;span style="font-style: italic;"&gt;Savage Grace&lt;/span&gt; 11 points&lt;br /&gt;4. Jacqueline West - &lt;span style="font-style: italic;"&gt;The Curious Case Of Benjamin Button&lt;/span&gt; 10 points&lt;br /&gt;5. (tie) Lindy Hemming - &lt;span style="font-style: italic;"&gt;The Dark Knight&lt;/span&gt; 9 points&lt;br /&gt;5. (tie) Michael O'Connor - &lt;span style="font-style: italic;"&gt;The Duchess&lt;/span&gt; 9 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST PRODUCTION DESIGN:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Rejean Labrie - &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt; 15 points&lt;br /&gt;2. (tie) Nathan Crowley - &lt;span style="font-style: italic;"&gt;The Dark Knight&lt;/span&gt; 13 points&lt;br /&gt;2. (tie) Emmanuel de Chauvigny - &lt;span style="font-style: italic;"&gt;The Duchess Of Langeais&lt;/span&gt; 13 points&lt;br /&gt;4. Jerel Levanway - &lt;span style="font-style: italic;"&gt;Ballast&lt;/span&gt; 12 points&lt;br /&gt;5. (tie) Donald Graham Burt - &lt;span style="font-style: italic;"&gt;The Curious Case Of Benjamin Button&lt;/span&gt; 9 points&lt;br /&gt;5. (tie) James J. Murakami - &lt;span style="font-style: italic;"&gt;Gran Torino&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Changeling&lt;/span&gt; 9 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SCORE:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Carter Burwell for &lt;span style="font-style: italic;"&gt;In Bruges&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Burn After Reading&lt;/span&gt; 23 points&lt;br /&gt;2. Ry Cooder - &lt;span style="font-style: italic;"&gt;My Blueberry Nights&lt;/span&gt; 21 points&lt;br /&gt;3. A.R. Rahman - &lt;span style="font-style: italic;"&gt;Slumdog Millionaire&lt;/span&gt; 18 points&lt;br /&gt;4. Thomas Newman - &lt;span style="font-style: italic;"&gt;WALL-E&lt;/span&gt; 13 points&lt;br /&gt;5. James Newton Howard and Hans Zimmer -- &lt;span style="font-style: italic;"&gt;The Dark Knight&lt;/span&gt; 10 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST CINEMATOGRAPHY:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Jody Shapiro - &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt; 27 points&lt;br /&gt;2. Lol Crawley - &lt;span style="font-style: italic;"&gt;Ballast&lt;/span&gt; 24 points&lt;br /&gt;3. Christopher Doyle and Rain Kathy Li - &lt;span style="font-style: italic;"&gt;Paranoid Park&lt;/span&gt; 14 points&lt;br /&gt;4. Adam Stone - &lt;span style="font-style: italic;"&gt;Shotgun Stories&lt;/span&gt; 13 points&lt;br /&gt;5. Nelson Yu Lik-wai - &lt;span style="font-style: italic;"&gt;Still Life&lt;/span&gt; 12 points&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SCREENPLAY:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Fatih Akin - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt; 36 points&lt;br /&gt;2. Cristian Mungiu - &lt;span style="font-style: italic;"&gt;4 Months, 3 Weeks and 2 Days&lt;/span&gt; 19 points&lt;br /&gt;3. François Bégaudeau Robin Campillo and Laurent Cantet - &lt;span style="font-style: italic;"&gt;The Class&lt;/span&gt; 15 points&lt;br /&gt;4. (tie) David Volach - &lt;span style="font-style: italic;"&gt;My Father, My Lord&lt;/span&gt; 11 points&lt;br /&gt;4. (tie) Martin McDonagh - &lt;span style="font-style: italic;"&gt;In Bruges&lt;/span&gt; 11 points&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SUPPORTING ACTRESS:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Hanna Schygulla - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt; 40 points&lt;br /&gt;2. Anne Savage - &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt; 26 points&lt;br /&gt;3. Hiam Abbass - &lt;span style="font-style: italic;"&gt;The Visitor&lt;/span&gt; 16 points&lt;br /&gt;4. Nursel Köse - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt; 11 points&lt;br /&gt;5. (tie) Penelope Cruz - &lt;span style="font-style: italic;"&gt;Vicky Cristina Barcelona&lt;/span&gt; 9 points&lt;br /&gt;5. (tie) Debra Winger - &lt;span style="font-style: italic;"&gt;Rachel Getting Married&lt;/span&gt; 9 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST SUPPORTING ACTOR:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Emile Hirsch - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt; 23 points&lt;br /&gt;2. (tie) Josh Brolin - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt; 18 points&lt;br /&gt;2. (tie) Eamonn Walker - &lt;span style="font-style: italic;"&gt;Cadillac Records&lt;/span&gt; 18 points&lt;br /&gt;4. Vlad Ivanov - &lt;span style="font-style: italic;"&gt;4 Months, 3 Weeks and 2 Days&lt;/span&gt; 17 points&lt;br /&gt;5. (tie) Heath Ledger - &lt;span style="font-style: italic;"&gt;The Dark Knight&lt;/span&gt; 13 points&lt;br /&gt;5. (tie) Brad Pitt - &lt;span style="font-style: italic;"&gt;Burn After Reading&lt;/span&gt; 13 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST ACTRESS:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Anamaria Marinca - &lt;span style="font-style: italic;"&gt;4 Months, 3 Weeks and 2 Days&lt;/span&gt; 32 points&lt;br /&gt;2. Melissa Leo - &lt;span style="font-style: italic;"&gt;Frozen River&lt;/span&gt; 24 points&lt;br /&gt;3. Ines Efron - &lt;span style="font-style: italic;"&gt;XXY&lt;/span&gt; 22 points&lt;br /&gt;4. Kristin Scott Thomas - &lt;span style="font-style: italic;"&gt;I Loved You So Long&lt;/span&gt; 20 points&lt;br /&gt;5. Michelle Williams - &lt;span style="font-style: italic;"&gt;Wendy and Lucy&lt;/span&gt; 13 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST ACTOR:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Michael Shannon - &lt;span style="font-style: italic;"&gt;Shotgun Stories&lt;/span&gt; 28 points&lt;br /&gt;2. Sean Penn - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt; 27 points&lt;br /&gt;3. Brendan Gleeson - &lt;span style="font-style: italic;"&gt;In Bruges&lt;/span&gt; 14 points&lt;br /&gt;4. (tie) Andrew Garland - &lt;span style="font-style: italic;"&gt;Boy A&lt;/span&gt; 13 points&lt;br /&gt;4. (tie) Richard Jenkins - &lt;span style="font-style: italic;"&gt;The Visitor&lt;/span&gt; 13 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST DIRECTOR:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Fatih Akin - &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt; 32 points&lt;br /&gt;2. Gus Van Sant - &lt;span style="font-style: italic;"&gt;Milk&lt;/span&gt; 27 points&lt;br /&gt;3. Guy Maddin - &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt; 19 points&lt;br /&gt;4. Cristian Mungiu - &lt;span style="font-style: italic;"&gt;4 Months, 3 Weeks and 2 Days&lt;/span&gt; 18 points&lt;br /&gt;5. Hsiao-hsien Hou - &lt;span style="font-style: italic;"&gt;Flight Of The Red Balloon&lt;/span&gt; 16 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BEST PICTURE:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;span style="font-style: italic;"&gt;The Edge Of Heaven&lt;/span&gt; 32 points&lt;br /&gt;2. &lt;span style="font-style: italic;"&gt;My Winnipeg&lt;/span&gt; 19 points&lt;br /&gt;3. &lt;span style="font-style: italic;"&gt;4 Months, 3 Weeks and 2 Days&lt;/span&gt; 18 points&lt;br /&gt;4. (tie) &lt;span style="font-style: italic;"&gt;Ballast&lt;/span&gt; 15 points&lt;br /&gt;4. (tie) &lt;span style="font-style: italic;"&gt;Flight Of The Red Balloon&lt;/span&gt; 15 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SOMINEX AWARD (MOVIES THAT PUT US TO SLEEP):&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;span style="font-style: italic;"&gt;The Happening&lt;/span&gt; 18 points&lt;br /&gt;2. &lt;span style="font-style: italic;"&gt;Synecdoche, New York&lt;/span&gt; 16 points&lt;br /&gt;3. &lt;span style="font-style: italic;"&gt;Che Part 2&lt;/span&gt; 11 points&lt;br /&gt;4. &lt;span style="font-style: italic;"&gt;Mister Lonely&lt;/span&gt; 9 points&lt;br /&gt;5. &lt;span style="font-style: italic;"&gt;Cassandra's Dream&lt;/span&gt; 8 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;DRAMAMINE AWARD (MOVIES THAT MADE US SICK):&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;span style="font-style: italic;"&gt;The Reader&lt;/span&gt; 22 points&lt;br /&gt;2. &lt;span style="font-style: italic;"&gt;Mamma Mia&lt;/span&gt; 15 points&lt;br /&gt;3. (tie) &lt;span style="font-style: italic;"&gt;Towelhead&lt;/span&gt; 8 points&lt;br /&gt;3. (tie) &lt;span style="font-style: italic;"&gt;A Christmas Tale&lt;/span&gt; 8 points&lt;br /&gt;5. (tie) &lt;span style="font-style: italic;"&gt;Sex and the City: The Movie&lt;/span&gt; 7 points&lt;br /&gt;5. (tie) &lt;span style="font-style: italic;"&gt;Love Songs&lt;/span&gt; 7 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MECHANICAL ACTRESS AWARD:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Meryl Streep - &lt;span style="font-style: italic;"&gt;Doubt&lt;/span&gt; 22 points&lt;br /&gt;2. Scarlett Johansson - &lt;span style="font-style: italic;"&gt;Vicky Cristina Barcelona; The Other Boleyn Girl&lt;/span&gt; 21 points&lt;br /&gt;3. The entire female cast - &lt;span style="font-style: italic;"&gt;Sex and the City: The Movie&lt;/span&gt; 15 points&lt;br /&gt;4. Kate Winslet - &lt;span style="font-style: italic;"&gt;The Reader&lt;/span&gt; 12 points&lt;br /&gt;5. (tie) Angelina Jolie - &lt;span style="font-style: italic;"&gt;Changeling&lt;/span&gt; 10 points&lt;br /&gt;5. (tie) Ellen Page - &lt;span style="font-style: italic;"&gt;Smart People&lt;/span&gt; 10 points&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MECHANICAL ACTOR:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1. Mark Wahlberg - &lt;span style="font-style: italic;"&gt;The Happening&lt;/span&gt; 18 points&lt;br /&gt;2. Harrison Ford - &lt;span style="font-style: italic;"&gt;Indiana Jones and the Kingdom of the Crystal Skull&lt;/span&gt; 13 points&lt;br /&gt;3. (tie) John Malcovich - &lt;span style="font-style: italic;"&gt;Changeling&lt;/span&gt; 10 points&lt;br /&gt;3. (tie) Chris Noth - &lt;span style="font-style: italic;"&gt;Sex and the City: The Movie&lt;/span&gt; 10 points&lt;br /&gt;5. (tie) Mike Myers - &lt;span style="font-style: italic;"&gt;The Love Guru&lt;/span&gt; 9 points&lt;br /&gt;5. (tie) Ben Stiller - &lt;span style="font-style: italic;"&gt;Tropic Thunder&lt;/span&gt; 9 points&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;THE COMPLETE IRA MOVIE AWARD WINNERS:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1975&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Barry Lyndon&lt;/span&gt;&lt;br /&gt;Best Director: Claude Chabrol for &lt;span style="font-style: italic;"&gt;La Rupture&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Just Before Nightfall&lt;/span&gt;&lt;br /&gt;Best Actor: Jack Nicholson in &lt;span style="font-style: italic;"&gt;One Flew Over The Cuckoo’s Nest&lt;/span&gt;&lt;br /&gt;Best Actress: Ellen Burstyn in &lt;span style="font-style: italic;"&gt;Alice Doesn’t Live Here Anymore&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: François Perrier in &lt;span style="font-style: italic;"&gt;Just Before Nightfall&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Blythe Danner in &lt;span style="font-style: italic;"&gt;Hearts Of The West&lt;/span&gt;&lt;br /&gt;Best Screenplay: Tom Stoppard and Thomas Wiseman for &lt;span style="font-style: italic;"&gt;The Romantic Englishwoman&lt;/span&gt;&lt;br /&gt;Best Cinematography: John Alcott for &lt;span style="font-style: italic;"&gt;Barry Lyndon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1976&lt;/span&gt;&lt;br /&gt;Best Picture: (tie) &lt;span style="font-style: italic;"&gt;Lipstick,&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Marquise Of O&lt;/span&gt;&lt;br /&gt;Best Director: Eric Rohmer for &lt;span style="font-style: italic;"&gt;The Marquise Of O&lt;/span&gt;&lt;br /&gt;Best Actor: Sean Connery in &lt;span style="font-style: italic;"&gt;Robin And Marian&lt;/span&gt;&lt;br /&gt;Best Actress: Sissy Spacek in &lt;span style="font-style: italic;"&gt;Carrie&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jason Robards in &lt;span style="font-style: italic;"&gt;All The President’s Men&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Anne Bancroft in &lt;span style="font-style: italic;"&gt;Lipstick&lt;/span&gt;&lt;br /&gt;Best Screenplay: Alain Tanner and John Berger for &lt;span style="font-style: italic;"&gt;Jonah Who Will Be 25 In The Year 2000&lt;/span&gt;&lt;br /&gt;Best Cinematography: Nestor Almendros for &lt;span style="font-style: italic;"&gt;The Marquise Of O&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1977&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Annie Hall&lt;/span&gt;&lt;br /&gt;Best Director: Wim Wenders for &lt;span style="font-style: italic;"&gt;The American Friend&lt;/span&gt;&lt;br /&gt;Best Actor: John Gielgud in &lt;span style="font-style: italic;"&gt;Providence&lt;/span&gt;&lt;br /&gt;Best Actress: Dianne Keaton in &lt;span style="font-style: italic;"&gt;Annie Hall&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Looking For Mr. Goodbar&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: G. D. Spradlin in &lt;span style="font-style: italic;"&gt;One On One&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Vanessa Redgrave in &lt;span style="font-style: italic;"&gt;Julia&lt;/span&gt;&lt;br /&gt;Best Screenplay: Woody Allen and Marshall Brickman for &lt;span style="font-style: italic;"&gt;Annie Hall&lt;/span&gt;&lt;br /&gt;Best Cinematography: Robby Müller for &lt;span style="font-style: italic;"&gt;The American Friend&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1978&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Days Of Heaven&lt;/span&gt;&lt;br /&gt;Best Director: Terence Malick for &lt;span style="font-style: italic;"&gt;Days Of Heaven&lt;/span&gt;&lt;br /&gt;Best Actor: Jon Voight in &lt;span style="font-style: italic;"&gt;Coming Home&lt;/span&gt;&lt;br /&gt;Best Actress: Jane Fonda in &lt;span style="font-style: italic;"&gt;Coming Home&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Dom DeLuise in &lt;span style="font-style: italic;"&gt;The End&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Stephane Audran in &lt;span style="font-style: italic;"&gt;Violette&lt;/span&gt;&lt;br /&gt;Best Screenplay: Eric Rohmer for &lt;span style="font-style: italic;"&gt;Perceval&lt;/span&gt;&lt;br /&gt;Best Cinematography: Nestor Almendros for &lt;span style="font-style: italic;"&gt;Days Of Heaven&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1979&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt;&lt;br /&gt;Best Director: Blake Edwards for &lt;span style="font-style: italic;"&gt;10&lt;/span&gt;&lt;br /&gt;Best Actor: Clint Eastwood in &lt;span style="font-style: italic;"&gt;Escape From Alcatraz&lt;/span&gt;&lt;br /&gt;Best Actress: Hanna Schygulla in  &lt;span style="font-style: italic;"&gt;The Marriage Of Maria Braun&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Denholm Elliott in &lt;span style="font-style: italic;"&gt;Cuba&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Saint Jack&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Frances Sternhagen in &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Starting Over&lt;/span&gt;&lt;br /&gt;Best Screenplay: Billy Wilder and I. A. L. Diamond for &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt;&lt;br /&gt;Best Cinematography: Tak Fujimoto for &lt;span style="font-style: italic;"&gt;Last Embrace&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Remember My Name&lt;/span&gt;&lt;br /&gt;Best Music: Miklos Rozsa for &lt;span style="font-style: italic;"&gt;Fedora&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Last Embrace&lt;/span&gt;&lt;br /&gt;Best Production Design: Dean Edward Mitzner for &lt;span style="font-style: italic;"&gt;1941&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1980&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best Director: Sam Fuller for &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best Actor: Lee Marvin for &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best Actress: Jodie Foster for &lt;span style="font-style: italic;"&gt;Carny&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Foxes&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: (tie) Joe Pesci in &lt;span style="font-style: italic;"&gt;Raging Bull&lt;/span&gt; and Harry Dean Stanton in &lt;span style="font-style: italic;"&gt;The Black Marble, The Long Riders, Private Benjamin&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Wise Blood&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Pamela Reed in &lt;span style="font-style: italic;"&gt;The Long Riders&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Melvin And Howard&lt;/span&gt;&lt;br /&gt;Best Screenplay: Sam Fuller for &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best Cinematography: Jordan Cronenweth for &lt;span style="font-style: italic;"&gt;Altered States&lt;/span&gt;&lt;br /&gt;Best Music: Dana Kaproff for &lt;span style="font-style: italic;"&gt;The Big Red One&lt;/span&gt;&lt;br /&gt;Best Production Design: Tambi Larsen for &lt;span style="font-style: italic;"&gt;Heaven’s Gate&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1981&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best Director: Ivan Passer for &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best Actor: Jeff Bridges in &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best Actress: Faye Dunaway in &lt;span style="font-style: italic;"&gt;Mommie Dearest&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jack Nicholson in &lt;span style="font-style: italic;"&gt;Reds&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Mona Washbouurne in &lt;span style="font-style: italic;"&gt;Stevie&lt;/span&gt;&lt;br /&gt;Best Screenplay: John Guare for &lt;span style="font-style: italic;"&gt;Atlantic City&lt;/span&gt;&lt;br /&gt;Best Cinematography: Jordan Cronenweth for &lt;span style="font-style: italic;"&gt;Cutter’s Way&lt;/span&gt;&lt;br /&gt;Best Music: Georges DeLerue for &lt;span style="font-style: italic;"&gt;The Last Metro, Rich and Famous, True Confessions&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Woman Next Door&lt;/span&gt;&lt;br /&gt;Best Production Design: Ken Adam for &lt;span style="font-style: italic;"&gt;Pennies From Heaven&lt;/span&gt;&lt;br /&gt;Best Costume Design: Shirley Russell for &lt;span style="font-style: italic;"&gt;Reds&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1982&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Director: Blake Edwards for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Actor: Jack Lemmon in &lt;span style="font-style: italic;"&gt;Missing&lt;/span&gt;&lt;br /&gt;Best Actress: (tie) Julie Andrews in &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt; and Jessica Lange in &lt;span style="font-style: italic;"&gt;Frances&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Robert Preston in &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Lesley Ann Warren in &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Screenplay: Blake Edwards for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Cinematography: Xaver Schwartzenberger for &lt;span style="font-style: italic;"&gt;Lola&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Veronika Voss&lt;/span&gt;&lt;br /&gt;Best Music: Henry Mancini and Leslie Bricusse for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Production Design: Rodger Maus for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;Best Costume Design: Patricia Norris for &lt;span style="font-style: italic;"&gt;Victor/Victoria&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1983&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Berlin Alexanderplatz&lt;/span&gt;&lt;br /&gt;Best Director: Andrzej Wajda for &lt;span style="font-style: italic;"&gt;Danton&lt;/span&gt;&lt;br /&gt;Best Actor: Eric Roberts for &lt;span style="font-style: italic;"&gt;Star ’80&lt;/span&gt;&lt;br /&gt;Best Actress: Shirley MacLaine for &lt;span style="font-style: italic;"&gt;Terms Of Endearment&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jerry Lewis for &lt;span style="font-style: italic;"&gt;The King Of Comedy&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Jamie Lee Curtis for &lt;span style="font-style: italic;"&gt;Trading Places&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Forsyth for &lt;span style="font-style: italic;"&gt;Local Hero&lt;/span&gt;&lt;br /&gt;Best Cinematography: Sven Nykvist for &lt;span style="font-style: italic;"&gt;Star ’80&lt;/span&gt;&lt;br /&gt;Best Music: Peer Raben for &lt;span style="font-style: italic;"&gt;Berlin Alexanderplatz&lt;/span&gt;&lt;br /&gt;Best Production Design: Fernando Scarfiotti for &lt;span style="font-style: italic;"&gt;Scarface&lt;/span&gt;&lt;br /&gt;Best Costume Design: Yvonne Sassinot DeNestle for &lt;span style="font-style: italic;"&gt;Danton&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1984&lt;/span&gt;&lt;br /&gt;Best Picture: (tie) &lt;span style="font-style: italic;"&gt;L’Argent&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best Director: Sergio Leone for &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best Actor: Clint Eastwood in &lt;span style="font-style: italic;"&gt;Tightrope&lt;/span&gt;&lt;br /&gt;Best Actress: Helen Mirren in &lt;span style="font-style: italic;"&gt;Cal&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jean-Luc Godard in &lt;span style="font-style: italic;"&gt;First Name: Carmen&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Christine Lahti in &lt;span style="font-style: italic;"&gt;Swing Shift&lt;/span&gt;&lt;br /&gt;Best Screenplay: Franco Arcalli, Leonardo Benvenuti, Piero De Bernardi, Franco Ferrini, Sergio Leone, Enrico Medioli for &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best Cinematography: Robby Müller for &lt;span style="font-style: italic;"&gt;Paris Texas&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Repo Man&lt;/span&gt;&lt;br /&gt;Best Music: Ennio Morricone for &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best Production Design: James Singelis for &lt;span style="font-style: italic;"&gt;Once Upon A Time In America&lt;/span&gt;&lt;br /&gt;Best Costume Design: Mic Cheminal for &lt;span style="font-style: italic;"&gt;Entre Nous&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1985&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Director: Martin Scorsese for &lt;span style="font-style: italic;"&gt;After Hours&lt;/span&gt;&lt;br /&gt;Best Actor: Jack Nicholson in &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Actress: Mia Farrow in &lt;span style="font-style: italic;"&gt;The Purple Rose Of Cairo&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: William Hickey in &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Anjelica Huston in &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Screenplay: Joseph Minion for &lt;span style="font-style: italic;"&gt;After Hours&lt;/span&gt;&lt;br /&gt;Best Cinematography: Andrzej Bartkowiak for &lt;span style="font-style: italic;"&gt;Prizzi’s Honor&lt;/span&gt;&lt;br /&gt;Best Music: Brian Gascoigne and Junior Hamrich for &lt;span style="font-style: italic;"&gt;The Emerald Forest&lt;/span&gt;&lt;br /&gt;Best Production Design: Jeffrey Townsend for &lt;span style="font-style: italic;"&gt;After Hours&lt;/span&gt;&lt;br /&gt;Best Costume Design: Ann Roth for &lt;span style="font-style: italic;"&gt;The Jagged Edge&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Sweet Dreams&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1986&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Eyes On The Prize&lt;/span&gt;&lt;br /&gt;Best Director: David Lynch for &lt;span style="font-style: italic;"&gt;Blue Velvet&lt;/span&gt;&lt;br /&gt;Best Actor: (tie) Daniel Day-Lewis in &lt;span style="font-style: italic;"&gt;My Beautiful Laundrette&lt;/span&gt; and Jeff Goldblum in &lt;span style="font-style: italic;"&gt;The Fly&lt;/span&gt;&lt;br /&gt;Best Actress: Laura Dern in &lt;span style="font-style: italic;"&gt;Smooth Talk&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Steve Buscemi in &lt;span style="font-style: italic;"&gt;Parting Glances&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Mary Stuart Masterson in &lt;span style="font-style: italic;"&gt;At Close Range&lt;/span&gt;&lt;br /&gt;Best Screenplay: Hanif Kureishi for &lt;span style="font-style: italic;"&gt;My Beautiful Laundrette&lt;/span&gt;&lt;br /&gt;Best Cinematography: Frederick Elmes for &lt;span style="font-style: italic;"&gt;Blue Velvet&lt;/span&gt;&lt;br /&gt;Best Music: (tie) George Delerue for &lt;span style="font-style: italic;"&gt;Platoon&lt;/span&gt; and Herbie Hancock for &lt;span style="font-style: italic;"&gt;Round Midnight&lt;/span&gt;&lt;br /&gt;Best Production Design: Patricia Norris for &lt;span style="font-style: italic;"&gt;Blue Velvet&lt;/span&gt;&lt;br /&gt;Best Costume Design: Jenny Beaven and John Bright for &lt;span style="font-style: italic;"&gt;A Room With A View&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1987&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best Director: Bill Forsyth for &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best Actor: Gary Oldman in &lt;span style="font-style: italic;"&gt;Prick Up Your Ears&lt;/span&gt;&lt;br /&gt;Best Actress: Christine Lahti in &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: John Mahoney in &lt;span style="font-style: italic;"&gt;Moonstruck&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Tin Men&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Vanessa Redgrave in &lt;span style="font-style: italic;"&gt;Prick Up Your Ears&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Forsyth for &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;Best Cinematography: Phillippe Rousselot for &lt;span style="font-style: italic;"&gt;Hope And Glory&lt;/span&gt;&lt;br /&gt;Best Music: David Byrne, Ryuichi Sakamoto and Cong Su for &lt;span style="font-style: italic;"&gt;The Last Emperor&lt;/span&gt;&lt;br /&gt;Best Production Design: Santo Loquasto for &lt;span style="font-style: italic;"&gt;Radio Days&lt;/span&gt;&lt;br /&gt;Best Costume Design: Mary-Jane Reyner for &lt;span style="font-style: italic;"&gt;Housekeeping&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1988&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Dead Ringers&lt;/span&gt;&lt;br /&gt;Best Director: David Cronenberg for &lt;span style="font-style: italic;"&gt;Dead Ringers&lt;/span&gt;&lt;br /&gt;Best Actor: Jeremy Irons in &lt;span style="font-style: italic;"&gt;Dead Ringers&lt;/span&gt;&lt;br /&gt;Best Actress: Jodie Foster in &lt;span style="font-style: italic;"&gt;The Accused&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Divine in &lt;span style="font-style: italic;"&gt;Hairspray&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Claudia Karvan in &lt;span style="font-style: italic;"&gt;High Tide&lt;/span&gt;&lt;br /&gt;Best Screenplay: Christopher Hampton for &lt;span style="font-style: italic;"&gt;Dangerous Liaisons&lt;/span&gt;&lt;br /&gt;Best Cinematography: Vittorio Storaro for &lt;span style="font-style: italic;"&gt;Tucker: The Man And His Dream&lt;/span&gt;&lt;br /&gt;Best Music: George Fenton for &lt;span style="font-style: italic;"&gt;Dangerous Liaisons&lt;/span&gt;&lt;br /&gt;Best Production Design: Dean Tavoularis for &lt;span style="font-style: italic;"&gt;Tucker: The Man And His Dream&lt;/span&gt;&lt;br /&gt;Best Costume Design: Van Smith for &lt;span style="font-style: italic;"&gt;Hairspray&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1989&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Story Of Women&lt;/span&gt;&lt;br /&gt;Best Director: Claude Chabrol for &lt;span style="font-style: italic;"&gt;Story&lt;br /&gt;Of Women&lt;/span&gt;&lt;br /&gt;Best Actor: John Hurt in &lt;span style="font-style: italic;"&gt;Scandal&lt;/span&gt;&lt;br /&gt;Best Actress: Isabelle Huppert in &lt;span style="font-style: italic;"&gt;Story Of Women&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Ethan Hawke in &lt;span style="font-style: italic;"&gt;Dad&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Dead Poets Society&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Anjelica Huston in &lt;span style="font-style: italic;"&gt;Enemies: A Love Story&lt;/span&gt;&lt;br /&gt;Best Screenplay: Blake Edwards for &lt;span style="font-style: italic;"&gt;Skin Deep&lt;/span&gt;&lt;br /&gt;Best Cinematography: Jeff Preiss for &lt;span style="font-style: italic;"&gt;Let’s Get Lost&lt;/span&gt;&lt;br /&gt;Best Music: Michael Kamen for &lt;span style="font-style: italic;"&gt;The Adventures Of Baron Munchausen&lt;/span&gt;&lt;br /&gt;Best Production Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;The Adventures Of Baron Munchausen&lt;/span&gt;&lt;br /&gt;Best Costume Design: Jane Robinson for &lt;span style="font-style: italic;"&gt;Scandal&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1990&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best Director: Martin Scorsese for &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best Actor: Michel Blanc in &lt;span style="font-style: italic;"&gt;Monsieur Hire&lt;/span&gt;&lt;br /&gt;Best Actress: Anjelica Huston in &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Joe Pesci in &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Lorraine Bracco in &lt;span style="font-style: italic;"&gt;GoodFellas&lt;/span&gt;&lt;br /&gt;Best Screenplay: Craig Lucas for &lt;span style="font-style: italic;"&gt;Longtime Companion&lt;/span&gt;&lt;br /&gt;Best Cinematography: Oliver Stapleton for &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;Best Music: Elmer Bernstein for &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;Best Production Design: Dennis Gassner for &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;Best Costume Design: Richard Bruno for &lt;span style="font-style: italic;"&gt;The Grifters&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1991&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;The Man In The Moon&lt;/span&gt;&lt;br /&gt;Best Director: Robert Mulligan for &lt;span style="font-style: italic;"&gt;The Man In The Moon&lt;/span&gt;&lt;br /&gt;Best Actor: River Phoenix in &lt;span style="font-style: italic;"&gt;Dogfight&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;My Own Private Idaho&lt;/span&gt;&lt;br /&gt;Best Actress: Judy Davis in &lt;span style="font-style: italic;"&gt;Barton Fink, Impromptu,&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Naked Lunch&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Harvey Keitel in &lt;span style="font-style: italic;"&gt;Bugsy, Mortal Thoughts,&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Thelma &amp;amp; Louise&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Juliette Lewis in &lt;span style="font-style: italic;"&gt;Cape Fear&lt;/span&gt;&lt;br /&gt;Best Screenplay: Michael Tolkin for &lt;span style="font-style: italic;"&gt;The Rapture&lt;/span&gt;&lt;br /&gt;Best Cinematography: Freddie Francis for &lt;span style="font-style: italic;"&gt;Cape Fear&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Man In The Moon&lt;/span&gt;&lt;br /&gt;Best Music: Ennio Morricone for &lt;span style="font-style: italic;"&gt;Bugsy&lt;/span&gt;&lt;br /&gt;Best Production Design: Dennis Gassner for &lt;span style="font-style: italic;"&gt;Barton Fink&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Bugsy&lt;/span&gt;&lt;br /&gt;Best Costume Design: Albert Wolsky for &lt;span style="font-style: italic;"&gt;Bugsy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1992&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Raise The Red Lantern&lt;/span&gt;&lt;br /&gt;Best Director: Robert Altman for &lt;span style="font-style: italic;"&gt;The Player&lt;/span&gt;&lt;br /&gt;Best Actor: Tim Robbins in &lt;span style="font-style: italic;"&gt;Bob Roberts&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Player&lt;/span&gt;&lt;br /&gt;Best Actress: Emma Thompson in &lt;span style="font-style: italic;"&gt;Howards End&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jaye Davidson in &lt;span style="font-style: italic;"&gt;The Crying Game&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Judy Davis in &lt;span style="font-style: italic;"&gt;Husbands And Wives&lt;/span&gt;&lt;br /&gt;Best Screenplay: Michael Tolkin for &lt;span style="font-style: italic;"&gt;The Player&lt;/span&gt;&lt;br /&gt;Best Cinematography: Zhao Fei and Lun Yang for &lt;span style="font-style: italic;"&gt;Raise The Red Lantern&lt;/span&gt;&lt;br /&gt;Best Music: Lenny Niehaus for &lt;span style="font-style: italic;"&gt;Unforgiven&lt;/span&gt;&lt;br /&gt;Best Production Design: Marc Caro for &lt;span style="font-style: italic;"&gt;Delicatessen&lt;/span&gt;&lt;br /&gt;Best Costume Design: Alexander Julien for &lt;span style="font-style: italic;"&gt;The Player&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;A Few Good Men&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Basic Instinct&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Michael Douglas in &lt;span style="font-style: italic;"&gt;Basic Instinct&lt;/span&gt;&lt;br /&gt;Mechanical Actress: ****&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1993&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Six Degrees Of Separation&lt;/span&gt;&lt;br /&gt;Best Director: Nancy Savoca for &lt;span style="font-style: italic;"&gt;Household Saints&lt;/span&gt;&lt;br /&gt;Best Actor: Dennis Quaid in &lt;span style="font-style: italic;"&gt;Flesh And Bone&lt;/span&gt;&lt;br /&gt;Best Actress: Stockard Channing in &lt;span style="font-style: italic;"&gt;Six Degrees Of Separation&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Leonardo DiCaprio in &lt;span style="font-style: italic;"&gt;A Boy’s Life&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;What’s Eating Gilbert Grape?&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Regina Tourney in &lt;span style="font-style: italic;"&gt;Like Water For Chocolate&lt;/span&gt;&lt;br /&gt;Best Screenplay: Mike Leigh for &lt;span style="font-style: italic;"&gt;Naked&lt;/span&gt;&lt;br /&gt;Best Cinematography: Michael Balhaus for &lt;span style="font-style: italic;"&gt;The Age Of Innocence&lt;/span&gt;&lt;br /&gt;Best Music: Elmer Bernstein for &lt;span style="font-style: italic;"&gt;The Age Of Innocence&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Cemetery Club&lt;/span&gt;&lt;br /&gt;Best Production Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;The Age Of Innocence&lt;/span&gt;&lt;br /&gt;Best Costume Design: Gabriella Pescucci for &lt;span style="font-style: italic;"&gt;The Age Of Innocence&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Heaven And Earth&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Falling Down&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Richard Gere in &lt;span style="font-style: italic;"&gt;Sommersby&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Madonna in &lt;span style="font-style: italic;"&gt;Body Of Evidence&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1994&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Red&lt;/span&gt;&lt;br /&gt;Best Director: Krzyzstof Kieslowski for &lt;span style="font-style: italic;"&gt;Red&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;White&lt;/span&gt;&lt;br /&gt;Best Actor: Terence Stamp in &lt;span style="font-style: italic;"&gt;Priscilla, Queen of the Desert&lt;/span&gt;&lt;br /&gt;Best Actress: Linda Fiorentino in &lt;span style="font-style: italic;"&gt;The Last Seduction&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Christian Bale in &lt;span style="font-style: italic;"&gt;Little Women&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Kristin Scott Thomas in &lt;span style="font-style: italic;"&gt;Four Weddings and a Funeral&lt;/span&gt;&lt;br /&gt;Best Screenplay: Steve Baranczek for &lt;span style="font-style: italic;"&gt;The Last Seduction&lt;/span&gt;&lt;br /&gt;Best Cinematography: Stephen Czapsky for &lt;span style="font-style: italic;"&gt;Ed Wood&lt;/span&gt;&lt;br /&gt;Best Music: Zbigniew Preissner for &lt;span style="font-style: italic;"&gt;Red&lt;/span&gt; and  &lt;span style="font-style: italic;"&gt;White&lt;/span&gt;&lt;br /&gt;Best Production Design: Dennis Gastner for &lt;span style="font-style: italic;"&gt;The Hudsucker Proxy&lt;/span&gt;&lt;br /&gt;Best Costume Design: Lizzie Gardiner and Tim Chappel for &lt;span style="font-style: italic;"&gt;Priscilla, Queen of The Desert&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Wyatt Earp&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1995&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Exotica&lt;/span&gt;&lt;br /&gt;Best Director: Terry Zwigoff for &lt;span style="font-style: italic;"&gt;Crumb&lt;/span&gt;&lt;br /&gt;Best Actor: John Travolta in &lt;span style="font-style: italic;"&gt;Get Shorty&lt;/span&gt;&lt;br /&gt;Best Actress: (A three-way tie)  Mia Kershner in &lt;span style="font-style: italic;"&gt;Exotica;&lt;/span&gt; Alicia  Silverstone in &lt;span style="font-style: italic;"&gt;Clueless;&lt;/span&gt; Nicole Kidman in &lt;span style="font-style: italic;"&gt;To Die For&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Tim Roth in &lt;span style="font-style: italic;"&gt;Rob Roy&lt;/span&gt;&lt;br /&gt;Best Supporting  Actress: Mare Winningham in &lt;span style="font-style: italic;"&gt;Georgia&lt;/span&gt;&lt;br /&gt;Best Screenplay: (tie)  Atom Egoyan for &lt;span style="font-style: italic;"&gt;Exotica&lt;/span&gt; and Buck Henry for &lt;span style="font-style: italic;"&gt;To Die For&lt;/span&gt;&lt;br /&gt;Best Cinematography: Newton Thomas Sigel for &lt;span style="font-style: italic;"&gt;The Usual Suspects&lt;/span&gt;&lt;br /&gt;Best Music: John Ottman for &lt;span style="font-style: italic;"&gt;The Usual Suspects&lt;/span&gt;&lt;br /&gt;Best Production Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;Casino&lt;/span&gt;&lt;br /&gt;Best Costumes: Mona May for &lt;span style="font-style: italic;"&gt;Clueless&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The Brothers McMullen&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Braveheart&lt;/span&gt;&lt;br /&gt;Mechanical  Actor: Dennis Miller in &lt;span style="font-style: italic;"&gt;The Net&lt;/span&gt; and the cast of &lt;span style="font-style: italic;"&gt;The Brothers McMullen&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Annette Bening in &lt;span style="font-style: italic;"&gt;The American President&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1996&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;La Ceremonie&lt;/span&gt;&lt;br /&gt;Best Director: Claude Chabrol for &lt;span style="font-style: italic;"&gt;La Ceremonie&lt;/span&gt;&lt;br /&gt;Best Actor: Ewen McGregor in &lt;span style="font-style: italic;"&gt;Trainspotting&lt;/span&gt;&lt;br /&gt;Best Actress: (tie) Kristin Scott Thomas in &lt;span style="font-style: italic;"&gt;The English Patient&lt;/span&gt; and Emily Watson in &lt;span style="font-style: italic;"&gt;Breaking The Waves&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Ian Holm in &lt;span style="font-style: italic;"&gt;Big Night&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Mary Kay Place in &lt;span style="font-style: italic;"&gt;Citizen Ruth&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Manny &amp;amp; Lo&lt;/span&gt;&lt;br /&gt;Best Screenplay: John Sayles for &lt;span style="font-style: italic;"&gt;Lone Star&lt;/span&gt;&lt;br /&gt;Best Cinematography: (tie) Darius Khondji for &lt;span style="font-style: italic;"&gt;Stealing Beauty&lt;/span&gt; and Oliver Stapleton for &lt;span style="font-style: italic;"&gt;Kansas City&lt;/span&gt;&lt;br /&gt;Best Music: Tiffany Anders, Burt Bacharach, David Baerwald, Carole Bayer Sager, Ed Berghoff, Elvis Costello, Gerry Goffin, Louise Goffin, Tonio K, Larry Klein, J. Mascis, Joni Mitchell, Boyd Rice, David A. Stewart, and J. Mayo Williams for &lt;span style="font-style: italic;"&gt;Grace Of My Heart&lt;/span&gt;&lt;br /&gt;Best Production Design: Harley Jessup for &lt;span style="font-style: italic;"&gt;James And The Giant Peach&lt;/span&gt;&lt;br /&gt;Best Costume Design: Dona Granata for &lt;span style="font-style: italic;"&gt;Kansas City&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The English Patient&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;A Time To Kill&lt;/span&gt;&lt;br /&gt;Mechanical Actor: All the men in &lt;span style="font-style: italic;"&gt;She’s The One&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Maxine Bahns in &lt;span style="font-style: italic;"&gt;She’s The One&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1997&lt;/span&gt;&lt;br /&gt;Best Picture: (tie) &lt;span style="font-style: italic;"&gt;Crash&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Grosse Pointe Blank&lt;/span&gt;&lt;br /&gt;Best Director: David Cronenberg for &lt;span style="font-style: italic;"&gt;Crash&lt;/span&gt;&lt;br /&gt;Best Actor: John Cusack for &lt;span style="font-style: italic;"&gt;Grosse Pointe Blank&lt;/span&gt;&lt;br /&gt;Best Actress: Julie Christie in &lt;span style="font-style: italic;"&gt;Afterglow&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Kevin Spacey in &lt;span style="font-style: italic;"&gt;L. A. Confidential&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Christina Ricci in &lt;span style="font-style: italic;"&gt;The Ice Storm&lt;/span&gt;&lt;br /&gt;Best Screenplay: Neil LaBute for &lt;span style="font-style: italic;"&gt;In The Company Of Men&lt;/span&gt;&lt;br /&gt;Best Cinematography: Roger Deakins for &lt;span style="font-style: italic;"&gt;Kundun&lt;/span&gt;&lt;br /&gt;Best Music: (tie)  Eleni Karaindrou for &lt;span style="font-style: italic;"&gt;Ulysses’ Gaze&lt;/span&gt; and Michael Nyman for &lt;span style="font-style: italic;"&gt;Gattaca&lt;/span&gt;&lt;br /&gt;Best Production Design: (tie) Dan Weil for &lt;span style="font-style: italic;"&gt;The Fifth Element&lt;/span&gt; and Jan Roelfs for &lt;span style="font-style: italic;"&gt;Gattaca&lt;/span&gt;&lt;br /&gt;Best Costume Design: Denise Cronenberg for &lt;span style="font-style: italic;"&gt;Crash&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The Pillow Book&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Con Air&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Billy Zane in &lt;span style="font-style: italic;"&gt;Titanic&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Elisabeth Shue in &lt;span style="font-style: italic;"&gt;Deconstructing Harry&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Saint&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1998&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Best Director: (tie) Bill Condon for &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt; and Todd Solondz for &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt;&lt;br /&gt;Best Actor: Ian McKellen in &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Best Actress: Christina Ricci in &lt;span style="font-style: italic;"&gt;The Opposite Of Sex&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Dylan Baker in &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Lisa Kudrow in &lt;span style="font-style: italic;"&gt;The Opposite Of Sex&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Condon for &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Best Cinematography: Maryse Alberti for &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Velvet Goldmine&lt;/span&gt;&lt;br /&gt;Best Music: Carter Burwell for &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Best Production Design: Thérèse DePrez for &lt;span style="font-style: italic;"&gt;Happiness&lt;/span&gt;&lt;br /&gt;Best Costume Design: Bruce Finlayson for &lt;span style="font-style: italic;"&gt;Gods And Monsters&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Dangerous Beauty&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Stepmom&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Bruce Willis in &lt;span style="font-style: italic;"&gt;Armageddon, The Siege&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Mercury Rising&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Jena Malone in &lt;span style="font-style: italic;"&gt;Stepmom&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1999&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Fight Club&lt;/span&gt;&lt;br /&gt;Best Director: (tie) David Fincher for &lt;span style="font-style: italic;"&gt;Fight Club&lt;/span&gt; and Spike Jonze for &lt;span style="font-style: italic;"&gt;Being John Malkovich&lt;/span&gt;&lt;br /&gt;Best Actor: Terence Stamp in &lt;span style="font-style: italic;"&gt;The Limey&lt;/span&gt;&lt;br /&gt;Best Actress: (tie) Nicole Kidman in &lt;span style="font-style: italic;"&gt;Eyes Wide Shut&lt;/span&gt; and Hillary Swank in &lt;span style="font-style: italic;"&gt;Boys Don’t Cry&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Philip Seymour Hoffman in &lt;span style="font-style: italic;"&gt;Magnolia&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Talented Mr. Ripley&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Catherine Keener in &lt;span style="font-style: italic;"&gt;Being John Malkovich&lt;/span&gt;&lt;br /&gt;Best Screenplay: Alexander Payne and Jim Taylor for &lt;span style="font-style: italic;"&gt;Election&lt;/span&gt;&lt;br /&gt;Best Cinematography: Robert Richardson for &lt;span style="font-style: italic;"&gt;Bringing Out The Dead&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Snow Falling On Cedars&lt;/span&gt;&lt;br /&gt;Best Music: Trey Parker and Marc Shaiman for &lt;span style="font-style: italic;"&gt;South Park: Bigger, Longer &amp;amp; Uncut&lt;/span&gt;&lt;br /&gt;Best Production Design: Owen Paterson for &lt;span style="font-style: italic;"&gt;The Matrix&lt;/span&gt;&lt;br /&gt;Best Costume Design: Michael Kaplan for &lt;span style="font-style: italic;"&gt;Fight Club&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The World Is Not Enough&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;The Green Mile&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Kevin Spacey in &lt;span style="font-style: italic;"&gt;American Beauty&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Annette Bening in &lt;span style="font-style: italic;"&gt;American Beauty&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2000&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;L’ Humanite&lt;/span&gt;&lt;br /&gt;Best Director: (tie) Terence Davies for &lt;span style="font-style: italic;"&gt;The House Of Mirth&lt;/span&gt; and Jim Jarmusch for &lt;span style="font-style: italic;"&gt;Ghost Dog: Way Of The Samurai&lt;/span&gt;&lt;br /&gt;Best Actor: Forrest Whitaker in &lt;span style="font-style: italic;"&gt;Ghost Dog: Way Of The Samurai&lt;/span&gt;&lt;br /&gt;Best Actress: (tie) Severine Caneele in &lt;span style="font-style: italic;"&gt;L’ Humanite&lt;/span&gt; and Michelle Yeoh in &lt;span style="font-style: italic;"&gt;Crouching Tiger, Hidden Dragon&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Jack Black in &lt;span style="font-style: italic;"&gt;High Fidelity&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Jesus’s Son&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Lupe Ontiveros in &lt;span style="font-style: italic;"&gt;Chuck And Buck&lt;/span&gt;&lt;br /&gt;Best Screenplay: Kenneth Lonnergan for &lt;span style="font-style: italic;"&gt;You Can Count On Me&lt;/span&gt;&lt;br /&gt;Best Cinematography: Remi Adefarasin for &lt;span style="font-style: italic;"&gt;The House Of Mirth&lt;/span&gt;&lt;br /&gt;Best Music: RZA for &lt;span style="font-style: italic;"&gt;Ghost Dog: Way Of The Samurai&lt;/span&gt;&lt;br /&gt;Best Production Design: Gideon Ponte for &lt;span style="font-style: italic;"&gt;American Psycho&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Hamlet&lt;/span&gt;&lt;br /&gt;Best Costume Design: Monica Howe for &lt;span style="font-style: italic;"&gt;The House Of Mirth&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Mission Impossible 2&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;The Replacements&lt;/span&gt; (aka The Scabs)&lt;br /&gt;Mechanical Actor: Ian Holm in &lt;span style="font-style: italic;"&gt;Joe Gould’s Secret&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Charlize Theron in &lt;span style="font-style: italic;"&gt;Reindeer Games&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2001&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;The Werckmeister Harmonies&lt;/span&gt;&lt;br /&gt;Best Director: Bela Tarr for &lt;span style="font-style: italic;"&gt;The Werckmeister Harmonies&lt;/span&gt;&lt;br /&gt;Best Actor: John Cameron Mitchell for &lt;span style="font-style: italic;"&gt;Hedwig And The Angry Inch&lt;/span&gt;&lt;br /&gt;Best Actress: Naomi Watts in &lt;span style="font-style: italic;"&gt;Mulholland Drive&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Steve Buscemi in &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Scarlett Johansson in &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Man Who Wasn’t There&lt;/span&gt;&lt;br /&gt;Best Screenplay: Daniel Clowes and Terry Zwigoff for &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Best Cinematography: (tie) Peter Deming for &lt;span style="font-style: italic;"&gt;From Hell&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Mulholland Drive&lt;/span&gt; and Christopher Doyle and Mark Lee Ping-bin for &lt;span style="font-style: italic;"&gt;In The Mood For Love&lt;/span&gt;&lt;br /&gt;Best Music: Mihály Vig for &lt;span style="font-style: italic;"&gt;The Werckmeister Harmonies&lt;/span&gt;&lt;br /&gt;Best Production Design: Edward T. McAvoy for &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Best Costume Design: Mary Zophres for &lt;span style="font-style: italic;"&gt;Ghost World&lt;/span&gt;&lt;br /&gt;Sominex Award:&lt;br /&gt;Dramamine Award:&lt;br /&gt;Mechanical Actor:&lt;br /&gt;Mechanical Actress:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2002&lt;/span&gt;&lt;br /&gt;Best Picture: (tie) &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Son’s Room&lt;/span&gt;&lt;br /&gt;Best Director: (tie) Todd Haynes for &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt; and Aleksandr Sokurov for &lt;span style="font-style: italic;"&gt;Russian Ark&lt;/span&gt;&lt;br /&gt;Best Actor: Greg Kinnear in &lt;span style="font-style: italic;"&gt;Auto Focus&lt;/span&gt;&lt;br /&gt;Best Actress: (tie) Emmanuelle Devos in &lt;span style="font-style: italic;"&gt;Read My Lips&lt;/span&gt; and Julianne Moore in &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt; and Samantha Morton in &lt;span style="font-style: italic;"&gt;Minority Report&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Morvern Callar&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Eddie Izzard in &lt;span style="font-style: italic;"&gt;The Cat’s Meow&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Patricia Clarkson in &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Condon for &lt;span style="font-style: italic;"&gt;Chicago&lt;/span&gt;&lt;br /&gt;Best Cinematography: Tilman Büttner for &lt;span style="font-style: italic;"&gt;Russian Ark&lt;/span&gt;&lt;br /&gt;Best Music: Elmer Bernstein for &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt;&lt;br /&gt;Best Production Design: Mark Friedberg for &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt;&lt;br /&gt;Best Costume Design: Sandy Powell for &lt;span style="font-style: italic;"&gt;Far From Heaven&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Gangs Of New York&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;Naqoyqatsi&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;Bowling For Dollars&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Anthony Hopkins in &lt;span style="font-style: italic;"&gt;Red Dragon&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Catherine Keener in &lt;span style="font-style: italic;"&gt;Lovely And Amazing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2003&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Decasia&lt;/span&gt;&lt;br /&gt;Best Director: Bill Morrison for &lt;span style="font-style: italic;"&gt;Decasia&lt;/span&gt;&lt;br /&gt;Best Actor: Johnny Depp in &lt;span style="font-style: italic;"&gt;Pirates Of The Caribbean&lt;/span&gt;&lt;br /&gt;Best Actress: Hope Davis in &lt;span style="font-style: italic;"&gt;American Splendor&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Secret Lives Of Dentists&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Max Pirkis in &lt;span style="font-style: italic;"&gt;Master and Commander: The Far Side Of The World&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Ludivine Sagnier in &lt;span style="font-style: italic;"&gt;Swimming Pool&lt;/span&gt;&lt;br /&gt;Best Screenplay: Shari Springer Bergman and Robert Pulcini for &lt;span style="font-style: italic;"&gt;American Splendor&lt;/span&gt;&lt;br /&gt;Best Cinematography: Peter Suschitzky for &lt;span style="font-style: italic;"&gt;Spider&lt;/span&gt;&lt;br /&gt;Best Music: Michael Gordon for &lt;span style="font-style: italic;"&gt;Decasia&lt;/span&gt;&lt;br /&gt;Best Production Design: Andrew Laws for &lt;span style="font-style: italic;"&gt;Down With Love&lt;/span&gt;&lt;br /&gt;Best Costume Design: Daniel Orlandi for &lt;span style="font-style: italic;"&gt;Down With Love&lt;/span&gt;&lt;br /&gt;Sominex Award:&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;In My Skin&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Anthony Hopkins in &lt;span style="font-style: italic;"&gt;The Human Stain&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Nicole Kidman  in &lt;span style="font-style: italic;"&gt;The Human Stain&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2004&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best Director: Bill Condon for &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best Actor: Ethan Hawke in &lt;span style="font-style: italic;"&gt;Before Sunset&lt;/span&gt;&lt;br /&gt;Best Actress: Laura Linney in &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;P.S.&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Peter Sarsgaard in &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Kirsten Dunst in &lt;span style="font-style: italic;"&gt;Eternal Sunshine Of The Spotless Mind&lt;/span&gt;&lt;br /&gt;Best Screenplay: Bill Condon for &lt;span style="font-style: italic;"&gt;Kinsey&lt;/span&gt;&lt;br /&gt;Best Cinematography: Christopher Doyle for &lt;span style="font-style: italic;"&gt;Hero, Last Life In The Universe &lt;/span&gt;and &lt;span style="font-style: italic;"&gt;Days Of Being Wild&lt;/span&gt;&lt;br /&gt;Best Music: Alberto Iglesias for &lt;span style="font-style: italic;"&gt;Bad Education&lt;/span&gt;&lt;br /&gt;Best Production Design: Dante Ferretti for &lt;span style="font-style: italic;"&gt;The Aviator&lt;/span&gt;&lt;br /&gt;Best Costume Design: Emi Wada for &lt;span style="font-style: italic;"&gt;Hero&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;House Of The Flying Daggers&lt;/span&gt;&lt;br /&gt;Sominex Award: &lt;span style="font-style: italic;"&gt;The Village&lt;/span&gt;&lt;br /&gt;Dramamine Award: &lt;span style="font-style: italic;"&gt;The Passion Of The Christ&lt;/span&gt;&lt;br /&gt;Mechanical Actor: Cate Blanchett in &lt;span style="font-style: italic;"&gt;The Aviator&lt;/span&gt;&lt;br /&gt;Mechanical Actress: Anthony Hopkins in &lt;span style="font-style: italic;"&gt;Alexander&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2005&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;Mysterious Skin&lt;/span&gt;&lt;br /&gt;Best Director: Gregg Araki for &lt;span style="font-style: italic;"&gt;Mysterious Skin&lt;/span&gt;&lt;br /&gt;Best Actor: Joseph Gordon-Leavitt in &lt;span style="font-style: italic;"&gt;Mysterious Skin&lt;/span&gt;&lt;br /&gt;Best Actress: Maria Bello in &lt;span style="font-style: italic;"&gt;A History Of Violence&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Paddy Constantine in &lt;span style="font-style: italic;"&gt;My Summer Of Love&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Catherine Keener in &lt;span style="font-style: italic;"&gt;Capote&lt;/span&gt;&lt;br /&gt;Best Screenplay: Gregg Araki for &lt;span style="font-style: italic;"&gt;Mysterious Skin&lt;/span&gt;&lt;br /&gt;Best Cinematography: Robert Elswit for &lt;span style="font-style: italic;"&gt;Good Night And Good Luck&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Syriana&lt;/span&gt;&lt;br /&gt;Best Music: Howard Shore for &lt;span style="font-style: italic;"&gt;A History Of Violence&lt;/span&gt;&lt;br /&gt;Best Production Design: William Chang Suk Ping for &lt;span style="font-style: italic;"&gt;2046&lt;/span&gt;&lt;br /&gt;Best Costume Design: William Chang Suk Ping for &lt;span style="font-style: italic;"&gt;2046&lt;/span&gt;&lt;br /&gt;Sominex Award:&lt;br /&gt;Dramamine Award:&lt;br /&gt;Mechanical Actor:&lt;br /&gt;Mechanical Actress:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2006&lt;/span&gt;&lt;br /&gt;Best Picture: &lt;span style="font-style: italic;"&gt;L’Enfant&lt;/span&gt;&lt;br /&gt;Best Director: Jean-Pierre Dardenne and Luc Dardenne for &lt;span style="font-style: italic;"&gt;L’Enfant&lt;/span&gt;&lt;br /&gt;Best Actor: Ryan Gosling in &lt;span style="font-style: italic;"&gt;Half Nelson&lt;/span&gt;&lt;br /&gt;Best Actress: Maggie Cheung in &lt;span style="font-style: italic;"&gt;Clean&lt;/span&gt;&lt;br /&gt;Best Supporting Actor: Anthony Mackie in &lt;span style="font-style: italic;"&gt;Half Nelson&lt;/span&gt;&lt;br /&gt;Best Supporting Actress: Carmen Maura in &lt;span style="font-style: italic;"&gt;Volver&lt;/span&gt;&lt;br /&gt;Best Screenplay: (tie) Guillermo Del Toro for &lt;span style="font-style: italic;"&gt;Pan’s Labyrinth&lt;/span&gt; and Jean- Pierre Dardenne and Luc Dardenne for &lt;span style="font-style: italic;"&gt;L’Enfant&lt;/span&gt;&lt;br /&gt;Best Cinematography: Emmanuel Lubezki for &lt;span style="font-style: italic;"&gt;Children Of Men&lt;/span&gt;&lt;br /&gt;Best Production Design: Eugenio Caballero for &lt;span style="font-style: italic;"&gt;Pan’s Labyrinth&lt;/span&gt;&lt;br /&gt;Best Music: Philip Glass for &lt;span style="font-style: italic;"&gt;Notes On A Scandal&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Illusionist&lt;/span&gt;&lt;br /&gt;Best Costume Design: Sharon Davis for &lt;span style="font-style: italic;"&gt;Dreamgirls&lt;/span&gt;&lt;br /&gt;Sominex Award:
